Furthermore

Tahereh Mafi

Book - 2016

"Twelve-year-old Alice Queensmeadow, with the help of her friend Oliver, travels through the dangerous, magical land of Furthermore in order to rescue her missing father and prove her own magical abilities"--

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Subjects
Published
New York, NY : Dutton Children's Books [2016]
Language
English
Main Author
Tahereh Mafi (author)
Physical Description
401 pages : illustrations ; 22 cm
Audience
840L
ISBN
9781101994764
Contents unavailable.
Review by New York Times Review

ALICE ALEXIS QUEENSMEADOW is born with no color - hair and skin as white as milk, only a touch of honey in her eyes. This might not be so significant had she not been born into a world where color is everything. In Tahereh Mafi's "Furthermore," the land of Ferenwood is drenched in color, which its colorful citizens use like currency, right along with magic. Poor, colorless Alice is looked down upon and underestimated because of her pallor. Her father, the one person who believes in her, has mysteriously disappeared, having taken with him only a ruler, and leaving Alice with a grief-stricken mother who does not care for her or seem to love her. Alice determines to win the "Surrender," a test in which the 12-year-old children of Ferenwood perform special bits of magic. All who pass are given tasks to complete, matched to their magical abilities. But not only is she not declared the winner, Alice fails the test entirely. Despairing, and with few other options, she embarks on a journey to find her father. Luckily - for her, and for this book's readers - she discovers Furthermore, a place so full of enchanting beauty and topsy-turvy adventure, it even calls to mind Wonderland and Oz. As she sets out on her quest, Alice teams up with Oliver Newbanks, a boy she despises for his rudeness and deceitful nature. But he claims he knows where her father is - and as it turns out, Oliver has been assigned the task of finding him, but needs Alice's help in order to succeed. It's Oliver who leads her to Furthermore, where the rules change at every turn and some citizens eat outsiders (yes, as in cannibalism) in order to absorb their magic. Together they travel through various lands of Furthermore -- Slumber, Still and the land of Left (which hasn't had a visitor for 56 years, the land of Right being the more often preferred). Alice struggles to survive, without much thanks to Oliver, who holds his knowledge of Furthermore over Alice's head, doling it out in bits and pieces only when backed into a corner. There is adventure and danger at every turn, upside-down rules and twisted logic, but Alice perseveres for the love of her father. In the end, her inner journeys - of self-acceptance and of her developing friendship with Oliver - prove every bit as complex and difficult as the trip through Furthermore. Mafi is the author of the best-selling young adult Shatter Me series, for which she created a fast-paced dystopian world packed with action and romance. In "Furthermore" she ventures for the first time into middle-grade territory, and she appears to have transformed as a writer in the process. Her prose is as fresh and fragrant as the flowers her characters eat, the descriptions so vibrant that at times one can practically smell the words on the page: "Some evenings all the unspoken hurts piled high on their plates and they ate sorrow with their syrup"; "Raindrops shimmered, suspended, like the air wore earrings, and thousands at a time." Mafi's young adult novels contain hints of this talent, but in "Furthermore" it seems fully unleashed, and it's a joy to read. Not all the pretty words are completely effective, however. The descriptions are often lengthy and indulgent, making the story somewhat convoluted. Some significant plot points and revelations are diluted by too much detail and information. Mafi also uses an interrupting narrative style ("Dear Reader: You should know that Alice, a decidedly proud girl, wouldn't approve of my sharing this personal information with you") that evokes Adam Gidwitz's "A Tale Dark and Grimm" or Lemony Snicket's A Series of Unfortunate Events. While this device is occasionally witty and amusing, unfortunately it doesn't work as well as it does in those books. Her narration is a bit distracting, often spoon-feeding the reader chunks of exposition that weigh down the forward movement of the story, especially in the beginning. It takes a long time to get to Furthermore, where the real adventure begins, and impatient readers might not make it that far. But patience will be rewarded. The characters come alive, and the story bears out its themes of friendship, family and self-acceptance. What makes this book truly sing is the lush world Mafi has created, brimming with color and magic. Alice, white as milk, lives in a land drenched in color. Its citizens use it like currency. LIESL SHURTLIFF is the author of "Red: The True Story of Red Riding Hood."

