Maybe in another life A novel

Taylor Jenkins Reid

Book - 2015

"Hannah Martin's life isn't shaping up into much of anything. Since graduating college eight years ago, she has lived in six different cities and held countless meaningless jobs. At the age of twenty-nine, she is starting to see crow's feet, and yet, she still has no idea what she wants to do with her life. On the heels of leaving yet another city, Hannah moves back to her hometown of Los Angeles to regroup. She takes up residence in her best friend Gabby's guest room. Along with Gabby and Gabby's husband Mark, the three of them go out to a bar where they meet up with some of Hannah and Gabby's old friends, including Hannah's high school boyfriend, Ethan. Shortly after midnight, Gabby asks Hannah if s...he's ready to go. But then Ethan offers to give her a ride later if she wants to stay. Hannah hesitates. What happens if she leaves with Gabby? What happens if she leaves with Ethan? MAYBE IN ANOTHER LIFE is told in two concurrent storylines following the consequences of each choice. Hannah's two parallel universes develop into radically different stories with large-scale consequences not just for Hannah, but for all of the people in her life. As Hannah's stories run their course, they raise questions about fate and true love. Is anything meant to be? How much in our life is determined by chance? And perhaps, most compellingly: Is there such a thing as a soul mate? Hannah believes there is. And, in both worlds, she believes she's found him"--

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FICTION/Reid, Taylor
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1st Floor FICTION/Reid, Taylor Due Apr 22, 2024
1st Floor FICTION/Reid, Taylor Due Apr 29, 2024
Subjects
Genres
Romance fiction
Published
New York : Washington Square Press 2015.
Language
English
Main Author
Taylor Jenkins Reid (-)
Edition
First Washington Square Press trade paperback edition
Item Description
Includes readers guide.
Physical Description
336 pages ; 21 cm
ISBN
9781476776880
Contents unavailable.
Review by Library Journal Review

Reid (After I Do; Forever, Interrupted) writes another love story that asks tough questions, this time about making choices, taking responsibility, and believing in fate. Hannah Martin has spent her 20s moving from city to city in search of a place that feels like home. No place has. Most recently, she moves back to her hometown of Los Angeles after a bad breakup with a married man. Her first night there, Hannah goes out with old friends, including her best friend Gabby and her high school sweetheart, Ethan. At the end of the evening, Hannah makes two different choices. In one, she goes home with Ethan. In the other, she follows Gabby and her husband. The chapters alternate between these parallel experiences detailing how each choice affects Hannah's future. VERDICT While this novel has its annoyances (e.g., the protagonist's cinnamon roll obsession grows old fast, and she comes off preachy at times), it redeems itself with genuine surprises, depictions of love, and fitting conclusions to both plotlines. Readers looking for a romance with a twist won't be disappointed.-Amy Stenftenagel, Washington Cty. Lib., Woodbury, MN © Copyright 2015. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

Reid's latest (After I Do, 2014, etc.) explores two parallel universes in which a young woman hopes to find her soul mate and change her life for the better. After ending an affair with a married man, Hannah Martin is reunited with her high school sweetheart, Ethan, at a bar in Los Angeles. Should she go home with her friends and catch up with him later, or should they stay out and have another drink? It doesn't seem like either decision would have earth-shattering consequences, but Reid has a knack for finding skeletons in unexpected closets. Two vastly different scenarios play out in alternating chapters: in one, Hannah and Ethan reconnect as if no time has passed; in the other, Hannah lands in the hospital alone after a freak accident that marks the first of many surprising plot twists. Hannah's best friend, Gabby, believes in soul mates, and though Hannah has trouble making decisionseven when picking a snack from a vending machineshe and Gabby discover how their belief systems can alter their world as much as their choices. "Believing in fate is like living on cruise control," Hannah says. What follows is a thoughtful analysis of free will versus fate in which Hannah finds that disasters can bring unexpected blessings, blessings can bring unexpected disasters, and that most people are willing to bring Hannah her favorite cinnamon rolls. "Because even when it looks like she's made a terrible mistake," Hannah's mother observes, "things will always work out for Hannah." The larger question becomes whether Hannah's choices will ultimately affect her happinessand it's one that's answered on a hopeful note as Hannah tries to do the right thing in every situation she faces. Entertaining and unpredictable; Reid makes a compelling argument for happiness in every life. Copyright Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

