The almost nearly perfect people Behind the myth of the Scandinavian utopia

Michael Booth

Book - 2015

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Subjects
Published
New York : Picador 2015.
Language
English
Main Author
Michael Booth (author)
Edition
First U.S. edition
Item Description
Reprint. Originally published: London : Jonathan Cape, 2014.
Includes index.
Physical Description
viii, 388 pages : map ; 22 cm
ISBN
9781250061966
  • Map: Scandinavia and the Nordic Countries
  • Introduction
  • Denmark
  • 1. Happiness
  • 2. Bacon
  • 3. Gini
  • 4. Boffers
  • 5. Chicken
  • 6. Vikings
  • 7. 72 Percent
  • 8. Hot-Tub Sandwiches
  • 9. The Bumblebee
  • 10. Denim Dungarees
  • 11. The Law of Jante
  • 12. Hygge
  • 13. Legoland and Other Spiritual Sites
  • 14. The Happiness Delusion
  • Iceland
  • 1. Hákarl
  • 2. Bankers
  • 3. Denmark
  • 4. Elves
  • 5. Steam
  • Norway
  • 1. Dirndls
  • 2. Egoiste
  • 3. "File New Quislings
  • 4. Friluftsliv
  • 5. Bananas
  • 6. Dutch Disease
  • 7. Butter
  • Finland
  • 1. Santa
  • 2. Silence
  • 3. Alcohol
  • 4. Sweden
  • 5. Russia
  • 6. Candles to the People
  • 7. Wives
  • Sweden
  • 1. Crayfish
  • 2. Donald Duck
  • 3. Stockholm Syndrome
  • 4. Integration
  • 5. Caralontaas
  • 6. Somali Pizza
  • 7. The Party
  • 8. Guilt
  • 9. Hairnets
  • 10. Class
  • 11. Ball Bearings
  • Epilogue
  • Acknowledgments
  • Index
Review by New York Times Review

As you riffle through this spring's rucksack of enticing new travel books, seeking somewhere to go, you might give a thought to going nowhere - that is, in the Greek sense of "nowhere," to "utopia," a word Thomas More coined five centuries ago, meaning "no place." The best "nowhere" destination of all is undoubtedly Atlantis, that utopian underwater city (or subterranean city, given millenniums of earth-crust shimmies) whose rumored existence captivated Plato, around 360 B.C., and whose whereabouts continues to tantalize archaeologists, oceanographers, classicists, geographers and mythomanes. If you've traveled to a distant continent or four, it isn't inconceivable that you've already trod upon the legendary land - without knowing it. In MEET ME IN ATLANTIS: My Obsessive Quest to Find the Sunken City (Dutton, $27.95), the lively, skeptical but open-minded travel writer Mark Adams goes on the hunt for sites that age-old intuition and state-of-the-art science hint may conceal that vanished realm. Possibilities abound. One is the Greek island of Santorini, whose buried Minoan village of Akrotiri (rediscovered in 1967) was destroyed in a huge volcanic eruption around 1500 B.C. that sent towering walls of water crashing across the Mediterranean at 200 miles an hour. Another putative Atlantis locale is the stony island of Malta. And then there's Doñana National Park on the Atlantic coast of Andalusia. Still other candidates include the Bolivian altiplano, the Souss-Massa plain in Morocco and even Antarctica. Adams takes readers along to four plausible sites, without quackery and with a contagious spirit of curiosity, interviewing scores of experts and fanatics, and painting pictures that will make even the most levelheaded traveler yearn to repeat his fantastic itinerary. And yet, as Adams would surely testify, it's impossible to take the same trip twice. This truth is borne out by some expressive new travelogues that reveal their authors' contrasting motivations for going on the road - and show how strongly personal priorities can shape a journey. One of the most perversely compelling of these accounts is OF WALKING IN ICE: Munich-Paris, 23 November-14 December 1974 (University of Minnesota, paper, $19.95), Werner Herzog's diary (translated by Martje Herzog and Alan Greenberg) of a three-week hike through sleet, snow and winter winds, spurred by superstitious grief. Believing that his mentor, the film historian Lotte Eisner, was dying in a French hospital, Herzog persuaded himself that if he mortified his flesh by trekking to her bedside, she would be spared. During his long march west across the Bavarian countryside, his feet blister and bleed; he breaks into vacant cottages to sleep, shivers with cold, urinates into a rubber boot. He thirsts for milk and human company, yet he doggedly perseveres. (And so does Lotte Eisner.) Herzog's account begs to be read aloud. Seeing a lone raven, "his head bowed in the rain," sitting "motionless and freezing," all "wrapped in his raven's thoughts," Herzog writes, "A brotherly feeling flashed through me, and loneliness filled my breast." Later, nearly delirious from the cold, he bleakly ruminates: "I could hardly put one foot in front of the other. I headed toward a fire, a fire that kept burning in front of me like a glimmering wall. It was a fire of frost, one that brings on Coldness, not Heat, one that makes water turn immediately into ice." Ice is a given during Kara Richardson Whitely's mountaineering expedition to the highest peak in Africa. In her memoir GORGE: My Journey Up Kilimanjaro at 300 Pounds (Seal Press, paper, $17), Whitely (who has a nice, doting husband; two adorable little girls; and an insatiable hunger for pumpkin doughnuts) writes accessibly and frankly about her struggles with both Kilimanjaro and her self-image. "I was the fattest hiker on the mountain," she begins. "And when I say I'm fat, I'm not being charmingly self-deprecating. Each of my legs was the width of a century-old tree. My hips were as wide as a Smart car bumper." Why has she attempted this journey not once but three times? To prove she is "not the lazy stereotype you picture when you see someone encased in a mountain of fat." At home in New Jersey, she worries that others see her as a "blob," but in Africa her fertility-goddess contours win her admirers. "If you lived here, your husband would have to guard you with a gun," someone tells her. Nonetheless, even while hiking in Tanzania, Whitely can't find proper athletic gear and has to improvise: "I was wearing hiking pants that were made from two single pairs sewn together.... Even my sleeping bag was supersized so it would zip over my hips." This detailed account of her travails will give confidence not only to hesitant would-be mountaineers but