Marrow Island

Alexis M Smith

Book - 2016

"A new novel from a former bookseller, author of the acclaimed Glaciers, tracks a young woman's return home to investigate a secretive community that has mysteriously rescued an island devastated by natural and chemical disaster -- and taken hold of one of her oldest friends. Twenty years ago Lucie Bowen left Marrow Island; along with her mother, she fled the aftermath of an earthquake that compromised the local refinery, killing her father and ravaging the island's environment. Now, Lucie's childhood friend Kate is living within a mysterious group called Marrow Colony -- a community that claims to be "ministering to the Earth." There have been remarkable changes to the land at the colony's homestead. Luc...ie's experience as a journalist tells her there's more to Marrow Colony -- and their charismatic leader -- than they want her to know, and that the astonishing success of their environmental remediation has come at great cost to the colonists themselves. As she uncovers their secrets and methods, will Lucie endanger more than their mission? What price will she pay for the truth? In the company of Station Eleven and California, Marrow Island uses two tense natural disasters to ask tough questions about our choices -- large and small. A second novel from a bookseller whose sleeper-hit debut was praised by Karen Russell as "haunted, joyful, beautiful," it promises to capture and captivate new readers even as it thrills Smith's many existing fans. "--

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Subjects
Published
Boston : Houghton Mifflin Harcourt 2016.
Language
English
Main Author
Alexis M Smith (author)
Physical Description
xi, 244 pages ; 22 cm
ISBN
9780544373419
Contents unavailable.
Review by New York Times Review

At a birthday dinner midway through "Marrow Island," the main character, Lucie Bowen, a well-meaning but fragile journalist, shares fancy burgers and craft beers with her park ranger boyfriend. "It's not unromantic; we're interested in the same things: ecosystems and how humans use and interact with them," she says. But Lucie's true romance is with Katie, her childhood friend, who has joined a mysterious colony on an island off the coast of Seattle. The place was devastated in 1993 by a massive earthquake; tremors ignited an oil refinery, killing Lucie's father and soaking the soil in toxic chemicals. A secretive community of farmers, activists and apostate nuns seeks to "remediate" the land. This alluring novel explores the darkness of love, how it can cajole you into danger or tip your actions toward cruelty. Clean but intoxicating writing meets an increasingly dreamlike and disjointed plot. By the ambitious last scene - a Tarantino-esque revenge fantasy, from Mother Nature's perspective, and a departure from the sterilized language of "ecosystems and how humans use and interact with them" - the world of craft beers and burgers feels far away. KATY WALDMAN is Slate's words correspondent.

Copyright (c) The New York Times Company [September 18, 2016]
Review by Booklist Review

Lucie's father died on Marrow Island. So when a childhood friend writes to her from a colony that has been established on that remote island off the coast of Washington, it is with a potent mixture of emotions that the freelance journalist goes for a visit. Her father had been killed in a refinery fire that resulted from the fictional 1993 May Day earthquake that also rocked Seattle. The fire poisoned the island and caused it to be abandoned, but a small community, led by a charismatic nun wholly dedicated to an environmentally friendly ministry, came to dedicate themselves to reclaiming the land. Lucie's short visit to the island takes on an ominous tone as her suspicions grow that more is going on at the colony than its residents are willing to share. While the mystery of what's happening on the island builds to a powerful climax, a good portion of the novel explores Lucie's coming to terms with her childhood experiences there. A compelling, complex meditation on both the power and the vulnerability of the natural world.--Thoreson, Bridget Copyright 2016 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

Reader Rankin beautifully renders the lyrical prose of this compelling and enigmatic novel. Twenty years have passed since a cataclysmic earthquake struck the northwest coast of Washington State, resulting in widespread devastation, including a terrible fire at an oil refinery on the isolated Marrow Island. Efforts to battle the blaze with flame retardants and other chemicals so polluted the soil and groundwater that the island was rendered toxic and uninhabitable. Lucie Bowen, an environmental journalist whose father died in the fire, returns to Marrow, where a small community of people have been working under the radar to make the land livable again. But the island harbors dark and deadly secrets. Rankin's clear and thoughtful reading perfectly captures Lucie's emotional turmoil as she tries to reconcile her past with the present and an uncertain future. She effortlessly navigates the story's shifts in time, as well as the small, distinctly portrayed cast of characters. Her pacing and tone keep the story moving at a deceptively leisurely pace, building stealthily to a suspenseful and moving climax. A Houghton Mifflin Harcourt hardcover. (June) © Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review

