Revival A novel

Stephen King, 1947-

Book - 2014

"In a small New England town over half a century ago, a boy is playing with his new toy soldiers in the dirt in front of his house when a shadow falls over him. He looks up to see a striking man, the new minister, Jamie learns later, who with his beautiful wife, will transform the church and the town. The men and boys are a bit in love with Mrs. Jacobs; the women and girls, with the Reverend Jacobs--including Jamie's sisters and mother. Then tragedy strikes, and this charismatic preacher curses God, and is banished from the shocked town. Jamie has demons of his own. Wed to his guitar from age 13, he plays in bands across the country, running from his own family tragedies, losing one job after another when his addictions get the be...tter of him. Decades later, sober and living a decent life, he and Reverend Charles Jacobs meet again in a pact beyond even the Devil's devising, and the many terrifying meanings of Revival are revealed. King imbues this spectacularly rich and dark novel with everything he knows about music, addiction, and religious fanaticism, and every nightmare we ever had about death. This is a masterpiece from King, in the great American tradition of Frank Norris, Nathaniel Hawthorne, and Edgar Allan Poe"--

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Subjects
Genres
Suspense fiction
Published
New York : Scribner 2014.
Language
English
Main Author
Stephen King, 1947- (-)
Edition
First Scribner hardcover edition
Physical Description
405 pages ; 25 cm
ISBN
9781476770383
Contents unavailable.
Review by New York Times Review

THERE IS A CHILDREN'S JOKE that goes something like this: Why was Dr. Frankenstein never lonely? Answer: Because he was good at making friends. The same might be said for novelists, whose solitary days of writing can lead-if the work is going well-to the creation of amusing companions. From Mary Shelley's monster to Bram Stoker's vampire, every variety of bizarre creature can come creeping up when a writer closes out reality and lets the imagination take over. If loneliness is to blame, then Stephen King, who has created some of the most entertaining characters of any writer of his generation, must be one solitary guy. "Revival," King's 55th novel, introduces a fellow solitary genius, the Rev. Charles Jacobs, a Frankenstein-like mad scientist who sets out to decipher the "secret of the universe" and the "path to ultimate knowledge" by harnessing and using a "secret electricity" to open "doorways to the infinite." Jacobs is a man obsessed, ready to sacrifice the entire human race to get what he wants. But first things first. Before divine knowledge, Jacobs needs to understand the basic principles of his special electricity. Thus Jamie Morton, the book's narrator and a longtime observer of Charles Jacobs, finds himself a guinea pig in Jacobs's evil experiments. Before Jamie realizes the true nature of the work, Jacobs puts a plastic mouth guard between Jamie's lips, slips on some headphones and shoots a powerful dose of electricity into his brain. The shock is meant to cure Jamie's heroin addiction, but-this being a Stephen King novel, and Jamie being our only window into Jacobs's derangement-the effects are far more nefarious. Jamie wakes up disorientated, his thoughts scrambling: "Something, something, something. Happened. Happened. Something happened. Something happened, happened, something happened. Happened. Something." The something, at first glance, appears to be that Jamie's "brain had gone wrong." In fact, the reader soon learns, Jamie's trauma has little to do with brain freeze and everything to do with Jacobs's secret electricity, which isn't just a supercharged panacea but something far scarier. Jamie's 30-second detox has made him an integral part of Jacobs's sinister master plan. Their relationship began long before, when Jamie was 6 and Jacobs was the minister of his community parish in small-town Maine. In the beginning, the reverend was a good and holy man. He led the Harlow Methodist Youth, where he taught the children the mysteries of God via lessons in electricity. Back then, before disillusionment and madness set in, Jacobs's interest in electricity was purely metaphorical; lightning was an analogy for the divine. Explaining electrons and atoms, he would conclude that "science is fine, but it's also finite. There always comes a point where knowledge runs out." And into this vacuum divine knowledge rushed. Electricity led to the infinite. Open the door and there waits