Circling the sun A novel

Paula McLain

Large print - 2015

"Paula McLain, author of the phenomenal bestseller The Paris Wife, now returns with her keenly anticipated new novel, transporting readers to colonial Kenya in the 1920s. Circling the Sun brings to life a fearless and captivating woman--Beryl Markham, a record-setting aviator caught up in a passionate love triangle with safari hunter Denys Finch Hatton and Karen Blixen, author of the classic memoir Out of Africa. Brought to Kenya from England as a child and then abandoned by her mother, Beryl is raised by both her father and the native Kipsigis tribe who share his estate. Her unconventional upbringing transforms Beryl into a bold young woman with a fierce love of all things wild and an inherent understanding of nature's delicate b...alance. But even the wild child must grow up, and when everything Beryl knows and trusts dissolves, she is catapulted into a string of disastrous relationships. Beryl forges her own path as a horse trainer, and her uncommon style attracts the eye of the Happy Valley set, a decadent, bohemian community of European expats who also live and love by their own set of rules. But it's the ruggedly charismatic Denys Finch Hatton who ultimately helps Beryl navigate the uncharted territory of her own heart. The intensity of their love reveals Beryl's truest self and her fate: to fly. Set against the majestic landscape of early-twentieth-century Africa, McLain's powerful tale reveals the extraordinary adventures of a woman before her time, the exhilaration of freedom and its cost, and the tenacity of the human spirit. Praise for Paula McLain and The Paris Wife"McLain has brought Hadley [Hemingway] to life in a novel that begins in a rush of early love. A moving portrait of a woman slighted by history, a woman whose. story needed to be told."--The Boston Globe"The Paris Wife creates the kind of out-of-body reading experience that dedicated book lovers yearn for, nearly as good as reading Hemingway for the first time--and it doesn't get much better than that."--Minneapolis Star Tribune"Exquisitely evocative. This absorbing, illuminating book gives us an intimate view of a sympathetic and perceptive woman, the striving writer she married, the glittering and wounding Paris circle they were part of. McLain reinvents the story of Hadley and Ernest's romance with the lucid grace of a practiced poet."--The Seattle Times"A novel that's impossible to resist. It's all here, and it all feels real."--People"Powerful and devastating. McLain pulls off a delicate balancing act, making the macho Hemingway of myth a complex and sympathetic figure."--USA Today"A sweet love story with surprising emotional impact."--Chicago Sun-Times"--

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Subjects
Genres
Historical fiction
Biographical fiction
Published
New York : Random House Large Print [2015]
Language
English
Main Author
Paula McLain (author)
Edition
First large print edition
Physical Description
496 pages (large print) ; 24 cm
ISBN
9780804194921
Contents unavailable.
Review by Library Journal Review

