The trouble with goats and sheep A novel

Joanna Cannon

Book - 2016

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FICTION/Cannon, Joanna
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Subjects
Genres
Mystery fiction
Bildungsromans
Published
New York : Scribner 2016.
Language
English
Main Author
Joanna Cannon (author)
Edition
First Scribner hardcover edition
Physical Description
353 pages ; 22 cm
ISBN
9781501121906
9781501121890
Contents unavailable.
Review by New York Times Review

I COMPILED TWO lists while reading "The Trouble With Goats and Sheep": (1) British Sweets and (2) British Television Shows From 1976. For a nonnative the challenge comes in deciding where to classify certain names. Angel Delight? Garibaldis? Tiswas? The Sweeney? Sweet or TV program? Hard to say. Mysteries abound in Joanna Cannon's first novel; most are far more regretful and wicked than a package of biscuits. A reader wonders what ugly crimes these saccharine distractions are trying to cover up. Cannon's intense specificity captures a world in amber, permitting intimate access to the pantries, gardens and garages of Britain's past. She revisits a moment when 82 degrees signaled a heat wave. A very ordinary, short street is anything but when examined closely enough. Cannon's microcosm is rife with tiny extraordinaries. Arabesque bacteria flourish in this petri dish as the handful of residents and their twisted joint history cultivate large questions. Who's responsible for violence? Where does God live? What does it mean to appear/disappear? The story is set in two decades, in 1967 and 1976. While each timeline features a disappearance - a baby and a middle-aged woman both go missing - these not-quite-palindromic years are less mirror images, more cause and effect. Something sinister has happened, and while most denizens of the avenue would like to keep the secret festering under wraps, the 10-year-olds plucky Grace and frail Tilly are not going to let it be. Like the Situationists before them, these best friends function as local anthropologists. Their youth offers invisibility as they observe their neighbors with outsider eyes, erasing familiarity's blind spots. Their search for both the missing Mrs. Creasy and God turns up a staggering number of unsuspected hidden truths as well as a drainpipe apparition of Jesus. Or perhaps it is just a creosote stain. Cannon is a mapmaker; her stories create an atlas. Through Tilly and Grace's investigations, points are plotted. Chapters are addresses, and each home on the block has a moment to tell about its inhabitants: the alcoholic mother; the bereaved gardener; the mortified widow; the Indian family new to the narrowminded neighborhood; Grace's own perplexed parents; and Walter, the eccentric who collects suspicions wherever he goes. As in Georges Perec's "Life: A User's Manual," the secrets of each household come to light revealing a sticky web of guilt and this ugly truth: Neighborhoods comfort through segregation. Proximity becomes surveillance. To be seen is to be judged on this window-lined street, and Mrs. Creasy's sudden absenting of her life starts to make sense. Perhaps disappeared is the only true state of being. "'He said that Mrs. Creasy is officially a Missing Person.' "'Missing from what?' "Thinking made my feet slower. 'Her life, I suppose.' "'How can you be missing from your own life?' "I slowed a little more. 'Missing from the life you belong in.' "Tilly stopped to pull up her socks. 'I wonder how you know which one that is.'" Jesus' manifestation births a driveway vigil, a Chautauqua of folding chairs and a struggle. Who sits closest to Jesus? This caldron of neighbors grows hot. At what temperature will community boil over into mob violence? Fear is contagious in small spaces. Common-denominator fictions rule. Cannon's book is so timely. As Britain prepares to leave the European Union, we are faced with questions of classification. What belongs where? Who owns what? And what hollow treats will be developed to distract us from the real crimes committed in the name of safety? Permitting intimate access to the pantries, gardens and garages of Britain's past. SAMANTHA HUNT'S latest novel, "Mr. Splitfoot," was published in January.