Copyright (c) The New York Times Company [September 18, 2016]
Review by Booklist Review

The land of Ferenwood celebrates color, magic, and rationality. It is a small tragedy, therefore, that 12-year-old Alice Queensmeadow was born without color from her cottony hair to her milky white toes or any apparent magical ability. Her long-awaited chance for adventure comes when Oliver Newbanks reveals that he's found Alice's missing father in the peculiar land of Furthermore, but needs her help with the rescue. Unlike Ferenwood, Furthermore is characterized by reckless magic, danger, and baffling rules that the two must navigate for their quest to succeed. So, too, Alice and Oliver must overcome past differences and learn to trust each other. Mafi (Shatter Me, 2011) constructs her world with kaleidoscopic imagination that recalls Lewis Carroll's Wonderland and Norton Juster's Lands Beyond. Readers will encounter rain-light-dappled skies, sugared air, and a live origami fox; but as delightful as these details are, the descriptive passages impinge on the plot, causing it to drag. Nevertheless, the engaging writing and spirited protagonist will whisk away readers with a penchant for whimsy and world building.--Smith, Julia Copyright 2016 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

In the land of Ferenwood, color is everything, and all the residents are brightly hued, except 12-year-old Alice Alexis Queensmeadow, who is devoid of color and feels like an outcast. To make matters worse, Alice's father went missing three years ago, and she misses him terribly. When Oliver, a boy who made fun of Alice when she was younger, unexpectedly tells her he knows where her father is, she is skeptical but follows him to the land of Furthermore, where the rules of magic are entirely different, everything is illogical and topsy-turvy, and danger lurks around every corner. Voice actor Pinchot is a natural storyteller, and his reading of Mafi's middle grade fantasy is utterly delightful: his voice is lively, engaging, and whimsical, especially when tossing off the many first-person conversational asides of the story's unnamed narrator ("She needed Alice to find the ferenberries-I'll explain why later"; "We are coming upon the last bit of our story now... and I'm feeling bittersweet about it.") This imaginative tale is even more fun and magical in the voice of Pinchot. Ages 9-12. A Dutton hardcover. (Sept.) © Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved
Review by School Library Journal Review

Gr 5-7The vibrant world of Ferenwood is mystified when Alice is born with barely a touch of color. Bullied for her lack of pigmentation and apparently missing magic skills, Alice is convinced that she will be exiled from Ferenwood following her day of Surrender. Surrender is the day when 12-year-olds showcase their magical talents to the citizens of Ferenwood and are then ranked based on their ability to better the world. When Alice receives a zero, she is distraught. If only her father-who disappeared years before-had been there, Alice surely would have succeeded. Enter Oliver. Armed with his talents of persuasion, he has been tasked with finding Alice's father, but he can't do it alone. He needs Alice's special gift to travel the dangerous, uncharted land of Furthermore. The audio version of what could be a captivating tale falls a bit short with the dreary, monotone narration. Alice's voice becomes a bit lifeless at times, and it can be a stretch to imagine the colorful world. The conclusion leaves room for additional installments. VERDICT A solid story for fans of fractured fairy tales, once listeners get used to the narration. Give to fans of Adam Gidwitz's "Sisters Grimm" series. ["An unusually imaginative, entertaining fantasy with mostly minor deficiencies that prevent it from becoming pure magic": SLJ 6/16 review of the Dutton book.]Amanda Schiavulli, Finger Lakes Library System, NY © Copyright 2017. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

