I almost forgot about you A novel

Terry McMillan

Book - 2016

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Subjects
Genres
Romance fiction
Published
New York : Crown [2016]
Language
English
Main Author
Terry McMillan (author)
Edition
First edition
Physical Description
x, 355 pages ; 25 cm
ISBN
9781101902578
Contents unavailable.
Review by Booklist Review

After two failed marriages and countless other romantic missteps, Georgia considers herself done with love. A successful optometrist with two beautiful daughters and a San Francisco home she adores, she is not exactly unhappy. But a chance meeting reminds her that she is not altogether happy either, and she decides to leave it all behind and begin all over again. The first thing she must do is look up all her failed loves to gain a more mature closure on their relationships. Getting started takes some time, but her friends are ready to cheer her on with plenty of advice. As they start guiding her back into the game, Dr. Georgia Young finds herself living up to her last name with newfound and fiery zeal. In her signature mode, McMillan (Who Asked You?, 2013) has a casual, conversational style that makes her determined female lead warmly engaging and relatable. With humor and a feel-good tone, McMillan reminds readers that it is never too late for love or new possibilities. HIGH-DEMAND BACKSTORY: Best-selling McMillan, of how How Stella Got Her Groove Back fame, always pulls in fans, and high-profile promotion will herald this release.--Ophoff, Cortney Copyright 2016 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

McMillan (Who Asked You?) revs up middle age in a rambunctious showcase of the bestselling author's keen ear for language, clear eye for the give-and-take of sex, love, and commitment, and heartfelt faith in happy endings. Here, 54-year-old optometrist Georgia Young, bored with her work and romantically adrift after two failed marriages, sets out to reinvent herself by examining the loves she left behind-providing a nifty three-step guide for finding "the Right One," and then moving on when it turns out wrong-taking a train trip to Vancouver and turning a knack for design into a career. Meanwhile, the real work of Georgia's life bustles all around her: her crazy-in-love 81-year-old mother, two best and brutally honest friends, and two daughters tentatively embarking on their own complicated lives-an expertly drawn cast of characters that includes the perfect foils for the alternately quixotic and practical Georgia. "Love doesn't have an age limit, and it can find you at any time in your life," she tells her 22-year-old daughter. "It can also just as soon leave you in a ditch... You can be a woman and be happy without a man and without love." There's no better guide than McMillan for this excursion through early-, middle-, and old-age crises, and no better creator of female characters who refuse to give up on dreaming, or looking back to find the way forward in their noisy, messy, joyous lives. Agent: Molly Friedrich, Friedrich Literary Agency. (June) © Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review

McMillan's (How Stella Got Her Groove Back) latest tells the story of Dr. Georgia Young, a fiftysomething optometrist going through a belated midlife crisis. She is bored with her flourishing practice, tired of her beautiful home, and worn out by her grown children. She decides to make some changes, including tracking down the men she has loved. Though not a new plotline, here it has been updated for today's world. There are some high points in the book, but, overall, Georgia comes across as spoiled and ungrateful. McMillan narrates the book and unfortunately does not use her voice to distinguish among characters; Georgia's senior citizen mother sounds just the same as Georgia's ex-husbands or her grandkids. As the story relies heavily on dialog, it can be hard to tell who is saying what, and if it is being thought or spoken aloud. VERDICT While McMillan's many fans will clamor for this title, perhaps direct them to the print version for a better experience. ["An engaging novel with an appealing cast of women": African American Fiction (and More) 3/15/16 starred review of the Crown hc.]-Donna Bachowski, Orange Cty. Lib. Syst., Orlando, FL © Copyright 2016. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