Copyright (c) The New York Times Company [September 14, 2016]
Review by Booklist Review

*Starred Review* During the hot English summer of 1976, Margaret Creasy goes missing, bewildering her husband, John, and worrying her neighbors. Some said it was because of the heat, but 10-year-old Gracie Bennett, who lives two doors down from the Creasys' house, thinks otherwise. After talking to the local vicar, Gracie and her best friend, Tilly, go looking for God, to make sure everyone is safe and to bring Mrs. Creasy back. The girls visit the homes in their small, tight-knit community, including that of Walter Bishop, who's shunned as a pervert who once took a baby and is viewed suspiciously for taking photographs, presumably of children. As the narrative toggles between 1976 and 1967, when a fire at Bishop's house killed his aged mother, it becomes clear that every house on the avenue holds secrets. And Mrs. Creasy knew them all. In a masterfully constructed plot, Gracie who sniffs out the lies told by her adult neighbors learns a lesson about loyalty and true friendship, as secrets born of shame are gradually revealed. This understated, somewhat quirky debut novel is remarkable for its structure, characterizations, pitch-perfect prose, touches of humor, and humanity. Cannon, a psychiatrist, is an author to watch.--Leber, Michele Copyright 2016 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

In her astute, engaging debut, Cannon uses the New Testament parable of the title (in which Jesus separates the good and evil on Judgment Day) to illustrate, wryly and with pinpoint accuracy, the righteous indignation and small-mindedness of a group of gossipy English suburbanites. The citizens ardently believe in their own goodness, and the evil of the man who lives at #11: Walter Bishop. It's 1976, during the hottest summer anyone can remember, when Margaret Creasy disappears. Most think Walter killed Margaret, but it's just as likely (or more) that someone else did; as everyone's confidante, Margaret knew about the secret punishments the citizens inflicted on Walter. Ten-year-old Grace takes a different approach, taking a local vicar at his word when he promises that if her neighbors find God, no one will be lost. She and her best friend, Tilly, will hunt for God-undercover-among their neighbors to find Margaret. Cannon, a psychiatrist, builds her narrative by slowly revealing backstories as the girls conduct their search, and the pieces of an entirely different sort of mystery than the one under investigation cleverly come together. This is an insightful, offbeat mystery. Agent: Sue Armstrong, Conville and Walsh Literary (U.K.). (July) © Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved
Review by Kirkus Book Review

In a small-town cul-de-sac in rural England, preteen Grace and her friend Tilly set out to find God. What they unknowingly uncover is an ugly neighborhood secret. Cannon's debut novel opens with the disappearance of the avenue's friendliest resident, Mrs. Creasey. Puzzled and worried, Grace approaches the church vicar, who responds with clichGod knows everyone's whereabouts. As Grace and Tilly search, Cannon's story is driven by the two girls intruding into an adult world, sometimes tentatively, sometimes brazenly. The novel is primarily set in the scorching summer of 1976, with flashbacks to events in 1967. The two threads merge to create an ominous, near-threatening aura, an oblique narrative haunted by things unsaid and shadowed references. Precocious Grace and fragile Tilly are well-nuanced protagonists, with a majority of chapters told from Grace's point of view. Cannon gives Grace a perceptive, insightful personality, as when she walks through a cemetery feeling "all the bones that were buried there had made wisdom grow in the soil" or when she and Tilly approach a schoolyard "where we dissolved into a spill of other children." Although dominated by Grace, Tilly is strong enough to be kinder and more empathetic. Adults scurry through the story, with blowsy Sheila Dakin forever sunning herself on her front lawn or the young widower Eric Lamb constantly nipping at a perfect garden or Walter Bishop resting uneasily at the heart of the secret. Ripe with symbolism and metaphorhypocrisy and rationalization reign when Tilly discovers Drainpipe Jesus, an apparitionCannon's sometimes-amorphous novel is a subjective sociological study with the air of a cozy mystery. A thoughtful tale of loyalty and friendship, family dynamics and human nature, and the cancer of buried truths. Copyright Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

