Descent A novel

Tim Johnston, 1962-

Book - 2015

"Descent, the story of a family undone by the disappearance of a daughter who went out for a morning run and didn't come back, marks the adult fiction debut of a remarkable young writer. Stunning in its emotional impact, Descent is a compulsively readable page-turner with a strong literary sensibility. The girl's vanishing--on a sunny, late-summer vacation morning--all the more devastating for its mystery, is the beginning the family's harrowing journey down increasingly divergent and solitary paths, until all that continues to bind them to each other are the questions they can never bring themselves to ask: At what point does a family stop searching? At what point does a girl stop fighting for her life? In the weeks and... months that follow, hope leads to disillusionment, and each of them--father, mother, son--withdraws into emotional isolation, individually assessing the blame and assuming the responsibility for their collective loss. Haunting and unforgettable, Descent is a novel that will grab the reader's heart and mind, and will linger there long after the last page is turned" --

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Subjects
Published
Chapel Hill, NC : Algonquin Books of Chapel Hill 2015.
Language
English
Main Author
Tim Johnston, 1962- (author)
Item Description
"Published simultaneously in Canada by Thomas Allen & Son Limited" -- Verso title page.
Physical Description
384 pages
ISBN
9781616203047
Contents unavailable.
Review by New York Times Review

When a teenage girl, early in Johnston's debut thriller, voices sympathy for the cannibalistic fate of the snowbound Donner party, would it be presumptuous to suspect that in due time she'll be compelled to make some pretty unsavory survival choices of her own? The speaker, a recent high school graduate and champion runner named Caitlin, seems primed for adversity. One feels less sanguine about the self-preservation abilities of her addiction-prone family after Caitlin's disappearance during a vacation in the Rockies, an event that occurs in plain sight of her kid brother, Sean. Caitlin's mother descends into pills, while her father, a carpenter hobbled by missing fingers from a drinking mishap, abandons his family to keep vigil at the Colorado ranch of an elderly friend Sean, palpably traumatized by his failure to keep his sister from harm's way, develops a rescue complex that gets him into trouble of his own and, together with many other characters, inhales enough cigarette smoke to fog up all seven seasons of "Mad Men." Johnston's descriptive prose attains a level of visceral brio, despite a self-conscious piling on of heartbeat imagery that seems weirdly at odds with all those smoldering cigarettes. While the author periodically checks in on Caitlin's desperate plight, it's the men - bullies and stymied heroes alike - who power this engulfing thriller-cum-western, which is at its most potent in the adversarial banter of a couple of guys, sniffing around each other like pit bulls.

Copyright (c) The New York Times Company [January 18, 2015]
Review by Publisher's Weekly Review

In Johnston's sorrowful and suspenseful first adult novel, a family is forced to face its worst nightmare when one of its members goes missing. Caitlin Courtland, an 18-year-old runner about to enter college on a track scholarship, is vacationing with her family in the Rockies when she fails to come back from an early morning run. Over the course of the next two years, the family fractures as no sign of Caitlin is ever found. Grant Courtland, Caitlin's father, remains in the Rockies, while mother Angela tries to pick up the pieces back home in Wisconsin, where she eventually makes a failed attempt at suicide. Meanwhile, Caitlin's younger brother, Sean, drives aimlessly around the country, getting in and out of trouble. Although it begins as one more variation on Alice Sebold's The Lovely Bones, a late-in-the-novel coincidence sends the narrative in a new direction and turns it into a survival story involving a character who, heretofore, has played a relatively minor part in the drama. Johnston (Irish Girl) has a poet's eye for the majestic and forbidding nature of the Rockies, and a sociologist's understanding of how people act under pressure. He also has a knack for creating characters that the reader will come to care about, no matter how flawed they are. Combining domestic drama with wilderness adventure, Johnston has created a hybrid novel that is as emotionally satisfying as it is viscerally exciting. (Jan.) © Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved
Review by Kirkus Book Review

Johnston tracks the dissolution of a family following the disappearance of the teenage daughter during a Colorado vacation.Grant and Angela Courtland's marriage might not be rock solid, but it's working when they take their two children, 18-year-old college-bound track star Caitlin and shy 15-year-old Sean, on vacation in the Colorado Rockies. Biking with Caitlin during an early morning mountain run, Sean crashes and breaks his leg. With no cell service and no help for miles, Caitlin hesitantly accepts a ride from a stranger who offers to drive her into town. That's the last time she's seen, and with his injuries, Sean isn't much help in identifying her abductor. Time passes too quickly yet with excruciating slowness as the family tries, and fails, to pick up the pieces as the weeks become months with no sign of Caitlin. Angela returns to the family's Wisconsin home, while Grant and Sean remain in Colorado, apparently in an effort to find Caitlin (though little actual searching seems to take place). Caitlin's fate, or at least an inkling of it, is revealed early, deflating much of the ensuing story's suspense. Sean strikes out on his own, going on an aimless cross-country odyssey before ending up back in Colorado, where Grant is helping an elderly man look after his land, perpetually hoping for news of Caitlin. Neither Grant nor SeanAngela barely registers for the readermakes for a compelling lead character, both laconic to the point of annoyance, and while Caitlin's ordeal is chilling, it's not enough to buoy this overwritten yet occasionally poignant tale. Copyright Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

