The forsaken

Ace Atkins

Book - 2015

Thirty-six years ago, a nameless black man wandered into Jericho, Mississippi, with nothing but the clothes on his back and a pair of paratrooper boots. Less than two days later, he was accused of rape and murder, hunted down by a self-appointed posse, and lynched. Now evidence has surfaced of his innocence, and county sheriff Quinn Colson sets out not only to identify the stranger's remains, but to charge those responsible for the lynching. As he starts to uncover old lies and dirty secrets, though, he runs up against fierce opposition from those with the most to lose-and they can play dirty themselves. Soon Colson will find himself accused of terrible crimes, and the worst part is, the accusations just might stick. As the two investi...gations come to a head, it is anybody's guess who will prevail-or even come out of it alive.

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Subjects
Genres
Fiction
Detective and mystery fiction
Published
New York, New York : Berkley, an imprint of Penguin Random House LLC 2015.
Language
English
Main Author
Ace Atkins (author)
Edition
Berkley trade paperback edition
Item Description
Originally published in hardcover by G.P Putnam Sons in 2014.
Includes a readers guide.
Physical Description
384 pages : map ; 21 cm
ISBN
9780425274828
9780399161797
Contents unavailable.
Review by New York Times Review

A TORNADO TORE through the town of Jericho, Miss., in the most recent of Ace Atkins's deeply rooted regional novels set in a gritty pocket of the rural South. In THE FORSAKEN (Putnam, $26.95), a resident who survived that last book reflects on "the ugliness of what we've done to this place, all the logging, busted-up trailers, and stripping of anything that can make a buck" and decides that "we didn't need a tornado to rip this town apart, we just needed a few more good years." Quinn Colson, the county sheriff in this true-to-life series, serves as the moral counterweight to the corrupt politicians, unethical lawmen and well-connected criminals who constitute the local power structure. Quinn gets mixed signals from this quarter when he reopens a decades-old case on the word of a survivor who now claims her attacker is still at large, and that the black vagrant the townsfolk lynched for raping her and murdering her friend was an innocent victim of vigilante rage. That's a workable narrative thread, but it gets tangled in all the other shady dealings going on in this book. Johnny Stagg, who runs a thriving drug and prostitution racket from a truck stop off Highway 45, is expanding his operation by going into partnership with a Memphis crime boss. The notorious Chains LeDoux (hairy, heavily tattooed and "animalwild," according to one old boy) is getting out of the federal penitentiary after 20 years, which brings his biker gang, the Born Losers, roaring back to Jericho. And with all the reconstruction projects underway (cross your fingers, the town might be getting a Walmart), someone has to keep track of the kickbacks. A more focused plot would have been nice, but Atkins doesn't construct a cohesive narrative so much as chase down articulate characters who can contribute to his densely layered stack of stories. Johnny Stagg has a wonderfully filthy mouth, but Atkins finds his natural-born storytellers everywhere, from Mr. Jim's barbershop to a pancake breakfast at the V.F.W. Even a brute like Chester ("Call me Animal"), who rides with the Born Losers, has a certain way with the few words in his limited vocabulary. It's all music to these ears. SHARON McCONE, the private investigator in Marcia Muller's detective stories, solved her first case in 1977, so Muller is entitled to go crazy on an assignment that takes this sturdy series to the 30-book mark. She does something more daring by giving the NIGHT SEARCHERS (Grand Central, $26) the clean, classic moves of her earliest novels. It's refreshing to watch her revered sleuth personally handle the low-tech job of following a rich young couple around town. McCone is investigating the wife's sightings of a cult of devil-worshipers supposedly offering human sacrifices in the nicer sections of San Francisco. McCone was never a loner. She started out working for a co-op of legal aid lawyers, and she maintains a full staff of operatives at her own shop. But this time, she's not as involved with her husband's hush-hush overseas business, and her demanding extended family seems to be managing its domestic problems without her. McCone uses that freedom to infiltrate a vaguely sinister group of treasure hunters who prowl the city by night, searching for clues in places like Alamo Square and Aquatic Park and the Maritime Museum down by the bay. It's the perfect narrative structure for Muller, who is never better than when she's roaming the streets of the city she knows and loves so well. EMILY ARSENAULT'S mysteries are so much fun you hardly notice they're essentially academic