Maybe in Another Life When I come out of the gate, Gabby is holding up a sign that says "Hannah Marie Martin," as if I wouldn't recognize her, as if I wouldn't know she was my ride. I run toward her, and as I get closer, I can see that she has drawn a picture of me next to my name. It is a crude sketch but not altogether terrible. The Hannah of her drawing has big eyes and long lashes, a tiny nose, and a line for a mouth. On the top of my head is hair drawn dramatically in a high bun. The only thing of note drawn on my stick-figure body is an oversized pair of boobs. It's not necessarily how I see myself, but I admit, if you reduced me to a caricature, I'd be big boobs and a high bun. Sort of like how Mickey Mouse is round ears and gloved hands or how Michael Jackson is white socks and black loafers. I'd much rather be depicted with my dark brown hair and my light green eyes, but I understand that you can't really do much with color when you're drawing with a Bic pen. Even though I haven't visited Gabby in person since her wedding day two years ago, I have seen her every Sunday morning of the recent past. We video-chat no matter what we have to do that day or how hungover one of us is feeling. It is, in some ways, the most reliable thing in my life. Gabby is tiny and twiglike. Her hair is kept cropped close in a bob, and there's no extra fat on her, not an inch to spare. When I hug her, I remember how odd it is to hug someone so much smaller than I am, how different the two of us seem at first glance. I am tall, curvy, and white. She is short, thin, and black. She doesn't have any makeup on, and yet she is one of the prettiest women here. I don't tell her that, because I know what she'd say. She'd say that's irrelevant. She'd say we shouldn't be complimenting each other on our looks or competing with each other over who is prettier. She's got a point, so I keep it to myself. I have known Gabby since we were both fourteen years old. We sat next to each other in earth science class the first day of high school. The friendship was fast and everlasting. We were Gabby and Hannah, Hannah and Gabby, one name rarely mentioned without the other in tow. I moved in with her and her parents, Carl and Tina, when my family left for London. Carl and Tina treated me as if I were their own. They coached me through applying for schools, made sure I did my homework, and kept me on a curfew. Carl routinely tried to persuade me to become a doctor, like him and his father. By then, he knew that Gabby wouldn't follow on his path. She already knew she wanted to work in public service. I think Carl figured I was his last shot. But Tina instead encouraged me to find my own way. Unfortunately, I'm still not sure what that way is. But back then, I just assumed it would all fall into place, that the big things in life would take care of themselves. After we went off to college, Gabby in Chicago, myself in Boston, we still talked all the time but started to find new lives for ourselves. Freshman year, she became friends with another black student at her school named Vanessa. Gabby would tell me about their trips to the nearby mall and the parties they went to. I'd have been lying if I said I wasn't nervous back then, in some small way, that Vanessa would become closer to Gabby than I ever could, that Vanessa could share something with Gabby that I was not a part of. I asked Gabby about it over the phone once. I was lying in my dorm room on my twin XL bed, the phone sweaty and hot on my ear from our already-hours-long conversation. "Do you feel like Vanessa understands you better than I do?" I asked her. "Because you're both black?" The minute the question came out of my mouth, I was embarrassed. It had seemed reasonable in my head but sounded irrational coming out of my mouth. If words were things, I would have rushed to pluck them out of the air and put them back in my mouth. Gabby laughed at me. "Do you think white people understand you more than I do just because they're white?" "No," I said. "Of course not." "So be quiet," Gabby said. And I did. If there is one thing I love about Gabby, it is that she has always known when I should be quiet. She is, in fact, the only person who often proves to know me better than I know myself. "Let me guess," she says now, as she takes my carry-on bag out of my hand, a gentlemanly gesture. "We're