At the edge of the orchard

IT CAN'T BE GREAT, even for a best-selling author, to find out that a second best-selling author has also written a new novel about a family's obsession with its apple orchard. Think of the potential for confusion. Or all the weak "how do you like them apples" jokes that might have to be endured at readings. But the latest Tracy Chevalier and Jane Hamilton novels, stylistically distinct, respectively, as plot-heavy historical fiction and leisurely evocative contemporary literature, form a complementary double feature. Paired, they make the case that the beautiful lunacy of trying to earn a living from the land hasn't changed all that much in the last two centuries. "They were fighting over apples again" is the opening sentence of Chevalier's "At the Edge of the Orchard," and for the first third of the book, that's about the extent of what happens. Chevalier (best known for her Vermeer novel, "Girl With a Pearl Earring") interweaves the lives of two real people, John Chapman, known as Johnny Appleseed, and the plant collector William Lobb, with that of her fictional characters. The Goodenoughs are introduced living a miserable life in 1838 in the Great Black Swamp of Ohio, where they got stuck in the mud on their way west. James would have happily stayed on his family's farm in Connecticut, where the apple of choice was the Golden Pippin, but his kinsmen were short on land as well as patience for his slatternly wife, Sadie, and now he's desperate to meet the requirement for a settler to claim land, namely cultivating an orchard of 50 fruit trees. James and Sadie disagree on how the goal should be met. He likes "eaters," particularly the apples he's grafted with scions of those Golden Pippins. Sadie sides with Chapman on favoring "spitters," suitable for making cider and applejack, and when Chapman drops by with more saplings or a jug or two of the good stuff, he and Sadie get drunk and have a fine old time. ("At the Edge of the Orchard" may be the first novel inspired by Michael Pollan; Chevalier credits his chapter on apples in "The Botany of Desire: A Plant's-Eye View of the World" with providing "the seed" for this book.) It's something of a narrative mishmash. From James's third-person perspective Chevalier succeeds in creating a sympathetic character, even though when it comes to Sadie or his five children (there were 10 in all; five died of swamp fever) he never met a rod he wanted to spare. With Sadie, she takes an unfortunate first-person deep dive into the mind of a younger version of Granny from "The Beverly Hillbillies": "I'd hear new settlers complain bout the mud and think, Theres worse things than mud. Jest you wait." Indeed. The Goodenoughs get and give more than their fair share of those worse things, and it's a relief when the story veers off to follow the most alert of their malnourished children, Robert, on his own westward journey. Even his sweet, sad epistolary accounts of many failed employment efforts (snake oil salesman's assistant, gold miner, stableboy) are a diversion after the brutal, bloody realism of the swamp. By the time Robert falls in with Lobb and starts a whole new relationship with trees, collecting seeds and saplings from redwoods and sequoias to send to wealthy Europeans, this feels like a different book. Chevalier puts the reader in those quiet, magnificent groves right along with Robert. Atmospherically, Chevalier is a gifted conjurer of, say, the sweaty, unwashed bedding of 19th-century America. But "At the Edge of the Orchard" is a bumpy wagon ride, a slog through mud followed by a mad gallop, including some ludicrous trips up and down a mountainside. There's even some slapstick action involving, first, vastly pregnant women and then babies. At the end, the sudden lurch toward improbable happiness nearly gave me whiplash, but undeniably, I found it pleasing. The first third of "At the Edge of the Orchard" is as sour as a spitter, but the rest is an entertaining gobble. MICHAEL POLLAN DIDN'T inspire "The Excellent Lombards" - more likely it was Jane Hamilton's life on her husband's Wisconsin orchard - but he would probably appreciate her tender, astute look behind the scenes at a small-scale family farm in the years when the locavore movement was just taking hold. The Lombards raise sheep, but primarily they're an extended family of apple farmers, headed by two cousins, Jim and Sherwood, and a maiden-aunt type named May Hill. Jim's wife, Nellie, designates the day the apple blossoms hit their peak as an informal school holiday: Blossom Day. When it arrives, she dispatches her children, William and Mary Frances, to the orchard with a picnic and an unspoken order to enjoy the beauty they find there. Although Mary Frances resists or ignores most of her mother's wishes, this one she embraces. For her, Blossom Day means to be dazed, drunk even, on such natural joys as "the air still, nothing in it but bees working." It's the 1990s, and although Mary Frances is only 12 when the novel starts, she's already plotting to stay in this place for the rest of her days. That is, if family dynamics allow it. "The Excellent Lombards" is about possession, succession and the uneasy balance of power between multigenerational farmers. Mary