novels. Theresa Battle, the neurotic narrator of WHAT STRANGE CREATURES (Morrow, paper, $14.99), has been a Ph.D. candidate for so long that the new department chairwoman issues a deadline for her dissertation on Margery Kempe. Theresa is the first to admit that this medieval mystic "was absolutely an eccentric and almost certainly a nut job," but the bond between scholar and subject is one of the joys of this quirky book. Another is Theresa's affectionate relationship with her sweet but peculiar brother, Jeff, who talks her into boarding his girlfriend Kim's dog while she's out of town. Things get more complicated (and less believable) when Kim goes missing and Jeff is charged with her murder. But the salient point is that Kim's dog gets along beautifully with Theresa's three cats and her dog, Boober (named after the theologian Martin Buber), and that Theresa finds a boyfriend who shares her fascination with Margery Kempe. FRANCES FYFIELD is a criminal lawyer who writes stylish, if staid, legal mysteries. But when she wants to go over to the dark side, she produces imaginative psychological suspense novels like GOLD DIGGER (Witness/HarperCollins, paper, $13.99). The scene is a mansion by the sea where the elderly Thomas Porteous lies dying in the arms of his much younger wife, Diana. Through the magic of flashback, we learn that Thomas met his bride when she broke into his house, and we can observe the subtle ways Fyfield develops the characters of this endearing couple. But once Thomas is dead and gone, Fyfield turns like a snake on his daughters - let's call them Goneril and Regan - who try to cheat Diana out of her inheritance. Not in this fairy tale, you witches.

Copyright (c) The New York Times Company [July 13, 2014]
Review by Booklist Review

*Starred Review* Tibbehah County, Mississippi, Sheriff Quinn Colson thought nothing could beat a tornado leveling half the county seat (The Broken Places, 2013), but now the prison release of a local biker-gang leader brings the gang, the Born Losers, back to town seeking retribution and threatening to flatten what's left of the town of Jericho. As if that weren't a big enough mess, Quinn's personal freedom and his upcoming election are looking uncertain since he's still being investigated for his involvement in another officer's shooting, and Diane Tull has asked him to take another look at her abduction and rape 30 years ago in an attack that left her best friend dead. Three decades is a long time for secrets to fester, but it's up to Quinn to save Jericho from its ugly past while, at the same time, finding a way to get the Born Losers out of town. Quinn is facing a seemingly impossible string of complications in this fourth series installment, but somehow all these layers of catastrophe make sense together, a testament to Atkins' ability to capture small-town life. The dive into Jericho's dark past makes for great reading as Atkins rolls through a handful of perspectives, propelling the story's threads toward an adrenaline-laced, Wild West-style conclusion. Particularly recommended for those who enjoyed Tom Franklin's Crooked Letter, Crooked Letter, and Karin Slaughter's Grant County series.--Tran, Christine Copyright 2010 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

Lean prose, solid pacing, and a compelling lead distinguish bestseller Atkins's gritty fourth Quinn Colson novel. The aftermath of the violence that ended the previous entry, The Broken Places (2013), continues to enmesh Colson, the sheriff of Jericho, Miss., though the former U.S. Ranger also has two cold cases to unravel. On July 4, 1977, a driver stopped his car on a country road and accosted 17-year-old Diane Tull and her 14-year-old friend, Lori Stillwell. The stranger shot Lori to death after raping Diane. When Lori's father urges the now middle-aged Diane to finally get the case reinvestigated, Quinn agrees to take on the job. Along the way, Quinn comes across a related unsolved murder that ends up striking close to home. That Quinn resembles the late Robert B. Parker's Spenser-both are uncomplicated, principled men unafraid to use violence to protect themselves and others-isn't surprising, since Atkins now writes the continuation of the Spenser series. Author tour. Agent: Esther Newberg, ICM. (July) (c) Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved
Review by Kirkus Book Review