God, a big grin on his face. While Jacobs may have started out with good intentions, these quickly turn dark after a random auto accident on a quiet country road kills Jacobs's family, destroying his faith and maybe his sanity. (King's longtime fans will recognize shades of "Pet Sematary" in the accident and the hand of fate.) Jacobs loses his religious conviction, tells his parish that "religion is the theological equivalent of a quick-buck insurance scam," and spends the next several decades working amusement parks and carny circuits, healing the sick by administering small amounts of electricity to their brains. Jacobs's belief that "all diseases are electrical in nature" and "electricity is the basis of all life" proves correct, and he becomes a miracle worker, healing the sick as he pursues his private-and much less altruistic-experiments. Jacobs's purpose? "I want to know what happened to my wife and son," he explains. "I want to know what the universe has in store for all of us once this life is over." Jacobs has lost his faith in everything but science. Readers will find in Jacobs's behavior echoes not only of "Pet Sematary" but also, and more strongly, of "Frankenstein," which King openly references. Whereas "Frankenstein" is subtitled "The Modern Prometheus," a reference to the dangers of approaching divine knowledge, "Revival" could easily be subtitled "The Modern Frankenstein." Like Jacobs, Dr. Frankenstein uses electricity (or galvanism, as the occult study of electricity was called in the 18th century) to power his experiment. Frankenstein, too, is grieving untimely deaths in his family. And like Frankenstein, Jacobs is none too happy with the ultimate results of his experiment. Yet "Revival" is pure Stephen King. Like many of King's novels, it is filled with cultural allusions both high and low: In addition to the Bible and "Frankenstein," there are references to Thomas Edison's work at Menlo Park, Dan Brown, "The X Files," the "Forbidden Books" (that is, grimoires banned and burned by the Catholic Church) and particularly Ludvig Prinn's "The Mysteries of the Worm," which the American horror writer H.P. Lovecraft used as the basis of his fictional grimoire "Necronomicon." If you're one of those readers who, like me, look up references as they read, you'll find that most of these story elements are-as Jamie tells us-easily verifiable. As the Kingian references pile up, and become layered into the events of the fictional world, you fall deeper and deeper under the story's spell, almost believing that Jamie's nightmarish experiences actually happened. THAT SAID, WHILE I love a good mad scientist, I found Charles Jacobs less harrowing than other of King's characters. He doesn't linger with the grim malevolence of, for example, Jack Torrance ("The Shining") or Annie Wilkes ("Misery"). Perhaps this is because the target of Jacobs's madness is too often abstract-he's aiming to understand divine knowledge and death itself, and will go to any lengths to do so, even if he destroys humankind. I may be alone here, but the threat of species extinction felt far less terrifying than the act of strapping Jamie Morton down and frying his brain until he couldn't put a sentence together. Jacobs is more brutal, and thus more thrilling, when his lunacy finds an individual outlet and we, the readers, experience the particular dangers of that lunacy. At times like these, one can't help feeling that Jacobs enjoys the pain he causes, that he's having some really twisted fun. And so too King. Reading "Revival" is experiencing a master storyteller having the time of his life. All of his favorite fictional elements are at play-small-town Maine, the supernatural, the evil genius, the obsessive addict, the power of belief to transform a life. King even plays games with his characters' names, calling one character Shelley, another Victor and another Mary, recasting his inspirations-Mary Shelley, Victor Frankenstein-into his own fictional universe. For the reader, it is fun to map it all out, to experience King's mind at work. For King, these inside jokes might offer some relief from the solitude of writing, a way to laugh alone at the keyboard when nobody else is watching. I'd like to imagine all of these characters keeping vigil at the edge of Stephen King's desk, keeping him company as he writes them into existence. 'Revival' could easily be subtitled 'The Modern Frankenstein.' DANIELLE TRUSSONI'S most recent book is the novel "Angelopolis." Her memoir "The Fortress" will be published next year.