Frances goes by many names - Francie to her mother, Marlene to her father, Frankie or Imp to her brother - but as expertly rendered by Hamilton (whose many novels include "A Map of the World" and "The Book of Ruth") she's a storybook character, an inquisitive, imperious but lovable girl akin to Harper Lee's Jean Louise Finch, Rumer Godden's Cecil Grey or Ian McEwan's Briony Tallis. Like them, she absorbs and channels emotion and drama, processing it for the reader as a vested outsider: an outsider because she's a child, but vested because she wants to have this land, and the life she lives on it, remain unchanged forever. The kid can be pretty obnoxious. She freezes out a gentleman farmer because he grows a newfangled apple, the Honeycrisp, rather than heirloom varieties (and because he's more successful than the Lombards). But she's also an amusing narrator, scoffing at the "righteous" mothers looking only for organic fruit at the farmers' market and refusing to hear a word in defense of the common sense of integrated pest management: "Those mothers only wished us to know that we were the individuals poisoning their children and Gaia." Because Mary Frances' framework for farming, and her love of it, is so obviously shaped by and inseparable from her adoration of her father, it's not hard to forgive her. Or feel sorry for her. Her way of life is in jeopardy, from the pressure of encroaching development and the trendy Honeycrisps, as well as the chronic disagreements between Jim and Sherwood, instigated by the fact that Sherwood grew up on the farm and Jim did not. What Mary Frances doesn't understand - yet - is that this is a repeating cycle. When Mary Frances' distant cousin Phillip, "a slow-food, locavoring, hipper-than-Alice-Waters pioneer," arrives at the orchard after college and has the temerity to care about the place, she sees him as an interloper, proving she's a Sherwood in the making. Somewhere back in this family's history there were those first treasured saplings. And somewhere in the excellent Lombard family future, a son or daughter could be sent off with nothing more than scion wood. Only there's not much wilderness left, not even in the Great Black Swamp. Maybe the best hope is that at least they'll care enough to be fighting about apples again. Two novels about possession, succession and the balance of power in farming families. MARY POLS writes about agriculture for The Portland Press Herald and is the author of a memoir, "Accidentally on Purpose."

In 1838, James and Sadie Goodenough leave the relative comforts of Connecticut to strike out on their own, ending up in the swamps of Ohio. Required to plant 50 trees in order to stake a claim, they and their five children work tirelessly to cultivate the land, buying their seedlings from Johnny Appleseed, who tells Sadie how to make applejack, an alcoholic beverage she grows a little too fond of. The backbreaking work and relentless winters take a terrible toll on the couple, who are forever fighting, and after an unfortunate and tragic accident, their youngest child, Robert, takes off for California. There he finds work with a naturalist collecting seeds from the giant sequoia trees, which are then packed and shipped to England. He thoroughly enjoys the work, not least because he learned so much about trees from his father, but memories of his unhappy childhood continue to haunt him. Chevalier (The Last Runaway, 2013) excels at creating a highly accessible read that takes a surprisingly dark look at the brutal conditions of frontier life. HIGH-DEMAND BACKSTORY: The best-selling Chevalier is the author of seven previous novels, including Girl with a Pearl Earring, which has been translated into 39 languages and made into an Oscar-nominated film.--Wilkinson, Joanne Copyright 2016 Booklist

Chevalier may not be able to trump her wildly successful second novel, Girl with a Pearl Earring, but her eighth outing is a compelling showcase of 19th-century American pioneering spirit in which a family from Connecticut struggles to establish an apple orchard in the swamplands of Ohio. James Goodenough can trace his family and his beloved Golden Pippin apples back to England, though he seeks his own future away from his family's farm. The story of his adventure going west unfolds from his point of view as well as from that of Sadie, his contentious wife, a tough woman with a wild libido and a hankering for applejack. True-life figure John Chapman (aka Johnny Appleseed) plays a role in the Goodenoughs' fortunes, as does British plant collector William Lobb, who becomes a key figure to James and Sadie's youngest son, Robert, when circumstances force him to flee Ohio and make his own life on the West Coast. Against a backdrop of family travails in Ohio and personal revelations in California come intriguing facts about apples, such as their division into "eaters" and "spitters" (used for apple cider and applejack), as well as how American pine trees, redwoods, and Sequoias were painstakingly introduced to England. The author's insightful observations about domestic life and the pull of relationships bring depth to a family story that inevitably comes full circle in a most satisfying way. (Mar.) © Copyright PWxyz, LLC. All rights reserved.