Cases both hot and cold force a Mississippi sheriff to confront issues from the past. For now at least, former Army Ranger Quinn Colson (All the Broken Places, 2013, etc.) is the sheriff of Tibbehah County. Hidden behind the countys down-home atmosphere is a seething mass of corruption, drug dealing and violent crime. Quinn and his sharpshooting deputy, Lillie Virgil, are under investigation for shooting a crooked sheriff and stealing money. Former sheriff Johnny Stagg remains Tibbehahs political power. His legitimate business is vastly overshadowed by his income from drugs and prostitution, and he aims to get the all-too-honest Quinn removed from office. Stagg has hired a tough new bodyguard because his nemesis, Chains LeDoux, a crazed biker who ran the Born Losers, is about to be released from prison. Quinn himself is preoccupied by crimes committed before he was born. Some time after Diane Tull was raped and her friend Lori Stillwell murdered, an unidentified man was found beaten, burned and hanged. But Diane, who knows the dead man wasnt the rapist, asks Quinn to right that old wrong and find whomever killed the nameless victim. Loris father, Hank Stillwell, was part of the Born Losers. So was Quinns father, Jason, who got sucked into the biker gang on a visit home from his job as a Hollywood stuntman. Quinns mother would never reveal why Jason left his family. Now Quinn must investigate the father he hasnt seen since childhood for murder. Meantime, Stagg, the Born Losers, and rival black and Mexican drug lords continue to fight for control of the lucrative drug market. Atkins is at the top of his game in Quinns fourth appearance, filled with nonstop action and moral ambiguities. The sheriffs many flaws only enhance his human appeal. Copyright Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

***This galley is from an advance uncorrected proof*** Copyright © 2014 Ace Atkins 2 I've always wondered, Quinn," W. R. "Sonny" Stevens, attorney-at-law, said. "Did you ever see your daddy work, doing those stunts, up close and in person?" "Caddy and I went out to Hollywood a couple times when we were really young, back in the eighties," Quinn Colson said. "By then he was on Dukes of Hazzard, A-Team, and MacGyver. He let us hang out on set and see him race cars and flip them. It scared the hell out of my sister. But I kind of liked it. I once saw my dad run around for nearly a minute while completely on fire." Stevens leaned back into his chair, his office filled with historic photos of Jericho, Mississippi's last hundred years, from its days as prosperous lumber mill and railroad town to the day last year when a tornado shredded nearly all of it. One of them was a picture of Jason Colson jumping ten Ford Pintos on his motorcycle back in '77. The office seemed to have remained untouched since then, windows painted shut and stale air locked up tight, dust motes in the sunlight, the room smelling of tobacco, whiskey, and old legal books. "Maybe the reason you joined the Army?" Stevens said, smiling a bit, motioning with his chin. Quinn was dressed for duty, that being the joke of it for some: spit-polished cowboy boots, crisp jeans, and a khaki shirt worn with an embroidered star of the county sheriff. He wore a Beretta 9mm on his hip, the same gun that had followed him into thirteen tours of Iraq and Trashcanistan when he was with the Regiment, 3rd Batt. He was tall and thin, his hair cut a half-inch thick on top and next to nothing on the side. High and tight. "You liked all that danger and excitement like your dad?" "I liked the Army for other reasons," Quinn said. "I think my dad just liked hanging out with movie stars, drinking beer, and getting laid. Not much to the Jason Colson thought process." Stevens smiled and swallowed, looking as if he really didn't know what to say. Which would be a first for Stevens, known for being the best lawyer in Tibbehah County when he was sober. And the second-best when he was drunk. He was a compact man, somewhere in his late sixties, with thinning white hair, bright blue eyes, and cheeks flushed red from the booze. Quinn had never seen him when he was not wearing a coat and a tie. Today it was a navy sport coat with gold buttons, a white dress shirt with red tie, and khakis. Stevens stared in a knowing, grandfatherly way, hands clasped on top of the desk, waiting to dispense with the bullshit and get on to the case. "OK," Quinn said. "How's it look?" "Honestly?" Stevens said. "Pretty fucked-up." "You really think they'll take our case to the grand jury?" Quinn said. "I answered every question the DA had honestly and accurately. Never believed they'd run with it. I thought I'd left tribunals and red tape when I left the service." Sonny Stevens got up and stretched, right hand in his trouser pocket jingling some loose change, and walked to a bank of windows above Doris's Flower Shop & Specialties. The office had a wide, second-story porch and a nice view of the town square, most of it under construction right now as a good half was ripped apart by that tornado. There were concrete trucks and contractors parked inside what had been a city park and veterans' memorial. Now it was a staging area for the workers who were trying to rebuild what was lost. "I just wish you'd called me earlier," Stevens said. "The DA has had a real time turning a pretty simple, straightforward story into one of intrigue and corruption. I might could've stopped this shit from the start. But now? Politically, it's gone too far." "What's to