THE PHONE IN his hand was ringing. For how long? He read the screen with illogical dread. "It's Sean," he said, and his wife said nothing. THEY'D LEFT THE aspens and stepped into a high, intense sunlight, their shadows thrown back on the blacktop. The morning had burned away. The air was sere and smelled of weeping sap and of the brown, desiccated needles. They'd unfolded the map and tried to get their bearings. In a moment, and for the first time that day, they heard an engine, and then a gaining thump-beat of music, and above them at the curve there banked into view a truck, or a jeep, or something in between, some mountain breed they didn't know, and it was coming and Caitlin said, "Get over here," and Sean crabwalked himself and the bike into the scrub growth and wildflowers while the strange vehicle, all sunlight and bass, veered wide of them. In the window was a face, a man's jaw, yellow lenses fixing on them for a long moment before the jeep-thing passed on and, reaching the crest of the road, dropped away, body and engine and music and all. They'd set off again then, and when they came around the bend there was another road, unpaved, intersecting the blacktop at an oblique angle like an X, and without hesitating and without consulting him, Caitlin simply took it. And although the road was unmarked, and although it appeared as though it would take them higher up rather than down, he said nothing. Later, he would think about that. He would remember the shrine of the woods. The graves. He would see the Virgin's face and her mutilated blessing and he would remember thinking they should pray before her just the same, like the right reverend said, just in case. Forty days was forty days. But Caitlin had already been on the path, moving toward the road. She was wearing a white sleeveless top, white shorts with the word "Badgers" bannered in cherry red across her bottom, pink and white Adidas, and for a moment, in that place, she had looked not like herself but like some blanched and passing spirit. A cold wanderer around whom the air chilled and the birds shuddered and the leaves of the aspens yellowed and fell. HE RAISED THE phone and said, "Hello, Sean," and a man's voice said, "Is this Mr. Courtland?" and Grant's head jerked as if struck. "Yes. Who is this?" At these words, the change in his body, Angela came around to see his face. He met her eyes and looked away, out the window. The man on the phone identified himself in some detail, but all Grant heard was the word sheriff. "What's happened?" he asked. "Where's Sean?" There was a pain in his forearm and he looked to see the white claw fastened there. He pried at it gently. "He's here at the medical center in Granby, Mr. Courtland," said the sheriff. "He's a tad banged up, but the doctor says he'll be fine. I found his wallet and this phone in his--" "What do you mean a tad--" He glanced at Angela and stopped himself. "What do you mean by that?" "I mean it looks like he got himself in some kind of accident up there on the mountain, Mr. Courtland. I ain't had a chance to talk to him yet, they doped him up pretty good for the . . . Well, you can talk to the doctor in a second here. But first--" "But he's all right," Grant said. "Oh, his leg's banged up pretty good. But he was wearing that helmet. He'll be all right. He had some good luck up there." "What do you mean?" "I mean he could of laid there a lot longer, but it happened some folks come by on their bikes." Grant's heart was hammering in his skull. He couldn't think--his son lying there, up there, on the mountain, hurt-- "Mr. Courtland," said the sheriff. "Where are you all at?" There was something in the man's tone. Grant shook his head. "What do you mean?" "Well, sir. We found your boy way up there on the mountain, on a rental bike. So I'm just wondering, sir, where you're at." "Caitlin," Angela said suddenly, and Grant's heart leapt and he said, "Yes. Let me speak to my daughter. Let me speak to Caitlin." "Your daughter . . . ?" said the other man, then was silent. In the silence was the sound of his breathing. The sound of him making an adjustment to his sheriff 's belt. The sound of a woman's voice paging unintelligibly down the empty hospital corridor. When he spoke again he sounded like some other man altogether. "Mr. Courtland," he said, and Grant stepped toward the window as though he would walk through it. He'd taken the representations of the mountains on the resort maps, with their colorful tracery of runs and trails and lifts, as the mountains themselves--less mountains than playgrounds fashioned into the shapes of mountains by men and money. Now he saw the things themselves, so green and massive, humped one upon the other like a heaving sea. Angela stopped him physically, her thumbs in his biceps. She raised on her toes that she might hear every word. "Mr. Courtland," said the sheriff. "Your son came in alone." Excerpted from Descent by Tim Johnston All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.