The last ever after

Soman Chainani

Book - 2015

While the two former best friends are separated, villians from the past attempt to create a new realm with Sophie as their queen, leaving only Agatha and Tedros to fight against the forces of evil.

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Subjects
Published
New York, NY : Harper, an imprint of HarperCollinsPublishers [2015]
Language
English
Main Author
Soman Chainani (author)
Other Authors
Iacopo Bruno (illustrator)
Edition
First edition
Physical Description
655 pages : illustrations (some color) ; 22 cm
ISBN
9780062104960
9780062104953
9780606387613
Contents unavailable.
Review by School Library Journal Review

Gr 6 Up-The final book in the trilogy opens with Sophie having pledged her hand to an evil true love. Now evil is on the rise, and this time it looks as though there may be no easy solution. Agatha and her prince must journey once more back to a school indelibly altered, this time to convince Sophie to change her mind, or kill her. Through a myriad of twists and turns, the two original protagonists struggle to define their relationships and identities and figure out who they're truly meant to be. This story will be snapped up by fans wanting to know how things wind up for the two friends. New readers will need to backtrack to the earlier titles in order to follow the events of this volume. Even invested readers may find it a challenge to keep track of where the story is headed, given the complicated back and forth of the plot and the overload of themes and characters. With fairy tale schools trending in middle school fiction, readers of Shelby Bach's "The Ever Afters" quartet (S. & S.) and Jen Calonita's Flunked (Sourcebooks, 2015) looking for similar worlds may find this series appealing. VERDICT Purchase where the series has proved popular.-Stephanie Whelan, New York Public Library © Copyright 2015. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Horn Book Review

Friends-turned-enemies Sophie and Agatha have parted ways; now, in this hefty conclusion to The School for Good and Evil trilogy, Evil prevails over Good and villains from the past attempt to change their tales. Chainani's fairy-tale-twisting coming-of-age story feels familiar as the characters subvert fairy-tale tropes to define their true selves. Still, series followers should be satisfied. (c) Copyright 2016. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

Good has won every fairy-tale contest with Evil for centuries, but a dark sorcerer's scheme to turn the tables comes to fruition in this ponderous closer.Broadening conflict swirls around frenemies Agatha and Sophie as the latter joins rejuvenated School Master Rafal, who has dispatched an army of villains from Capt. Hook to various evil stepmothers to take stabs (literally) at changing the ends of their stories. Meanwhile, amid a general slaughter of dwarves and billy goats, Agatha and her rigid but educable true love, Tedros, flee for protection to the League of Thirteen. This turns out to be a company of geriatric versions of characters, from Hansel and Gretel (in wheelchairs) to fat and shrewish Cinderella, led by an enigmatic Merlin. As the tale moves slowly toward climactic battles and choices, Chainani further lightens the load by stuffing it with memes ranging from a magic ring that must be destroyed and a "maleficent" gown for Sophie to this oddly familiar line: "Of all the tales in all the kingdoms in all the Woods, you had to walk into mine." Rafal's plan turns out to be an attempt to prove that love can be twisted into an instrument of Evil. Though the proposition eventually founders on the twin rocks of true friendship and family ties, talk of "balance" in the aftermath at least promises to give Evil a fighting chance in future fairy tales. Bruno's polished vignettes at each chapter's head and elsewhere add sophisticated visual notes. Ultimately more than a little full of itself, but well-stocked with big themes, inventively spun fairy-tale tropes, and flashes of hilarity. (Fantasy. 11-13) Copyright Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.