Murder on the Quai

Review by New York Times Review

I'D KNOW THAT VOICE anywhere. It's the seductive drawl and lowdown dirty laugh of Walter Mosley's mellow private eye, Easy Rawlins. And he's talking his way through another case in CHARCOAL JOE (Doubleday, $26.95), purely as a favor to his fearsome friend, Mouse, who's "mostly evil and definitely a killer," but dangerously attractive for all that. In passing this job along to Easy, Mouse is doing a favor of his own for Charcoal Joe, a criminal legend who wants Easy to exonerate a young black university professor accused of murder by finding the real killer of two white men in a beach house in Malibu. It's May 1968, nearly three years after the Watts riots, but black neighborhoods are still simmering with rage. "Life was like a bruise for us," Easy says about a nasty flare-up in an otherwise peaceful barber shop. "We examine every action for potential threats, insults and cheats." That's why it's such a joy to hang around with Easy, who is ... easy. No furies in his brain, no fires in his gut, just an unquenchable curiosity about people and their personal dramas. Following the meandering plot is beside the point once Mosley starts bringing on his familiar characters for Easy to chat up. It's tempting to pick favorites. There's Jackson Blue, "an odd product of the American ghetto," who used his formidable intellect to make his private fortune but couldn't outrun the fears imprinted by his impoverished background. And here comes Fearless Jones, the amiable strongman with fists like hams and a baby's pure heart. Easy's lady friends, like Mama Jo, the "backwoods witch," and the "beautiful and stormy and self-assured" Coco Ray, are vibrant creatures all. And they seem to end every interview with sexual favors. None of this should imply that Easy is a pushover. As the awesome Mouse once told him: "I couldn't live like you, Brother Easy, uniform bangin' on the front do' and a cougar lurkin' out back." Easy is a brave man, it's true, not just because he'll do battle with bruisers twice his size, but because he isn't ashamed to declare himself "a man of strategy" - a man unafraid to lower his fists and use his brain. "THERE ARE NO churches in Willnot," James Sallis assures us in WILLNOT (Bloomsbury, $26). This quirky Virginia town also has "no Walmart, no chain grocery or pharmacy, discount or big-box stores. No billboards, no street advertising, plain storefronts." Given all this, who would even bat an eye when Tom Bales's hunting dog, Mattie, sniffs out several bodies scattered in quicklime? Willnot may have no use for conformity, but it's surprisingly tolerant of rebels, radicals, conspiracy theorists and plain old oddballs. That pretty much covers the entire populace, from feisty Miss Ellie ("You can't fix stupid. And you sure as hell can't kill it") to brooding Bobby Lowndes, a former Marine sniper who's being stalked by another marksman. Even Dr. Lamar Hale, the personable and presumably square narrator of the story, once fell into a mysterious yearlong coma and felt his body become host to the spirits of the living and the dead. (Dr. Hale's father, a "literary outrider and trickster," wrote a novel with a similar plot.) A worthy mouthpiece for Sallis's melodic cadences, Dr. Hale is goodness personified, a sweet and caring man who doesn't need to inhabit his patients' bodies to understand their lives. WHO WOULDN'T LOVE to catch a glimpse of a favorite sleuth as a blundering amateur? Cara Black lets us do just that in MURDER ON THE QUAI (Soho Crime, $27.95), which reveals how Aimée Leduc, her fashionable Parisian private investigator, joined the business founded by her father and grandfather. It's November 1989, an exciting time for Aimée. The Berlin Wall has fallen, young people are beginning to connect on giant cellphones, and Leduc père is busy elsewhere, leaving her alone to work her first case. In investigating the murder of a distant relative's father, Aimée is drawn into the secretive wartime past of a provincial village. The case is engrossing, complete with Vichy flashbacks, but the most fun are the scenes where Aimée meets her future partners and acquires Miles Davis, her beloved bichon frisé. One caveat: For such a clotheshorse, Aimée doesn't do nearly enough shopping. BOB REYNOLDS, who calls himself "a dyspeptic poet with a little family money," is a stranger in town, and Doker, Ark., is the kind of town that doesn't take kindly to strangers. In CB McKenzie's outsider regional mystery BURN WHAT WILL BURN (Thomas Dunne/Minotaur, $24.99), Reynolds rashly makes a play for the local beauty, Tammy Fay Smith, ignoring the prior claim of Sam Baxter, High Sheriff of Poe County, who also happens to be the county's High Drug Lord. Under these awkward circumstances, Reynolds has a hard time convincing the sheriff that he saw a dead man in a red shirt floating in the Little Piney Creek, especially when the body disappears. A poet is no match for the crackers in this backwoods barrel, and although Reynolds is fascinated by the casual violence that governs Poe County's customs, he finally gets the message. "In strange lands, foreigners reach the limits of their Local Knowledge only as allowed by Locals and that is why foreigners are called Foreign and locals are called Local," he observes - on his way out of town.

