The Underground Railroad A novel

Colson Whitehead, 1969-

Large print - 2016

A magnificent tour de force chronicling a young slave's adventures as she makes a desperate bid for freedom in the antebellum South.

Saved in:

1st Floor Show me where

LARGE PRINT/FICTION/Whitehead, Colson
0 / 2 copies available
Location Call Number   Status
1st Floor LARGE PRINT/FICTION/Whitehead, Colson Due Dec 6, 2024
1st Floor LARGE PRINT/FICTION/Whitehead, Colson Due Dec 20, 2024
Subjects
Genres
Historical fiction
Published
[New York] : Random House Large Print [2016]
Language
English
Main Author
Colson Whitehead, 1969- (-)
Edition
First large print edition
Item Description
"Oprah's Book Club : 2016 selection" -- cover.
Physical Description
417 pages (large print) ; 24 cm
ISBN
9781524736309
Contents unavailable.
Review by New York Times Review

THE UNDERGROUND RAILROAD, by Colson Whitehead. (Anchor, $16.95.) Whitehead's boldly inventive novel follows Cora, a slave in Georgia making her escape to freedom on a literal underground railroad. As she encounters horror after horror, the story trains an eye on aspects of black history too often co-opted by white narrators. This book, one of the Book Review's 10 best of 2016, won the Pulitzer Prize for Fiction in 2017. CANNIBALISM: A Perfectly Natural History, by Bill Schutt. (Algonquin, $16.95.) It wasn't just the Donner party. Cannibalism is often the rule, not the exception, for many species. Schutt's breezy tone helps keep disgust at bay, and the book is full of surprising detail: In China, for example, elites during the Yuan dynasty (1271-1368) regularly feasted on humans, and the practice continued well into the late 1960s. A PIECE OF THE WORLD, by Christina Baker Kline. (William Morrow/HarperCollins, $16.99.) Kline imagines the inner life of the woman with polio crawling across a desolate field in Andrew Wyeth's iconic painting, "Christina's World." "Both painter and writer have a fine-grained feel for the setting," our reviewer, Becky Aikman, wrote. "Christina's yearning, her determination, her will to dream, occupy the emotional center in both the novel and the painting." PHENOMENA: The Secret History of the U.S. Government's Investigation Into Extrasensory Perception and Psychokinesis, by Annie Jacobsen. (Back Bay/Little, Brown, $17.99.) For decades, the military has tried to harness the supernatural - to find hostages, for example, or to read foreign governments' minds. Jacobsen's account is full of entertaining anecdotes; she catalogs the seers, the spoon-benders and the researchers who administered ESP tests to plants, all funded in the interest of national security. ILL WILL, by Dan Chaon. (Ballantine, $17.) This dark literary thriller deals with recovered memories, satanistic ritual and childhood trauma. Dustin, a psychologist in his 40s, is grappling with a tragic past: His parents, aunt and uncle were murdered and his adopted brother, Rusty, was convicted of the crime. But new DNA evidence helped overturn the ruling, and Rusty's exoneration stirs up long-repressed guilt and fear. MY UTMOST: A Devotional Memoir, by Macy Halford. (Vintage, $17.) "My Utmost for His Highest," a book loved by evangelicals, was central to Halford's faith when she was growing up. Years later, as her beliefs shifted, she investigated the book's origins and its author, Oswald Chambers. Her memoir is both a mediation on "a complicated nostalgia" for the faith of her childhood and an intellectual biography of Chambers.

Copyright (c) The New York Times Company [July 29, 2018]
Review by Publisher's Weekly Review

Audiobook fans will certainly not be disappointed by versatile actor Turpin's performance of Whitehead's powerful historical novel, which tells the story of Cora, a teenage slave girl who lives on a cotton plantation in 1850s Georgia. After several public whippings by the plantation's new owner, she decides to flee north on the Underground Railroad. Turpin manages to shift between the ages, races, and accents of the large cast of characters with remarkable ease. Her turn as Cora mesmerizes with its display of conflicting emotions and attachments. Yet she is equally gifted in her depiction of white slave catcher Ridgeway, Cora's longtime nemesis, whose cruelty is made all the more chilling given his curious eccentricities. Turpin takes great pains to handle the nuances of dialect without resorting to caricature. A Doubleday hardcover. (Aug.) © Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved

