Love & Fury A memoir

Richard Hoffman, 1949-

Book - 2014

"An acclaimed author reflects on his upbringing in a post-World War II blue-collar family and comes to terms with the racism, sexism, and other toxic values he inherited. Love & Fury tells a story that comprises five generations of an American family, examining the continuing impact of history as it shapes the lives of people struggling with the complexities of contemporary life. From the author's grandfather, a "breaker boy" sent down into the anthracite mines of Pennsylvania at the age of ten, to his young grandson, whose father is among the estimated one million young black men incarcerated today, Love & Fury offers an examination of the social, familial, and ethical contours of American life. With honesty and... compassion, Hoffman grapples with the values he inherited in his boomer-generation boyhood from a father whose ideas about masculinity, race, class, violence, women, and religion were a product of his time. At the book's core are the author's questions about boyhood, fatherhood, and grandfatherhood, and about what it means to be a good man in our modern society. A masterful memoirist, Hoffman writes not only to tell a gripping story but also to understand, through his family, the America in which we live"--

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Subjects
Published
Boston : Beacon Press [2014]
Language
English
Main Author
Richard Hoffman, 1949- (-)
Physical Description
213 pages ; 23 cm
ISBN
9780807044711
Contents unavailable.
Review by Booklist Review

The best memoirs transform seemingly ordinary lives into page-turning tales and make sense of unusual circumstances. Hoffman succeeds on both accounts with this intensely personal and candid reflection on his experiences as a son, father, and grandfather. Hoffman recounts his father's diagnosis with a terminal bone-marrow disorder, his son's unexpected return home after missteps at university, and his unwed daughter's decision to carry a child to term. With poetic language and smart humor, Hoffman shares the challenges these changes posed to his life as a writer and husband, inviting readers into the intimate space of his family home, as son, daughter, and Damion, the child's father, move into the Hoffman household. This new, crowded lifestyle forces the author to reconcile his relationship with Damion, a man of Jamaican descent, with the legacy of his father's racism. Throughout, Hoffman masterfully manipulates time, spinning memories into a story of family loyalties, honest dialogue, and difficult loss. A fitting follow-up to Half the House (1995), and a must-read for fans of Richard McCann, Christa Parravani, and James McCourt.--Baez, Diego Copyright 2010 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Kirkus Book Review

A professor's literary-minded meditations on fatherhood.As a writer of poems, stories and a previous memoir (Half the House, 1996), and as someone who has "been teaching writers for nearly twenty years, focused especially on the memoir and the personal essay," Emerson College senior writer in residence Hoffman knows how to recognize good material and how to frame and organize it, even as he dilutes the immediacy of emotion here with more abstract musings on pornography, feminism, and issues of race and class. In other words, his memoir is more powerful when it is showing us (his direct experience) rather than telling us (his ideas). This begins with the author and his brother talking with their father about his impending death, and it ends with the father's funeral. "Sometimes I think I've had two fathers: the one who made me, and the one I've made of him," he muses. This book is about both, as well as how the author's own fatherhood has affected his feelings toward his father: "Being a new father, I was having a hard time with my dadwith him, with my memory of him, and with my idea of him." The father and his family were blue-collar, not particularly reflective, and matter-of-fact in their racism. The author was sexually molested as a boy by his coach (whom his previous memoir helped send to prison), became an alcoholic, realized in recovery that his son had the same problem, and had to come to terms with his unwed daughter's pregnancy, by a Jamaican man with a criminal history and an increasingly tangled relationship with both the author and his daughter. "I had feelings too complicated to fully understand," writes the author of his impending grandfatherhood and the less-than-ideal circumstances surrounding it.Hoffman writes of his father that "he was more comfortable with his many contradictions than I am with mine," in a book in which readers are also likely to find more contradictions than comfort. Copyright Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