Copyright (c) The New York Times Company [November 16, 2014]
Review by Booklist Review

Saying that this is one of King's most harrowing, most fatalistic works should only endear it to his base this is horror, after all; we're not here for the positive vibes. In the kind of loose, garrulous voice that has marked his last decade, King spins the yarn of Jamie Morton and Reverend Charles Jacobs, whose lives wretchedly intertwine for 50 years. Jamie is six when he meets the wholesome preacher whose hobby, electronics, makes him a hit with the Methodist youth. A tragic accident leads to Jacobs' loss of faith readers will also be scarred but only increases his devotion to electrical experimentation: one of God's doorways to the infinite. Jamie grows up to be a drug-addicted rhythm guitarist, but a reunion at Jacobs' electricity-based carnival act proves the curative potential of secret electricity . . . despite unsettling side effects. Frankenstein is a touchstone here, but more so is Lovecraft, as King edges ever closer to the madness of the unknowable and eventually, to his courageous credit, stares directly at it. Though narrative wheels spin in place on occasion, the book's engine is powered by high-octane dread, and few fuels run stronger. HIGH-DEMAND BACKSTORY: This is old-school, capital-H horror the likes of Thinner, Pet Sematary, and The Shining. Readers will be up for the endurance test.--Kraus, Daniel Copyright 2014 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

King's new thriller begins in Maine the summer of 1962, when its narrator, Jamie Morton, at age six, meets a charismatic young minister named Charles Jacobs, who soon becomes something of a mentor. Years later, as Jamie pursues a career as an itinerant rock musician, he crosses paths with Jacobs, who is now working his way from carnival huckster to wealthy faith healer and has developed an obsession with the curative powers of electricity. Jacobs, aged, ill, and more than a little crazed, convinces a skeptical but curious Jaime to assist him in his ultimate experiment with a "secret" form of electricity that he believes will allow him to "tap into the secrets of the universe." Screen actor Morse (The Green Mile) has a natural, down-to-earth delivery. His middle-aged Jamie narrates with a soft, knowing yet wistful voice as he recalls the happier days of smalltown life, his first paid job as a musician, his first romance. We hear his hope that Jacobs's "secret electricity" will heal his addiction to heroin, and the fear and uncertainty prompted by the experiment's nightmarish effects. Morse's Jacobs, who initially sounds bright and witty and filled with charm, becomes a man distracted and unemotional. By the novel's end, age and infirmity have slurred his speech. A Scribner hardcover. (Nov.) © Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review

When the new preacher, Rev. Charles Jacobs, comes to a small Maine town, six-year-old Jaimie Morton is the first to meet him. Their relationship will span decades and define much of Jaimie's life. King's juvenile characters and family relationships are always well defined, and the early chapters set during Jaime's childhood are especially compelling. The later parts incorporate King's love of music and revisit his recurring themes of obsession, mortality, and life after death. A chilling conclusion finishes off another fine tale, narrated in an effective performance by David Morse. VERDICT King fans will be delighted, and, despite supernatural elements, those who think of King as just a horror writer will be pleasantly surprised. ["King fans will rejoice that the horror master is back in fine form," read the starred review of the Scribner hc, LJ 10/15/14.]-Janet Martin, Southern Pines P.L., NC © Copyright 2015. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

In his second novel of 2014 (the other being Mr. Mercedes), veteran yarn spinner King continues to point out the unspeakably spooky weirdness that lies on the fringes of ordinary life. Think of two central meanings of the titlea religious awakening and bringing someone back to lifeand you'll have King's latest in a nuthouse. Beg pardon, nutshell, though of course it's madness that motivates all his most memorable characters. In this instance, a preacher arrives in a small New England townalways a small New England townwith an attractive wife and small child. Soon enough, bad things happen: "The woman had a dripping bundle clasped to her breast with one arm. One arm was all Patsy Jacobs could use, because the other had been torn off at the elbow." And soon enough, the good reverend, broken by life, is off to other things, while our protagonist drinks deep of the choppy waters of sex, drugs and rock 'n' roll. "My belief had