THE first time Caesar approached Cora about running north, she said no. This was her grandmother talking. Cora's grandmother had never seen the ocean before that bright afternoon in the port of Ouidah and the water dazzled after her time in the fort's dungeon. The dungeon stored them until the ships arrived. Dahomeyan raiders kidnapped the men first, then returned to her village the next moon for the women and children, marching them in chains to the sea two by two. As she stared into the black doorway, Ajarry thought she'd be reunited with her father, down there in the dark. The survivors from her village told her that when her father couldn't keep the pace of the long march, the slavers stove in his head and left his body by the trail. Her mother had died years before. Cora's grandmother was sold a few times on the trek to the fort, passed between slavers for cowrie shells and glass beads. It was hard to say how much they paid for her in Ouidah as she was part of a bulk purchase, eighty-eight human souls for sixty crates of rum and gunpowder, the price arrived upon after the standard haggling in Coast English. Able-bodied men and child- bearing women fetched more than juveniles, making an individual accounting difficult. The Nanny was out of Liverpool and had made two previous stops along the Gold Coast. The captain staggered his purchases, rather than find himself with cargo of singular culture and disposition. Who knew what brand of mutiny his captives might cook up if they shared a common tongue. This was the ship's final port of call before they crossed the Atlantic. Two yellow-haired sailors rowed Ajarry out to the ship, humming. White skin like bone. The noxious air of the hold, the gloom of confinement, and the screams of those shackled to her contrived to drive Ajarry to madness. Because of her tender age, her captors did not immedi- ately force their urges upon her, but eventually some of the more seasoned mates dragged her from the hold six weeks into the pas- sage. She twice tried to kill herself on the voyage to America, once by denying herself food and then again by drowning. The sailors stymied her both times, versed in the schemes and inclinations of chattel. Ajarry didn't even make it to the gunwale when she tried to jump overboard. Her simpering posture and piteous aspect, recognizable from thousands of slaves before her, betrayed her intentions. Chained head to toe, head to toe, in exponential misery. Although they had tried not to get separated at the auction in Ouidah, the rest of her family was purchased by Portuguese trad- ers from the frigate Vivilia, next seen four months later drifting ten miles off Bermuda. Plague had claimed all on board. Authori- ties lit the ship on fire and watched her crackle and sink. Cora's grandmother knew nothing about the ship's fate. For the rest of her life she imagined her cousins worked for kind and generous masters up north, engaged in more forgiving trades than her own, weaving or spinning, nothing in the fields. In her stories, Isay and Sidoo and the rest somehow bought their way out of bondage and lived as free men and women in the City of Pennsylvania, a place she had overheard two white men discuss once. These fantasies gave Ajarry comfort when her burdens were such to splinter her into a thousand pieces. The next time Cora's grandmother was sold was after a month in the pest house on Sullivan's Island, once the physicians certified her and the rest of the Nanny's cargo clear of illness. Another busy day on the Exchange. A big auction always drew a colorful crowd. Traders and procurers from up and down the coast converged on Charleston, checking the merchandise's eyes and joints and spines, wary of venereal distemper and other afflictions. Onlook- ers chewed fresh oysters and hot corn as the auctioneers shouted into the air. The slaves stood naked on the platform. There was a bidding war over a group of Ashanti studs, those Africans of renowned industry and musculature, and the foreman of a lime- stone quarry bought a bunch of pickaninnies in an astounding bargain. Cora's grandmother saw a little boy among the gawk- ers eating rock candy and wondered what he was putting in his mouth. Just before sunset an agent bought her for two hundred and twenty-six dollars. She would have fetched more but for that sea- son's glut of young girls. His suit was made of the whitest cloth she had ever seen. Rings set with colored stone flashed on his fin- gers. When he pinched her breasts to see if she was in flower, the metal was cool on her skin. She was branded, not for the first or last time, and fettered to the rest of the day's acquisitions. The coffle began their long march south that night, staggering behind the trader's buggy. The Nanny by that time was en route back to Liverpool, full of sugar and tobacco. There were fewer screams belowdecks. You would have thought Cora's grandmother cursed, so many times was she sold and swapped and resold over the next few years. Her owners came to ruin with startling frequency. Her first mas- ter got swindled by a man who sold a device that cleaned cotton twice as fast as Whitney's gin. The diagrams were convincing, but in the end Ajarry was another asset liquidated by order of the magistrate. She went for two hundred and eighteen dollars in a hasty exchange, a