A 12-year-old girl who doesn't fit into her own world embarks on a harrowing quest with a boy she doesn't trust to find her missing father.With white hair and skin, quirky Alice Queensmeadow's an oddity in colorful, magical Ferenwood. Since her father's mysterious disappearance "unzipped her from top to bottom," Alice finds life full of "unspoken hurts." Alice hopes to prove herself in the annual Surrender, when 12-year-olds demonstrate their unique magical talents. Humiliated by her disappointing performance and with "nothing left to lose and an entire father to find," Alice accepts an invitation from brown-skinned Oliver, a boy she distrusts, to help him bring home her father. Together they descend to alien Furthermore, starting with Slumber, the first of many peculiar villages they will encounter, each with arbitrary rules they must follow. Learning Oliver has deceived her, Alice ditches him but quickly discovers they need each other to survive and find her father. Told in rich, luscious, clever prose by an omniscient narrator whose chatty asides warn and inform, Alice's remarkable adventure transports her across bizarre landscapes where she eventually realizes how wonderful it is to be herself and to have a friend she can trust.An original new Alice confronts her own wonderland in this smashing fantasy. (Fantasy. 9-12) Copyright Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

The sun was raining again. Soft and bright, rainlight fell through the sky, each drop tearing a neat hole in the season. Winter had been steady and predictable, but it was quite poked through now, and spring was peeking out from underneath it. The world was ready for a change. The people of Ferenwood were excited for spring, but this was to be expected; they had always been fond of predictable, reliable sorts of changes, like night turning into day and rain turning into snow. They didn't much care for night turning into cake or rain turning into shoelaces, because that wouldn't make sense, and making sense was terribly important to these people who'd built their lives around magic. And squint as they might, it was very difficult for them to make any sense of Alice. Alice was a young girl and, naturally, she was all the things you'd expect a young girl to be: smart and lively and passionate about any number of critical issues. But Alice was also lacking a great deal of something important, and it was this--her lack of something important--that made her so interesting, and so very unusual. More on that soon. *** The afternoon our story begins, the quiet parts of being alive were the busiest: wind unlocking windows; rainlight nudging curtains apart; fresh-cut grass tickling unsocked feet. Days like this made Alice want to set off on a great adventure, and--at almost twelve years old--she'd very nearly figured out how to fashion one together. The annual Surrender was only a single pair of days away, and Alice--who was determined to win--knew it was her chance to set sail for something new. She was on her way home now, occasionally peeking over her shoulder at the glittering town in the distance. The village square was undergoing no small transformation in honor of the upcoming festivities, and the clamor of instruction and construction rang out across the hills. Alice jumped from flagstone to flagstone, her face caught in the rainlight glow, her hands grasping for a touch of gold. The town's excitement was contagious, and the air was so thick with promise Alice could almost bite into it. She smiled, cheeks appled in delight, and stared up at the sky. The light was beginning to spark and fade, and the clouds were still hard at work weaving together, breaking and building as they had been all week. One more day of this, Alice thought, and everything would change. She couldn't wait. She'd moved on to the main road now, a dirt path flanked by green. She held tight to her basket as neighbors passed, nodding hello and waving good-bye, happy to have remembered her clothes today. Mother was always bothering her about that. Alice plucked a tulip from her pocket and bit off the top. She felt the petals pressing against her tongue; she could taste the velvet, the magenta of it all. She closed her eyes and licked her lips before biting into the stem. Not quite green but brighter, more vibrant; there was a song in that color and she could feel it singing inside of her. She bent down to greet a blade of grass and whispered,Hello, me too, me too, we're still alive. Alice was an odd girl, even for Ferenwood, where the sun occasionally rained and the colors were brighter than usual and magic was as common as a frowning parent. Her oddness was evident even in the simplest things she did, though most especially in her inability to walk home in a straight line. She stopped too many times, wandering off the main