Navel gazing True tales of bodies, mostly mine (but also my mom's, which I know sounds weird)

Michael Ian Black, 1971-

Book - 2016

"A frank and funny-because-it's-true memoir from New York Times bestselling author Michael Ian Black, about confronting his genetic legacy as he hits his 40s--the alt-comedy answer to Brad Garrett's WHEN THE BALLS DROP"--

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Subjects
Published
New York : Gallery Books 2016.
Language
English
Main Author
Michael Ian Black, 1971- (-)
Edition
First Gallery Books hardcover edition
Physical Description
194 pages ; 24 cm
ISBN
9781476748825
9781476748832
Contents unavailable.
Review by Booklist Review

Black's (You're Not Doing It Right, 2012) mother's cancer diagnosis and his encroaching middle age drive the comedian/author's latest memoir. Black picks through his mostly dysfunctional childhood, recalling being bullied at school, labeled gay (although straight) by his lesbian mother and her partner, longing for the physique of a Hitler youth (in spite of his Jewish heritage), and getting punched in the nose in New York City (for trying to keep a tourist from being scammed). As a father, he tries to love running (after eliminating every other sport activity), keep his family safe (even if his wife doesn't want him in charge of her medical decisions), and promote his book (with an ill-advised challenge to another writer). Intercut with his reminiscences are interviews with his mother, who is facing continuing surgeries, procedures, and setbacks with an enviable upbeat attitude. Black comes off as a nice guy with an appreciation for life's weird lessons and the ability to laugh at himself, valued traits when facing middle age. Set him on the recommended shelf beside Sedaris and Fey.--Smith, Candace Copyright 2015 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

Actor and comedian Black delivers a solid, sensitive, and often appropriately silly look at "time and family and the body" in his second memoir (after You're Not Doing It Right, which focused on romantic relationships and marriage). Black discusses the ways he began to think about himself "from a physical perspective, as opposed to a more mental or creative perspective." This shift began when his mother was diagnosed with a degenerative, inoperable bone condition, and it deepened after he turned 40. Black uses his account of his mother's painful illness as a jumping-off point for hilarious and insightful riffs on religion ("Although I can't quite bring myself to believe in God, I pretty much believe in everything else"), why he hates running ("I, too, have experienced the runner's high. I get it every time I stop"), and buying life insurance ("A great way to guarantee I'll live, because I have never outwitted a corporation and I doubt I ever will"). Unlike many other books by comedians, this memoir never feels like a series of onstage routines transcribed to make a buck. Black's examination of the many meanings of being a middle-aged father, husband, and son is an insightful and eminently readable story. Agent: Barry Goldblatt, Barry Goldblatt Literary Agency. (Jan.) © Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved
Review by Kirkus Book Review

A dying mother puts a middle-aged humorist more in touch with his own mortality. Title aside, this memoir mentions Black's navel hardly at all. The author obsesses more on the feet and toes that have embarrassed him longer than other appendages and on his "flaccid penis, hanging down like an aardvark snout." Meditations on the author's body generally alternate with reports on his failing mother and her various operations, including a "bellybuttonectomy" that left her without a navel on which to gaze. Much of the material here could be dark, even grim, but Black sustains a light touch throughout, projecting a warmth that extends from his relationship with his mother through his family life with wife and children. On the one hand, he recognizes that "every body inevitably fails.They are the very definition of planned obsolescence." On the other hand, though he admits that the darker truths of existence have led him to contemplate suicide, he maintains, "I don't ever plan on killing myself. For that matter, I don't ever plan on dying. But I also know that circumstances change, people change, minds change." Death (even suicide) permeates this book, yet it is the kind of book that some folks buy others to put the aging process in perspective, to have a laugh or two at it, to keep from taking oneself and one's fate too seriously. So there are plenty of episodes that find the hapless author trying to combat aging by joining a gym or training for a distance race, and there are a few interludes that have nothing to do with aging at all but which didn't fit in his other books (he terms this a follow-up to You're Not Doing It Right, 2012) and omits material (such as that concerning his dad) that might have worked fine here but which he'd previously written about. A slight, breezy memoir that delves into serious subjects. Copyright Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

