Morning star

Pierce Brown, 1988-

Book - 2016

"The conclusion of the Red Rising trilogy. Born a lowly Red in the mines of Mars, Darrow lost his beloved wife to the treacherous Gold overlords. Vowing to fight for the future that his wife believed in, Darrow joins a secret revolutionary group and is remade into a Gold so that he can infiltrate the ruling class and bring them down from the inside. Now, after years of hiding amongst the Golds, Darrow is finally ready to declare open revolution and throw off the chains of oppression. Nothing in Darrow's world has been easily won, and this final fight will be the most harrowing of all"--

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Subjects
Genres
Science fiction
Dystopias
Published
New York : Del Rey [2016]
Language
English
Main Author
Pierce Brown, 1988- (author)
Edition
First edition
Physical Description
xiv, 524 pages : illustration ; 25 cm
ISBN
9780345539861
9780345539847
Contents unavailable.
Review by Booklist Review

*Starred Review* Picking up where Golden Son (2014), the second book in Brown's Red Rising trilogy, left off, the final entry opens with Darrow imprisoned by the elite Gold society he infiltrated. For Darrow, exposed as a Red and betrayed by his former cohorts, all hope seems lost until two new allies help him, and one of the Gold warriors loyal to him breaks out of prison. Darrow rejoins the revolutionary group that recruited him, the Sons of Ares, now led by his good friend, Sevro. But Sevro's warring tactics are vastly different from Darrow's, and Darrow realizes he must rebuild his confidence and retake his leadership if the rebels are to have any hope of succeeding. What follows is a page-turning epic filled with twists and turns, heartbreaks and daring gambles. In addition to a fabulously imagined universe, what makes Brown's thrilling odyssey so unique is Darrow himself. He's a hero who feels too much rather than too little, a man who not only recognizes he's not an island but knows that his strength comes from his chosen family of friends who fight alongside him. The conclusion to Brown's saga is simply stellar.--Huntley, Kristine Copyright 2016 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

In the excellent closing book of Brown's Red Rising trilogy, revolutionary Darrow is given a second chance to overthrow the government of a class-based future society obsessed with Ancient Rome and segregated by color-coded functions. Red-born Darrow's attempt to incite revolution while hiding among the godlike Golds, rulers of the Solar System, has failed, but it inspired an open revolt. Darrow struggles to figure out whom to trust; uniting an interplanetary uprising requires unstable and unpalatable alliances. His decisions often make him barely better than the oppressors he seeks to overthrow, blowing apart the all-too-overused trope of a plucky good-hearted band overcoming a corrupt oligarchy. Brown's vivid, first-person prose puts the reader right at the forefront of impassioned speeches, broken families, and engaging battle scenes that don't shy away from the gore as this intrastellar civil war comes to a most satisfying conclusion. (Feb.) © Copyright PWxyz, LLC. All rights reserved.


Review by Library Journal Review

Born in the mines of Mars, Darrow continues his quest to topple the ruling Gold class from his place embedded among them in this conclusion to Brown's "Red Rising" trilogy (after Golden Son), one of the most anticipated sf titles of the month. [See Prepub Alert, 7/13/15.]-MM © Copyright 2016. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

Brown completes his science-fiction trilogy with another intricately plotted and densely populated tome, this one continuing the focus on a rebellion against the imperious Golds. This last volume is incomprehensible without reference to the first two. Briefly, Darrow of Lykos, aka Reaper, has been "carved" from his status as a Red (the lowest class) into a Gold. This allows him to infiltrate the Gold political infrastructurebut a game's afoot, and at the beginning of the third volume, Darrow finds himself isolated and imprisoned for his insurgent activities. He longs both for rescue and for revenge, and eventually he gets both. Brown is an expert at creating violent set pieces whose cartoonish aspects (" Waste 'em,' Sevro says with a sneer" ) are undermined by the graphic intensity of the savagery, with razors being a favored instrument of combat. Brown creates an alternative universe that is multilayered and seething with characters who exist in a shadow world between history and myth, much as in Frank Herbert's Dune. This world is vaguely Teutonic/Scandinavian (with characters such as Magnus, Ragnar, and the Valkyrie) and vaguely Roman (Octavia, Romulus, Cassius) but ultimately wholly eclectic. At the center are Darrow, his lover, Mustang, and the political and military action of the Uprising. Loyalties are conflicted, confusing, and malleable. Along the way we see Darrow become more heroic and daring and Mustang, more charismatic and unswerving, both agents of good in a battle against forces of corruption and domination. Among Darrow's insights as he works his way to a position of ascendancy is that "as we pretend to be brave, we become so." An ambitious and satisfying conclusion to a monumental saga. Copyright Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