path, catching deep breaths and holding them, too selfish to let them go. She spun until her skirts circled around her, smiling so wide she thought her face would break and blossom. She hopped around on tiptoe, and only when she could stand it no longer would she exhale what wasn't hers to keep. Alice would grow up to be a wildflower, Father once said to her. A wildflower in flowing skirts, braided hair dancing from head to knee. She'd always hoped that he was right, that maybe Mother had gotten it wrong, that Alice was never meant to be such a complicated thing with all these limbs and needs. She often wanted to plant herself back into the earth to see if she'd grow into something better this time, maybe a dandelion or an oak tree or a walnut no one could crack. But Mother insisted (the way she often did) that Alice must be a girl, and so she was. Alice didn't like Mother very much. She found her a bit old and confusing, and didn't like the way Mother worried about walls and doors and the money that put them there. But Alice loved Mother, too, in the way that children did. Mother was soft and warm, and Mother's smiles came easily when she looked at Alice. Anger and tears, too, but those Alice never cared for. Alice gripped her basket tighter and danced down the road to a song she found in her ear; her toes warmed the earth, and her hair, too heavy for her head, tried to keep up. Her bangles mimicked the rain, simple melodies colliding in the space between elbows and wrists. She closed her eyes. She knew this dance the way she knew her own name; its syllables found her, rolled off her hips with an intimacy that could not be taught. This was her skill, her talent, her great gift to Ferenwood. It was her ticket to greatness. She'd been practicing for years and years and was determined that it would not be for nothing. It would not b-- "Hey there! What are you doing?" Alice startled. Something tripped and fell, and she looked around in dismay to realize it had been her. Crumpled skirts and silent bangles, the rainlight gone from the sky. She was late. Mother would be upset again. "Hey!" The same voice as before. "What are you--" Alice gathered her skirts and fumbled in the dark for her basket, reaching blindly as panic set in. Don't talk to strangers, Mother had always said--especially strange men.Being afraid meant it was okay to forget your manners. If you're afraid, you never have to be nice. Do you understand? Alice had nodded. And now Mother was not here and she could not explain why, exactly, but Alice was afraid. So she did not feel the need to be nice. The stranger wasn't much of a man at all, it turned out. More like a boy. Alice wanted to tell him very firmly to go away, but she'd somehow gotten it into her head that being quiet meant being invisible and so she prayed that her silence would somehow make him blind, instead of louder. Unfortunately, her wish seemed to work on both of them. The sun had folded itself away and the moon was in no hurry to replace it. Darkness engulfed her. Alice's basket was nowhere to be felt or found. She was very worried. Suddenly Alice understood all about being worried and she promised herself she would never judge Mother for being worried all the time. Suddenly she understood that it is a very hard thing, to be afraid of things, and that it takes up so much time. Suddenly she understood why Mother rarely got around to doing the dishes. "Does this belong to you?" Alice turned just a bit and found a chest in her face. There was a chest in her face and a heart in that chest and it was beating quite hard. She could hear the pitters, the patters--the blood rushing around in ebbs and flows.Don't be distracted, she told herself, begged herself. Think of Mother. But, oh. What a heart. What a symphony inside that body. Alice gasped. He'd touched her arm, so, really, she had no choice but to punch him. Her bangles were helpful in this regard. She punched and kicked and screamed a little and she wrenched her basket from his hands and she ran all the way home, out of breath and a little excited, so glad the moon had finally decided to join her. *** Alice never did get to tell Mother her story. Mother was so upset Alice was late that she nearly bit off her daughter's hands. She didn't give Alice a chance to explainwhy her skirts were dirty or why the basket had broken (only a little bit, really) orwhy her hair was so full of grass. Mother made a terrible face and pointed to a chair at the table and told Alice that if she was late one more time she would knot her fingers together. Again. Oh, Mother was always threatening her. Threatening made Mother feel better but made Alice feel bored. Alice usually ignored Mother's threats (If you don't eat your breakfast I will whisk you into an elephant,she once said to her, and Alice half hoped she really would), but