ended," Jamie Morton says, simplythat is, until Rev. Jacobs turns up in his life again, after having spent time at the horrifying North Carolina amusement park that is Joyland (for which see King's 2013 novel of the same name) and mastered not just the carney's trade, but also the mysterious workings of "secret electricity." Well, as Victor Frankenstein learned, electricity can sometimes get away from a fellow, and though young Jamie pleads with the bereaved pastor to get himself back on the good foot ("The newspapers would call you Josef Mengele." "Does anyone call a neurosurgeon Josef Mengele just because he loses some of his patients?"), once it sets to crackling, the secret electricity can't be put back into the bottle. Faith healing run amok: It's a theme that's exercised King since Carrie, and though this latest is less outright scary and more talky than that early touchstone, it compares well. No one does psychological terror better than King. Another spine-tingling pleasure for his fans. Copyright Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

Revival I Fifth Business. Skull Mountain. Peaceable Lake. In one way, at least, our lives really are like movies. The main cast consists of your family and friends. The supporting cast is made up of neighbors, co-workers, teachers, and daily acquaintances. There are also bit players: the supermarket checkout girl with the pretty smile, the friendly bartender at the local watering hole, the guys you work out with at the gym three days a week. And there are thousands of extras--those people who flow through every life like water through a sieve, seen once and never again. The teenager browsing graphic novels at Barnes & Noble, the one you had to slip past (murmuring "Excuse me") in order to get to the magazines. The woman in the next lane at a stoplight, taking a moment to freshen her lipstick. The mother wiping ice cream off her toddler's face in a roadside restaurant where you stopped for a quick bite. The vendor who sold you a bag of peanuts at a baseball game. But sometimes a person who fits none of these categories comes into your life. This is the joker who pops out of the deck at odd intervals over the years, often during a moment of crisis. In the movies this sort of character is known as the fifth business, or the change agent. When he turns up in a film, you know he's there because the screenwriter put him there. But who is screenwriting our lives? Fate or coincidence? I want to believe it's the latter. I want that with all my heart and soul. When I think of Charles Jacobs--my fifth business, my change agent, my nemesis--I can't bear to believe his presence in my life had anything to do with fate. It would mean that all these terrible things--these horrors--were meant to happen. If that is so, then there is no such thing as light, and our belief in it is a foolish illusion. If that is so, we live in darkness like animals in a burrow, or ants deep in their hill. And not alone.  • • • Claire gave me an army for my sixth birthday, and on a Saturday in October of 1962 I was gearing up for a major battle. I came from a big family--four boys, one girl--and as the youngest I always got lots of presents. Claire always gave the best ones. I don't know if it was because she was the eldest, because she was the only girl, or both. But of all the awesome presents she gave me over the years, that army was by far the best. There were two hundred green plastic soldiers, some with rifles, some with machine guns, a dozen welded to tubelike gadgets she said were mortars. There were also eight trucks and twelve jeeps. Perhaps the coolest thing about the army was the box it came in, a cardboard footlocker in camouflage shades of green and brown, with PROPERTY OF U.S. ARMY stenciled on the front. Below this, Claire had added her own stenciling: JAMIE MORTON, COMMANDER. That was me. "I saw an ad for them in the back of one of Terry's comic books," she said when I was done screaming with delight. "He didn't want me to cut it out because he's a booger--" "That's right," Terry said. He was eight. "I'm a big brother booger." He made a fork with his first two fingers and plugged his nostrils with them. "Stop it," our mother said. "No sibling rivalry on birthdays, please and thank you. Terry, take your fingers out of your nose." "Anyway," Claire said, "I copied the coupon and sent it in. I was afraid it might not come in time, but it did. I'm glad you like it." And she kissed me on the temple. She always kissed me there. All these years later, I can still feel those soft kisses. "I love it!" I said, holding the footlocker against my chest. "I'll love it forever!" This was after breakfast, which had been blueberry pancakes and bacon, my favorite. We all got our favorite meals on