Review by Booklist Review
Award-winning author-illustrator Ringgold's most recent creation offers a timely look at the diverse makeup and backgrounds of the American people. The message is direct: we are all here now, and at some point many of us came from somewhere else. Ringgold traces the arc of contemporary society, from those who were already here, to people brought in chains, to immigrants who came voluntarily or for safety. Racial, national, and ethnic labels are absent, although the rich, colorful illustrations provide visual information about the differences among people. This simple picture book is intended for the youngest of readers, for whom the message is one of acceptance, not erasure of difference. Not only will readers see that Americans come from every country in the world, they will learn these people also brought the stories, songs, music, food, fashion, and art that made America GREAT. When read aloud, the repetition of the refrain We came to America invites participation from youngsters. Continue the celebration of America's diversity with Richard Blanco's One Today (2015).--Chaudhri, Amina Copyright 2016 Booklist
From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review
In a timely reflection, Ringgold (Harlem Renaissance Party) urges American readers to consider our collective pasts. Using a broad brush and folk style familiar from her story quilts, Ringgold pictures families of diverse heritage, accompanied by general comments on migrant experiences. She takes care to assert that "Some of us were already here/ Before the others came," and "some of us were brought in chains" to American shores. Although her subjects wear the familiar garb of 19th-century Europeans and the traditional apparel of Orthodox Jews, Muslims, and Hindus, Ringgold never mentions a place or faith by name. Instead, she reinforces Americans' global origins in a refrain: "We came to America,/ Every color, race, and religion,/ From every country in the world." Ringgold focuses on bygone centuries rather than the present day, and while the occasional rhyme rings hollow (an image of a ballerina is paired with the vague "Our joyful dance now freed our pain,/ Gently, like soothing rain"), her powerful voice emphasizes unity and mutual appreciation: "In spite of where we came from,/ Or how or why we came,/ We are ALL Americans,/ Just the same." Ages 5-8. (May) © Copyright PWxyz, LLC. All rights reserved.
(c) Copyright PWxyz, LLC. All rights reserved
Review by School Library Journal Review
K-Gr 3-As Americans wrestle with the moral and legal aspects of immigration, Ringgold offers a reminder of the country's multifaceted lineage-and of the beauty to be discovered at cultural crossroads. The artist has repurposed a title she applied in 1997 to a story quilt; it featured a revolt on a slave ship whose beacon was a black Statue of Liberty. Here she broadens her scope. After she acknowledges that "some of us were already here" and "some of us were brought in chains," her free verse unfolds with a line or two on each page touching on reasons for immigration and the solace and joy found in sharing "our food, our fashion, and our art.." A refrain emphasizing the country's ethnic and religious plurality punctuates the occasionally rhyming stanzas. The poem is paired with tableaux of families from various time periods and places, as if their portraits were captured the moment they stepped on American soil. Vibrant paint on canvas provides a changing, high contrast backdrop for the parade of patterns and styles, from the bold geometrics of African cloth and the pinstriped suits and fedoras of Europe to the decorative tunics and elaborate headdresses of Eastern communities. A final scene depicting a gathering of diverse children concludes that despite differences, "we are ALL Americans,/Just the same." While the message is a time-honored one, it clearly needs to be foregrounded. VERDICT The simplicity of Ringgold's text, combined with the captivating designs, makes this a compelling, must-have narrative for a wide audience.-Wendy Lukehart, District of Columbia Public Library c Copyright 2016. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review
A heartfelt U.S. history lesson that's less about our differences and more about how "We are ALL Americans, / Just the same." Known for her trademark folkloric spreads, Caldecott Honoree Ringgold showcases the arrival of people immigrating to America. By way of luscious colors and powerful illustrations, readers embark upon a journey toward togetherness, though it's not without its hardships: "Some of us were already here / Before the others came," reads an image with Native Americans clad in ornate jewelry and patterned robes. The following spread continues, "And some of us were brought in chains, / Losing our freedom and our names." Depicted on juxtaposing pages are three bound, enslaved Africans and an African family unchained, free. The nave-style acrylic paintings feature bold colors and ethnic diversityJewish families, Europeans, Asian, and South Asian groups all come to their new home. Muslims and Latinos clearly recognizable as such are absent, and Ringgold's decision to portray smiling, chained slaves is sure to raise questions (indeed, all figures throughout display small smiles). Despite these stumbling blocks, the book's primary, communal message, affirmed in its oft-repeated refrain, is a welcome one: "We came to America, / Every color, race, and religion, / From every country in the world." Preceding the story, Ringgold dedicates the book "to all the children who come to America.May we welcome them." In today's complex world, this book offers a humbling reminder about our arduous histories, though it has significant gaps. (Picture book. 5-7) Copyright Kirkus Reviews, used with permission.
Copyright (c) Kirkus Reviews, used with permission.