to those, like her, whose biggest hurdle is "to learn to be O.K. with who I was." A related impulse sent the North Carolina poet Michael White on an artistic treasure hunt in the wake of his "crazy and bitter and acrimonious" divorce. In TRAVELS IN VERMEER: A Memoir (Karen & Michael Braziller/ Persea, paper, $17.95), he describes the epiphany that "broke over me like a wave" in Amsterdam, where he had gone in the spring of 2004 to get distance from his imploded marriage. During a touristy stroll through the Rijksmuseum, he stumbled upon the Vermeer room. Encountering a painting called "The Milkmaid," he felt "a shiver all the way up and down my spine" and saw "stillness. Not emptiness but stillness, a great soul balanced there." Consoled, enthralled and distracted from his melancholy, he resolved to spend the next year visiting The Hague, Delft, London, Washington and New York, to take in as many of Vermeer's life-affirming tableaus as he could. "The light of Vermeer is intended for those who need it," he reflects. In the city of Delft, he recognizes "the same red bricks, tea-brown canals and high white skies that colored every moment of Vermeer's life and art." While walking along the Schie riverfront, White finds the vantage point of the artist's "View of Delft" and sees how Vermeer used distance to achieve his transporting perspective: "The artist's dream, I think, is simply to vanish into his vision." Following Vermeer grants White another kind of distance, allowing him to vanish into Vermeer's dream, then return refreshed to his own. Art is the spur to another standout book, THE PORCELAIN THIEF: Searching the Middle Kingdom for Buried China (Crown, $27), by the American journalist Huan Hsu, who spent more than three years in China trying to unearth a buried family mystery - literally. Raised in Salt Lake City, Hsu was a reporter for The Seattle Weekly when he was assigned to cover a story at the Seattle Art Museum. Impressed with the Chinese porcelain collection, he mentioned it to his father, who remarked, offhand: "Your mother's family had some porcelain. You should ask her about it." Hsu learned that his great-great-grandfather had acquired a collection of Chinese imperial porcelain, which he had hidden underground in 1938 to protect it from the invading Japanese Army. After the end of the Sino-Japanese War, the Communist revolution prompted the family to flee to Taiwan. Hsu's grandmother sent his mother and brothers to study in America, and nobody retrieved the porcelain. What became of it? When Hsu asked his mother and then his grandmother, who had returned to China after her husband's death, he got next to no leads. Frustrated, he overcame his resistance to spending serious time in his parents' homeland (his American upbringing had made him dread "chaos, over-crowding, pollution, the absence of Western manners and sanitation, inefficiency and stomach problems") and got on a plane. Taking a job at the Shanghai semiconductor factory owned by one of his uncles, Hsu boned up on his Chinese and began digging into his family's past. As his fluency improved, he was better able to grill his relatives, but they still weren't very helpful. "How can I remember all the stuff in there?" his grandmother argued, urging him to scrap his mission to the family's ancestral village. "Don't go," she warned. "The countryside is full of people who will think you're rich and bother you for money." Undaunted, Hsu pieced together the shards he found, fixing his family's and his own place in the evolving mosaic of China's past and present. "Stories - of my family, of bygone China - don't have to die," he comes to see. "Even their fragments can be reassembled. And in China there are shards everywhere." THE BRITISH JOURNALIST Graham Holliday, an economic refugee from small-town England, landed in Asia in 1996 with less context than Hsu but with more gusto. A photo of Hanoi's opera house, glimpsed in his early 20s, had sparked a hunger for Vietnam, and when at last he stood amid the cyclos and food carts of Hanoi (where he had taken a job teaching English), the street food that sizzled at every corner fanned that hunger into an obsession, rough-and-tumble, lip-smacking memoir, EATING VIETNAM: Dispatches From a Blue Plastic Table (Anthony Bourdain/Ecco, $26.99), Holliday writes with exhilaration. "Everything I could see, smell, taste, touch and hear was completely foreign. It was as if someone had pulled back the blanket on my previous life." He was, he concludes, "beyond smitten." His culinary love affair was kicked off by a fateful bun cha (savory broth studded with pork belly and meatballs, served with noodles, lettuce and fresh herbs): "The whole sweet, salty fish sauce, pork ball, noodly, leafy, charred parcel exploded in one sensational gob-burst." Eight years later, still ravenously roving Vietnam, he started blogging about his passion for its street food. Practically overnight, he became the pre-eminent go-to guru for where to find his adopted country's best chao ga, mien luon xao, ca nuong, banh tom Ho Tay and bun oc. What are these dishes? How are they pronounced? And what do they taste like? Holliday's loving, laddish descriptions will make gonzo gourmands salivate, though timid eaters may reach for their Turns. A large dried fish - a gift from a fisherman in a sliver of Norway beyond the Arctic Circle - was the Italian journalist Paolo Rumiz's unlikely visa into Russia during a journey he took in 2008 down the "zipper" of Eurasia, from Finland to Norway, through Karelia, Estonia, Lithuania, Poland, Belarus and Ukraine, all the way south to Odessa. In THE FAULT LINE: Traveling the Other Europe, From Finland to Ukraine (Rizzoli, $27.95), beautifully translated by Gregory Conti, Rumiz recalls that the Russian border agents were "dumbfounded, almost respectful. Standing before them is a 60-year-old man with a business visa and a dried cod. Nothing in their rules and regulations contemplates anything like this." Indeed, the author's self-assigned vertical route (longitudinal as opposed to latitudinal) was so extraordinary that no map existed to guide him: "I had to make my own," he writes, "on a scale of one to one million, transferring pieces