our birthdays, and the presents always came after breakfast, there in the kitchen with its woodstove and long table and our hulk of a washing machine, which was always breaking down. "Forever for Jamie is, like, five days," Con said. He was ten, slender (although he bulked up later), and of a scientific bent, even then. "Nice one, Conrad," our father said. He was dressed for work in a clean coverall with his name--RICHARD--stitched in gold thread on the left breast pocket. On the right breast it said MORTON FUEL OIL. "I'm impressed." "Thanks, Daddy-O." "Your silver tongue wins you the opportunity to help your mother clean up breakfast." "It's Andy's turn!" "It was Andy's turn," Dad said, pouring syrup on the last pancake. "Grab a dishtowel, Silver Tongue. And try not to break anything." "You spoil him rotten," Con said, but he grabbed a dishtowel. Connie wasn't entirely wrong about my concept of forever. Five days later, the Operation game Andy gave me was gathering dust bunnies under my bed (some of the body parts were missing, anyway; Andy got it at the Eureka Grange rummage sale for a quarter). So were the jigsaw puzzles Terry gave me. Con himself gave me a ViewMaster, and that lasted a little longer, but it eventually wound up in my closet, never to be seen again. From Mom and Dad I got clothes, because my birthday falls near the end of August, and that year I was going into first grade. I found new pants and shirts about as exciting as a TV test pattern, but tried to say thanks with enthusiasm. I imagine they saw through that with no trouble; false enthusiasm does not come easily to six-year-olds . . . although, sad to say, it's a skill most of us learn fairly rapidly. In any case, the clothes were washed in the hulk, hung on the clothesline in the side yard, and finally folded away in my bureau drawers. Where, it's probably needless to add, they were out of sight and mind until September came and it was time to put them on. I remember there was a sweater that was actually pretty cool--it was brown with yellow stripes. When I wore it I pretended I was a superhero called the Human Wasp: evildoers, beware my sting!  • • • But Con was wrong about the footlocker with the army inside. I played with those guys day in and day out, usually at the edge of the front yard, where there was a dirt strip between our lawn and Methodist Road, which was itself dirt in those days. With the exception of Route 9 and the two-lane leading to Goat Mountain, where there was a resort for rich people, all the roads in Harlow were dirt back then. I can remember my mother on several occasions weeping about all the dust that got into the house on dry summer days. Billy Paquette and Al Knowles--my two best friends--played army with me on many afternoons, but on the day Charles Jacobs appeared in my life for the first time, I was on my own. I don't remember why Billy and Al weren't with me, but I do remember I was happy to be by myself for a change. For one thing, there was no need to split the army into three divisions. For another--this was more important--I didn't have to argue with them about whose turn it was to win. In truth, it seemed unfair to me that I should ever have to lose, because they were my soldiers and it was my footlocker. When I advanced this idea to my mother one hot late-summer day shortly after my birthday, she took me by the shoulders and looked into my eyes, a sure sign that I was about to receive another Lesson in Life. "That it's-mine business is half the trouble with the world, Jamie. When you play with your friends, the soldiers belong to all of you." "Even if we play-fight different sides?" "Even if. When Billy and Al go home for their dinner and you pack the soldiers back into the box--" "It's a footlocker!" "Right, the footlocker. When you pack them away, they're yours again. People have many ways to be lousy to one another, as you'll find out when you're older, but I think that all bad behavior stems from plain old selfishness. Promise me you'll never be selfish, kiddo." I promised, but I still didn't like it when Billy and Al won.  • • • On that day in October of 1962, with the fate of the world dangling by a thread over a small tropical spit of land called Cuba, I was fighting both sides of the battle, which meant I was bound to come out on top. The town grader had been by earlier on Methodist Road ("Moving the rocks around," my dad always grumbled), and there was plenty of loose dirt. I scraped enough together to make first a hill, then a big hill, and then a very big hill, one that came up almost to my knees. At first I thought of calling it Goat Mountain, but that seemed both unoriginal (the real Goat Mountain was only twelve miles away, after all) and boring. After consideration, I decided to call it Skull Mountain. I even tried to poke a couple of eye-like caves in it with my fingers, but the dirt was dry and the holes kept caving in. "Oh, well," I told the plastic soldiers tumbled in their footlocker. "The world is hard and you can't have everything." This was one of my father's favorite sayings, and with five kids to support, I'm sure he had reason to believe it. "They'll be pretend caves." I put half of my army on top of Skull Mountain, where they made a formidable crew. I especially liked the way the mortar guys looked up there. These were the Krauts. The American army I arranged at the edge of the lawn. They got all the jeeps and trucks, because they would look so groovy charging up the steep slope of the mountain. Some would turn over, I was sure, but at least a few of them would make it to the top. And run over the mortar guys, who would scream for mercy. They wouldn't get it. "To the death," I said, setting up the last few of the heroic Americans. "Hitsmer, you are next!" I was starting them forward, rank by rank--and making comic-book-style machine-gun noises--when a shadow fell over the battlefield. I looked up and saw a guy standing there. He was blocking the afternoon sun, a silhouette surrounded by golden light--a human eclipse. There was stuff going on; at our house on Saturday afternoons, there always was. Andy and Con were in our long backyard, playing three-flies-six-grounders with a bunch of their friends, shouting and laughing. Claire was up in her room with a couple of her friends, playing records on her Imperial Party-Time turntable: "The Loco-Motion," "Soldier Boy," "Palisades Park." There was hammering from the garage, too, as Terry and our dad worked on the old '51 Ford Dad called the Road Rocket. Or the Project. Once I heard him call it a piece of shit, a phrase I treasured then and still use now. When you want to feel better, call something a piece of shit. It usually works. Plenty going on, but at that moment everything seemed to fall still. I know it's only the sort of illusion caused by a faulty memory (not to mention a suitcase loaded with dark associations), but the recollection is very strong. All of a sudden there were no kids yelling in the backyard, no records playing upstairs, no banging from the garage. Not a single bird singing. Then the man bent down and the westering sun glared over his shoulder, momentarily blinding me. I raised a hand to shield my eyes. "Sorry, sorry," he said, and moved enough so I could look at him without also having to look into the sun. On top he was wearing a black for-church jacket and a black shirt with a notched collar; on the bottom blue jeans and scuffed loafers. It was like he wanted to be two different people at the same time. At the age of six, I put adults into three categories: young grownups, grownups, and old people. This guy was a young grownup. He had his hands on his knees so he could look at the opposing armies. "Who are you?" I asked. "Charles Jacobs." The name was vaguely familiar. He stuck out his hand. I shook it right away, because even at six, I had my manners. All of us did. Mom and Dad saw to that. "Why are you wearing that collar with the hole in it?" "Because I'm a minister. When you go to church on Sundays from now on, I'll be there. And if you go to Thursday-night MYF, I'll be there, too." "Mr. Latoure used to be our minister," I said, "but he died." "I know. I'm sorry." "It's okay, though, because Mom said he didn't suffer, only went straight to heaven. He didn't wear a collar like that, though." "Because Bill Latoure was a lay preacher. That means he was sort of a volunteer. He kept the church open when there was no one else to do it. That was very good of him." "I think my dad knows about you," I said. "He's one of the deacons in the church. He gets to take up the collection. He has to take turns with the other deacons, though." "Sharing is good," Jacobs said, and got down on his knees beside me. "Are you going to pray?" The idea was sort of alarming. Praying was for church and Methodist Youth Fellowship, which my brothers and sister called Thursday Night School. When Mr. Jacobs started it up again, this would be my first year, just like it was my first year at regular school. "If you want to talk with my dad, he's in the garage with Terry. They're putting a new clutch in the Road Rocket. Well, my dad is. Terry mostly hands him the tools and watches. He's eight. I'm six. I think my mom might be on the back porch, watching some guys play three-flies-six-grounders." "Which we used to call rollie-bat when I was a kid," he said, and smiled. It was a nice smile. I liked him right away. "Yeah?" "Uh-huh, because you had to hit the bat with the ball after you caught it. What's your name, son?" "Jamie Morton. I'm six." "So you said." "I don't think anyone ever prayed in our front yard." "I'm not going to, either. What I want is a closer look at your armies. Which are the Russians and which are the Americans?" "Well, these ones on the ground are Americans, sure, but the ones on Skull Mountain are Krauts. The Americans have to take the mountain." "Because it's in the way," Jacobs said. "Beyond Skull Mountain lies the road to Germany." "That's right! And the head Kraut! Hitsmer!" "The author of so many evils," he said. "Huh?" "Nothing. Do you mind if I just call the bad guys Germans? 