Copyright (c) The New York Times Company [June 19, 2016]

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Review by Booklist Review

Over 15 novels in her much-loved Aimée Leduc series, Black has distributed tantalizing facts about Aimée's background, but, damn it, we want more: What's the real story behind Aimeé's mother's disappearance? What about her father's murder? How did she meet her partner Rene? And so much more. Apparently, Black has listened to our yowlings of frustration because finally we have the prequel we've been craving. It's 1989, and Aimeé is a medical student, though dissatisfaction with her chosen field is growing. Her father is off to Berlin on an unexplained errand that has something to do with Aimeé's mother. Meanwhile, Aimeé, supposedly helping out with paperwork at the family detective agency, is drawn into a case involving a distant relative and Nazi gold stolen during WWII. The trouble with many prequels is that, in the interest of dispensing backstory, the author forgets to tell a new story. Black doesn't make that mistake here, with the WWII plot proving thoroughly involving, but let's face it: we're here for answers, and while all of them aren't quite forthcoming just yet, we learn plenty. A treat for series fans.--Ott, Bill Copyright 2016 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.

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Review by Publisher's Weekly Review

Set in 1989, bestseller Black's 16th Aimée Leduc investigation (after 2015's Murder on the Champs des Mars) is a prequel that tells the intriguing story of Aimée's debut as a detective. When Aimée's father, Jean-Claude, travels to Germany on business around the time of the fall of the Berlin Wall, he leaves Aimée, a first-year medical student who's struggling with academic failure and her boyfriend leaving her for another woman, temporarily in charge of the family-owned detective agency in Paris. Elise Pelletier, who claims to be Jean-Claude's second cousin, brings Aimée her first case. Elise wants to find the woman whose name and phone number were on a matchbook in the pocket of her dead father, Bruno, who was discovered tied and bound with a bullet in his head under the Pont des Invalides. As Aimée investigates, she becomes enmeshed in the murky history of the murder of four German soldiers in Vichy, France, during WWII. Series fans will enjoy learning more about Aimée's mysterious past. Agent: Katherine Fausset, Curtis Brown. (June) © Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved

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Review by Kirkus Book Review

Black (Murder on the Champ de Mars, 2015, etc.) looks backward to discover the origins of Aime Leduc, detective. In November, 1942, a line runs through the French countryside near Vichy. On one side lies Chambly-sur-Cher, in la zone libre; on the other, Givaray, under control of Marchal Ptain. When a truck laden with Nazi gold gets mired in mud on the wrong side of the river, four Free French farmers kill four of the soldiers transporting the treasure to Portugal, stealing the loot for themselves. A fifth soldier apparently escapes. Sixty years later, an elderly man from the provinces is killed on his way home from a meal with friends in Paris, his body left under the Pont des Invalides. His daughter, Elise Peltier, asks detective Jean-Claude Leduc, a distant cousin, to find her father's killer. But Jean-Claude is about to leave for Berlin to meet a man who can help him get Sidonie, his fugitive American wife, out of trouble with Mossad. So his 19-year-old daughter, Aime, jumps into the breach. Frustrated with medical school and depressed to discover that Florent, her aristo boyfriend, is about to announce his engagement to another woman, Aime is ready for new adventures. She scoops up the stray puppy her grand-pre found by the river, christens him Miles Davis, and goes in search of the mysterious Suzy, who left her name and phone number on a matchbook in Peltier's pocket from a club called LE GOGO. Along the way, she runs into a dwarf computer genius who fixes her pager. So begins the arc of Aime's story: the first corpse, the first clue, the first shattered love affair, the first meeting with Ren, her eventual partner, and the reader's first glimpse of Leduc Detectives. Rolling back the clock gives Black the chance to recast her heroine unencumbered by the baggage she's accumulated over the course of the series. It's not clear, though, where this prequel will take the franchise in the long run. Copyright Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