of various atlases onto a single strip of paper ... folded like an accordion." Idiosyncratic, lushly observed and aglow with philosophical asides, this questing travelogue sheds light on regions you've never heard of, where traditions endure from other ages. While Rumiz doesn't shy away from reporting industrial blight, Putin-era grievances and regional resentments (he made his trip well before war broke out in Crimea and Ukraine), he rejects the lazy globalist thinking that mistakes a country's headlines for its society. "To understand which way the world is heading, you have to go to train stations, not to airports," he argues. It is on land, he believes, in remote villages, woods and lakes, among the sort of simple, ordinary people Dostoyevsky designated "Poor Folk," that the true life of nations reveals its colorful weft. Woven through his rich warp of reporting and storytelling are conversations with the people he met - reindeer herders, fishermen, peasant farmers - so artless and surprising they feel like fables. "Explain to your readers that it's a sin not to cultivate the earth," one woman adjures him, while a gregarious izba dweller on Karelia's Lake Onega declares, "Bear prints look exactly like human feet!" Rumiz's paean to "peripheral places" shows his readers that dystopian modernity isn't the only story of the present-day eastern borderlands: A fairy tale lurks between the lines, and those who have enough intuition and courage (and perhaps a Russian translator) can discover it for themselves, if they borrow his map. To spot a more easily attainable fairyland, a virtual heaven on earth, all you must do, according to a plethora of polls, is move to Scandinavia. The British journalist Michael Booth, who is married to a Dane and has lived there for more than a decade, was so convulsed by a study that proclaimed Denmark the "happiest place in the world" - with Finland, Norway and Sweden trailing close behind - that he wrote a book to debunk it (sort Of), THE ALMOST NEARLY PERFECT PEOPLE: Behind the Myth of the Scandinavian Utopia (Picador, $26). Indignantly, Booth challenges the experts. "The happiest? This dark, wet, dull, flat little country," he asks. "Well, they are doing an awfully good job of hiding it." In reality, he maintains, the Danes ought to be "ranked in the bottom quarter as among the least demonstrably joyful people on earth, along with the Swedes, the Finns and the Norwegians." Booth's extremely funny character analysis of Scandinavia (which includes the adjacent Arctic-Circle floaters, Iceland and Finland) gives an incisive yet comprehensive overview of each of these reputedly lucky lands, in an attempt to correct outsiders' misperceptions about this frosty section of the globe. If everything were really so great up north, he asks, then "why wasn't everyone flocking to live here?" Despite Booth's Basil Fawlty-level outrage and wicked teasing, his chapters betray a clear affection for the icy region he calls home, and gradually allow a clearer identity for each country to emerge. Who knew that hollyhocks "spring up from between the cobbles of Christianshavn" in Copenhagen, or that on Norway's Constitution Day, May 17, many of its citizens wear traditional costumes (dirndls, knickerbockers, frock coats, capes), making them look like "escapees from Middle-earth"? And did you know about the campy, "musclebound caryatids" that flank Helsinki's Central Station? Any uncharitable Dane who mocks the Swedes as "stiff, humorless, rule-obsessed and dull" surely hasn't attended the late-summer Swedish kraftskiva revel, the "largest crayfish orgy in the world." As for Iceland, well, despite the disincentives of smoked puffin snacks, Bjork and the financial crash, its volcanoes and geothermal pools still beckon, and with luck you might see an elf. However capricious the details Booth brings out, he succeeds - despite himself - in making the happiness pollsters look as if they might be on to something. That said, in 2002, when the American novelist and poet Steven Nightingale and his wife decided they wanted to live in paradise, they headed much farther south, to the sun-drenched Spanish city of Granada, home to the Alhambra palace. In a medieval barrio called Albayzin, mazed with narrow streets "just wide enough for two walking abreast," with "walls like spillways for flowers," they bought an old house with a little tower and a hidden garden where their baby daughter could play. "I have never known a place of such concentrated joy," Nightingale writes. "It felt like something more than being in a neighborhood. It was like being in a mind, where history is musing a secret way forward." In GRANADA: A Pomegranate in the Hand of God (Counterpoint, $28), Nightingale mellifluously describes the utopia his family inhabited: "The garden and house embraced one another, took up an amorous life together, so that every room came to include air and flowers, trees and starlight, rustling water and ripening fruit. How had this unity, so easy and preternatural, come to be here in Granada?" Investigating his neighborhood's past, he learned that for nearly eight centuries, beginning in 711, Andalusia was the crown of Spain's harmonious "convivencia," when Christians, Muslims and Jews lived and worked together in peace and friendship, producing a rare flowering of art, science and commerce. And then, in 1492, all was lost. Queen Isabella's inquisitors brutalized the Albayzin, forced Muslims and Jews to convert, confiscated their property and cruelly cast them out. Over the centuries, the crumbled neighborhood endured, until, 20 years ago, Unesco declared it a World Heritage site, part of the "Patrimony of Humankind." At the time Nightingale entered the Albayzin, its strong hybrid roots were pushing forth new shoots: The hardiness of the commingled faiths that fed it had endured. His book is not only a memoir of one family's communion with a dream house, it's the unearthing of a long-buried dream of civic harmony, a reawakening. Even if you have visited Granada and walked the labyrinthine ways of the Albayzin, Nightingale makes you want to go there again, to see it with new eyes. LIESL SCHILLINGER is a regular contributor to the Book Review.