drop in price occasioned by the realities of the local market. Another owner expired from dropsy, whereupon his widow held an estate sale to fund a return to her native Europe, where it was clean. Ajarry spent three months as the property of a Welshman who eventually lost her, three other slaves, and two hogs in a game of whist. And so on. Her price fluctuated. When you are sold that many times, the world is teaching you to pay attention. She learned to quickly adjust to the new plantations, sorting the nigger breakers from the merely cruel, the layabouts from the hardworking, the inform- ers from the secret-keepers. Masters and mistresses in degrees of wickedness, estates of disparate means and ambition. Sometimes the planters wanted nothing more than to make a humble living, and then there were men and women who wanted to own the world, as if it were a matter of the proper acreage. Two hundred and forty-eight, two hundred and sixty, two hundred and seventy dollars. Wherever she went it was sugar and indigo, except for a stint folding tobacco leaves for one week before she was sold again. The trader called upon the tobacco plantation looking for slaves of breeding age, preferably with all their teeth and of pliable disposi- tion. She was a woman now. Off she went. She knew that the white man's scientists peered beneath things to understand how they worked. The movement of the stars across the night, the cooperation of humors in the blood. The temper- ature requirements for a healthy cotton harvest. Ajarry made a science of her own black body and accumulated observations. Each thing had a value and as the value changed, everything else changed also. A broken calabash was worth less than one that held its water, a hook that kept its catfish more prized than one that relinquished its bait. In America the quirk was that people were things. Best to cut your losses on an old man who won't survive a trip across the ocean. A young buck from strong tribal stock got customers into a froth. A slave girl squeezing out pups was like a mint, money that bred money. If you were a thing--a cart or a horse or a slave--your value determined your possibilities. She minded her place. Finally, Georgia. A representative of the Randall plantation bought her for two hundred and ninety-two dollars, in spite of the new blankness behind her eyes, which made her look simple- minded. She never drew a breath off Randall land for the rest of her life. She was home, on this island in sight of nothing. Cora's grandmother took a husband three times. She had a pre- dilection for broad shoulders and big hands, as did Old Randall, although the master and his slave had different sorts of labor in mind. The two plantations were well-stocked, ninety head of nig- ger on the northern half and eighty-five head on the southern half. Ajarry generally had her pick. When she didn't, she was patient. Her first husband developed a hankering for corn whiskey and started using his big hands to make big fists. Ajarry wasn't sad to see him disappear down the road when they sold him to a sugar- cane estate in Florida. She next took up with one of the sweet boys from the southern half. Before he passed from cholera he liked to share stories from the Bible, his former master being more liberal- minded when it came to slaves and religion. She enjoyed the stories and parables and supposed that white men had a point: Talk of salvation could give an African ideas. Poor sons of Ham. Her last husband had his ears bored for stealing honey. The wounds gave up pus until he wasted away. Ajarry bore five children by those men, each delivered in the same spot on the planks of the cabin, which she pointed to when they misstepped. That's where you came from and where I'll put you back if you don't listen. Teach them to obey her and maybe they'll obey all the masters to come and they will survive. Two died miserably of fever. One boy cut his foot while playing on a rusted plow, which poisoned his blood. Her youngest never woke up after a boss hit him in the head with a wooden block. One after another. At least they were never sold off, an older woman told Ajarry. Which was true--back then Randall rarely sold the little ones. You knew where and how your children would die. The child that lived past the age of ten was Cora's mother, Mabel. Ajarry died in the cotton, the bolls bobbing around her like whitecaps on the brute ocean. The last of her village, keeled over in the rows from a knot in her brain, blood pouring from her nose and white froth covering her lips. As if it could have been anywhere else. Liberty was reserved for other people, for the citi- zens of the City of Pennsylvania bustling a thousand miles to the north. Since the night she was kidnapped she had been appraised and reappraised, each day waking upon the pan of a new scale. Know your value and you know your place in the order. To escape the boundary of the plantation was to escape the fundamental principles of your existence: impossible. It was her grandmother talking that Sunday evening when Caesar approached Cora about the underground railroad, and she said no. Three weeks later she said yes. This time it was her mother talking. Excerpted from The Underground Railroad by Colson Whitehead All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.