***This excerpt is from an advance uncorrected proof*** Copyright © 2016 Tracy Chevalier BLACK SWAMP, OHIO Spring 1838   They were fighting over apples again. He wanted to grow more eaters, to eat; she wanted spitters, to drink. It was an argument rehearsed so often that by now they both played their parts perfectly, their words flowing smooth and monotonous around each other since they had heard them enough times not to have to listen anymore. What made the fight between sweet and sour different this time was not that James Goodenough was tired; he was always tired. It wore a man down, carving out a life from the Black Swamp. It was not that Sadie Goodenough was hung over; she was often hung over. The difference was that John Chapman had been with them the night before. Of all the Goodenoughs, only Sadie stayed up and listened to him talk late into the night, occasionally throwing pinecones onto the fire to make it flare. The spark in his eyes and belly and God knows where else had leapt over to her like a flame finding its true path from one curled wood shaving to another. She was always happier, sassier and surer of herself after John Chapman visited. Tired as he was, James could not sleep while John Chapman's voice drilled through the cabin with the persistence of a swamp mosquito. He might have managed if he had joined his children up in the attic, but he did not want to leave the bed across the room from the hearth like an open invitation. After twenty years together, he no longer lusted after Sadie as he once had, particularly since applejack had brought out her vicious side. But when John Chapman came to see the Goodenoughs, James found himself noting the heft of her breasts beneath her threadbare blue dress, and the surprise of her waist, thicker but still intact after ten children. He did not know if John Chapman noticed such things as well--for a man in his sixties, he was still lean and vigorous, despite the iron gray in his unkempt hair. James did not want to find out. John Chapman was an apple man who paddled up and down Ohio rivers in a double canoe full of apple trees, selling them to settlers. He first appeared when the Goodenoughs were new arrivals in the Black Swamp, bringing his boatload of trees and mildly reminding them that they were expected to grow fifty fruit trees on their claim within three years if they wanted to hold on to it legally. In the law's eyes an orchard was a clear sign of a settler's intention to remain. James bought twenty trees on the spot. He did not want to point a finger at John Chapman for their subsequent misfortunes, but occasionally he was reminded of this initial sale and grimaced. On offer were one-year-old seedlings or three-year-old saplings, which were three times the price of seed- lings but would produce fruit two years sooner. If he had been sensible--and he was sensible!--James would simply have bought fifty cheaper seedlings, cleared a nursery space for them and left them to grow while he methodically cleared land for an orchard whenever he had the time. But it would also have meant going five years without the taste of apples. James Goodenough did not think he could bear that loss for so long--not in the misery of the Black Swamp, with its stagnant water, its stench of rot and mold, its thick black mud that even scrubbing couldn't get out of skin and cloth. He needed a taste to sweeten the blow of ending up here. Planting saplings meant they would have apples two years sooner. And so he bought twenty saplings he could not really afford, and took the time he did not really have to clear a patch of land for them. That put him behind on planting crops, so that their first harvest was poor, and they got into a debt he was still paying off, nine years on. "They're my trees," Sadie insisted now, laying claim to a row of ten spitters James was planning to graft into eaters. "John Chapman gave 'em to me four years ago. You can ask him when he comes back--he'll remember. Don't you dare touch 'em." She took a knife to a side of ham to cut slices for supper. "We bought those seedlings from him. He didn't give them to you. Chapman never gives away trees, only seeds--seedlings and saplings are worth too much for him to give away. Anyway, you're wrong--those trees are too big to be from seeds planted four years ago. And they're not yours--they're the farm's." As he spoke, James could see his wife blocking out his words, but he couldn't help piling sentence upon sentence to try to get her to listen. It needled him that Sadie would try to lay claim to trees in the orchard when she couldn't even tell you their history. It was really not that difficult to recall the details of thirty-eight trees. Point at any one of them and James could tell you what year it was planted, from seed or seedling or sapling, or grafted. He could tell you where it came from--a graft from the Goodenough farm back