Copyright (c) The New York Times Company [May 31, 2015]
Review by Booklist Review

If, like many, you may never make it to Denmark, Iceland, Norway, Finland, or Sweden, this is your book, and Booth is your guide. He is congenial, game, funny, and observant. And he tells it like it was (Who forgot to sit on a towel in the highest and hottest row, no less in the all-buff Finnish sauna?). This travelogue is filled with personal experiences, opinions, research, and details memorable, hilarious, and downright peculiar (check out the percentage of Icelanders who currently believe that elves exist). Can we blame the booze, poured freely in most places and probably needed to give a bit of warmth in these cold regions? No. But we can raise a glass to the endurance, honesty, quirkiness, and human-foible- and honor-filled denizens Booth introduces us to, from local citizens to higher-ups, on the job and not. Thanks to Booth's good-natured description of his adventures and his honest admiration we may head for Scandinavia after all (bringing some elf-off spray, just in case).--Kinney, Eloise Copyright 2015 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

In his latest cultural exploration, British journalist and travel writer Booth (Eat Pray Eat) covers the countries that invariably dominate the top ten lists of best/healthiest/most egalitarian places to live: Denmark, Finland, Iceland, Norway, and Sweden. Beginning with his adopted home of Denmark, Booth sets out to address whether the quality of life in Nordic countries is really so high, and if so, why. He describes the Danes' relaxed attitude toward work and their almost aggressive egalitarianism. The latter is a trait shared by many of their Nordic neighbors and epitomized by the Jante Law (a Danish ten commandments of sorts), which states that one shouldn't think he's better than anyone else and that no one should be made fun of. That's tough for Booth, whose dry wit permeates the book, but he skillfully avoids mockery (he treats Icelanders' persistent belief in elves with restraint). Norway's "decentralized population of small, isolated communities speaking hundreds of regional dialects, coupled with a heightened respect for their natural surroundings, are two of the keys to understanding the Norwegians," Booth writes. But he also discovers some chinks in the utopian armor: isolationism, persistent racism, a distrust of foreigners, and growing fissures in a classless society (as more and more Danish parents steer their children toward private schools, for example). Booth has written an immersive, insightful, and often humorous examination of a most curious culture. (Feb.) © Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review

In this historical travelog, Booth (Eating Dangerously) examines the question of what exactly makes Nordic countries-in this case Denmark, Iceland, Norway, Sweden, and Finland-consistently rank among the happiest in the world. A transplanted Englishman, Booth has embraced the culture of his new home of Denmark and takes advantage of his outsider's point of view to uncover the truth behind Nordic societies. His discussions touch a wide example of life, culture, politics, and history and include information drawn from interviews, research, news sources, and literature. There is mention of Finland's prized education system, made famous by Amanda Ripley's The Smartest Kids in the World and discussion about the increasing oil production in the North Sea and its impact on both Norway and Denmark. However, Booth's narrative is tempered by his wry and often sarcastic commentary that can, at times, distract from his cogent arguments. For example, he tangentially describes the irreverent ways in which Danes, Swedes, Norwegians, and the Finnish joke about one another; especially since Finland is a former Swedish territory. VERDICT Overall, a quick and enjoyable read that is perfect for readers interested in deeper understanding of the cultures behind the headlines. [See Prepub Alert, 7/14/14.]-Elizabeth Zeitz, Otterbein Univ. Lib., Westerville, OH (c) Copyright 2015. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

A shrewd look at Nordic life.From Denmark, where he has been living for the past 10 years, British journalist Booth (Eat, Pray, Eat, 2011, etc.) set out on a jaunt through Scandinavia to investigate questions that mystified him: Why are the Danes, Finns, Swedes, Icelanders and Norwegians considered to be so "brilliant and progressive?" What accounts for the alleged Scandinavian miracle of economic and social equality? Are Danes really the happiest people in the world? In this bright, witty cultural critique, Booth concludes that Scandinavia's success is no myth. Despite "historical skeletons" in some countries' closets, irresponsible financial decisions that led to Iceland's bankruptcy, virulent right-wing constituencies, and homogeneity that results in societies "a little too safe and dull, and insular," Scandinavia, the author believes, truly is an "enviably rich, peaceful, harmonious, and progressive place." In Denmark, paying the highest taxes in the world (72 percent in total) is seen as a contribution to the social good. Oil has made Norway the richest countryoutpacing even Saudi Arabiaand sound fiscal stewardship funds generous social programs. In Finland, high status for teachers results in the best students competing for places in education programs and, consequently, excellent schools nationwide. Booth sees high-quality, free education as "the bedrock of Nordic exceptionalism." Though he celebrates the region's achievements, Booth is clear about the challenges ahead: in Denmark, fostering initiative in a society that extols thrift, caution and "sacred, ordinary mediocrity"; in Norway, maintaining "incentive to work, study, and innovate" in a society where one-third of working-age Norwegians "do nothing at allproportionally the largest number in Europe." Blithely reporting on the many quirks in dress (Norwegian dirndls), food (an odiferous Icelandic fish specialty) and excessive drinking (everywhere) that he encountered on his journeys, Booth offers an affectionate, observant, engaging look at Scandinavia, where trust, modesty and equality proudly prevail. Copyright Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