McLain's (The Paris Wife) newest fictionalized biography features aviatrix Beryl Markham. Markham had an idyllic childhood on a horse farm in colonial Kenya where her best friend was the son of a native farm worker. After a miserable stretch at boarding school, she made an early and unsuccessful marriage. Racehorses were her real love, and she built her reputation as a winning trainer, but she was land rich and cash poor. She began a long-term love affair with big-game hunter Denys Finch-Hatton (who was also the lover of Out of Africa author Karen Blixen). She discovered flying in the 1920s and became the first woman to fly from England to North America. Her 1942 memoir West with the Night chronicles her time as a bush pilot and that record-breaking flight. Narrator Katharine McEwan's clear British accent sounds quite like Markham (per newsreel footage on YouTube). -VERDICT A popular choice for book clubs, this excellent audiobook is recommended for all collections. ["[An] intriguing window into the soul of a woman who refused to be tethered": LJ 5/15/15 starred review of the Ballantine hc.]-Nann Blaine Hilyard, formerly with Zion-Benton P.L., IL © Copyright 2015. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Before Kenya was Kenya, when it was millions of years old and yet still somehow new, the name belonged only to our most magnificent mountain. You could see it from our farm in Njoro, in the British East African Protectorate--hard edged at the far end of a stretching golden plain, its crown glazed with ice that never completely melted. Behind us, the Mau Forest was blue with strings of mist. Before us, the Rongai Valley sloped down and away, bordered on one side by the strange, high Menengai Crater, which the natives called the Mountain of God, and on the other by the distant Aberdare Range, rounded blue-grey hills that went smoky and purple at dusk before dissolving into the night sky. When we first arrived, in 1904, the farm wasn't anything but fifteen hundred acres of untouched bush and three weather-beaten huts. "This?" my mother said, the air around her humming and shimmering as if it were alive. "You sold everything for this?" "Other farmers are making a go of it in tougher places, Clara," my father said. "You're not a farmer, Charles!" she spat before bursting into tears. He was a horseman, in fact. What he knew was steeplechasing and foxhunting and the tame lanes and hedgerows of Rutland. But he'd seen paper flyers hawking cheap imperial land, and an idea had latched on to him that wouldn't let go. We left Westfield House, where I was born, and travelled seven thousand miles, past Tunis and Tripoli and Suez, the waves like great grey mountains swallowing the sky. Then through Kilindini Harbour, in the port of Mombasa, which smelled of sharp spices and drying fish, and onto the snaking train bound for Nairobi, the windows boiling over with red dust. I stared at everything, completely thrilled in a way I hadn't remembered feeling before. Whatever this place was, it was like nothing and nowhere else. We settled in and worked to make our situation liveable, pushing against the wildness while the wildness pushed back with everything it had. Our land had no visible borders or fences, and our huts lacked proper doors. Silky, banded colobus monkeys climbed through the burlap sacking covering our windows. Plumbing was unheard of. When nature called, you walked out into the night with all the things that wanted to have at you and hung your derrière over a long-drop, whistling to keep your fear away. Lady and Lord Delamere were our nearest white neighbours, a seven-mile hack through the bush. Their titles didn't save them from sleeping in the typical mud-and-thatch rondavels. Lady D kept a loaded revolver under her pillow and advised my mother to do the same--but she wouldn't. She didn't want to shoot snakes or her dinner. She didn't want to drag water for miles to have anything like a decent bath, or to live without company for months at a time. There was no society. There was no way to keep her hands clean. Life was simply too hard. After two years, my mother booked a passage back to England. My older brother, Dickie, would go too, since he had always been frail and wouldn't weather Africa for very much longer. I had yet to turn five when they climbed aboard the twice-weekly train to Nairobi with steamer trunks and handkerchiefs and travelling shoes. The white feather in my mother's helmet trembled as she kissed me, telling me I should keep my chin up. She knew I'd be fine, since I was such a big strong girl. As a treat, she would send a box of liquorice allsorts and pear drops from a shop in Piccadilly that I wouldn't have to share with a soul. I watched the train recede along the still black line of the track, not quite believing she would actually go. Even when the last shuddering car was swallowed up by distant yellow hills, and my father turned to me, ready to go back to the farm and his work; even then I thought the whole thing was a mistake, some terrible misunderstanding that would all get sorted at any moment. Mother and Dickie would disembark at the next station, or turn around at Nairobi and be back the next day. When that didn't happen, I kept waiting all the same, listening for the far-off rumble of the train, one eye on the horizon, my heart on tiptoe. For months there was no word from my mother, not even a dashed-off cable, and then the sweets arrived. The box was heavy and bore only my name-- Beryl Clutterbuck --in my mother's curlicued script. Even the shape of her handwriting, those familiar dips and loops, instantly had me in tears. I knew what the gift meant and couldn't fool myself any more. Scooping the box into my arms, I made off to a hidden corner where, trembling, I ate up as many of the sugar-dusted things as I could stand before retching into a stable bucket. Later, unable to drink the tea my father had made, I finally dared to say what I feared most. "Mother and Dickie aren't coming back, are they?" He gave me a pained look. "I don't know." "Perhaps she's waiting for us to come to her." There was a long silence, and then he allowed that she might be. "This is our home now," he said. "And I'm not ready to give up on it just yet. Are you?" My father was offering a choice, but it wasn't a simple one. His question wasn't Will you stay here with me? That decision had been made months before. What he wanted to know was if I could love this life as he did. If I could give my heart to this place, even if she never returned and I had no mother going forward, perhaps not ever. How could I begin to answer? All around us, half-empty cupboards reminded me of the things that used to be there but weren't any longer--four china teacups with gold-painted rims, a card game, amber beads clicking together on a necklace my mother had loved. Her absence was still so loud and so heavy, I ached with it, feeling hollow and lost. I didn't know how to forget my mother any more than my father knew how he might comfort me. He pulled me-- long limbed and a little dirty, as I always seemed to be--onto his lap, and we sat like that quietly for a while. From the edge of the forest, a group of hyraxes echoed shrieks of alarm. One of our greyhounds cocked a sleek ear and then settled back into his comfortable sleep by the fire. Finally my father sighed. He scooped me under my arms, grazed my drying tears with a quick kiss, and set me on my own two feet. Excerpted from Circling the Sun by Paula McLain All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.