The Trouble with Goats and Sheep NUMBER FOUR, THE AVENUE 21 June 1976 Mrs. Creasy disappeared on a Monday. I know it was a Monday, because it was the day the dustbin men came, and the avenue was filled with a smell of scraped plates. "What's he up to?" My father nodded at the lace in the kitchen window. Mr. Creasy was wandering the pavement in his shirtsleeves. Every few minutes, he stopped wandering and stood quite still, peering around his Hillman Hunter and leaning into the air as though he were listening for something. "He's lost his wife." I took another slice of toast, because everyone was distracted. "Although she's probably just finally buggered off." "Grace Elizabeth!" My mother turned from the stove so quickly, flecks of porridge turned with her and escaped onto the floor. "I'm only quoting Mr. Forbes," I said. "Margaret Creasy never came home last night. Perhaps she's finally buggered off." We all watched Mr. Creasy stare into people's gardens, as though Mrs. Creasy might be camping out in someone else's herbaceous border. My father lost interest and spoke into his newspaper. "Do you listen in on all our neighbors?" he said. "Mr. Forbes was in his garden, talking to his wife. My window was open. It was accidental listening, which is allowed." I spoke to my father, but addressed Harold Wilson and his pipe, who stared back at me from the front page. "He won't find a woman wandering around the avenue," my father said, "although he might have more luck if he tried at number twelve." I watched my mother's face argue with a smile. They assumed I didn't understand the conversation, and it was much easier to let them think that. My mother said I was at an awkward age. I didn't feel especially awkward, so I presumed she meant it was awkward for them. "Perhaps she's been abducted," I said. "Perhaps it's not safe for me to go to school today." "It's perfectly safe," my mother said, "nothing will happen to you. I won't allow it." "How can someone just disappear?" I watched Mr. Creasy marching up and down the pavement. His shoulders were heavy and he studied his shoes as he walked. "Sometimes people get confused and need their own space." My mother spoke to the stove. "Margaret Creasy was confused all right." My father turned to the sports section and snapped at the pages until they were straight. "She asked far too many questions. You couldn't get away from her rabbiting on." "She was just interested in people, Derek. You can feel lonely, even if you're married. And they had no children." My mother looked over at me as though she were considering whether the last bit made any difference at all, and then she spooned porridge into a large bowl with purple hearts all around the rim. "Why are you talking about Mrs. Creasy in the past tense?" I said. "Is she dead?" "No, of course not." My mother put the bowl on the floor. "Remington," she shouted, "Mummy's made your breakfast." Remington padded into the kitchen. He used to be a Labrador, but he'd become so fat, it was difficult to tell. "She'll turn up," said my father. He'd said the same thing about next door's cat. It disappeared years ago, and no one had seen it since. * * * Tilly was waiting by the front gate, in a sweater which had been hand-washed and stretched to her knees. She'd taken the bobbles out of her hair, but it stayed in the exact same position as if they were still there. "The woman from number eight has been murdered," I said. We walked in silence down the avenue, until we reached the main road. We were side by side, although Tilly had to take more steps to keep up. "Who lives at number eight?" she said, as we waited for the traffic. "Mrs. Creasy." I whispered, in case Mr. Creasy had extended his search. "I liked Mrs. Creasy. She was teaching me to knit. We did like her, Grace, didn't we?" "Oh yes," I said, "very much." We crossed the road opposite the alley next to Woolworth's. It wasn't yet nine o'clock, but the pavements were dusty hot, and I could feel the material of my shirt sticking to the bones in my back. People drove their cars with the windows down, and fragments of music littered the street. When Tilly stopped to change her school bag to the other shoulder, I stared into the shop window. It was filled with stainless-steel pans. "Who murdered her?" A hundred Tillys spoke to me from the display. "No one knows." "Where are the police?" I watched Tilly speak through the saucepans. "I expect they'll be along later," I