Navel Gazing Introduction "Oh shit," you may think, "I am going to die" My mother has no belly button. They took it during one of her "major" surgeries. Over the last fifteen years or so, Mom has had so many surgeries, she now divides them into categories to keep them straight in her head. Minor surgeries are the outpatient ones, like when she visits the specialist who refills the deck-of-cards-size pain pump implanted in her side. Major surgeries are those requiring extended hospitalization and recovery, like the several surgeries she has had to cut away evermore inches of dead intestine, or the time they returned her appendix to its home below her abdomen from where they found it floating near her lung as if it were a lost cat. The bellybuttonectomy was part of a major surgery to untangle an intestine that had looped itself through her bowel, a potentially fatal condition. Before the operation, her doctor asked Mom how attached she felt to her navel, explaining that if she felt the need to preserve it, a plastic surgeon could be brought in to tie together a new one for her like a balloon knot. If a doctor ever asks me how attached I am to my own belly button, I will answer "Very!" because although I am not crazy about any of my body parts, I am selfish enough that I would like to keep them all. Mom told the doctor she did not hold her own belly button quite so dear. "Good," he said, since the plastic surgeon would require an additional expense not covered by whichever insurance company had the misfortune to hold my mother's policy. It's hard to argue with an insurance company refusing to pay for a new navel. Even I, a proponent of universal health care and renowned hater of The Man, would have a hard time defending the expense of reconstructive belly button surgery. So, with Mom's blessing, they took it. Where her belly button used to be, there is now just skin, like a pothole that's been paved over. How strange to not have a belly button. After all, a belly button is one of those things that define us, not only as humans, but as members of the entire biological class Mammalia. Without a belly button, you could just as easily be fish or fungus. Having it taken seems like a peculiar kind of bodily transgression, as if a burglar broke into your house but only stole your high school ring. Growing up, I don't remember Mom ever having so much as a cold, despite the fact that she struggled with her weight her entire life, never exercised, and spent years smoking Virginia Slims, the feminist cigarette. Then, almost overnight, it all turned to shit. Her health woes began in a teeny vacation cottage she once owned in the Blue Ridge Mountains with her partner, Sandy. They used to spend a month there each summer after Sandy's term as a South Florida preschool director ended. The cottage is where Mom first noticed persistent and heavy bleeding from her lady parts. (As her son, I am incapable of writing anything more specific than "lady parts" when describing my mother's lady parts.) The telephone calls to me and my brother, Eric, were brief and to the point: She had uterine cancer. . . . They'd found it early, Stage 1. . . . Her prognosis was excellent. . . . No, she didn't need us to fly down there. . . . She and Sandy would be returning to Florida for surgery, followed by a course of radiation. . . . We should go about our lives as if nothing were amiss. . . . Updates forthcoming. Cancer is a scary diagnosis, of course, but Mom did not seem worried. Or perhaps she chose to keep the worry from her words so as not to alarm us. And perhaps we let her do this because, even though we are adults, we are also still her children, and children, no matter how old, allow themselves to be gullible with their parents, because being gullible is often easier than being wise. Upon her return to Florida, Mom underwent a radical hysterectomy. The surgery revealed bad news. Her cancer had invaded the uterine wall, escalating her diagnosis from Stage 1 to Stage 3. Cancer diagnoses are divided into four stages, with Stage 4 being terminal. They are further subdivided into letters a through c. Mom's cancer was rediagnosed as Stage 3c, one squiggly letter away from a death sentence. A few years ago, I wrote a book called You're Not Doing It Right, a (very good, please purchase) memoir about romantic relationships and marriage. This book is a follow-up, focusing on time and family and the body--subjects I began thinking about with a certain degree of seriousness around the time Mom first got sick, and deepening after I turned forty. Forty is that moment most of us believe ourselves to be balanced right at the fulcrum of the life-expectancy teeterboard. On one side, we see our parents' generation starting to get old, some of them sick, some already dead. On the other, our children's generation, brimming with a vibrant joie de vivre best described as "annoying." And there you are, balanced between the two for a split second before beginning your inexorable slide toward the land of dashed dreams and broken hips and assisted living facilities and death. Once you hit forty, it is no longer possible to pretend you will remain forever young. In fact, according to the Social Security Administration, a man like me, age forty-three, only can expect to live an additional thirty-eight years. In other