going to need to rent one of those baggage carts to get all of your stuff." I laugh. "In my defense, I am moving across the country," I say. I long ago stopped buying furniture or large items. I tend to sublet furnished apartments. You learn after one or two moves that buying an IKEA bed, putting it together, and then breaking it down and selling it for fifty bucks six months later is a waste of time and money. But I do still have things, some of which have survived multiple cross-country trips. It would feel callous to let go of them now. "I'm going to guess there's at least four bottles of Orange Ginger body lotion in here," Gabby says as she grabs one of my bags off the carousel. I shake my head. "Only the one. I'm running low." I started using body lotion somewhere around the time she and I met. We would go to the mall together and smell all the lotions in all the different stores. But every time, I kept buying the same one. Orange Ginger. At one point, I had seven bottles of the stuff stocked up. We grab the rest of my bags from the carousel and pack them one after another onto the cart, the two of us pushing with all our might across the lanes of airport traffic and into the parking structure. We load them into her tiny car and then settle into our seats. We make small talk as she makes her way out of the garage and navigates the streets leading us to the freeway. She asks about my flight and how it felt to leave New York. She apologizes that her guest room is small. I tell her not to be ridiculous, and I thank her again for letting me stay. The repetition of history is not lost on me. It's more than a decade later, and I am once again staying in Gabby's guest room. It's been more than ten years, and yet I am still floating from place to place, relying on the kindness of Gabby and her family. This time, it's Gabby and her husband, Mark, instead of Gabby and her parents. But if anything, that just highlights the difference between the two of us, how much Gabby has changed since then and how much I have not. Gabby's the VP of Development at a nonprofit that works with at-risk teenagers. I'm a waitress. And not a particularly good one. Once Gabby is flying down the freeway, once driving no longer takes her attention, or maybe once she is going so fast she knows I can't jump out of the car, she asks what she has been dying to ask since I hugged her hello. "So what happened? Did you tell him you were leaving?" I sigh loudly and look out the window. "He knows not to contact me," I say. "He knows I don't want to see him ever again. So I suppose it doesn't really matter where he thinks I am." Gabby looks straight ahead at the road, but I see her nod, pleased with me. I need her approval right now. Her opinion of me is currently a better litmus test than my own. It's been a little rough going lately. And while I know Gabby will always love me, I also know that as of late, I have tested her unconditional support. Mostly because I started sleeping with a married man. I didn't know he was married at first. And for some reason, I thought that meant it was OK. He never admitted he was married. He never wore a wedding ring. He didn't even have a paler shade of skin around his ring finger, the way magazines tell you married men will. He was a liar. A good one, at that. And even though I suspected the truth, I thought that if he never said it, if he never admitted it to my face, then I wasn't accountable for the fact that it was true. I suspected something was up when he once didn't answer my calls for six days and then finally called me back acting as if nothing was out of the ordinary. I suspected there was another woman when he refused to let me use his phone. I suspected that I was, in fact, the other woman when we ran into a coworker of his at a restaurant in SoHo, and rather than introduce me to the man, Michael told me I had something in my teeth and that I should go to the bathroom to get it out. I did go to the bathroom. And I found nothing there. But if I'm being honest, I also found it hard to look at myself in the mirror for more than a few seconds before going back out there and pretending I didn't know what he was trying to do. And Gabby, of course, knew all of this. I was admitting it to her at the same rate I was admitting it to myself. "I think he's married," I finally said to her a month or so ago. I was sitting in bed, still in my pajamas, talking to her on my laptop, and fixing my bun. I watched as Gabby's pixelated face frowned. "I told you he was married," she said, her patience wearing thin. "I told you this three weeks ago. I told you that you need to stop this. Because it's wrong. And because that is some woman's husband. And because you shouldn't allow a man to treat