When 54-year-old doctor Georgia Young learns that her college crush Raymond Strawberry has died unexpectedly, she decides to hunt up all the men she's loved in her life and tell them what they meant to her. Georgia's plan quickly becomes bigger than lost love: along the way she decides to quit her job as a successful optometrist, sell her house, and travel Canada by train to try to discover just what it is she's always wanted to do with her life. For Georgia, the trip will be "a long, meditative prayer" that "will help me not to worry about the end of my life but encourage me." But the world is not always respectful of our dreams; and Georgia's children and business partnernot to mention new and old lovescrash-land in her life with turmoil and drama of their own, forcing Georgia's best laid plans to go awry. "We all take a path we thought we wanted to take, and then we find out there are other paths we can still explore," one of Georgia's long-lost former lovers tells her toward the end of the novel. For Georgia, this means coming full circle to recognize what she has overlooked and realize the extent of her present happiness and talents. While some readers may stumble over Georgia's attitude toward her children and grandchildrenambivalence verging on coolnessas well as some key plot gaps and a somewhat uneven narrative that meanders as much as Georgia's uncertain quest for something different, fans of McMillan (Who Asked You, 2013, etc.) will welcome this new addition to her oeuvre. Here is McMillan's trademark style in full, feisty effect: strong, complicated female characters, energetic prose, and an entertaining, seductive narrative. A heartwarming story that reminds us of the pure joy of believing in love. Copyright Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