words, I am already past my life's midpoint; calling myself middle-aged is, at best, a fudge, at worst a disservice to the entire field of mathematics. Even so, I don't feel like my life is more than halfway over. I feel exactly as I did ten or fifteen years ago. Yet somehow whole decades have elapsed in the time I've spent upgrading my iPhones through their various iterations. Entire species have gone extinct as I drove around the mall looking for better parking spaces. Then one day, I look up and a government agency is informing me I am no longer a zesty young man, but a just-past-middle-aged adult with adult responsibilities and a mortgage and the first signs of erectile dysfunction. This moment eventually happens to all of us, the moment when you first sense that the road you are traveling may, at some point, end. And when that realization hits, it does so in the sudden, jarring manner of a car crash: "Oh, shit!" you may think at the moment of impact. "I'm going to die." No doubt some people shrug their shoulders at this revelation. Not me. I panicked. My reaction, I suspect, is the more common of the two. In fact, vast swaths of the economy exist precisely to serve as a balm for this midlife hysteria. The sports car industry. The cosmetic surgery industry. The divorce industry, and its attendant trophy wife industry. Youth may be wasted on the young, but billions are wasted on the middle-aged. My panic catalyzed a thorough examination of my place in the universe, starting with my body. For most of my life, I'd thought about my body only in terms of how best to endure its inadequacies. I'd never done a thorough head-to-toe review of my corporeal self. Yes, I'd had physicals, but those only served to provide raw data points. Such-and-such blood pressure, such-and-such cholesterol, such-and-such this, that, and the other thing. All of which could be weighed and sorted and inputted onto spreadsheets to be distributed among interested medical practitioners and members of Obama Death Panels. And when I began this process of thinking about myself from a physical perspective, as opposed to a more mental or creative perspective, I discovered something that sent me into a psychic tailspin, something that made my mother's cancer seem insignificant. What I discovered is this: I was losing my hair. Not a lot. Not enough that other people would necessarily even notice. Certainly not so much that I couldn't disguise it through artful arrangement. But how long before "artful arrangement" metastasized into comb-over, the hair loss equivalent of a Stage 3c diagnosis? I'd managed to go through the first forty years of my life with no discernible hair loss, and now, just as I'm confronting my own mortality, I start to go bald? How about one thing at a time? I don't consider myself a particularly vain man, but that is only because I am lying. The truth is, I am incredibly vain, even though I have very little to be vain about. But I do have a full head of hair. At least I did. Now I have most of a full head of hair, but also an increasingly visible scalp, and a swirly patch at the back of my head, a plain once lush as the Serengeti, but which grows more parched and drought-stricken by the day, and threatens to erode into a full-blown bald spot. Well, not on my watch, hair. Not on my watch. I researched male-pattern baldness. I bought volumizing shampoos. I learned esoteric terms like DHT, a chemical derivative of testosterone that, when imbalanced, miniaturizes the hair follicles. I read up on hair transplants, even going so far as to ask my accountant if I could deduct such a procedure as a business expense. (He said I could, since I am an actor, and actors must have thick, glossy manes, except for Bruce Willis, who can do whatever he wants.) Finally, I made an appointment with a New York hair-restoration specialist, who, to my surprise, turned out to be the single baldest man I have ever seen. He looked like a condom with eyes. My appointment lasted less than ten minutes. He ran a portable microscope over my scalp, beaming images of all my lovely, individual follicles onto a small television monitor. Yes, he could definitely see thinning, but I still had too much hair to qualify for a transplant. Instead, he prescribed finasteride (Propecia) pills and topical minoxidil (Rogaine), both of which I will have to use for as long as I wish to retain my lustrous locks, which is forever. Even after I am dead. Obviously, I'm joking about comparing hair loss to my mom's cancer. Nobody should get too worked up about something as superficial as thinning hair. Except I did. Because hair loss is only superficial when it happens to somebody else. When it happened to me, it felt cataclysmic. That doctor's waiting room was like a funeral home, filled with somber guys in various states of mourning. Some, like me, appeared more or less hirsute. Others, in more advanced stages of grief, wore baseball caps or pushed their remaining hair forward to camouflage their emerging foreheads, or sported full beards to distract from their lack of topside locks. If hair loss is no big deal, what were we all doing there? And why did we refuse to look each other in the eye? I'd visited intensive care units more upbeat than this place. Why? Because everybody is guilty of catastrophizing the trivial, especially