said. "They're probably very busy." We climbed the cobbles in sandals which flapped on the stones. In winter ice, we clung to the rail and to each other, but now the alley stretched before us, a riverbed of crisp packets and thirsty weeds, and floury soil which dirtied our toes. "Why are you wearing a sweater?" I said. Tilly always wore a sweater. Even in scorched heat, she would pull it over her fists and make gloves from the sleeves. Her face was handkerchief-white, and sweat had pulled slippery, brown curls onto her forehead. "My mother says I can't afford to catch anything." "When is she going to stop worrying?" It made me angry, and I didn't know why, which made me even angrier, and my sandals became very loud. "I doubt she ever will," said Tilly. "I think it's because there's only one of her. She has to do twice the worrying, to keep up with everyone else." "It's not going to happen again." I stopped and lifted the bag from her shoulder. "You can take your sweater off now." She stared at me. It was difficult to read Tilly's thoughts. Her eyes hid behind thick, dark-rimmed glasses, and the rest of her gave very little away. "Okay," she said, and took off her glasses. She pulled the sweater over her head, and, when she appeared on the other side of the wool, her face was red and blotchy. She handed me the sweater, and I turned it the right way, like my mother did, and folded it over my arm. "See," I said, "it's perfectly safe. Nothing will happen to you. I won't allow it." The sweater smelled of cough medicine and unfamiliar soap. I carried it all the way to school, where we dissolved into a spill of other children. * * * I have known Tilly Albert for a fifth of my life. She arrived two summers ago in the back of a large, white van, and they unloaded her along with a sideboard and three easy chairs. I watched from Mrs. Morton's kitchen, while I ate a cheese scone and listened to a weather forecast for the Norfolk Broads. We didn't live on the Norfolk Broads, but Mrs. Morton had been there on holiday, and she liked to keep in touch. Mrs. Morton was minding me. Will you just sit with Grace while I have a little lie-down, my mother would say, although Mrs. Morton didn't sit very much at all, she dusted and baked and looked through windows instead. My mother spent most of 1974 having a little lie-down, and so I was minded by Mrs. Morton quite a lot. I stared at the white van. "Who's that then?" I said, through a mouthful of scone. Mrs. Morton pressed on the lace curtain, which hung halfway down the window on a piece of wire. It dipped in the middle, exhausted from all the pressing. "That'll be the new lot," she said. "Who are the new lot?" "I don't know." She dipped the lace down a little further. "But I don't see a man, do you?" I peered out. There were two men, but they wore overalls and were busy. The girl who had appeared from the back of the van continued to stand on the pavement. She was small and round and very pale, like a giant, white pebble, and was buttoned into a raincoat right up to her neck, even though we hadn't had rain for three weeks. She pulled a face, as though she were about to cry, then leaned forwards and was sick all over her shoes. "Disgusting," I said, and took another scone. * * * By four o'clock, she was sitting next to me at the kitchen table. I had fetched her over because of the way she sat on the wall outside her house, looking as though she'd been misplaced. Mrs. Morton got the dandelion and burdock out, and a new packet of Penguins. I didn't know then that Tilly didn't like eating in front of people, and she held on to the bar of chocolate until it leaked between her fingers. Mrs. Morton spat on a tissue and wiped Tilly's hands, even though there was a tap three feet away. Tilly bit her lip and looked out of the window. "Who are you looking for?" I said. "My mother." Tilly turned back and stared at Mrs. Morton, who was spitting again. "I just wanted to check she's not watching." "You're not looking for your father?" said Mrs. Morton, who was nothing if not an opportunist. "I wouldn't know where to look." Tilly wiped her hands very discreetly on her skirt. "I think he lives in Bristol." "Bristol?" Mrs. Morton put the tissue back into her cardigan sleeve. "I have a cousin who lives in Bristol." "Actually, I think it might be Bournemouth," said Tilly. "Oh." Mrs. Morton frowned. "I don't know anyone who lives there." "No," Tilly said, "neither do I." * * * We