Marrow Island is one of many islands in the San Juan archipelago north of Seattle. Twenty years earlier, a devastating earthquake affected locations from Alaska to California. Then, Marrow suffered an earthquake-induced oil refinery explosion that wiped out nearly everything on the island. Most people believed the island to be un-inhabitable; however, a group of squatters calling themselves the Marrow Colony was determined to make Marrow a viable habitat by planting mushrooms to break down the toxins permeating the soil. Lucie Bowen's father had worked at the exploded refinery, and now Lucie's old friend Kate is involved with the Colony. When Lucie visits, she uncovers secrets and narrowly survives a murder attempt. Filled with determination to uncover the truth, Lucie risks her life to retrieve evidence. The sweet voice of narrator Emily Rankin enhances listeners' sympathy for the sometimes self-absorbed Lucie. Verdict Switching between time periods and locations is somewhat confusing, but the story is compelling and will be especially appreciated in the Pacific Northwest. ["A near-perfect read but for the frustrating sense that our heroine concedes too much": LJ 3/1/16 review of the Houghton Harcourt hc.]-Ann Weber, Los Gatos, CA © Copyright 2016. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

A stunning novel about sacrifice for the sake of survival in the aftermath of natural and man-made disasters. For her first novel, Glaciers (2012), Smith was a finalist for the Ken Kesey Award and selected for World Book Night. Her second is written with the same precision and affect. Lucie left Orwell Island, an islet off the northwest coast of Washington, after a devastating earthquake in 1993 killed her father and caused a ruinous fire at the local refinery on nearby Marrow Island, a catastrophe made worse by the petroleum, flame-retardants, and oil-dispersing chemicals that poisoned the groundwater and soil. Two decades later, to recuperate after losing her job as an eco-journalist in Seattle, Lucie returns to her family cottage on Orwell. There, she reconnects with her dearest childhood friend, Katie, who is living on Marrowstill believed to be contaminated and desertedin a colony of 36 adherents led by the magnetic Sister Janet. The colony is invested in experimental environmental remediation efforts. Their intentions are noble and their methods are inspired, but while success appears imminent, their project breaches the boundaries of safety and legality. A suspenseful story that shifts back and forth through time as it climbs to its harrowing climax, this book illustrates "how easily the fight for something fundamentally good can go astray in human hands." As Smith writes, "It's still a fight; fights get bloody." In graceful and dolorous prose, she captures a dense and dramatic landscape, evoking questions of what it means to harmourselves, our surroundingsand to heal. Engrossing eco-fiction, eerie and earnest. Copyright Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