INTRODUCTION Early one dark April morning a few years ago I was sitting in my living room in the Danish capital, Copenhagen, wrapped in a blanket and yearning for spring, when I opened that day's newspaper to discover that my adopted countrymen had been anointed the happiest of their species in something called the Satisfaction with Life Index, compiled by the Department of Psychology at the University of Leicester. I checked the date on the newspaper: it wasn't April 1. A quick look online confirmed that this was headline news around the world. Everyone from the New York Times to Al Jazeera was covering the story as if it had been handed down on a stone tablet. Denmark was the happiest place in the world. The happiest? This dark, wet, dull, flat little country made up of one peninsula, Jutland, and a handful of islands to its east with its handful of stoic, sensible people and the highest taxes in the world? The United States was twenty-third on the list. But a man at a university had said it, so it must be true. "Well, they are doing an awfully good job of hiding it," I thought to myself as I looked out of the window at the rain-swept harbor. "They don't seem all that frisky to me." Down below, cyclists swaddled in high-visibility arctic gear crossed the Langebro together with umbrella-jostling pedestrians, both battling the spray from passing trucks and buses. I thought back to the previous day's soul-sapping adventures in my new home. In the morning there had been the usual dispiriting encounter with the sullen checkout girl at the local supermarket who, as was her habit, had rung up the cost of my prohibitively expensive, low-grade produce without acknowledging my existence. Outside, other pedestrians had tutted audibly when I'd crossed the street on a red light; there was no traffic, but in Denmark preempting the green man is a provocative breach of social etiquette. I had cycled home through the drizzle to find a tax bill relieving me of an alarming proportion of that month's income, having along the way provoked the fury of a motorist who had threatened to kill me because I had infringed the no-left-turn rule (literally, he had rolled down his window and, in the manner and accent of a Bond villain, shouted, "I vill kill you"). The evening's prime-time TV entertainment had consisted of a program on how to tackle excessive chafing of cow udders, followed by a twenty-year-old episode of Murder, She Wrote, and then Who Wants to Be a Millionaire ?--its titular, life-altering rhetoric somewhat undermined by the fact that a million kroner are worth only around $180,000, which in Denmark is just enough to buy you a meal out with change for the cinema. This, I should add, was long before the recent wave of Danish culture that has swept across the United States in the form of imported TV series like The Killing (four seasons of which have been remade with a US cast) and political drama Borgen (dubbed "the best TV series you have never seen" by Newsweek ), this was before the New Nordic food revolution, led by restaurant Noma and its chef, René Redzepi (a two-time Time magazine cover star, owner of the thrice consecutively named best restaurant in the world, and a huge influence on a new wave of American chefs), not to mention the architecture of Bjarke Ingels (responsible for the new West Fifty-Seventh Street Pyramid apartment building in Manhattan) or even the headline-grabbing, award-winning film work of actors like Viggo Mortensen (the Lord of the Rings trilogy), Mads Mikkelsen ( Casino Royale ), and Nikolaj Coster-Waldau (Jaime Lannister in Game of Thrones ) or directors like Nicolas Winding Refn ( Drive ), Lars von Trier ( Melancholia ), and Oscar-winner Susanne Bier (Best Foreign Language Film, for A Better World ). Back then, I had come to think of the Danes as essentially decent, hardworking, law-abiding people, rarely prone to public expressions of . . . well, anything much, let alone happiness, and certainly not as globally influential cultural pioneers. The Danes were Lutheran by nature, if not by ritual observance: they shunned ostentation, distrusted exuberant expressions of emotion, and kept themselves to themselves. Compared with, say, the Thais or Puerto Ricans or even the British, they were a frosty, solemn bunch. I would go as far as to say that of the fifty or so nationalities that I had encountered in my travels up to that point, the Danes would probably have ranked in the bottom quarter as among the least demonstrably joyful people on earth, along with the Swedes, the Finns, and the Norwegians. Perhaps it was all the antidepressants they were taking that were fogging their perception, I thought to myself. I had read a recent report that said that, in Europe, only the Icelanders consumed more happy pills than the Danes, and the rate at which they were popping them was increasing. Was Danish happiness nothing more than oblivion sponsored by Prozac? In fact, as I began to delve deeper into the Danish happiness phenomenon I discovered that the University of Leicester report was not as groundbreaking as it might have liked to think. The Danes came top of the EU's first ever well-being survey--the Eurobarometer--as long ago as 1973, and are still top today. In the latest one, more than two-thirds of the thousands of Danes who were polled claimed to be "very satisfied" with their lives. In 2009 there was the papal-like visit to Copenhagen by Oprah Winfrey, who cited the fact that "people leave their children in buggies outside of cafés, that you aren't worried they will get stolen . . . that everyone isn't racing racing racing to get more more more" as the Danes' secret to success. If Oprah was anointing Denmark, it must be true. By the time Oprah descended from the heavens I had actually left Denmark, having finally driven my wife to the end of her tether with my incessant moaning about her homeland: the punishing weather, the heinous taxes, the predictable monoculture, the stifling insistence on lowest-common-denominator consensus, the fear of anything or anyone different from the norm, the distrust of ambition and disapproval of success, the appalling public manners, and the remorseless diet of fatty pork, salty licorice, cheap beer, and marzipan. But I still kept a wary, sightly bewildered eye on the Danish happiness phenomenon noting, for example, when the country topped the Gallup World Poll, which asked a thousand people over the age of fifteen in 155 countries to rate, on a scale of 1 to 10, both their lives now, and how they expected them to pan out in the future. Gallup asked other questions about social support ("If you were in trouble, do you have relatives or friends you can count on to help you whenever you need them?"); freedom ("In your country, are you satisfied or dissatisfied with your freedom to choose what you do with your life?"); and corruption ("Is corruption widespread within businesses located in your country?"). The answers revealed that 82 percent of Danes were "thriving" (the highest score), while only 1 percent were "suffering." Their average "daily experience" scored a world-beating 7.9 out of 10. By way of comparison, in Togo, the