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Paris · November 9, 1989 · Thursday Night   Standing outside the Michelin-starred restaurant, a stone's throw from the Champs-Élysées, the old man patted his stomach. The dark glass dome of the Grand Palais loomed ahead over the bare-branched trees. To his right, the circular nineteenth-century Théâtre Marigny.      " Non, non , if I don't walk home I'll regret it tomorrow." He waved off his two drunken friends, men he'd known since his childhood in the village, as they laughingly fell into a taxi. Course had followed course; remembering the caviar-dotted lobster in a rich velouté sauce topped off by Courvoisier brandy, he rubbed his stomach again as he waved goodnight to the departing taxi. His belly was taut with discomfort; he needed to stretch it out before bed. Besides, he always enjoyed the walk home to his place on Place François Premier. Even now, after all these years, pride swelled in his chest that he had secured himself an address in le triangle d'or , the golden triangle, the most exclusive quartier in Paris. The thrill of living among the mansions and hôtels de luxe between avenues Montaigne, George V, and the Champs-Élysées never got old to him.      He looped his silk scarf tight, took a deep breath of the piercing chill November night. Belched. The born farmer in him sensed tonight would bring frost--a crinkled frost that would melt on the grey cobbles like tears. In the village, it would have been a hoarfrost blanketing the earth like lace.      He looked over his shoulder--force of habit--with vigilance that hadn't diminished in forty years. They were always so careful, so scrupulous about the details, took precautions--yet Bruno's murder had scared them all. Made them wonder at the implications. Could it be . . . ? But a month passed and nothing. Were they safe?      Not totally safe, not until the final trust document was rubber-stamped tomorrow. But that was only a formality. Nothing would go wrong this late in the game. He knew that--they all did.      Yet why had he woken up shouting in his sleep last night? Why did Philbert's dentures grind so at dinner, and why did Alain drink a whole bottle of wine himself?      Brown leaves gusted against his ankles. On his right a blurred Arc de Triomphe glowed like a painting on a postage stamp farther down the Champs-Élysées. He kept a brisk pace, got his blood flowing, warmed up. He was fit as a fiddle, his doctor said, his heart like that of a man twenty years younger. A couple passed, huddling together in the cold.      Walking under the barren trees by the Grand Palais, he became aware of footsteps behind him. The footsteps stopped when he did. But as he turned at the intersection in front of the zebra crossing, he saw no one.      Nerves. The light turned green. He crossed. Midway down the next block he heard the footsteps again. Turned.       "Who's there?"      Only a dark hedgerow, shadows cast from trees. Unease prickled the hairs on his neck. He walked faster now, looking for a taxi. Silly, he lived two blocks away, but he never ignored a feeling like this. Each taxi passed with a red light crowning the roof: occupied.      Stupid--why hadn't he taken the taxi with the others? Kept to their protocol of precautions? His meal, rich in cream, sat in his stomach like a dead weight.      Every time he heard the footsteps, he turned and saw no one.      Paranoid, or was he losing his mind? Or was the brandy heightening sensations and dulling his reflexes?      Then a taxi with a green light slowed. He waved it down. Thank God.       " Merci ," he said, shutting the taxi's door, breathing heavily.       "I'm only supposed to stop at the taxi stand, monsieur."       "Then I'll make it worth your while in appreciation."      He gave the address.       "But that's only two blocks from here."       "Consider your fare doubled, monsieur."      The taxi pulled away from the curb. He asked the driver to close his window.      But the driver ignored him. And turned toward the river. Not the way home at all.      Ahead, streetlamps rimmed the quai, their globes of light reflecting yellow shimmers on the moving Seine. His heavy insides curdled.       "You're going the wrong way."      The taxi accelerated, throwing him against the back of the seat.       "Stop." He tried the handle. Locked.      Afraid now, he pounded the plastic partition and tried reaching for the driver's shoulder. The wheels rumbled down a cobblestoned ramp.       "Let me out."      He didn't even realize where they were until the taxi stopped. The taxi had lurched to a halt below the Pont des Invalides, nestled in the shadow of its arch support. Mist floated over the Seine, the gurgling water swollen by early November rain.      And then the door opened and before he could defend himself, his arms were pulled behind him. "Take my money, just take what you want."       "You know what's going to happen, don't you?" said a voice.      He gasped. "Please, let me go."       "Don't you remember the river?"      Panic flooded him. " Non, non . You must understand--it wasn't supposed to happen . . . We can make it right."       "Liar. Payback time."      A rag was stuffed into his screaming mouth. His bile rose and all the rich food lodged in his gullet, choking him.       "You remember, don't you? It's your turn now."      He was shoved to the edge of the quai and down into a squat. Through his blinding terror he saw one of his shoes fall into the water below. The lapping waves from a receding barge and the faint rhythm of faraway car horns masked his cry of pain. Even the lit globes of the sodium lamps faded into the mist on the cloud-blanketed night.       "How does it feel?" a voice hissed.      But he couldn't answer as the sour-tasting gag tightened across his mouth. His tied hands gripped and flailed. He couldn't breathe.      It wasn't supposed to happen that way.      The shot to the back of his head was muffled by the plastic Vichy bottle used as a silencer and the rumble of the traffic overhead.       Paris · November 10, 1989 · Friday Afternoon   Aimée Leduc gazed in horror at the mess in her test tube in the école de médecine lab. Her experiment ruined. Again.       She held the tube to her nose and sniffed. Bleach. Someone had sabotaged her work. Probably one of her twelve fellow premed lab mates--all of them under twenty, like Aimée; all of them male.       The professor was heading her way.        "This is the second time this month, Serge," she said, panicked.        "Didn't I warn you?" said Serge, an upper-class lab assistant, lowering his voice. "Around here you have to guard your tubes and petri dishes with your life. It happens."       Yes, but that didn't make it fair. She wanted to shout, to accuse someone. It was well known that only 15 percent of students would be allowed back for the second year. The cutthroat competition led some students to sabotage others just to stay in the running.        "Don't forget this assignment goes toward your semester grade," Dr. Fabre, their instructor, was saying as the lab emptied.       What could she do?       She liked Dr. Fabre, an older man with tortoiseshell glasses and a slight stoop. His lectures had a strange but appealing energy. Now he asked, "A problem, Mademoiselle Leduc?"        "Someone poured bleach in my test tube . . ." Merde . She didn't want him to think she was the type to whine.       Dr. Fabre shook his head. "No other students had this issue. Do you expect special treatment? Instead of blaming your errors on others, check your notes."        "But Dr. Fabre, you can smell it . . ."        "So you say, Mademoiselle Leduc. But if it means so much, you should have watched your work more carefully. Perhaps slept here. I did in my premed days."       No sympathy here. They wanted to be doctors and help people--why not start with themselves?       She could cope with grueling exams, reports, and all-night studying. But this? She bit her lip, determined not to cry. "Professor, would you please let me redo the experiment? I'll have the results by tomorrow morning."        "I've got four classes to grade and my schedule's full. It's not fair to the others, mademoiselle."       Or to her, but it seemed that didn't matter.        "Let me warn you," he said. "We expect the best. Despite the promise you've shown, you're a candidate for the suspension list. Consider this a formal warning."       Her heart dropped. "There must be a mistake." She riffled through her bag and pulled out her notebook, where she kept duplicates of her assignments and grades. The same notebook with the surveillance case notes she'd been transcribing for her father. "Sir, I scored in the top ten percentile, and I turned in all my assignments."       Dr. Fabre shook his head. "As so have many others. I can't make exceptions."       She managed a nod before she humiliated herself further, and to refrain from kicking the door as he exited.       She rolled up her lab coat sleeves and cleaned the lab in the coffee-colored light of the dank November afternoon. It was her turn to be the first-year grunt. At the faucet she scrubbed her hands with carbolic soap, trying to figure out what to do. The formaldehyde smell permeated everything. Her shoes, her clothes. She couldn't even shampoo the smell out of her hair at night. Another thing she'd chalked up to life in med school.       Serge came in, handed her a paper towel, then leaned against the counter where the surgical instruments dried.        "First year's the toughest. You'll get over it. Everyone does, Aimée." Serge had the beginnings of a beard, thick black hair and myopic eyes behind black-frame glasses. "I was a carabin , too." A stupid archaic term still used for med students, because their lab uniforms resembled those of les carabines , riflemen in Napoléon's army.        "I expected a grind, but backstabbing?" She wanted to spit. "You heard Dr. Fabre. I'm going to fail."        "Pah, you'll make it. It's all about the exam, no matter what he says. You work hard," Serge said. "Be patient."       Patient, her? It was all she could do to focus. From day one, the competitiveness, that feeling of never measuring up, had dogged her. Every morning she told herself she could do it--couldn't she? After all, she'd made it into med school.       Her gaze out the narrow lab window took in the gunmetal sky over the medieval wet courtyard of l'école de médecine . Students bent into the November wind. Nine more years of this if she passed. Maybe ten.        "You'll see it's worth it when you find your calling. I hated my first autopsy, threw up," said Serge. "Almost left medicine. But the next involved a homicide victim. The policeman asked the attending examiner questions. How he looked at the body for clues to solve the murder fascinated me." Serge shrugged. "That's when I learned that the dead talk. I'm learning how to listen."        "But it's the living I'd rather figure out," she said.       Serge took off his glasses, wiped them with the hem of his lab coat. "I've been accepted into Pathology after my rotation."       She smiled, happy for him. "Congrats, Serge."       Serge shrugged. "Take a walk. It will clear your head."       She hung up her lab coat with LEDUC stitched on the lapel. The old-style thirties script reminded her of the Leduc Detective sign hanging over her father's office on rue du Louvre. She kicked off her scuffed clogs and stepped into her worn Texan cowboy boots, put on her leather jacket, and shouldered her bag.        "Aimée, what about your late lunch? We're heating up the croque-madame ."        "All yours. Knock yourself out." She waved at Serge. She'd lost her appetite.     Near the study lounge where everyone hung out between lectures, she looked for tall, blond Florent. They'd met at the study group, almost two months now. She wanted to lean on his shoulder. No, face it--she wanted to do a lot more than that. Crawl under the duvet with him, like the other night. The morning after, brioches in bed, skipping study group to lick off the buttery crumbs. Murmurs of a weekend in Brittany at his aristocratic family's country home.       She didn't see Florent among the loitering undergraduates. Time for a pee.       After checking the whole row of bathroom stalls, at last she found one with toilet paper and latched the door. The hall door opened--voices, footsteps. The squeal of the faucet.        "Why didn't you tell me before? I love clubbing at Queen," said the nasal voice she recognized as Mimi's. Florent's sister was a third year. Tall and big toothed, Mimi reminded her of a horse. Water gushed from the faucet and she heard snickers.       Aimée flushed, pulled up her agent provocateur tights and headed toward the sinks.        "I want to go with you, but Florent's engagement party is this weekend," said Mimi.       Aimée blinked. Florent's engagement party? She and Florent were supposed to be going to Brittany.        "I thought I recognized those cowboy boots," said Mimi, turning toward her. Her voice lowered as if in confidence. "I just felt it was right to tell you that I don't think your weekend plans with my brother are going to happen."       At the soap-splashed mirror Aimée finger-combed her spiky hair and dotted Chanel red on her trembling lips. Her mouth was dry. Mimi's friend, the Queen clubber, eyed Aimée with a predatory gaze.        "Why's that, Mimi?" Aimée said finally.        "He's getting engaged this weekend."       Breathe, she had to keep breathing. "Florent didn't tell me . . ."        "I'm telling you, compris ? No idea what he was thinking leading you on, but this engagement has been in the works for eons." Mimi laughed. "Florent's inheriting a title. You think my family would let him get serious about . . . ?"       A knife twisted in her gut. Could it be true? He'd never mentioned an engagement.        "Don't take it hard. You'll get over it. Just don't kid yourself."        "And you're his messenger service?"       Mimi sighed as she drew in brows with an eyebrow pencil. " Désolée . He didn't want to hurt your feelings."       Was it that Mimi and her crowd hated her and were just being nasty? Or was Florent a gutless wonder who couldn't tell her face-to-face? Maybe both.        " Non , I need to see him." She turned and stared at Mimi. "He needs to tell me himself."        "Don't say you weren't warned." Mimi snapped her makeup case shut. Noises echoed in the corridor as she opened the bathroom door and left, followed by her friend. "Seriously, let's go clubbing," she was saying as the door closed behind her.       Out in the corridor Aimée had to pass by Mimi and her group of laughing sycophants, who were blocking her way and shooting her looks. Her face reddened. She wanted the creaking wood floor to open up and swallow her. A loser. She'd die if her friends heard, and they would--Florent was supposed to come to her best friend Martine's birthday party.       Waves of humiliation washed over her. She should have known that Florent, an aristo from the posh Neuilly suburb with de in his family name, had been slumming with her. She'd been naïve to trust him, the spoiled bastard. For God's sake, she'd slept with him. His feelings for her had probably been bogus like everything else about him. Except for his prospective title.       Furious and blinking back tears, she ran down the stairs and through the twisting medieval maze of the seventeenth-century building. The hallways were glacially cold, with dust in the corners. A dead quiet clung to the tall glass anatomy displays of skeletons and bones. She hated the whole damn place. Excerpted from Murder on the Quai by Cara Black All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.

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