This was my last glimpse of Marrow Island before the boat pulled away: brown and green uniforms clustered on the beach, tramping up the hill to the chapel and through the trees to the cottages of Marrow Colony. The boat wasn't moving yet, but the uniforms already seemed to be getting smaller, receding from my sight, shrinking into a diorama, a miniature scene of the crime.       Carey had helped me into the boat. I sank to the wheelhouse deck and curled into myself, sitting knees to chest, spine to prow. Joshua Coombs was calling out on the radio, requesting an ambulance to meet us in Anacortes. Katie tried to come aboard, but Carey hollered something to her and she ran back up the dock. He squatted next to me and spoke softly, just by my ear.       "We need to take off your clothes."       They were soaked through; I wouldn't be warm until I was dry. I understood that this was first aid; I understood that he was doing his job as the park ranger. I just didn't have it in me to participate in my own rescue. I was spent, scraped, and bruised. I leaned into him, eyes closing.       "Stay awake, Lucie," he said. "A little longer. Listen to my voice."       He lowered me carefully to my back, his parka under my head, and called to Coombs for scissors.       Carey kept talking, narrating as he undressed me, threading one arm through a sleeve, gently rolling me, tugging the shirt up my torso, lifting my head. I knew his hands were on me, but through my cold flesh they felt like the mitts of a giant, huge and heavy. He took off my socks âe<-- âeI have to cut these off. Then he slid the small sharp scissors up the outside of my leg through my jeans. He hesitated around my hip.       "Please try âe<-- âe      I was shivering uncontrollably. He rubbed my legs up and down under a blanket, telling me about circulation, about blood, about heat. I drifted.       "Stay awake, Lucie."       Coombs was starting the boat. Katie came back with more blankets. Carey told Katie to get down on the deck and wrap herself around me. She lay down beside me on Carey's parka, pulled me into her body, and rubbed my arms and back. He covered us both with the two blankets.       I breathed into the wool as the boat lurched through the swells, nausea rising up instantly. Katie seemed never to stop panting from her run up the shore. The bass beat of her heart, the thrust of the boat through the waves, and the feeling of fullness at the back of my throat. I wanted to purge everything inside me, but my bearings held.       "Don't let her go," I heard Carey say.   At the hospital in Anacortes, they treated me for hypothermia, but they were confused; I was going through more than one kind of shock. Carey told them I'd been lost on Marrow Island overnight âe<-- âe  Katie told the intake nurse she was my sister, and I didn't correct her. They let her sit by my bed all night.       "I'm not leaving you alone with her," Carey told me. She was standing right beside him when he said it, but she didn't defend herself. I didn't know what to say; I wanted them both.       Katie held my hand for hours, while my temperature rose and patches of my flesh became livid. I could feel the drunken movement of blood and plasma through my body, my cheeks throbbing, my toes and fingers buzzing. My breasts felt like meat cold from a locker. Eventually Katie slept, head next to mine, nose to my cheek, like when we were girls, like that first night after the quake, clinging to each other under a Mylar sheet in the gymnasium. I listened to her sleep; I felt her moving through her dreams.       Carey sat in a chair by the door, waiting for the sheriff, though he shouldn't have âe<-- âe      My notes were probably already in the sea or burnt to ashes. I tried to reconstruct the days in my mind, building a timeline, sorting details, drawing up the images of pictures I had taken, of things I had seen. I cataloged the different scents in the layered stench I gave off: conifer needles, stump rot, burnt lichen, fungi spores âe<-- âe  In the weeks after, back in the city, I woke alone in my third-floor apartment every morning. Outside, buses lumbered down Fremont Street, shopkeepers turned over their Open signs, people drank their coffee, checked their phones, walked their dogs. The city repeated its relentless, noisy cycle just like it had every day before and after that week I spent on Marrow. I listened, I watched. After the May Day Quake, over twenty years before, Seattle had rebuilt itself, from concrete rubble heap back to silver city, lessons learned, so we tell ourselves. Otherwise, what was the point of it all? What unlikely comfort we find in the refrain build, destroy, repeat. There are always survivors left to pick up the pieces. There's always someone to tell the tale.       I had my own refrain: I told the story of those days on Marrow hundreds of times in the first few months âe<-- âe       Build, destroy, repeat.       From my hospital bed, from my apartment, from the courtroom, I saw Marrow Island and Sister's Colony pillaged, and all the people there who were scraping out a little space for themselves âe<-- âe  Now I am five hundred miles away in the dry, pine-scattered forests of eastern Oregon, but every time I dream, I find myself back on the islands. In some dreams, I relive the events as they happened. In others, I realize I'm dreaming, and I try to undo the past, to make different choices. Either way I wake up feeling lost. How did I get here? How did this happen? I might be the only one left who knows.       The newspapers have moved on to other catastrophes. The Colony's history will fade into the archives; the colonists will become ghosts. No one will remember the names of those who performed a miracle on Marrow Island. I have never said so to anyone âe<-- âe Excerpted from Marrow Island by Alexis M. Smith All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.