lowest-ranked country, only 1 percent were considered to be thriving. "Perhaps they should ask the ghetto-bound Somali immigrants in Ishøj how happy they are," I would think to myself whenever I heard about these surveys and reports, although I seriously doubted any of the researchers ever ventured far outside of Copenhagen's prosperous suburbs. Then came the final, crowning moment in the Danish happiness story: in 2012, the United Nations' first ever World Happiness Report, compiled by economists John Helliwell, Richard Layard, and Jeffrey Sachs, amalgamated the results of all the current "happiness" research-- the Gallup World Polls, World and European Values Surveys, European Social Survey, and so on. And guess what. Belgium came first! No, I'm joking. Denmark was once again judged the happiest country in the world, with Finland (2), Norway (3), and Sweden (7) close behind. To paraphrase Lady Bracknell, to win one happiness survey may be regarded as good fortune, to win virtually every one since 1973 is convincing grounds for a definitive anthropological thesis. In fact, Denmark was not without rivals to the title of peachiest place to live. As the UN report suggested, each of the Nordic countries has its own particular claim to life-quality supremacy. Shortly after the UN report was published, Newsweek announced that it was Finland, not Denmark, that has the best quality of life, while Norway topped the UN's own Human Development Index, and another recent report claimed that Sweden is the best country to live in if you are a woman. So, Denmark doesn't always come first in all the categories of these wellness, satisfaction, and happiness surveys, but it is invariably thereabouts, and if it isn't number one, then another Nordic country almost inevitably is. Occasionally New Zealand or Japan might elbow their way into the picture (or perhaps Singapore, or Switzerland) but, overall, the message from all of these reports, which continue to be enthusiastically and unquestioningly reported in the media, was as clear as a glass of ice-cold schnapps: the Scandinavians were not only the happiest and most contented people in the world, but also the most peaceful, tolerant, egalitarian, progressive, prosperous, modern, liberal, liberated, best educated, and most technologically advanced, with the best pop music, coolest TV detectives, and the best restaurants to boot. Between them, these five countries--Denmark, Sweden, Norway, Finland, and Iceland--could boast the best education system in the world (Finland); a shining example of a properly secular, multicultural, modern industrial society (Sweden); colossal oil wealth, being invested in sensible, ethical, long-term things rather than silly tall buildings or high-class call girls (Norway); the most gender-equal society in the world, the longest-living men, and lots of haddock (Iceland); and ambitious environmental policies and generously funded welfare state systems (all of them). The consensus was overwhelming: if you wanted to know where to look for the definitive model of how to live a fulfilled, happy, well-balanced, healthy, and enlightened life, you should turn your gaze north of Germany, and just to the left of Russia. I did more than that. After some years of watching the Danish happiness bandwagon roll relentlessly on from a distance--interspersed with regular visits that, if anything, only served to confuse me more (Weather still shitty? Check. Tax rate still over 50 percent? Yep. Shops closed whenever you need them? Oh, yes)--I moved back there. This wasn't some magnanimous gesture of forgiveness, nor a bold experiment to test the boundaries of human endurance: my wife wanted to move back to her homeland and, despite every molecule of my being screaming, "Don't you remember what it was actually like to live there, Michael?" I have learned from harrowing experience over the years that it is usually best in the long run if I just do what she says. In fact, the fever for all things Nordic only intensified around the world after I returned to live there. Contemporary Viking culture was--and remains--on an unprecedented roll: Swedish crime authors Henning Mankell and Stieg Larsson began to sell millions of books, and Danmarks Radio (DR), the Danish national broadcaster, sold its stylish dramas to 120 countries in all. Danish architects continued to knock out major international projects as if they were made out of Lego blocks, and works by artists like Olafur Eliasson were appearing everywhere from Louis Vuitton window displays to MoMA. A former Danish prime minister, Anders Fogh Rasmussen was recently replaced as head of NATO by another Scandinavian ex-PM, Norway's Jens Stoltenberg, and a former Finnish president, Martti Ahtisaari, won the Nobel Peace Prize. Elsewhere in the region, Finland gave us Angry Birds and, for a while at least, mobile phones that took up permanent residence in everyone's inside breast pocket. Meanwhile, Sweden continued its domination of the world's high streets with H&M and IKEA, and of our airwaves with pop producers (of Britney Spears, Katy Perry, and others) and singers too numerous to list here, as well as giving us Skype and Spotify; Norway kept the world supplied with oil and fish fingers; and the Icelanders embarked on their extraordinary, albeit also catastrophic, fiscal buccaneering spree. No matter where I turned for my news, I could not escape the (Iceland aside) almost exclusively adulatory coverage of all things Scandinavian. If our newspapers, TV, and radio were to be believed, the Nordic countries simply could not put a foot wrong. These were the promised lands of equality, easy living, quality of life, and home baking. But I had seen a different side actually living up here in the cold, gray north and, though there were many aspects to Scandinavian living that were indeed exemplary, and from which the rest of the world could learn a great deal, I grew increasingly frustrated by the lack of nuance in the picture being painted of the region. One thing in particular about this newfound love of all things Scandinavian--be it their free-form schools, whitewashed interior design, consensus-driven political systems, or chunky sweaters--struck me as particularly odd: considering all this positive PR, and with awareness of the so-called Nordic miracle at an all-time high, why wasn't everyone flocking to live here? Why did people still dream of a house in Spain or France? Why weren't they packing up their mules and heading for Aalborg or Trondheim? For all the crime literature and TV shows, why was our knowledge of contemporary Scandinavia still so abysmally lacking? How come you have no idea where Aalborg or Trondheim actually are? Why can no one you know speak