We're sitting in the kitchen, at the scarred Formica table, my father and my brother Joe and I, having just finished the kind of meal we have had innumerable times in the twenty-three years since my mother died: take-out hot dogs from "Yocco, the Hot Dog King" with a side of deep-fried pierogies, or maybe it was microwaved Lloyd's Roast Beef Barbecue from a plastic container in the fridge, or strip steaks on the George Foreman Grill, with a side of microwaved instant mashed potatoes. I can't recall for certain what we ate that night, maybe because my father has asked us to meet with him after supper to go over his will, and the two steel boxes have been there on the table next to the tall plastic bottle of orange soda throughout the meal, keeping their secrets to themselves. I know what's in at least one of them, though: birth certificates, death certificates, account numbers, records, directions, the deeds to graves. It's two weeks since he's been diagnosed with MDS, myelodysplastic syndrome, a condition that, at his age, eighty-one, almost always becomes leukemia. He has everything in order, he says. It's all right here in the boxes. "Now the will's pretty simple," he tells us, "everything's split down the middle so there's nothing for the two of you to fight about." He has told each of us the same thing in the past two weeks, and Joe and I have talked about it on thephone. "You want the toaster oven or the Foreman grill?" my brother joked. It's true that there wasn't much to split up. My father had a story he liked to tell about sitting down with my mother at the kitchen table once each month to pay bills and putting all the bills in my mother's stockpot and drawing them out one by one, writing checks till the money was gone. "And that was that," he'd say. "If we ran out of money before we got to you, well then you went back in the pot next month." Once when I was young and knew, according to my father, neither the difference between shit and shine-ola, nor my ass from my elbow, on a holiday visit home from college, I chimed in with a lame coda to my father's anecdote, trying to augment the good humor of it, give it a little extra spin. As my father drew the story to its canonical close, "well then you went back in the pot next month," I wisecracked that I finally understood why we never had a pot to piss in, another expression of my father's. "You guys were using it as the Accounts Payable Department!" My father looked at me blankly as if he didn't get it. Then, before I could compound my mistake by trying to explain it, he rose from his chair. "You little punk," he muttered as he left the room. I had tripped a switch and plunged my father from the safety of his lyric, humorous, emblematic scene into deep shame and remembered desperation, the very emotions that his ritual telling, with its shrug and goofball smile, its cavalier "fuck 'em" attitude, was meant to exorcise. I was of course the one who didn't get it, sitting there on my elbow with a shine-ola-eating grin on my face. I was not the one who had stood against a wall at six in the morning for the shape-up, hoping to get picked to work like a donkey for the next twelve hours. I was not the one who'd had to go down to the PP&L office with money made from cleaning out somebody's suburban garage just to get the lights turned back on. I was not the one who felt humiliated the year our Christmas presents came from the Salvation Army, complete with tags that said, Boy, 6-8 years old. My father had taken all those years and all that shame and locked them in a little box of a story, and just when he was clicking it shut again, as he had so many times before, I propped the lid open a moment longer with my fatuous cleverness, and a monstrous cloud, a genie of shame, escaped. Everyone in my family considered themselves middleclass, all my aunts and uncles, each and every household, whether anyone had a job or not, regardless of what kind of work they did when there was work, regardless of whether or not they had "a pot to piss in." We never used the word "class." My father called us working people. He always said we were working people, and he wanted me to be proud of it. I was a good student. School came easily to me, and I couldn't wait to be the first in my family to go to college. And my father, conflicted in ways that he showed by barking, shouting, kicking things, and occasionally knocking me down, let me know that he was scared for me, jealous, proud of me, and betrayed. I remember the day I announced to my father that, football scholarship or not, I was going to college. "Whattya think, your last name's Rockefeller?" I had asked him for his signature on the loan papers I'd left on the kitchen table with the glossy view book from Fordham University. When I first brought home the booklet, with its views of a Gothic clock tower, stained-glass windows, a wrought-iron gate, my mother held it at arm's length and tucked her chin as if it smelled suspicious, but in fact she didn't have her glasses handy and held it that way because she was what she called "far-sighted." "Classy-looking joint," she pronounced. "We don't have that kind of money," my father said. "Look around here, knucklehead, you see a Cadillac out front? A swimming pool in the back?" I'm sure I said something insolent then because he was after me as I headed for the door. He grabbed the neck of my varsity jacket and we pushed and pulled and wrestled until I escaped, leaving him holding the jacket, inside out. As I turned in the doorway to shout something else and get a good hold to slam the door, I saw him turn it back right side out and, quietly, tenderly, brush it off and hang it in the hall closet. Later, when I came back, the papers were upstairs on my bed, signed. Excerpted from Love and Fury: A Memoir by Richard Hoffman All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.