Running Out of Time?   It's another exciting Friday night, and I'm curled up in bed--alone, of course--propped up by a sea of pillows, still in my lab coat, the sash so taut it's suffocating the purple silk dress beneath it, but I don't care. After a grueling day of back-to-back patients, I'm a few minutes away from being comatose, but I'm also hungry, which is why I'm channel-surfing and waiting for my pizza to get here. I stop when I come to my favorite standby: Law & Order: Criminal Intent, even though I've seen almost all of them--including the reruns. These days I usually just watch the first five or ten minutes, long enough to see Detective Goren stride onto the crime scene in his long trench coat, tilt his head to the side while he puts on those rubber gloves, rub the new growth on that beautiful square chin, and bend down to study the victim. It's at this moment, before he utters a word, when I usually pucker up, blow him a kiss, and then change the channel. I've lusted over Detective Goren and yearned to be held against shoulders like his long before my second marriage bottomed out. Truth be told, over the years I've fallen in love every Wednesday with Gary Dourdan's lips as CSI Warrick Brown, and even though I was no Trekkie, Avery Brooks's deep baritone and sneaky smile made me say "Yes" aloud to the TV. I also let myself be seduced for hours in dark theaters, hypnotized by Benicio del Toro's dreamy eyes, even though he was a criminal. By Denzel's swagger when he was a slick gangster. Brad Pitt as a sexy young thief. Ken Watanabe as the most sensual samurai I wanted to ride on a horse with, and I wanted to be a black geisha and torture him until I finally let him have all of me. I hate to admit it, but if I had the energy, I'd kill to have sex with the first one who walked into my bedroom tonight. I'd let him do anything he wanted to do to me. It's been centuries since I've had sex with a real man, and I'm not even sure I'd remember what to do first should I ever get so lucky again. In fact, I think I'd be too uncomfortable, not to mention scared of getting all touchy-feely, and don't even get me started on him seeing me naked. Hell, this is why I sleep with the remote. When I hear the doorbell, I glance over at the broken blue clouds inside the clock on the night table. I've been waiting forty minutes for this pizza, which means they're going to owe me a free one! I roll off the bed on my side, even though the other side has been empty for years. I walk over to the door and yell, "Be right there!" Then I grab my wallet out of my purse and beeline it to the front door, because I'm starving. That is so not true. I'm just a little hungry. I'm trying to stop lying to myself about little things. I'm still working on the big ones. I open the door, and standing there sweating is a young black kid who can't be more than eighteen. His head looks like a small globe of shiny black twists that I know are baby dreadlocks. His cheeks are full of brand-new zits. His name tag says free. "I'm so sorry for the delay, ma'am. There was a accident at the bottom of the hill, and I couldn't get up here, so this one's on the house." He looks so sad, and I'm wondering if the price of this pizza is going to be deducted from his little paycheck, but I dare not ask. "I don't mind paying for it," I say. "It wasn't your fault there was an accident." I take the pizza from him and set it on the metal stairwell. "That's real thoughtful of you, but I'm just glad this is my last delivery for the night," he says, leaning to one side as if he's pretending not to look behind me, but of course he is. "This a real nice crib you got here. I ain't never seen no yellow floors before. It's downright wicked." "Thanks," I say, and hand him a twenty. He looks as if he's in shock. "Like I said, ma'am, this pizza is on the house, and I also got some drink coupons you can have, too," he says, pulling them out of the pocket of his red shirt. "It's a tip," I say. "Is your real name Free?" "Yes, ma'am." "How do you feel about it?" "I dig it. I get asked all the time about it." "So how old are you, Free?" "I'm eighteen." He's still staring at the twenty but then quickly shoves it inside the back pocket of his jeans in case I come to my senses and change my mind.   "Are you in college?" I'm hoping he says yes and that he's taking English so one day soon he'll stop saying ain't. "Almost. That's why I'm working. You really giving me this whole twenty?" I nod. "Do you know what you want to major in?" "Mechanical engineering," he says with certainty. "That's great." "Your husband rich?" "What makes you think I'd have to have a husband to be rich?" "Everybody that live up in these hills is. Even them two dykes that live next door. And they married." "Those dykes aren't just my neighbors, they're also my friends, and they're lesbians." "A'right. My bad," he says, flinging his arms up like Don't shoot. "I didn't mean no harm." "I know. Anyway, I'm divorced. And I'm not rich. But I also don't struggle." "You cleaned him out, then, huh?" "No." Then he gives me the once-over. "You some kind of doctor?" I look down at my lab coat. "Yes. I'm an optometrist." "Which one is that?" "I help people see clearly," I say, so as not to complicate it. "Who helps you?" he asks with a smile, which throws me off completely. What a loaded question to ask a woman old enough to be his grandmother. "Just fooling with you, Dr. Young. No disrespect intended." "None taken, Free." Who helps me see? See what? "Cool. Well, look, I gotta dash and get this car back to my cousin, but major thanks for the mega-tip, and I have to say it's nice somebody black gave it to me. Most of the white folks up here ain't big on tipping, except for them lesbians." What he just said was a little on the racist and sexist side, but I know he meant well. He runs down the sidewalk and jumps into that raggedy car of his, removes the pizza sign displayed on top, and disappears down the hill. I lean against the doorframe watching him go. I really should've praised him for working to pay for college, and if he hadn't been in such a hurry, I would have loved to tell him that he might find his calling in college and he might not. But I'd also tell him to search until he did. Otherwise he could end up doing something he just happened to be good at, something respectable that might guarantee him a nice income, but one day, when he's older, like, say, fifty-three soon to be fifty-four, when his kids have grown up and he's twice divorced and bored with his profession and his life and the thought of trying to change it all--or even where he lives--scares the hell out of him because it feels like it's too late, I'd tell him to please figure out a way to do it anyway, since I'm an excellent example of what can