Swedish or "get by" in Norwegian? Name the Danish foreign minister. Or Norway's most popular comedian. Or a Finnish person. Any Finnish person. Few of us visit Japan or Russia or speak their languages but, though you might not be able to name all of their political leaders, artists, or second-tier cities, I'm guessing you would be able to name at least some. Scandinavia, though, really is terra incognita. The Romans didn't bother with it. Charlemagne couldn't care less. As Nordic historian T. K. Derry writes in his history of the region, for literally thousands of years "the north remained almost entirely outside the sphere of interest of civilised man." Even today the lack of interest is deafening. A journalist writing in the British Sunday Times recently described this part of the world as "a collection of countries we can't tell apart." Part of the reason for our collective blind spot--and I am the first to admit that I was quite fantastically ignorant of the region before I first moved here--is the fact that comparatively few of us ever travel in this part of the world. For all its scenic wonder, the cost of visiting Scandinavia coupled with its discouraging climate (not to mention the continuing existence of France and Italy) tend to dissuade most from vacationing here. Where is the travel writing on the north? Barnes & Noble's shelves are buckling beneath the weight of Mediterranean memoirs-- Dipsomaniac Among the Olive Groves, Extramarital Affairs on Oranges, and so on--but no one, it seems, wants to spend A Year in Turku, or try Driving over Lingonberries. One day, while standing for half an hour waiting to be served at my local pharmacy (Danish apoteks are run on a monopoly basis so customer service is not a priority), it dawned on me that, for all the glowing profiles of Sofie Gråbøl (the star of The Killing), for all the articles about Faroese knitwear, and recipes for twenty ways with foraged weeds (and I must put my hand up here, as I have written more than a couple of the latter), the truth is that we learn more from our schoolteachers, televisions, and newspapers about the lives of remote Amazonian tribes than we do about actual Scandinavians and how they actually live. This is especially strange as you could go as far as to argue that Anglo-Saxons are, essentially, Scandinavians. Well, a bit. The cultural links are undeniably deep and enduring, dating back to the infamous first raid on the monastery at Lindisfarne, England, on January 8, 793, when, as contemporary records have it, "The harrowing inroads of heathen men made lamentable havoc in the church of God in the Holy-island." Viking kings went on to rule a third of Britain--the territory known as the Danelaw--during a period that culminated with that great spell-checker booby trap, Cnut, as undisputed king of all England. Excavations of a ship burial at Sutton Hoo have given plenty of evidence of a Swedish link, too. After they had got all that raping and pillaging out of their systems, there is strong evidence that Vikings of various tribes settled amicably among the Anglo-Saxons, traded, intermarried, and had a major influence on the indigenous population. They certainly left their mark on the English language. A Norwegian language professor at Oslo University, Jan Terje Faarlund, recently went as far as declaring English a Scandinavian language, pointing to shared vocabulary, similar verb-then-object word order (as opposed to the cartwheels of German grammar), and so on. Some of the days of the week (Wodin or Odin for Wednesday; Thor for Thursday; Freya for Friday), and many place names are of Viking source. In England, any town ending in "-by" or "-thorpe" (meaning "town" and "smaller settlement") was once a Viking settlement--Derby, Whitby, Scunthorpe, Cleethorpes, and so on. I was born near a town called East Grinstead, the name of which, I assume, is of Danish origin ("sted" meaning "place," and a common Danish town name ending); and in London I used to live five minutes from Denmark Hill, a name that stems from a more recent connection, admittedly: it was once the home of the Danish consort of Queen Anne, the Danish and British royal families having been tightly intertwined by marriage over many centuries. Family words--mother ( mor ), father ( far ), sister ( søster ), brother ( bror )--are all pretty close, too, although, sadly in my view, the English never adopted the Scandinavians' very useful far-far, mor-mor, far-mor, and mor-far method of distinguishing between maternal and paternal grandparents. The Scandinavian influence has been considerable in the States too. The Norwegian Viking Leif Erikson discovered America around AD 1000. Having failed to see the attraction of Newfoundland, he promptly turned around and went home again, but Scandinavian efforts to populate North America were more successful nine hundred years on when 1.2 million Swedes, along with many Norwegians and some Finns and Danes, sailed across the Atlantic. At one point in the 1860s, a tenth of all immigrants arriving in the United States were from Scandinavia; many of them ending up in Minnesota, where the landscape reminded them of home. Today there are said to be almost five million Norwegian Americans and as many Swedish Americans in the States. If it wasn't for the latter, Hollywood would certainly be a lesser place--Uma Thurman, Scarlett Johansson, Matt Damon, the Jameses Coburn and Franco, Julia Roberts, and all of the Wahlbergs are in part of Swedish descent. To them we might also add great American icons, such as Buzz Aldrin and Abraham Lincoln, both of whom boast Swedish ancestry. What makes the current Nordic mania so unlikely is that during the twentieth century the popular cultural influences tended mostly to flow in the opposite direction. Socialize with Scandinavian males of a certain age, for instance, and the conversation will at some point almost certainly turn to the sketches of Monty Python or the Police Academy movies. The women, meanwhile, will share misty-eyed memories of the male cast members of ER, or of their time working as au pairs in New York. More recently, a whole new generation are all familiar with Homeland, Mad Men, and House of Cards. The Scandinavians are totally up to speed with every aspect of the US political scene. I wonder how many US congressmen could name the Danish foreign minister? Perhaps the vague familiarity, the superficial sameness, is one of the reasons that the rest of the world has not really cared to learn anything beyond fictional representations of the Scandinavians. Also, though stereotypical depictions usually include reference to their sexual liberalism and physical beauty, somehow they still manage to project an image of being