when it comes to our bodies. I know this is true, because were it not, we would not have coined the word cankle. The great writer Nora Ephron titled her final essay collection I Feel Bad About My Neck, as apt a description of this condition as any there's likely to be. Personally, I never felt bad about Nora Ephron's neck, but I certainly feel bad about the leukemia that killed her. Apparently, Nora didn't speak much about her cancer, preferring to keep her large sufferings private, her small ones public. It is an impulse I understand well. Funny people do not want pity. They want laughs. And money. (Mostly money.) I hope Nora Ephron at least made peace with her neck before she died. Who wants to go to the grave feeling bad about her neck? Or thighs or stomach? Feet, yes. Feeling bad about one's feet is understandable. I feel bad about my feet. Here are some other things I feel bad about: the almost 1:1 ratio of the diameter of my upper arms to my wrists; the red blob on my chest, which I am told is a harmless blood vessel, but which reads to the untrained eye like a little clown nose; the fact that my mustache grows at a much quicker rate than my beard, so that I have the perpetual look of a thirteen-year-old Mexican boy; the fact that my right shoulder rests higher than my left no matter how many times throughout the day I attempt to rearrange my spine; my height, which is two inches less than optimal; the curvature of my nose, which is approaching Owen Wilson levels of unsightliness; my drooping scrotum, which, by the year, is slowly sinking into the earth like the city of Venice; the mysterious red slashes I discover on my shoulders and back each morning, the result of "sleep scratching," which, after researching, I discover is an actual mental disorder I seem to have, as is my trichotillomania, the compulsive desire to pull out hair--in my case, beard whiskers--resulting in a large bare patch under my right jawline where there should be beard, which does nothing to diminish my thirteen-year-old-Mexican-boy look. I feel bad about my escalating weight and the amount of arm hair I have, as well as my armpit hair, which extends farther down the underside of my arm than I think it ought to, and also the shade of my skin, which is the Crayola color between "pallid" and "jaundiced." This is only a partial list. On the other hand, there are things about which I feel pretty good. My health, to this point, has been excellent, although it is hard to convince myself it will remain so if I continue to eat, as I did last night after everybody had gone to bed: half a bag of Tostitos, a bowl of ice cream, more Tostitos, and three stale almond cookies that tasted fine once I brushed the dog hair off them. Moreover, I am sixteen years into a marriage, a marriage I expect to last at least another six weeks. We have two kids who do not yet hate us. Plus, although I am gaining weight, I am still thinner than almost all of the guys I went to high school with, which is the only metric that matters. Also, since I am often unemployed, I get plenty of healthful sleep. My sexual engine, never a dynamo, continues to putter along at the libidinous equivalent of a Toyota Camry, decent and workmanlike, but not setting any performance records. And then there is my belly button. It is a fine belly button, an innie, chockablock with small kernels of linty debris and dead skin, a veritable cornucopia of buried treasure. Were I ever to lose my navel, I would surely miss it. Mom's updated cancer diagnosis demanded a new, more aggressive treatment. In addition to the standard course of external radiation she'd already agreed to, the doctors now proposed adding internal radiation, a process where a team threads a radioactive cocktail of cesium, iridium, and iodine into the patient through a catheter, using advanced imaging technology to position the pill as near to the cancer as they can get it. Once that is achieved, they run away because the patient is now, literally, radioactive. I'm not exaggerating. Patients undergoing internal radiation therapy are quarantined in a "hot room" for three days while the body absorbs the poisonous fissile material. It's like eating a nuke. During those three days, patients are not allowed visitors, and medical staff provide care from a distance. I asked Mom how she got her food. "They threw it," she said. (I also ask the obvious question, but the answer is no: Despite being inundated with mysterious radioactive material, she acquired no superpowers.) The radiation therapy was painless, but being alone for three days drove my normally voluble mother batty. She passed the time reading, watching TV, and twirling her bra above her head like a lasso. At the end of her quarantine, the medical staff used a Geiger counter to ensure her body was no longer shooting off death beams. Upon checking her torso, they discovered Mom had written florid messages of thanks all over her stomach in Magic Marker. Everybody had a good laugh, and they sent her home. She checked out of the hospital, spirits high. "Great," she thought. "That's the end of it." But her troubles had just begun. Excerpted from Navel Gazing: True Tales of Bodies, Mostly Mine (but Also My Mom's, Which I Know Sounds Weird) by Michael Ian Black All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.