Laurus

In fifteenth-century Russia, the constant threat of death by pestilence lingers, and the living turn to Christian mysticism to reconcile themselves with such remarkable agony. This may sound like the premise for an apocalyptic horror story, but Vodolazkin, an expert in medieval folklore, transforms the dreadful past into a familiar stage on which to explore love, loss, and fervent perseverance. After a plague sweeps through Rukina Quarter, killing the parents of young Arseny, the boy goes to live with his grandfather, Christofer, a renowned herbalist and loving caretaker. Arseny soon finds himself assuming the role of local doctor, and the novel follows the stages of his life, from healer, to holy fool, and, finally, as Laurus, sainthood. In a stroke of brilliant storytelling, Vodolazkin forgoes historical accuracy and instead conjures a cyclical, eternal time by combining biblical quotes, Soviet bureaucratese, and linguistic conventions of the Middle Ages (in this translation, rendered into Old English). The result is a uniquely lavish, multilayered work that blends an invented hagiography with the rapturous energy of Dostoevsky's spiritual obsessions.--Báez, Diego Copyright 2015 Booklist

Winner of Russia's National Big Book Prize, this saga of 15th-century Russia captures both its harshness and its radiant faith in a narrative touched by the miraculous. Arseny is born in 1440 near the Kirillo-Belozersky Monastery and raised mostly by his grandfather, who teaches him to be a healer like himself. Plague takes the remaining family, and after further tragedy our hero launches on a pilgrimage across Europe, surviving violence, princes, and holy fools before becoming Brother Laurus. VERDICT Engaging sweep; for all readers. © Copyright 2015. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Love, faith, and a quest for atonement are the driving themes of an epic, prizewinning Russian novel that, while set in the medieval era, takes a contemporary look at the meaning of time.Combining elements of fairy tale, parable, and myth, Vodolazkin's second novel (after Solovyov and Larionov, to be published in English in 2016) is a picaresque story exploring 15th-century existence with gravity and a touch of ironic humor. Its language veers from archaic"Bathe thyself, yf thou wylt"to modern slang, and its preoccupations range across language and belief to herbalism and history. Binding all this together is a character whose name changes four times over his lifetime as he progresses through phases as healer, husband, holy fool, pilgrim, and hermit. Born in Russia in 1441, Arseny is an only child, raised by his wise grandfather Christofer after his parents die of plague. Discerning Arseny's healing gifts, Christofer passes on to his grandson his knowledge of plants and remedies and his role as village healer. After Christofer's death, Arseny's loneliness is dispelled by the arrival of plague fugitive Ustina, but the eternal love that develops between them frightens Arseny and leads to failings which will haunt him for the rest of his life. Unobtrusively translated, the novel's narration flows limpidly, touching humane depths, especially when depicting sickness, suffering, and death, which is often. Vodolazkin handles his long, unpredictable, sometimes-mystical saga and its diverse content with confident purpose, occasionally adding modern visions to the historical landscape, part of a conversation about discontinuous time. Traveling across Europe and Palestine and then back to Russia, Arseny, who will become Ustin, Amvrosy, and finally Laurus, will eventually complete his long, circular journey and reach a place of repose.With flavors of Umberto Eco and The Canterbury Tales, this affecting, idiosyncratic novel, although sometimes baggy, is an impressive achievement. Copyright Kirkus Reviews, used with permission.