Zombelina dances the Nutcracker

Kristyn Crow

Book - 2015

Zombelina and Lizzie are dancing in The Nutcracker, but Grandpa Phantom has other plans for the opera house and the friends must save the show.

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Subjects
Genres
Stories in rhyme
Picture books
Published
New York : Bloomsbury [2015]
Language
English
Main Author
Kristyn Crow (author)
Other Authors
Molly Schaar Idle (illustrator)
Physical Description
1 volume (unpaged) : color illustrations ; 29 cm
ISBN
9781619636408
Contents unavailable.
Review by Publisher's Weekly Review

The undead heroine of Zombelina (2013) returns to dance The Nutcracker, but her ghostly grandfather's tricks threaten to upend the performance, even after Zombelina snags the role of Clara. Zombelina is a wonderful dancer, but it's really Idle who's superbe-few others could make running jokes about detached limbs look this graceful. Crow's rhymes offer a similar blend of playfulness and gross-out humor (during the dance performance, a friend steps into Zombelina's shoes-and more-while the young zombie deals with her grandfather's pranks: " 'Tuck in your legs, and let mine dance the show/ With Clara's long nightgown, they won't even know!'/ Lizzie looks squeamish, but nods an okay./ 'I've heard "break a leg," but... never this way.' " It's a satisfyingly creepy alternative to more traditional Nutcracker tales. Ages 4-8. Author's agent: Kendra Marcus, Bookstop Literary. Illustrator's agent: Lori Nowicki, Painted Words. (Sept.) © Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved
Review by School Library Journal Review

Gr 2-4-It had to happen: The Phantom of the Opera meets The Nutcracker in a new picture book with playful illustrations by Idle. The Clara in this performance is a zombie who not only dances the feature role but also must foil Grandpa Phantom's plan to shut down the show. Told in rhymes, the puns and spooky antics are chuckle-worthy, if a little forced. VERDICT A zany alternative for children who prefer the gently macabre over more treacly Christmas fare.-Virginia Walter Graduate School of Education and Information Studies © Copyright 2015. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Horn Book Review

Zombie-girl Zombelina is overjoyed to win the coveted part of Clara in the Nutcracker ballet, but shes sad for Lizzie, cast in a minor role. Zombelina comforts her friend: Youll have your big moment someday. That moment comes sooner than expected when Zombelinas ghostly grandpa causes mischief during opening night and Zombelina lends Lizzie her (detachable) legs to take over the performance while Zombelina handles Grandpa. Colored-pencil illustrations perfectly capture the dancers graceful movementscheck out that friendship duet after the casting announcementand supplement the punny rhyming text (everyone needs a leg up) with visual humor. Part Nutcracker primer, part supernatural comedy, part friendship tale, and an all-around bravura performance. katie bircher(c) Copyright 2015. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

Young Zombelina wins the part of Clara in The Nutcracker, but her Grandpa Phantom causes problems during a performance. Zombelina is the only zombie girl in the cast of The Nutcracker. Her best friend, Lizzie, is cast in the chorus, but the girls support each other and remain friends. Zombelina's grandfather haunts the theater, and during a performance he alters the lighting so the bones of all the dancers show through their costumes. It's not clear what the exact paranormal effect is heremagical paralysis? Temporary electrocution? Only Grandpa Phantom knows for sure. Zombelina asks Lizzie to take over her part so the young zombie can deal with her grandfather backstage. The switch is effected by Zombelina's actual removal of her legs, which she lends to Lizzie for the rest of the performance. Lizzie is supposed to tuck her legs up in her costume and dance on Zombelina's legs, but the mechanics of this switch aren't clear or believable. The performance ends with Zombelina back on stage with the cast for a standing ovationand one of Zombelina's legs on the loose. There are some funny zombie-themed jokes woven into the story, and Zombelina is an intriguing character, but there are too many leaps in logic in the plot. Colored-pencil illustrations give the green-faced Zombelina personality, and Idle does a fine job with the ballet positions and complex stage scenes. Fans of both paranormal characters and ballet will like this; others should stick with a traditional interpretation of the holiday classic. (Picture book. 5-8) Copyright Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.