in Connecticut, or a handful of seeds from a Toledo farmer's Roxbury Russet, or another sapling bought from John Chapman when a bear fur brought in a little money. He could tell you the yield of each tree each year, which week in May each blossomed, when the apples would be ready for picking and whether they should be cooked, dried, pressed or eaten just as they were. He knew which trees had suffered from scab, which from mildew, which from red spider mite and what you did to get rid of each. It was knowledge so basic to James Goodenough that he couldn't imagine it would not be to others, and so he was constantly astonished at his family's ignorance concerning their apples. They seemed to think you scattered some seeds and picked the results, with no steps in between. Except for Robert. The youngest Goodenough child was always the exception. "They're my trees," Sadie repeated, her face set to sullen. "You can't cut 'em down. Good apples from them trees. Good cider. You cut one down and we'll be losing a barrel of cider. You gonna take cider away from your children?" "Martha, help your mother." James could not bear to watch Sadie work with the knife, slicing uneven steaks too thick at one end, too thin at the other, her fingers threatening to be included in their sup- per as well. She was bound to keep cutting steaks until the whole ham was chopped up, or lose interest and stop after only three. James waited until his daughter--a leaf of a girl with thin hair and pinched gray eyes--continued with the slicing. The Good- enough daughters were used to taking over the making of meals from their mother. "I'm not cutting them down," he explained once more to Sadie. "I'm grafting them so they'll produce sweet apples. You know that. We need more Golden Pippins. We lost nine trees this winter, most of them eaters. Now we got thirty-five spitters and just three eaters. If I graft Golden Pippins onto ten of the spitters, that'll give us thirteen eaters in a few years. We won't have so many trees producing for a while, but in the long run it will suit our needs better." " Your  needs. You're the one with the sweet tooth." James could have reminded Sadie that it was she who put sugar in her tea, and noticed when they were running low and nagged James to go to Perrysburg for more. Instead he doggedly set out the numbers as he'd done several times over the last week when he'd announced his intention to graft more trees this year. "That'll make thirteen eaters and twenty-five spitters. Add to that fifteen of John Chapman's seedlings he's bringing us next week, and that takes us to fifty-three trees, three more than we need to satisfy the law. Thirteen eaters and forty spitters, all producing in a few years. Eventually we'll have more spitters than we do now for cider. And we can always press eaters if we have to." Secretly he vowed never to waste eaters on making cider. Slumped at the table, her daughter moving lightly around her as she prepared supper, Sadie watched her husband through her eyebrows. Her eyes were red. "That's your latest apple plan, is it? You gonna go straight past the magic number fifty to fifty-three?" James knew he should not have used so many numbers to explain what he wanted to do. They bothered Sadie like wasps, especially when she had applejack in her. "Numbers are a Yankee invention, and we ain't in Connecticut now," she often reminded him. "Ohioans don't care a spit about numbers." "I don't want to know exactly how many mouths I got to feed--I jest want to put food on the table." But James could not help himself: it comforted him to count his trees, to mull over the number, add another Golden Pippin, remove a mongrel spitter that was a result of one of John Chap- man's visits. Solid numbers held back the woods surrounding their claim, so dense you could never count all the trees. Numbers made you feel in charge. Today Sadie's response to the numbers he laid out in his argument was even blunter. "Fuck your numbers," she said. "You ain't never gonna reach fifty, much less fifty-three." Disrespect for numbers: that was what made James slap her--though he wouldn't have if she'd still held the knife. She responded by going for him with her fists, and got in a jab to the side of his head before he wrestled her back into her seat and slapped her again. At least she didn't manage to catch an eye, as she had done once; his neighbors enjoyed teasing James about the shiner his wife had given him. Buckeye, they called it, after the chestnuts so common in Ohio. Lots of wives sported buckeyes; not so many husbands. The second slap split Sadie's lip. She seemed puzzled by the sight of her own blood, and remained seated, the bright drops spotting her dress like fallen berries. "Get your mother cleaned up, and call me when supper's ready," James said to Martha, who set down the knife and went to get a cloth. Martha was his favorite, being