pious, sanctimonious Lutherans. It is a neat trick to be thought of as being both deeply hot and off-puttingly frigid, isn't it? And it doesn't help that the Scandinavians are not very forward when it comes to coming forward: they aren't ones to boast. It is against their rules (literally, as we will discover). Look up the word "reticent" in the dictionary and you won't find a picture of an awkward Finn standing in a corner looking at his shoelaces, but you should. While I was writing this book, several people--including some Danes and, in particular, many Swedes--expressed genuine bemusement that they would be of the slightest interest to anyone outside Scandinavia. "Why do you think people will want to know about us?" they asked. "We are all so boring and stiff." "There must be more interesting people in the world to write about. Why don't you go to southern Europe?" It seems Scandinavians tend to regard themselves rather as we do: functional and worthy, but plagued by an unremitting dullness that tends to discourage further investigation. Industrious, trustworthy, and politically correct, the Scandinavians are the accountant at the party, five countries' worth of local government officials, finger-wagging social workers, and humorless party poopers. So, how do I hope to hold your attention for the duration of this book? The short answer is that I find the Danes, Swedes, Finns, Icelanders, and even the Norwegians utterly fascinating, and I suspect you will, too, once you find out the truth about how brilliant and progressive, but also how downright weird, they can be. As Oprah would have discovered had she stayed longer than an afternoon, and as I have finally, grudgingly, begun to concede, there is so very much more to learn from the Nordic lands-- about how they live their lives; the priorities they set; how they handle their wealth; about how societies can function better and more fairly; how people can live their lives in balance with their careers, educate themselves effectively, and support each other. About how, in the final analysis, to be happy. They are funny, too. And not always intentionally, either, which as far as I am concerned is the very best kind of funny. I began to dig a little deeper into the so-called Nordic miracle. Was there a Scandinavian template for a better way of living? Were there elements of Nordic exceptionalism--as the phenomenon has also been termed--that were transferable, or was it location specific, a quirk of history and geography? And, if people outside of Scandinavia really knew what it was like to actually live in this part of the world, would they still envy the Danes and their brethren quite so much? "If you had to be reborn anywhere in the world as a person with average talents and income, you would want to be a Viking," proclaimed British news weekly The Economist, ever so slightly backhandedly, in a special Nordic-themed edition. But where were the discussions about Nordic totalitarianism and how uptight the Swedes are; about how the Norwegians have been corrupted by their oil wealth to the point where they can't even be bothered to peel their own bananas (really: we'll get to that later); how the Finns are self-medicating themselves into oblivion; how the Danes are in denial about their debt, their vanishing work ethic, and their place in the world; and how the Icelanders are, essentially, feral? Once you begin to look more closely at the Nordic societies and their people, once you go beyond the Western media's current Scandinavian tropes--the Sunday supplement features on Swedish summerhouses peopled by blond women in floral-print dresses carrying baskets of wild garlic and surrounded by children with artfully mussed hair--a more complex, often darker, occasionally quite troubling picture begins to emerge. This encompasses everything from the relatively benign downsides to living among such comfortable, homogenous, egalitarian societies as these (in other words, when everyone earns the same amount of money, lives in the same kinds of homes, dresses the same, drives the same cars, eats the same food, reads the same books, has the same opinion about knitwear and beards, holds broadly similar religious beliefs, and goes to the same places on their holidays, things can get just a teensy bit dull--see the chapters on Sweden for more on this), to the more serious fissures in Nordic society: the racism and Islamophobia, the slow decline of social equality, the alcoholism, and the vast, over-stretched public sectors that require levels of taxation that would be deemed utterly preposterous by anyone who hasn't had them slowly creep up on them over the last fifty years like a deadly tide, choking off all hope, energy, and ambition. . . . Where was I? Anyway, so, yes, I decided to go on a journey to try to fill in some of the gaps in my Nordic experience. I set off to explore these five lands in more depth, revisiting each of them several times, meeting with historians, anthropologists, journalists, novelists, artists, politicians, philosophers, scientists, elf-watchers, and Santa Claus. The trip would ultimately take me from my home in the Danish countryside to the frigid waters of the Norwegian Arctic, to the fearful geysers of Iceland and the badlands of the most notorious Swedish housing estate; from Santa's grotto to Legoland, and from the Danish Riviera to the Rotten Banana. But the first lesson before I set off, offered, following a long pause and a deep sigh, by a Danish diplomat friend who had patiently endured a speech by me encompassing much of the above, was that, technically speaking, neither the Finns nor the Icelanders were actually Scandinavians: that term refers to the people of the original Viking lands--Denmark, Sweden, and Norway--only. But, as I discovered on my travels around the region, the Finns have reserved the right to opt in or out of the old marauders' club as and when it suits them, and I don't think the Icelanders would be too upset to be labeled Scandinavians, either. Strictly speaking, if we are going to lump all five countries together we really ought to use the term "Nordic." But this is my book and so I reserve the right to bandy both terms about pretty much interchangeably. So let us begin our quest to unearth the truth about the Nordic miracle, and where better to start than at a party.   ALMOST NEARLY PERFECT PEOPLE copyright © 2014 by Michael Booth. Originally published in Great Britain by Jonathan Cape, a division of the Random House Group, LTD. First U.S. hardcover edition published by Picador USA. All rights reserved. Excerpted from The Almost Nearly Perfect People: The Truth about the Nordic Miracle by Michael Booth All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.