happen when you don't. I turn off the porch light, close the door, and I can't believe all of this is flooding in. I walk across these cool yellow concrete floors and sit on these cool metal stairs and look out at the light jutting up through those soft navy blue waves in the cool black-bottomed pool, and I look up a flight where both of my daughters used to sleep, and I look down to where the library and the guest room are, and I sit here and eat this entire cheese-and-tomato pizza. I am full of regret. Monday mornings are the worst, which is why I left a little early. The freeway is still slow going. But I'm used to it. I crack my window, although it can't be more than fifty degrees. The dampness coming from the bay can't eclipse the clarity of this morning as thousands of us slowly descend around a curve, and there waiting for us like a giant postcard is the Bay Bridge and right behind it the San Francisco skyline. This is a beautiful place to live. But then, as typically happens at least once a week, the traffic suddenly comes to a screeching halt. I can see the reason up ahead. A four-car pile-up is blocking two of the five lanes, and everyone is trying to move over to make room for the fire trucks and ambulances I now hear. I just pray no one is hurt. I roll my window all the way down and put the car in park. Some have already turned off their engines. I leave mine running and call my office. When my cell phone rings, I know who it is before I even glance at the screen. "Hello, Miss Early," I say to my mother, for obvious reasons but also because her name is Earlene. "Hello back to you, Miss Georgia." Of course I was never any Miss Georgia, because I was born in Bakersfield, where she still lives, and I was named after my late father, whose name was George. There's hardly a day that goes by when someone doesn't ask me if I'm from Georgia. In college I just started lying and said yes: Macon. But then they wanted to know why I didn't have a drawl. "What can I do you for, ma'am? Are you feeling okay?" "I'm probably healthier than you. Anyway, I'm calling for two reasons. I'm going on a cruise for seniors with my church." "That's nice," I say, trying not to laugh, because I'm thinking this is going to be one wild and scandalous cruise. "That's all you have to say?" "I'm thrilled for you, Ma. I know you go to one of those megachurches, but are there enough seniors in the congregation to fill a whole cruise ship?" "Of course not. There are ten churches, and we're not going to be the only older people on it." She's eighty-one. Soon to be eighty-two. "When and where are you going?" "We leave two weeks and one day from today. For ten whole days! We're going to four or five islands in the Caribbean that I can't remember right now. One of them is the Grand Cayman." "That's a whole lot of numbers, Ma, but it sounds like so much fun. It'll be good for you." "I know. I still miss your brother and your dad, and I get lonely in this condo, and I'll just go on and admit that I get tired of going to church just so I can have a social life and I don't have to get dressed up to worship at home. Anyway, I'll be doing a lot of praying standing in front of those slots." She laughs. "Okay, Ma, what's the other thing? Because I'm stuck in traffic, and it looks like it's about to start moving." "Well, you know it's almost time for my annual eye exam, and my cruise conflicts with the date I have on my calendar." "Ma, it's not set in stone." "I know. So I'm hoping to get a rain check to see if we can make it after the holidays, unless you think I need to have it sooner." "Ma, you don't have to have the test on the same day every year, but around the same time is just smart to do at your age." "I'm not senile yet, Georgia." "I'm not even going to respond to that. And who is we? Please don't say Dolly." "Well, it's not safe for me to drive that far alone anymore, so Dolly is willing to do the driving." Why me, Lord? Dolly is my older second cousin, whom I love but don't like that much, because she's got a nasty attitude and never has anything nice to say about anybody, especially me. I know this to be true, because gossip travels faster within families. She has convinced herself that I think I'm hot shit because I went to college and live in a nice house with a pool. Some relatives I can live without, and Dolly's on the top of that list. "The boys want to come, too. They haven't seen you in years, and they've been having a hard time finding work." The boys are over thirty. And haven't worked in years either. Last time they were here, they smoked marijuana in the bathroom and tried to drink up half the liquor in the bar. "I'm about to start remodeling, so there'll be no place for them to sleep," I lie. "Well, it's about time. And I hope you tone it down some. I feel like I'm walking into a rainbow every time I come through your front door." "Gotta go. Love you." I usually give her smooches, but she just hurt my feelings, so I don't much feel like it. I rush past the tall wall of windows, and Marina, our six-foot Japanese receptionist, waves at me. She's on the phone, sitting behind the long maple counter. In the four years she's worked here, she's worn black every single day--including on her fingernails. From here you can see only her shoulders. She waves, then gives me a slow thumbs-up that all is fine. I wasn't really worried, but I don't like to inconvenience patients, even though the situation is more often the reverse. Unlike home, the office is serene. The walls are a pale gray, a warm yellow, and one is white. My mother approves. Nine chairs are white, except for one that's yellow. Four oblong purple tables are scattered around the area meant for fitting eyewear. Almost every inch of wall space is filled with frames and sunglasses to suit almost every taste and price. One of my most annoying but favorite patients, Mona Kwon, rushes to open the door for me. "Thank you, Mona!" I say, and head on over to Marina. Mona sits in her chair; the one next to the door if it's empty, or else she'll stand. She'll be seventy-five soon. She only needs strong readers but claims she can't see the tips of her fingernails when she holds them out in front of her. She comes in to have her glasses adjusted at least twice a month. She has forty pair and counting. The techs think she's probably suffering from dementia. I think she's just lonely. She also doesn't like the techs to warm her frames; she insists I do it. After lifting them out of the hot sand and slipping them behind her ears, I watch her stare into the mirror a few minutes too long, as if, or until, she's satisfied she looks like whoever she wants to be. Excerpted from I Almost Forgot about You: A Novel by Terry McMillan All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.