you like a mistress. I told you all of this." "I know, but I really didn't think he was married. He would have told me if he was. You know? So I didn't think he was. And I'm not going to ask him, because that's so insulting, isn't it?" That was my rationale. I didn't want to insult him. "You need to cut this crap out, Hannah. I'm serious. You are a wonderful person who has a lot to offer the world. But this is wrong. And you know it." I listened to her. And then I let all of her advice fly right through my head and out into the wind. As if it was meant for someone else and wasn't mine to hold on to. "No," I said, shaking my head. "I don't think you're right about this. Michael and I met at a bar in Bushwick on a Wednesday night. I never go to Bushwick. And I rarely go out on a Wednesday night. And neither does he! What are the odds of that? That two people would come together like that?" "You're joking, right?" "Why would I be joking? I'm talking about fate here. Honestly. Let's say he is married . . ." "He is." "We don't know that. But let's say that he is." "He is." "Let's say that he is. That doesn't mean that we weren't fated to meet. For all we know, I'm just playing out the natural course of destiny here. Maybe he's married and that's OK because it's how things were meant to be." I could tell Gabby was disappointed in me. I could see it in her eyebrows and the turn of her lips. "Look, I don't even know that he's married," I said. But I did. I did know it. And because I knew it, I had to run as far away from it as I could. So I said, "You know, Gabby, even if he is married, that doesn't mean I'm not better for him than this other person. All's fair in love and war." Two weeks later, his wife found out about me and called me screaming. He'd done this before. She'd found two others. And did I know they had two children? I did not know that. It's very easy to rationalize what you're doing when you don't know the faces and the names of the people you might hurt. It's very easy to choose yourself over someone else when it's an abstract. And I think that's why I kept everything abstract. I had been playing the "Well, But" game. The "We Don't Know That for Sure" game. The "Even So" game. I had been viewing the truth through my own little lens, one that was narrow and rose-colored. And then, suddenly, it was as if the lens fell from my face, and I could suddenly see, in staggering black-and-white, what I had been doing. Does it matter that once I faced the truth I behaved honorably? Does it matter that once I heard his wife's voice, once I knew the names of his children, I never spoke to him again? Does it matter that I can see, clear as day, my own culpability and that I feel deep remorse? That a small part of me hates myself for relying on willful ignorance to justify what I suspected was wrong? Gabby thinks it does. She thinks it redeems me. I'm not so sure. Once Michael was out of my life, I realized I didn't have much else going for me in New York. The winter was harsh and cold and only seemed to emphasize further how alone I was in a city of millions. I called my parents and my sister, Sarah, a lot that first week after breaking up with Michael, not to talk about my problems but to hear friendly voices. I often got their voice mails. They always called me back. They always do. But I could never seem to accurately guess when they might be available. And very often, with the time difference, we had only a small sliver of time to catch one another. Last week, everything just started to pile up. The girl whose apartment I was subletting gave me two weeks' notice that she needed the apartment back. My boss at work hit on me and implied that better shifts went to women who showed cleavage. I got stuck on the G train for an hour and forty-five minutes when a train broke down at Greenpoint Avenue. Michael kept calling me and leaving voice mails asking to explain himself, telling me that he wanted to leave his wife for me, and I was embarrassed to admit that it made me feel better even as it made me feel absolutely terrible. So I called Gabby. And I cried. I admitted that things were harder in New York than I had ever let on. I admitted that this wasn't working, that my life was not shaping up the way I'd wanted it to. I told her I needed to change. And she said, "Come home." It took me a minute before I realized she meant that I should move back to Los Angeles. That's how long it's been since I thought of my hometown as home. "To L.A.?" I asked. "Yeah," she said. "Come home." "You know, Ethan is there," I said. "He moved back a few years ago, I think." "So you'll see him," Gabby said. "It wouldn't be the worst thing that happened to you. Getting back together with a good guy." "It is warmer