gentle and never challenging him or seeming to laugh at him as some of his other children did. He feared for her each August when the swamp fever arrived. Almost every year one of his children was picked off, to join the row of graves marked with wooden crosses in a slightly higher spot in the woods not far from the cabin. With each grave he'd had to clear maples and ash to make space to dig. He'd learned to do this in July, before anyone died, so that the body did not have to wait for him to wrestle with the trees' extensive roots. Best to get the wrestling out of the way when he had the time. --- I was used to his slaps. Didnt bother me none. Fightin over apples was jest what we did. Funny, I didnt think much about apples fore we came to the Black Swamp. When I was growin up we had an orchard like every- body else but I didnt pay it no attention cept when the blossom was out in May. Then Id go and lie there smellin some sweet perfume and listenin to the bees hum so happy cause they had flowers to play with. That was where James and I lay our first time together. I shouldve known then he wasnt for me. He was so busy inspectin my familys trees and askin how old each was--like I would know--and what the fruit was like (Juicy like me, I said) that finally I had to unbutton my dress myself. That shut him up a while. I never was a good picker. Ma said I was too quick, let too many drop and pulled off the stems of the rest. I was quick cause I wanted to get it done. I used two hands to twist and pull two apples and then the third would drop and bruise and wed have to gather all the bruised ones separate and cook em up right away into apple butter. Beginnin of each season Ma and Pa would get me pickin till they remembered about that third apple always droppin. So they put me on to gatherin the windfalls that were bruised and damaged from fallin off the tree. Windfalls werent all bad apples. They could still be stewed or made into cider. Or theyd have me cookin or slicin rings to dry. I liked the slicin. If you cut an apple across the core rather than along it you get the seeds makin flowers or stars in the middle of the circle. I told John Chapman once and he smiled at me. Gods ways, he said. Youre smart to see that, Sadie. Only time anyone ever called me smart. James wouldnt let me touch the apples on his trees either. His precious thirty-eight trees. (Oh I knew how many he had. He thought I wasnt listenin when he was rattlin through his numbers but drunk or not I heard him cause he repeated himself so much.) When we was married back in Connecticut he learned real quick how many apples I spoiled. So in the Black Swamp he got some of the children to pick em--Martha and Robert and Sal. He wouldnt let Caleb or Nathan pick, said we were all too rough. He was like a little old woman with his trees. Drove me crazy. --- James headed out behind the cabin, past the garden they'd begun turning over now the ground was no longer frozen, and out to the orchard. Upon settling in the Black Swamp, the first thing the Goodenoughs had done after building a rough cabin close to the Portage River was to clear land for the orchard so as to plant John Chapman's apple saplings. Every oak, every hickory, every elm he cut down was an agony of effort. It was hard enough to chop up and haul the trunk and branches to set aside for firewood, or for making bed frames or chairs or wheels or coffins. But extracting the stumps and roots almost killed him each time he hacked and dug and pulled and ground. Prying out a stump reminded him of how deeply a tree clung to the ground, how tenacious a hold it had on a place. Though he was not a sentimental man--he did not cry when his children died, he simply dug the graves and buried them-- James was silent each time he killed a tree, thinking of its time spent in that spot. He never did this with the animals he hunted-- they were food, and transient, passing through this world and out again, as people did. But trees felt permanent--until you had to cut them down. He stood in the melting March dusk and surveyed his orchard-- five rows of trees, with a small nursery of seedlings in one corner. It was rare to see space around individual trees in the Black Swamp; normally there was either open water or dense woods. The Goodenough orchard was not spectacular, but it was proof to James that he could tame one small patch of land, make the trees do what he wanted. Beyond them, wilderness waited in the tangled under- growth and sudden bogs; you had to take each step with care or find yourself up to your thighs in black stagnant water. After going into the swamp, to hunt or cut wood or visit a neighbor, James was always relieved to step back into the safe order of his orchard. Now he counted his apple trees, even though he already knew that he had thirty-eight. He had expected the requirement for settling in Ohio of fifty viable fruit trees