Book - 2015
"A genre-bending memoir, a work of 'autotheory' offering fresh, fierce, and timely thinking about desire, identity, and the limitations and possibilities of love and language. At its center is a romance: the story of the author's relationship with the artist Harry Dodge. This story, which includes the author's account of falling in love with Dodge, who is fluidly gendered, as well as her journey to and through a pregnancy, is an intimate portrayal of the complexities and... joys of (queer) family-making"--Dust jacket flap.
In a fast-shifting terrain of "homonormativity," Nelson, poet and author of numerous works of gender and sexuality (The Art of Cruelty: A Reckoning; Bluets), plows ahead with a disarmingly blushing work about trying to simultaneously embrace her identity, her marriage with nomadic transgender filmmaker Harry, and motherhood. She mixes a memoir of her love for Harry with clinical depictions of their attempts to get her pregnant, as well as a critical meditation on the queer craft of "becoming," investigating the ways that "new kinship systems mime older nuclear-family arrangements" and whether those older models are good, oppressive, useful, or fair. Nelson takes her title from the notion that the Argonauts could continually replace their ship's parts over time, "but the boat still called the Argo." The new waters she's sailing include learning how to be a stepparent to Harry's young son and then a mother to her newborn, no longer scorning heterosexual "breeders," and becoming much more forgiving of what she once saw as too-outrageous queer radicalism, since all—including her husband, undergoing his own gender voyage via testosterone therapy and surgery—have a "shared, crushing understanding of what it means to live in a patriarchy." Nelson writes in fine, fragmented exhalations, inserting quotes from numerous theorists as she goes (Eve Kosofsky Sedgwick, D.W. Winnicott). Her narrative is an honest, joyous affirmation of one happily unconventional family finding itself. Agent: P.J. Mark, Janklow & Nesbit Associates. (May) [Page ]. Copyright 2014 PWxyz LLC
A poet, critic and nonfiction author explores the possibilities and limitations of romance, love, desire and sexual identity by exploring her own relationship with a fluidly-gendered artist, Harry Dodge.Review by Publisher Summary 2
An intrepid voyage out to the frontiers of the latest thinking about love, language, and family Maggie Nelson's The Argonauts is a genre-bending memoir, a work of "autotheory" offering fresh, fierce, and timely thinking about desire, identity, and the limitations and possibilities of love and language. At its center is a romance: the story of the author's relationship with the artist Harry Dodge. This story, which includes Nelson's account of falling in love with Dodge, who is fluidly gendered, as well as her journey to and through a pregnancy, offers a firsthand account of the complexities and joys of (queer) family-making. Writing in the spirit of public intellectuals such as Susan Sontag and Roland Barthes, Nelson binds her personal experience to a rigorous exploration of what iconic theorists have said about sexuality, gender, and the vexed institutions of marriage and child-rearing. Nelson's insistence on radical individual freedom and the value of caretaking becomes the rallying cry of this thoughtful, unabashed, uncompromising book.