there," I said, looking out my tiny window at the dirty snow on the street below me. "It was seventy-two the other day," she said. "But changing cities doesn't solve the larger problem," I said, for maybe the first time in my life. "I mean, I need to change." "I know," she said. "Come home. Change here." It was the first time in a long time that something made sense. Now Gabby grabs my hand for a moment and squeezes it, keeping her eye on the road. "I'm proud of you that you're taking control of your life," she says. "Just by getting on the plane this morning, you're getting your life together." "You think so?" I ask. She nods. "I think Los Angeles will be good for you. Don't you? Returning to your roots. It's a crime we've lived so far apart for so many years. You're correcting an injustice." I laugh. I'm trying to see this move as a victory instead of a defeat. Finally, we pull onto Gabby's street, and she parks her car at the curb. We are in front of a complex on a steep, hilly street. Gabby and Mark bought a townhouse last year. I look at the addresses on the row of houses and search for the number four, to see which one is theirs. I may not have been here before, but I've been sending cards, baked goods, and various gifts to Gabby for months. I know her address by heart. Just as I catch the number on the door in the glow of the streetlight, I see Mark come out and walk toward us. Mark is a tall, conventionally handsome man. Very physically strong, very traditionally male. I've always had a penchant for guys with pretty eyes and five o'clock shadows, and I thought Gabby did, too. But she ended up with Mark, the poster boy for clean-cut and stable. He's the kind of guy who goes to the gym for health reasons. I have never done that. I open my car door and grab one of my bags. Gabby grabs another. Mark meets us at the car. "Hannah!" he says as he gives me a big hug. "It is so nice to see you." He takes the rest of the bags out of the car, and we head into the house. I look around their living room. It's a lot of neutrals and wood finishes. Safe but gorgeous. "Your room is upstairs," she says, and the three of us walk up the tight staircase to the second floor. There is a master bedroom and a bedroom across the hall. Gabby and Mark lead me into the guest room, and we put all the bags down. It's a small room but big enough for just me. There's a double bed with a billowy white comforter, a desk, and a dresser. It's late, and I am sure both Gabby and Mark are tired, so I do my best to be quick. "You guys go ahead to bed. I can get myself settled," I say. "You sure?" Gabby asks. I insist. Mark gives me a hug and heads to their bedroom. Gabby tells him she'll be there in a moment. "I'm really happy you're here," she says to me. "In all of your city hopping, I always hoped you'd come back. At least for a little while. I like having you close by." "Well, you got me," I tell her, smiling. "Perhaps even closer than you were thinking." "Don't be silly," she says. "Live in my guest room until we're both ninety years old, as far as I'm concerned." She gives me a hug and heads to her room. "If you wake up before we do, feel free to start the coffee." After I hear the bedroom door shut, I grab my toiletry bag and head into the bathroom. The light in here is bright and unforgiving; some might even go so far as to describe it as harsh. There's a magnifying mirror by the sink. I grab it and pull it toward my face. I can tell I need to get my eyebrows waxed, but overall, there isn't too much to complain about. As I start to push the mirror back into place, the view grazes the outside of my left eye. I pull on my skin, somewhat in denial of what I'm seeing. I let it bounce back into shape. I stare and inspect. I have the beginnings of crow's-feet. I have no apartment and no job. I have no steady relationship or even a city to call home. I have no idea what I want to be doing with my life, no idea what my purpose is, and no real sign of a life goal. And yet time has found me. The years I've spent dilly-dallying around at different jobs in different cities show on my face. I have wrinkles. I let go of the mirror. I brush my teeth. I wash my face. I resolve to buy night cream and start wearing sunscreen. And then I turn down the covers and get into bed. My life may be a little bit of a disaster. I may not make the best decisions sometimes. But I am not going to lie here and stare at the ceiling, worrying the night away. Instead, I go to sleep soundly, believing I will do better tomorrow. Things will be better tomorrow. I'll figure this all out tomorrow. Tomorrow is, for me, a brand-new day. Excerpted from Maybe in Another Life: A Novel by Taylor Jenkins Reid All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.