in three years would be easy to achieve, but he had been assuming apple trees would grow in the swamp as they had done on his father's farm in Connecticut, where the ground was fertile and well drained. But swamp- land was different: waterlogged and brackish, it rotted roots, encouraged mildew, attracted blackfly. It was surprising that apple trees could survive there at all. There were plenty of other trees: maple was abundant, also ash and elm and hickory and several kinds of oak. But apple trees needed light and dry soil or they could easily not produce fruit. And if they did not produce, the Goodenoughs must go without. The Black Swamp was not like Connecticut, where if your trees had blight or scab or mildew and grew no apples, you could barter or buy from neighbors. Their neighbors here were few and scattered--only the Days two miles away had been there almost as long, though lately others had begun to settle nearby--and had no apples to spare. James Goodenough was a sensible man, but apples were his weakness. They had been since he was a child and his mother had given him sweet apples as a special treat. Sweetness was a rare taste, for sugar cost dear; but an apple's tart sweetness was almost free since, once planted, apple trees took little work. He recalled with a shudder their first years in the Black Swamp without apples. He hadn't realized till he had to go without for over three years how large a part apples had played in his life, how he craved them more than whiskey or tobacco or coffee or sex. That first autumn when, after a lifetime of taking them for granted, James finally under- stood that there would be no apples to pick and store and eat, he went into a kind of mourning that surprised him. His desperation even drove him to pick the tiny fruit from a wild apple tree he came across along one of the Indian trails; it must have grown from a settler's discarded apple core. He could only manage three before the sourness forced him to stop, and his stomach ached afterwards. Later, over near Perrysburg, he shamed himself by stealing from a stranger's orchard, though he took only one apple, and it turned out to be a spitter rather than an eater. He ate it anyway. In subsequent years he bought more trees from John Chapman-- seedlings this time--and grew his own as well from seeds. Trees grown from seeds usually produced sour apples but, as James liked to point out to whoever would listen, one in ten tended to turn out sweet. Like growing anything in the Black Swamp, it took time for the apple trees to thrive, and even those that seemed healthy could easily die over the winter. While the Goodenoughs did have apples within three years of their arrival, they could not be relied on. Some- times the crop was heavy; other times the apples were scarce and tiny. Sometimes disease killed the trees. For several years James struggled to get thirty trees to grow, much less fifty. More recently he'd had more success, and the previous fall had picked apples from forty-seven trees. Over the winter, however, it appeared nine had died, like a punishment for his hubris. Luckily no one ever came around to count how many trees they had, as it was too hard to get in and out of the Black Swamp for law officials to bother. None of his few neighbors seemed concerned about the fifty-trees rule. Sadie was amused by the number, and enjoyed taunting her husband with it. Sometimes she would whisper "fifty" to him as she passed. But James fretted over it, always expecting someone to show up on the river or along one of the Indian trails that crisscrossed the Black Swamp, and inform him that his farm was no longer his. --- I never wanted to live in the Black Swamp. Who would? It aint a name that draws you in. You get stuck there, more like--stuck in the mud and cant go no farther, so you stay cause theres land and no people, which was what we were lookin for. James was second youngest of six healthy sons, so there werent but a little bit of Goodenough farm in Connecticut for us. We managed for a time but James kept reachin for me at night and the children kept comin. Then his father, an old killjoy who never liked me, started hintin about us moving west where we could settle more land. He got the wives of James brothers to talk to their husbands, which they were glad to do cause they didnt like me either. They didnt trust me round their men. I got something they didnt have. So the brothers started pushin James to be more adventurous than he was. Really they shouldve gotten James brother Charlie to go west. Charlie Goodenough was the youngest and by tradition he was the one shouldve gone. Plus he had the gumption in him. Charlie wouldnt of let mud trap him in the swamp. Hed have bust through it and got out into the open where theres good healthy land solid under your feet, with sun and grass and clean water. But everybody loved Charlie, his wife most of