1 Only the Dark Deep in darkness, far from warmth and sun and moons, I lie, quiet as the stone that surrounds me, imprisoning my hunched body in a dreadful womb. I cannot stand. Cannot stretch. I can only curl in a ball, a withered fossil of the man that was. Hands cuffed behind my back. Naked on cold rock. All alone with the dark. It seems months, years, millennia since my knees have unbent, since my spine has straightened from its crooked pose. The ache is madness. My joints fuse like rusted iron. How much time has passed since I saw my Golden friends bleeding out into the grass? Since I felt gentle Roque kiss my cheek as he broke my heart? Time is no river. Not here. In this tomb, time is the stone. It is the darkness, permanent and unyielding, its only measure the twin pendulums of life--­breath and the beating of my heart. In. Buh . . . bump. Buh . . . bump. Out. Buh . . . bump. Buh . . . bump. In. Buh . . . bump. Buh . . . bump. And forever it repeats. Until . . . Until when? Until I die of old age? Until I crush my skull against the stone? Until I gnaw out the tubes the Yellows threaded into my lower gut to force nutrients in and wastes out? Or until you go mad? "No." I grind my teeth. Yessssss. "It's only the dark." I breathe in. Calm myself. Touch the walls in my soothing pattern. Back, fingers, tailbone, heels, toes, knees, head. Repeat. A dozen times. A hundred. Why not be sure? Make it a thousand. Yes. I'm alone. I would have thought there to be worse fates than this, but now I know there are none. Man is no island. We need those who love us. We need those who hate us. We need others to tether us to life, to give us a reason to live, to feel. All I have is the darkness. Sometimes I scream. Sometimes I laugh during the night, during the day. Who knows now? I laugh to pass the time, to exhaust the calories the Jackal gives me and make my body shiver into sleep. I weep too. I hum. I whistle. I listen to voices above. Coming to me from the endless sea of darkness. And attending them is the maddening clatter of chains and bones, vibrating through my prison walls. All so close, yet a thousand kilometers away, as if a whole world existed just beyond the darkness and I cannot see it, cannot touch it, taste it, feel it, or pierce that veil to belong to the world once again. I am imprisoned in solitude. I hear the voices now. The chains and bones trickling through my prison. Are the voices mine? I laugh at the idea. I curse. I plot. Kill. Slaughter. Gouge. Rip. Burn. I beg. I hallucinate. I bargain. I whimper prayers to Eo, happy she was spared a fate like this. She's not listening. I sing childhood ballads and recite Dying Earth, The Lamplighter, the Ramayana, The Odyssey in Greek and Latin, then in the lost languages of Arabic, English, Chinese, and German, pulling from memories of dataDrops Matteo gave me when I was barely more than a boy. Seeking strength from the wayward Argive who only wished to find his way home. You forget what he did. Odysseus was a hero. He broke the walls of Troy with his wooden horse. Like I broke the Bellona armies in the Iron Rain over Mars. And then . . . "No," I snap. "Quiet." . . . men entered Troy. Found mothers. Found children. Guess what they did? "Shut up!" You know what they did. Bone. Sweat. Flesh. Ash. Weeping. Blood. The darkness cackles with glee. Reaper, Reaper, Reaper . . . All deeds that last are painted in blood. Am I asleep? Am I awake? I've lost my way. Everything bleeding together, drowning me in visions and whispers and sounds. Again and again I jerk Eo's fragile little ankles. Break Julian's face. Hear Pax and Quinn and Tactus and Lorn and Victra sigh their last. So much pain. And for what? To fail my wife. To fail my people. And fail Ares. Fail your friends. How many are even left? Sevro? Ragnar? Mustang? Mustang. What if she knows you're here . . . What if she doesn't care .  . . And why would she? You who betrayed. You who lied. You who used her mind. Her body. Her blood. You showed her your true face and she ran. What if it was her? What if she betrayed you? Could you love her then? "Shut up!" I scream at myself, at the darkness. Don't think of her. Don't think of her. Why ever not? You miss her. A vision of her is spawned in the darkness like so many before it--­a girl riding away from me across a field of green, twisting in her saddle and laughing for me to follow. Hair rippling as would summer hay fluttering from a farmer's wagon. You crave her. You love her. The Golden girl. Forget that Red bitch. "No." I slam my head against the wall. "It's only the dark," I whisper. Only the dark playing tricks on my mind. But still I try to forget Mustang, Eo. There is no world beyond this place. I cannot miss what does not exist. Warm blood trickles down my forehead from old scabs, now freshly broken. It drips off my nose. I extend my tongue, probing the cold stone till I find the drops. Savor the salt, the Martian iron. Slowly. Slowly. Let the novelty of sensation last. Let the flavor linger and remind me I am a man. A Red of Lykos. A Helldiver. No. You are not. You are nothing. Your