study on?" Quinn said. "Deputy Virgil and I met those men to get my sister and my nephew back. A sniper up in the hills killed two men, and when we looked to get out, Leonard Chappell and his flunky tried to kill me." "And you shot them?" Stevens said, staring out the window. "I shot Leonard. Lillie shot the other officer." "Can you step back a little, Quinn?" Stevens said. "Tell it to me again, as straight and simple as possible. The cleanest and easiest version is the one a jury will believe. Start with Jamey Dixon. How'd you end up driving out to that airfield with him?" "That convict Esau Davis kidnapped my sister and nephew, Jason," Quinn said. "Jason was four. Davis had sunk an armored car in a bass pond before he was incarcerated. He blamed Dixon for beating him to the car and taking the money." "Did he?" "Yes, sir," Quinn said. "Those two convicts had bragged to Dixon about all that money they stole and hid. You know Dixon was a chaplain at Parchman? He came out of there a full ordained minister." "And started that church out in the county," Stevens said. "The one in the barn. The River?" "Dixon used their confessions and told Johnny Stagg about that armored car, who used some of that money for Dixon's pardon and took the rest for his trouble." "But that part can't be proved," Stevens said. "Just stay with the basics. Two escaped convicts kidnapped your sister, who was Jamey Dixon's girlfriend, and her young son." "Yes, sir." "And those convicts demanded their money back?" "One convict," Quinn said. "The other one got killed while on the run." "So that one convict, Esau Davis, wanted to exchange cash for your sister and nephew? You were scared as hell they might be harmed." "Yes, sir," Quinn said. "Lillie found a vantage point in the hills by that old landing strip. She was to provide cover if Davis started shooting. You know Dixon only had twenty grand on him? And that wasn't from the bank job. That was from donations after the tornado." "And how did Chief Chappell and his officer figure into this?" "They were waiting for all of us to show," Quinn said. "They knew about the exchange and came for the money and to protect Stagg's interests. They also had a sniper in the hills on the opposite side of Lillie who took out Dixon and Davis. When the shooting started, that's when Chappell and his man turned on me." "Me and you both know Leonard Chappell was a joke as police chief and the head stooge for Johnny Stagg," Stevens said. "But one lawman killing another lawman makes for bad press and lots of political pressure on the DA." "Leonard had no reason to be there but to steal that cash." "Of course," Stevens said. "But the story the DA will tell is that they came to save the goddamn day and that you and Lillie killed them both to cover y'all's ass. That way all that money was yours without witnesses." "Bullshit," Quinn said. "They had another man up in the hills. He killed the two men there to make the money exchange. No one seems to be wondering who killed those convicts, Dixon and Davis." "They're going to say it was Lillie Virgil." "Guns didn't match," Quinn said. "State tests prove it." "They'll say she brought another gun." "That's insane." "You bet," Stevens said. "But you better prepare for that part of their story." Stevens swallowed and moved from the window. He reached for a cutglass decanter at a small bar near his desk and motioned to Quinn. Quinn declined. It was two in the afternoon. Stevens poured some bourbon into a coffee mug and swished it around a bit. He was deep in thought, looking across his old office, with all those barrister bookshelves and faded certificates, Citizen of the Year and Outstanding Ole Miss Alumnus, as he sipped. "They can twist the story as they please," Stevens said. "We got two dead lawmen, two dead convicts, and a shitload of cash, flying wild and free, after this all went down. They claim nearly ten thousand is still unaccounted for." "You know how many people went out into the hills after this happened?" Quinn said. "Families went there on weekends with butterfly nets and duffel bags. That money was found but never turned in." "However this goes, it'll destroy your name," Stevens said. "They'll destroy Lillie's, too. They'll ask questions about y'all's relationship, relationships she might have with other, um, individuals. You got an election in April." "You saying I should make a deal?" "No, sir," Stevens said, sipping a bit more from the mug. His light blue eyes and red cheeks brightened a bit, him inhaling deeply as things were getting settled. "There's no deal to make. Not yet. Just preparing you for the shitstorm as we go into an election year. I don't think that fact is lost on anyone, particularly not Johnny Stagg." "Mr. Stevens, how about we not discuss Johnny Stagg right now," Quinn said. "I just ate lunch." "Whiskey makes it a little easier," he said. "Soothes the stomach. Stagg's been running the supervisors for a long