Review by Booklist Review
The daughter of a laundress, young Anna Pavlova had few opportunities to see ballet, but they were enough to fill her with wonder and an unwavering longing to dance. Written in spare, evocative text, the narrative follows Anna's life as she studies at the Imperial Ballet School, becomes a beloved famous dancer, and travels the world to share her love of ballet. The graceful illustrations illuminate the text and capture Pavlova's essence beautifully. Simple line drawings evoke an earlier age, and Morstad deftly uses fine details to capture the time period. Thoughtful palette choices mirror tone and setting: the bright colors of India, the drab surroundings of her childhood apartment, and the rich but subdued curtains of the stage. The author takes special care to emphasize Anna's belief that hard work is the foundation of success, but also that ballet was for everyone, not just the elite. The author's note sheds light on Pavlova's motivation and includes fascinating tidbits about dancers' lives in Russia. A short bibliography is also included.--Hayes, Summer Copyright 2016 Booklist
From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review
In spare, verselike prose, Snyder follows the life of Russian ballerina Anna Pavlova from her artistic awakening as a dancer to the height of her fame and her death in 1931. Morstad gives Pavlova the grace of a porcelain doll, whether she is dancing as she hangs clothing on a line ("Shirt, shirt, laundry./ Shirt, shirt, laundry"), honing her craft after being admitted to the Imperial Ballet School, or performing her signature role in The Dying Swan. Snyder emphasizes Pavlova's determination and hard work throughout, as well as her belief that "ballet was for everyone" ("When people throw flowers, Anna tosses them back"). An author's note expands on biographical details hinted at in this tender, delicate recounting. Ages 5-8. Author's agent: Tina Wexler, ICM. Illustrator's agent: Emily van Beek, Folio Literary Management. (Aug.) © Copyright PWxyz, LLC. All rights reserved.
(c) Copyright PWxyz, LLC. All rights reserved
Review by School Library Journal Review
Gr 1-4-This tall, graceful picture book captures the artistic spirit, if not the entire biography, of one of the world's prima ballerinas. Pavlova's humble beginnings and early life in 19th-century tsarist Russia are merely hinted at, though spelled out more fully in an appended author's note. The spare, lyrical text instead offers imagery that is more poetic than concrete. For example, when the curtain rises on Pavlova: "She steps onto the stage alone./and sprouts white wings, a swan./She weaves the notes, the very air/into a story./Anna is a bird in flight,/a whim of wind and water./Quiet feathers in a big loud world./Anna is the swan." Morstad's artwork-done in ink, gouache, graphite, pencil, and crayon-is stylized and understated, with backdrops that suggest stage sets more than landscapes or domestic scenes. On nearly every page, the lithe and lovely figure of Pavlova appears, usually in motion, always the embodiment of beauty and grace. Even her illness and death are presented in a dramatic, theatrical manner-fitting somehow for someone who lived and breathed the stage. VERDICT An enchanting glimpse of a dancer whose name has come to be synonymous with her most famous role.-Luann Toth, School Library Journal © Copyright 2015. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Horn Book Review
In this exquisite introduction to ballet great Anna Pavlova (18811931), the impressionistic text begins the night young Anna goes out into the big city to see The Sleeping Beauty performed. Like the dancer onstage, Anna is awakened; consumed, she cannot sleep. Or sit / still / ever. Anna auditions for ballet school, is rejected, and auditions again two years later. This time she is accepted, and the work begins. Subsequent spreads follow Anna through her training; her roles, particularly her iconic Dying Swan; her growing fame; and her determination, as she tours the world, to make ballet accessible to everyone, everywhere. The rhythmic text lends her life the fairy-tale feeling of the ballets in which she performed. Delicate mixed-media illustrations are perfectly suited to Annas grace, capturing her expressiveness with abstracted swan imagery that matches the texts lyricism. A muted palette gives the art a slightly vintage quality befitting the historical setting. An authors note provides more straightforward biographical information, including the circumstances of Pavlovas birth and death and the lengths she went in order to overcome the limitations of her frail build, weak back, and severely arched feet; it also highlights her legacy as an artist of the people. A bibliography encourages further reading about this remarkable prima ballerina. katie bircher (c) Copyright 2015. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
(c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review
A poor Russian girl enchants the world with her romantic ballet performances. Pavlova was born in Czarist Russia, the daughter of a laundry woman. When her mother took her to a ballet performance, she was spellbound. After waiting two years to be accepted, she rose through the ranks of the Imperial Ballet School despite having what was considered an imperfect body. She excelled in the great 19th-century romantic roles and made "The Dying Swan," with music from The Carnival of the Animals, by Camille Saint-Sans, her signature piece. Pavlova traveled around the world sharing her gift and teaching, passing up 20th-century ballets choreographed to modern music and always enchanting audiences with her incomparable style. Snyder writes in the present tense in a delicate and poetic voice that mirrors Pavlova's onstage persona. Morstad's art, a combination of ink, gouache, graphite, pencil, and crayon, evokes beautiful Russian cityscapes, while scenes set in a dance studio effectively make use of a white background to showcase a solitary dancing beauty. Falling snow and images of flowers and feathers reappear through the pages as motifs of Pavlova's childhood, her passion for dance, and her too-young death. Young ballet lovers will be smitten with the story. (author's note, bibliography, quotation sources) (Picture book/biography. 6-9) Copyright Kirkus Reviews, used with permission.
Copyright (c) Kirkus Reviews, used with permission.