spent our summer holiday at Mrs. Morton's kitchen table. After a while, Tilly became comfortable enough to eat with us. She would spoon mashed potato into her mouth very slowly, and steal peas as we squeezed them from their shells, sitting over sheets of newspaper on the living room carpet. "Don't you want a Penguin or a Club?" Mrs. Morton was always trying to force chocolate on to us. She had a tin-full in the pantry and no children of her own. The pantry was cavernous and heaved with custard creams and fingers of fudge, and I often had wild fantasies in which I would find myself trapped in there overnight and be forced to gorge myself to death on Angel Delight. "No, thank you," Tilly said through a very small mouth, as if she were afraid that Mrs. Morton might sneak something in there when no one was looking. "My mother said I shouldn't eat chocolate." "She must eat something," Mrs. Morton said later, as we watched Tilly disappear behind her front door. "She's like a little barrel." * * * Mrs. Creasy was still missing on Tuesday, and she was even more missing on Wednesday, when she'd arranged to sell raffle tickets for the British Legion. By Thursday, her name was being passed over garden fences and threaded along the queues at shop counters. What about Margaret Creasy, then? someone would say. And it was like firing a starting pistol. My father spent his time stored away in an office on the other side of the town, and always had to have the day explained to him when he got home. Yet each evening, my mother asked if he had heard any news about Mrs. Creasy, and each evening he would sigh from the bottom of his lungs, shake his head, and go and sit with a bottle of pale ale and Kenneth Kendall. * * * On Saturday morning, Tilly and I sat on the wall outside my house and swung our legs like pendulums against the bricks. We stared at the Creasys' house. The front door was ajar, and all the windows were open, as if to make it easier for Mrs. Creasy to find her way back inside. Mr. Creasy was in his garage, pulling boxes from towers of cardboard, and examining their contents one by one. "Do you think he murdered her?" said Tilly. "I expect so," I said. I paused for a moment, before I allowed the latest bulletin to be released. "She disappeared without taking any shoes." Tilly's eyes bulged like a haddock. "How do you know that?" "The woman in the post office told my mother." "Your mother doesn't like the woman in the post office." "She does now," I said. Mr. Creasy began on another box. With each one, he was becoming more chaotic, scattering the contents at his feet and whispering an uncertain dialogue to himself. "He doesn't look like a murderer," said Tilly. "What does a murderer look like?" "They usually have mustaches," she said, "and are much fatter." The smell of hot tarmac pinched at my nose, and I shifted my legs against the warmth of the bricks. There was nowhere to escape the heat. It was there every day when we awoke, persistent and unbroken, and hanging in the air like an unfinished argument. It leaked people's days onto pavements and patios and, no longer able to contain ourselves within brick and cement, we melted into the outside, bringing our lives along with us. Meals, conversations, arguments were all woken and untethered and allowed outdoors. Even the avenue itself had changed. Giant fissures opened on yellowed lawns and paths felt soft and unsteady. Things which had been solid and reliable were now pliant and uncertain. Nothing felt sure anymore. The bonds which held things together were destroyed by the temperature--this is what my father said--but it felt more sinister than that. It felt as though the whole avenue was shifting and stretching, and trying to escape itself. A fat housefly danced a figure of eight around Tilly's face. "My mum says Mrs. Creasy disappeared because of the heat." She brushed the fly away with the back of her hand. "My mum says the heat makes people do strange things." I watched Mr. Creasy. He had run out of boxes, and was crouched on the floor of his garage, still and silent, and surrounded by debris from the past. "I think it probably does," I said. "My mum says it needs to rain." "I think she's probably right." I looked at the sky, which sat like an ocean above our heads. It wouldn't rain for another fifty-six days. Excerpted from The Trouble with Goats and Sheep by Joanna Cannon All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.