Review by New York Times Review
THE MAKING OF HOME: The 500-Year Story of How Our Houses Became Our Homes, by Judith Flanders. (Thomas Dunne/St. Martin's, $16.99.) To understand the fine nuances between a "house" and a "home," distinct yet deeply entwined terms, Flanders looks across five centuries of households in Europe and America, an intimate investigation that touches on domesticity, economic matters, family life and privacy. THE RELIC MASTER, by Christopher Buckley. (Simon & Schuster, $16.) It's 1517 in northern Europe, and a relic hunter, Dismas, is working for two rival collectors. When one asks for Christ's burial shroud, Dismas and his German artist sidekick attempt to create a forgery. Once they're discovered, they end up in a dungeon, squarely in the center of a plot to recover the actual shroud - a caper that takes them across the Continent. NABOKOV IN AMERICA: On the Road to "Lolita," by Robert Roper. (Bloomsbury, $20.) Roper chronicles the two decades that Nabokov lived in the United States (the writer had long dreamed of "vulgar, far-flung America") and its powerful ramifications for Nabokov's work. Our reviewer, Daphne Merkin, called the book "a scholarly romp that should engage admirers of Nabokov as well as fans of first-rate literary sleuthing." GOOD ON PAPER, by Rachel Cantor. (Melville House, $14.99.) When Shira, a struggling academic, is offered what appears to be a plum translation project, she sees a chance to kick-start her career. But she's not the only one in her family eyeing a new beginning in this novel of second chances: Shira's gay friend and roommate, Ahmad, hopes to take her daughter, long neglected in favor of her mother's academic work, away from the city to Connecticut. COWARDICE: A Brief History, by Chris Walsh. (Princeton University, $21.95.) For all the insult's might, and how frequently it is leveled in a number of circumstances, there is hardly a consensus about what constitutes a coward. Walsh offers a cultural biography of the term, researching attitudes toward it throughout American history, as well as an accounting of the damage the label has wrought. CONFESSION OF THE LIONESS, by Mia Couto. Translated by David Brookshaw. (Picador, $16.) Couto, a Mozambican writer, draws on a real-life episode from 2008, when lions killed 26 people in northern Mozambique, as the basis for his novel. The story is told by a hunter brought to quell the lions and by a village girl, who both begin to suspect that the animals are spirits conjured by ancient witchcraft. BRIEF CANDLE IN THE DARK: My Life in Science, by Richard Dawkins. (Ecco/HarperCollins, $15.99.) The scientist's memoir, a sequel to "An Appetite for Wonder," offers a constellation of anecdotes, ranging from his publishing history to his academic ascent, with digressions on atheism, culture and biology. Dawkins joyfully nods to his predecessors and the people who influenced him. ?
Copyright (c) The New York Times Company [January 15, 2017]
Review by Booklist Review
Flanders (Victorian City, 2014) asks, What makes a house a home? When does a simple hut become more than just shelter? From corridors to curtains, porches to parlors, the evolution of how humans have shaped their abodes to adapt to their personal needs is an organic study in the ways form follows function. Throughout Europe and the U.S., from medieval times to the present, religion, agriculture, industry, and the arts have all influenced the ways people erect and utilize their domiciles. In her extensively researched and eminently readable discourse, Flanders examines the roles that gender, children, extended family, and auxiliary labor play in keeping the home fires burning, whether those fires are clods harvested from peat bogs or the latest high-tech, digitally simulated dancing flames in an electronic fireplace. Exploring the concepts of mutually exclusive and mutually beneficial tasks and finely deconstructing the myriad components that comprise the makeup and management of daily home life, Flanders' treatise is an encyclopedic examination of how humans have redefined what it takes to survive.--Haggas, Carol Copyright 2015 Booklist
From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review
British social historian Flanders (The Victorian City) takes readers on an engrossing tour as she traces the process by which houses-physical structures constructed for shelter and functionality-evolved into homes: the places in which we live, belong, and feel comfortable. Home, according to Flanders, is in part an enduring myth, and in part a state of mind. The concept is wrapped up in a number of related topics, so she delves into social, cultural, technological and historical concepts to recount the development of furniture, heating and lighting, gender roles, and much more. Likewise, Flanders debunks a number of misapprehensions regarding the "ideal" home and the very nature of family, demonstrating that a great many factors have been at play for centuries, providing a steady rate of change as form followed function. It's a fascinating, eye-opening examination of just how far we've come in five centuries, from the most rudimentary of huts containing virtually nothing, to modern structures filled with furniture, efficiencies, luxuries, and technology. It's possible to pick out any one of 100 different threads in Flanders's work and marvel at how they're all interconnected; you'll never take a fork for granted again. Illus. Agent: Bill Hamilton, A.M. Heath (U.K.). (Sept.) © Copyright PWxyz, LLC. All rights reserved.
(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review
Flanders (The Invention of Murder) here considers topics that are-quite literally-closer to home, examining the political forces, technological innovation, and behavioral patterns that have lead to both the concept of and specific attributes of home in western Europe and the United States. Drawing on a variety of primary sources including household inventory records, diaries, and art, the author discusses how the introduction of corridors helped expand individual privacy, why Dutch masters' paintings of interiors were radically divergent from the way people really lived-no one would put an expensive carpet on the floor, for example-or how the rise of coal as the residence fuel of choice changed what people were able to cook and eat at home. The content is scholarly and well researched but is presented in a manner accessible to the general reader. VERDICT Recommended for social historians as well as fans of HGTV and design blogs who are interested in learning more about the history of the home. [See Prepub Alert, 3/23/15.]-Stephanie Klose, Library Journal © Copyright 2015. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review
Social historian Flanders (The Victorian City: Everyday Life in Dickens' London, 2014, etc.) follows the evolution of the home from an edifice offering minimal shelter to present-day standards. First, the author classifies European cultures into "house" countries and "home" countries. The former includes those populations that spend their time in public spaces such as restaurants, promenading. The latter is more an experience of comfort, the imagined state of the good life. With that division, Flanders chronicles the life-altering changes to the structure of houses over the centuries. One of the first was the arrival of the fireplace and chimney and their placement away from the center of the room, enabling larger, two-story houses. Soon, the availability of glass allowed larger windows, which led to curtains. Suddenly, there was a need for privacy, so extra rooms were added, while the lovely large windows were covered to keep out light. The author compares the house countries in which houses were a status symbol to the Northwest European home countries, where the concentration was on convenience and enjoyment. Flanders does not neglect the inhabitants of these buildings, and her telling of a family making a stew perfectly illustrates the pre-industrial roles shared equally by men and women. The Industrial Revolution changed the makeup of the home. Workers now left the home to make a living in factories and offices. New technologies developed such things as piped water, plumbing, heat, electricity, and, eventually, 20th-century "labor saving" devices, which quickly created the divisions into gender-based roles. Covering all aspects of home life, Flanders even delves into modern architecture, popular in the house countries, which creates designs for ostentation rather than usefulness. The author's extensive knowledge of lifestyles and simple, concise writing combine for an enjoyable book showing how families have joined, separated, and rejoined over the last 500 years. Copyright Kirkus Reviews, used with permission.
Copyright (c) Kirkus Reviews, used with permission.