while. I've gotten used to the fact people like him walk among us." "Lillie saved my ass," Quinn said. "I shot Leonard Chappell because he was about to kill me. But Jamey Dixon and Esau were killed by someone else." "Could've been any one of Stagg's goons." "This individual wasn't a goon," Quinn said. "This person was a pro, a hell of a precise shot at a distance." "You see anything at all?" "Hard to look around when you hit the ground and crawl under a pickup truck." "Imagine so," Stevens said. "And Lillie?" "No, sir," Quinn said. "But you need to ask her." "How could you be sure Leonard wanted you dead?" "He was aiming a pistol straight at my head," Quinn said. "This was an ambush." Stevens turned and leaned back against the windowsill and stared out at the rebuilding of downtown Jericho. Among the piles of brick, busted wood, and torn-away roofs, all that remained standing on that side of downtown after the storm was the old rusted water tower by the Big Black River. Now they were even repainting the tower from a rusted silver to a bright blue. New sidewalks. New roads. The Piggly Wiggly had reopened, with the Dollar Store not long to follow. There was word that Jericho might even be getting a Walmart. "Did you hear Stagg is going to cut the ribbon when they reopen the Square?" Stevens asked. "I did." "To read about it in the papers, he is the sole person responsible for the rebirth of this town with the grants and handshakes he's made in Jackson." "I guess anyone can be a hero." "We'll get this matter straight, Quinn," Stevens said, "don't you worry. Just keep doing your job. Lots of folks appreciate all you done for this place since coming home from the service." "And what can I do while we wait to hear from the DA?" "Not much," Stevens said. "But if they indicate for a moment this goes beyond just an inquiry, you better have my ass on speed dial." In Memphis, Johnny Stagg slid into a booth at the Denny's on Union, across from the Peabody Hotel and down the street from AutoZone Park. He accepted the menu but shut it quick, telling the waitress a cup of coffee and ice water would be just fine, smacking his lips as he watched her backside sway in the tight uniform. His new man, Ringold, took a seat up at the bar near the kitchen, giving Stagg a little space for when Houston arrived. Houston had called the meeting, saying it was about time, as Stagg always had someone else talking business, making the exchanges, and figuring out just what in Memphis was black and what was white. Stagg had relayed one message since Bobby Campo was put in prison: All of Memphis was nothing but green. Stagg toasted Ringold with his coffee mug. Ringold nodded back. Man probably didn't weight a hundred eighty pounds or stand much higher than five foot ten. He was plain and bland as Wonder Bread, with a shaved head and stubbled black beard, his blue eyes almost translucent. While you wouldn't notice Ringold in a crowd, he probably had hundred ways to kill a man with a salad fork. Ringold had come to him that summer, not long after the storm, looking for work and laying out credentials that made him smile. He was three years out of uniform, a former Special Forces soldier, Blackwater operator, and all-around bad dude with a gun. Stagg had made some calls to some people Ringold had worked for and they couldn't say enough about how he handled himself. Stagg figured losing Leonard had been a damn blessing. He'd traded out a goddamn Oldsmobile for a Cadillac. Stagg sucked a tooth, turned the Denny's fork, and grinned a good long while when Houston and his four thugs walked into the restaurant. Ringold stopped the thugs and motioned Houston to go take a seat in that back booth facing across the alley to the Rendezvous rib joint. Houston was black, short and muscular, wearing a flat-billed St. Louis Cardinals ball cap and hexagonal rose-colored glasses. Houston didn't look happy when he joined Stagg at the booth or when he said, "No offense, Johnny, but we a package deal. My fucking boys don't sit at no kids' table." "C'mon, Mr. Houston," Stagg said, grinning. "You're the one that wanted to meet. Come on. I'll buy you and your boys whatever you want. Grand Slam breakfast? Santa Fe Skillet, Banana Caramel French Toast?" "I wouldn't let my dog eat that shit," Houston said. "And he licks his ass." "How about coffee, then?" "Don't drink coffee," Houston said. "I don't smoke. I don't do drugs." "Ain't that something?" Stagg said. "What some folks might call ironic." "It's my fucking religion," Houston said. "I made it out. What I heard, you made it out, too. Where you get your start? You don't look like you came from no trust fund, coming out the cooch with a silver spoon." Stagg just grinned at him, bony hands warming up on his coffee mug. He wore the tattersall shirt he'd bought on the Oxford Square during football season, with a red Ole Miss sweater-vest and pleated navy pants. He wasn't ashamed to say he'd spent