then one time Alice took her clothes off at the dinner table and Mother threatened to turn her into aboy, and that scared her so dizzy that Alice kept on her outerthings for a whole week after that. Since then, Alice had often wondered whether her brothers had been boys to begin with, or whether they'd just been naughty enough to deserve being tricked into it. *** Mother was unpacking Alice's basket very carefully, paying far more attention to its contents than to any of her four children sitting at the worn kitchen table. Alice ran her hands along its weathered top, the bare boards rubbed smooth from years of use. Father had made this table himself, and Alice often pretended she could remember the day he built it. That was silly of course; Father had built it long before she was born. She glanced toward his place at the table. His chair was empty--as it had grown accustomed to being--and Alice dropped her head, because sadness had left hinges in her bones. With some effort she managed to look up again, and when she did, she found her brothers, whose small forms took up the three remaining chairs, staring at her expectantly, as though she might turn their tunics into turnips. On any other occasion she would've liked to, had she been so inclined, but Mother was already quite mad and Alice did not want to sleep with the pigs tonight. Alice was beginning to realize that while she didn't much like Mother, Mother didn't much like her, either. Mother didn't care for the oddness of Alice; she wasn't a parent who was predisposed to liking her children. She didn't find their quirks endearing. She thought Alice was a perfectly functional, occasionally absurd child, but on an honest afternoon Mother would tell you that she didn't care for children, never had, not really, but here they were. (There were plenty of nice things Mother had said about Alice, too, but Mother was never very good at making sure she said those things out loud.) Alice picked out a blossom from her dinner and dropped it on her tongue, rolling the taste of it around in her mouth. She loved blossoms; one bite and she felt refreshed, ready to begin again. Mother liked dipping them in honey, but Alice preferred the unmasked taste. Alice liked truth: on her lips and in her mouth. The kitchen was warm and cozy, but only halfheartedly. Alice and Mother did their best in the wake of Father's absence, but some evenings all the unspoken hurts piled high on their plates and they ate sorrow with their syrup without saying a word about it. Tonight wasn't so bad. Tonight the stove glowed lavender as Mother stoked the flames and tossed in some of the berries Alice had collected. Soon the whole house smelled of warm figs and peppermints and Alice was certain that if she tried, she could lick the air right out of the room. Mother was smiling, finally content. Ferenberries always succeeded in reminding Mother of happier times with Father, of days long ago when all was safe and all was good. The berries were a rare treat for those lucky enough to find them (they were a fruit especially difficult to procure), but in Father's absence Mother had become obsessed. The trouble was, she needed Alice to find the ferenberries (I'll explain why later), and Alice always did, because life at home had been so much better since the berries. Alice had been late and she'd been lazy, messy and argumentative, but she had never not come home with the berries. She almost hadn't tonight. Alice always felt Mother was using her for the berries; she knew they were the only medicine that helped Mother's heart in Father's absence. Alice knew Mother needed her, but she did not feel appreciated; and though she felt sad for Mother, she felt more sorry than sad. She wanted Mother to grow up--or maybe grow down--into the mother she and her brothers really needed. But Mother could not unbecome herself, so Alice was resigned to loving and disliking her just as she was, for as long as she could bear it. Soon, Alice thought, very soon, she would be on her way to something better. Something bigger. The seasons were changing in Ferenwood, and Alice had waited long enough. She would win the Surrender and she would show Mother she could make her own way in the world and she would never need a pair of stockings again. She would be an explorer! An inventor! No--a painter! She would capture the world with a few broad strokes! Her hand moved of its own accord, making shapes in her honey-laden plate. Her arm flew up in a moment of triumph and her paintbrush fork flew from her hands only to land, quite elegantly, in her brother's hair. Alice ducked down in her chair, the future forgotten, as Mother came at her with a ladle. Oh, she would be sleeping with the pigs tonight. Excerpted from Furthermore by Tahereh Mafi All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.