wife abandoned you and stole your child. Your whore turned from you. You were not good enough. You were too proud. Too stupid. Too wicked. Now, you are forgotten. Am I? When last I saw the Golden girl, I was on my knees beside Ragnar in the tunnels of Lykos, asking Mustang to betray her own people and live for more. I knew that if she chose to join us, Eo's dream would blossom. A better world was at our fingertips. Instead, she left. Could she forget me? Has her love for me left her? She only loved your mask. "It's only the dark. Only the dark. Only the dark," I mumble faster and faster. I should not be here. I should be dead. After the death of Lorn, I was to be given to Octavia so her Carvers could dissect me to discover the secrets of how I became Gold. To see if there could be others like me. But the Jackal made a bargain. Kept me for his own. He tortured me in his Attica estate, asking about the Sons of Ares, about Lykos and my family. Never telling me how he discovered my secret. I begged him to end my life. In the end, he gave me stone. "When all is lost, honor demands death," Roque once told me. "It is a noble end." But what would a rich poet know of death? The poor know death. Slaves know death. But even as I yearn for it, I fear it. Because the more I see of this cruel world, the less I believe it ends in some pleasant fiction. The Vale is not real. It's a lie told by mothers and fathers to give their starving children a reason for the horror. There is no reason. Eo is gone. She never watched me fight for her dream. She did not care what fate I made at the Institute or if I loved Mustang, because the day she died, she became nothing. There is nothing but this world. It is our beginning and our end. Our one chance at joy before the dark. Yes. But you don't have to end. You can escape this place, the darkness whispers to me. Say the words. Say them. You know the way. It is right. I do. "All you must say is 'I am broken,' and this will all end," the Jackal said long ago, before he lowered me into this hell. "I will put you in a lovely estate for the rest of your days and send you warm, beautiful Pinks and food enough to make you fatter than the Ash Lord. But the words carry a price." Worth it. Save yourself. No one else will. "That price, dear Reaper, is your family." The family he seized from Lykos with his lurchers and now keeps in his prison in the bowels of his Attica fortress. Never letting me see them. Never letting me tell them I love them, and that I'm sorry I was not strong enough to protect them. "I will feed them to the prisoners of this fortress," he said. "These men and women you think should rule instead of Gold. Once you see the animal in man, you will know that I am right and you are wrong. Gold must rule." Let them go, the darkness says. The sacrifice is practical. It is wise. "No . . . I won't . . ." Your mother would want you to live. Not at that price. What man could grasp a mother's love? Live. For her. For Eo. Could she want that? Is the darkness right? After all, I'm important. Eo said so. Ares said so; he chose me. Me of all the Reds. I can break the chains. I can live for more. It's not selfish for me to escape this prison. In the grand scheme of things, it is selfless. Yes. Selfless, really . . . Mother would beg me to make this sacrifice. Kieran would understand. So would my sister. I can save our people. Eo's dream must be made real, no matter the cost. It's my responsibility to persevere. It is my right. Say the words. I slam my head into the stone and scream at the darkness to go away. It cannot trick me. It cannot break me. Didn't you know? All men break. Its high cackle mocks me, stretching forever. And I know it is right. All men break. I did already under his torture. I told him that I was from Lykos. Where he could find my family. But there is a way out, to honor what I am. What Eo loved. To silence the voices. "Roque, you were right," I whisper. "You were right." I just want to be home. To be gone from here. But I can't have that. All that's left, the only honorable path for me, is death. Before I betray even more of who I am. Death is the way out. Don't be a fool. Stop. Stop. I lurch my head forward into the wall harder than before. Not to punish, but to kill. To end myself. If there is no pleasant end to this world, then nothingness will suffice. But if there is a Vale beyond this plane, I will find it. I'm coming, Eo. At last, I am on my way. "I love you." No. No. No. No. No. I crash my skull again into stone. Heat pours down my face. Sparks of pain dance in the black. The darkness wails at me, but I do not stop. If this is the end, I will rage toward it. But as I pull back my head to deliver one last great blow, existence groans. Rumbling like an earthquake. Not the darkness. Something beyond. Something in the stone itself, growing louder and deeper above me, till the darkness cracks and a blazing sword of light slashes down. From the Hardcover edition. Excerpted from Morning Star: Book III of the Red Rising Trilogy by Pierce Brown All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.