nearly three hundred dollars on a pair of handwoven moccasins to be worn with fancy socks. Stagg recalled when his momma made him and his brother exchange underwear on different days of the week because she hated doing wash. Stagg brushed at his chapped, reddened cheek, motioning away the waitress with the nice backside for a few moments while they discussed all the options Denny's, America's Favorite Diner, offered them. "My people from Marshall County," Houston said. "You heard of R. L. Burnside, the blues player? He was my great-uncle. Man could rip the shit out of a guitar. Women in France would rip their bras off and hand them over just to hear him play." "Sure." "You don't know him?" Stagg sucked on his tooth, rotating the warm mug in his hand. "I don't listen to nigger music, Mr. Houston." Houston grinned wide, showing some gold teeth. Stagg knew the man would like him to cut through the shit, get right to the point, that this wasn't about them becoming buddies and pals, but just how they would keep the goddamn Mexicans out of the city and keep a good thing going. There really wasn't much to consider. Stagg moved it. Houston sold it. Now Houston wanted more of a cut and that wasn't exactly surprising to Stagg. What was surprising is that Houston would want to be seen anywhere near Stagg, as you could bet sure as shit that the DEA or FBI or ATF or who the hell ever would be bugging their Banana Caramel French Toast this morning, wanting Stagg to follow his old pal and mentor Bobby Campo to the Cornhole Suite at the federal pen. "You got kids?" Houston said. "I got one." "Boy or girl?" "Boy," Stagg said. "Don't see that it matters." "I got twelve kids," Houston said. "I got two of them with a Mexican woman I met when hiding out from Johnny Law down in Mexico. You ever been with a Mexican woman? Whew. Damn straight, with all that sweet brown skin and black hair. I'd live down there if those motherfuckers hadn't decided they wanted to have me killed." "Those Mex sonsabitches mean business," Stagg said. "We had some of those boys in Tibbehah a year or so ago. They found out this local boy was trying to screw them out of a gun deal. Lord have mercy, they rode into Jericho like they was Pancho Villa wanting to fill him full of a million holes." "They kill him?" Houston asked. Stagg shook his head. "Gave himself up to the Feds. I'm still waiting to read about him getting shanked by ole Speedy Gonzales in the shower." Houston nodded. "Man, you a trip." Stagg studied him, tilting his head a bit. "Son, are you wearing two watches?" "Yep," Houston said. "One is platinum and one is gold. East Coast and Central." "May I ask why?" "'Cause I'm expanding." Stagg laughed. Even through all that black shuck-and-jive bullshit that never made any sense to him, Stagg liked the boy. He liked that he'd called the meet, liked that he was going to ask for a larger cut, and liked that he'd crawled up from a world of shit to control his future. Stagg had been born to a manure salesman out of Carthage. Houston had come from a goddamn inner ring of hell in the Dixie Homes housing project. "Sure you don't want breakfast?" Stagg said. "It's on me." "OK," Houston said. "Maybe some of that French toast shit." "With the fruit or without?" "All the way." "Figured that's what we got." "Or maybe I want some of that goddamn Moon Over My Hammy," Houston said. "But that don't mean I'm gonna eat the whole thing. You can have your half and a few extra bites. I ain't asking to go equal on this shit. Just give me a little of that ole Hammie and maybe some hash browns and shit and a sip of Coke." "I know," Stagg said, holding up his hand, "ain't nobody that goddamn stupid. I wouldn't be here if I wasn't in agreement." Houston snapped shut his menu. The waitress arrived and he told her that he just wanted pancakes and hash browns and to bring a bottle of ketchup. "A whole bottle?" "You know, Mr. Stagg, you ain't at all like Bobby Campo." Stagg nodded. "Appreciate that, sir." "I never sat down at the table with Bobby Campo." "He made a lot of mistakes," Stagg said. "He was reckless. A fuckup." Houston readjusted his rose-colored shades and grinned. Two of his teeth were gold with diamonds inlaid. He smiled some more, adjusting each watch on each wrist. "Who you got up there by the door?" Houston said. "He don't look old enough to shave." Stagg sipped some coffee. Put down the mug, warmed his hands as the heat curled up to his face. "Oh, just a new friend." "Funny how you being all cool with the meet and greet and all that shit." "Me and you got a good thing going," he said. "If someone were to try and break it up, I just want to make sure he knows he ain't invited." "I think you and me gonna make a fine team," Houston said. "Don't let anyone fuck with my people." "Good to hear that, Mr. Houston," Stagg said. "Much appreciated." Excerpted from The Forsaken by Ace Atkins All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.