all. It was she took against me the worst. Maybe she had reason to. Damned if she werent the nicest of the wives too. Then all of a sudden Charlie also said James ought to go-- though he looked real sorry when we did leave. Stood longer than the rest, watchin our wagon go down the long track away from the Goodenough farm. I bet he wished it was him beside me headin towards a new life. Turns out lots of Connecticut farmers had gone to Ohio before us. Too many. We went across New York then took a boat on the lake from Buffalo to Cleveland and started lookin, expectin our pick of land to be laid out before us like a nicely made bed, but all we found were other Yankees--most of them war veterans got their allotment from the government. We made a circle round Cleveland, then heard we was better off goin west to the Maumee River, and even into Indiana. After Lower Sandusky we was headed towards Perrysburg when the road--if you can call it that--got worse and worse. That road was where we met our first enemy. Mud. I never saw anything stick so much. It stuck to the wagon wheels and when they turned they collected more mud like a ball of snow gettin bigger and bigger. Got so we had to stop the wagon every fifty feet to scrape it off. Near broke the horses legs. Finally they wouldnt budge and we had to wait till they recovered. Next day we got half a mile before they stopped again. Along that stretch of road there were inns every quarter mile for all the travelers gettin stuck. The inns themselves were set up by settlers who couldnt get no further. At last we got to the Portage River and decided that was it, we couldnt go no farther so it looked like wed arrived at our Promised Land. By then everything was covered in mud. Wed been wadin through it and couldnt get it off our boots or off our dresses or out from under our toenails. Sometimes the boys would take off their trousers at night and in the morning theyd be standin up by themselves with the mud dried on em. Had to live with it, and wash in the river. John Chapman was a smart one with his canoe glidin up and down the rivers and creeks easy as you like, stayin out of the mud. After a time we got used to it. Maybe I jest stopped carin. Id hear new settlers complain bout the mud and think, Theres worse things than mud. Jest you wait. We arrived in the swamp in early April which is a good time to settle cept theres a rush to plant crops and a garden and build a house. And to do any of those things you first got to clear the trees. They was another enemy waitin for us in the Black Swamp. Oh, there were a lot of enemies there. Damn them trees. I hate em, God love me I do. Back east we didnt have the tree problem the way we did in Ohio. James and I both grew up on farms that had been made some time before, with houses and barns built and cleared fields and gardens. My mother even had flower beds. Thered been settlers in Connecticut for two hundred years, and theyd been the ones breakin their backs to dig up the trees. Every garden, every field, every churchyard and road had to be made by takin out the trees. Wasnt till we was faced with a slice of land full of Ohio trees that we realized how much work we had to do. Well, James had to do, and the older children. I was carryin Robert in my belly and was too big to use an axe or haul wood or pull at those goddamn stumps. There sure wasnt gonna be any flower beds in the Black Swamp. Any clearin had to be done for a better reason than flowers. It was for feedin you and keepin you warm and dry. Clearin took so much out of my children that sometimes I think thats what killed Jimmy and Patty, weakened em so the swamp fever got em that much easier. Patty died the first summer, Jimmy the next. I never forgave the trees for that, and never will. If I could Id gladly burn down these woods. Even when we thought wed cleared all the trees we needed to, they kept growin and growin, pressin in on us. We had to keep an eye out for the seedlings that sprung up everywhere. It reminded me of dirty pots or dirty clothes: you scrub and scrub and get em clean, then an hour later youve burnt oatmeal on the bottom of the pot or smeared mud on your apron, and you realize it never ends, theres always gonna be pots and laundry to do. Trees are the same, you clear a field and they start springin up again. At least theyre slower than laundry. But you think youre payin attention, then a year goes by and you find you overlooked a seedling and suddenly its a tree, with roots that dont want to come out. I heard theres land out west thats got no trees on it at all. Prairie. Lord send me there. I tried to talk to James bout goin there, but he wouldnt listen, said weve made a place for ourselves, hunkered down like toads in the stinkin rottin swamp, and here well stay. Excerpted from At the Edge of the Orchard by Tracy Chevalier All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.