'Krauts' seems kind of mean." "No, that's great, Krauts are Germans, and Germans are Krauts. My dad was in the war. Just the last year, though. He fixed trucks in Texas. Were you in the war, Mr. Jacobs?" "No, I was too young. For Korea, too. How are the Americans going to take that hill, General Morton?" "Charge it!" I shouted. "Shoot their machine guns! Pow! Budda-budda-budda!" Then, going down way low in my throat: "Takka-takka-takka!" "A direct attack on the high ground sounds risky, General. If I were you I'd split your troops . . . like so . . ." He moved half of the Americans to the left and half to the right. "That creates a pincers movement, see?" He brought his thumb and forefinger together. "Drive on the objective from both sides." "Maybe," I said. I liked the idea of a head-on attack--lots of bloody action--but Mr. Jacobs's idea appealed to me, just the same. It was sneaky. Sneaky could be satisfying. "I tried to make some caves, but the dirt's too dry." "So I see." He poked a finger into Skull Mountain and watched the dirt crumble and bury the hole. He stood up and brushed the knees of his jeans. "I've got a little boy who'd probably get a kick out of your soldiers in another year or two." "He can play right now, if he wants to." I was trying not to be selfish. "Where is he?" "Still in Boston, with his mother. There's lots of stuff to pack up. They'll be here Wednesday, I think. Thursday at the latest. But Morrie's still a little young for soldiers. He'd only pick them up and throw them around." "How old is he?" "Just two." "I bet he still pees his pants!" I yelled, and started laughing. It probably wasn't polite, but I couldn't help it. Kids peeing their pants was just so funny. "He does, at that," Jacobs said, smiling, "but I'm sure he'll grow out of it. Your father's in the garage, you say?" "Yeah." Now I remembered where I had heard the man's name before--Mom and Dad at the supper table, talking about the new minister that was coming from Boston. Isn't he awfully young? my mother had asked. Yes, and his salary will reflect that, my dad replied, and grinned. They talked about him some more, I think, but I didn't pay any attention. Andy was hogging the mashed potatoes. He always did. "You try that enfilading maneuver," he said, starting away. "Huh?" "Pincers," he said, tweezing his thumb and finger together again. "Oh. Yeah. Great." I tried it. It worked pretty good. The Krauts all died. The battle wasn't what I'd call spectacular, though, so I tried the frontal assault, with trucks and jeeps tumbling off the steep slope of Skull Mountain, plus Krauts tumbling off the back with death cries of despair: "Yaaaahhh!" Mom, Dad, and Mr. Jacobs sat on the front porch while the battle raged, drinking iced tea and talking about churchy things--in addition to my dad being a deacon, my mom was in the Ladies Auxiliary. Not the boss of it, but the next-to-boss. You should have seen all the fancy hats she had in those days. There must have been a dozen. We were happy then. Mom called my brothers and sister, along with their friends, to meet the new minister. I started to come, too, but Mr. Jacobs waved me back, telling Mom we'd already met. "Battle on, General!" he called. I battled on. Con, Andy, and their friends went out back again and played on. Claire and her friends went back upstairs and danced on (although my mother told her to turn the music down, please and thank you). Mr. and Mrs. Morton and the Reverend Jacobs talked on, and for quite awhile. I remember often being surprised at how much adults could yak. It was tiring. I lost track of them because I was fighting the Battle of Skull Mountain over again in several different ways. In the most satisfying scenario--adapted from Mr. Jacobs's pincers movement--one part of the American army kept the Germans pinned down from the front while the rest looped around and ambushed the Germans from behind. "Vat is zis?" one of them cried, just before getting shot in the head. I was starting to get tired of it and was thinking of going in for a slice of cake (if Con and Andy's friends had left any), when that shadow fell over me and my battlefield again. I looked up and saw Mr. Jacobs, holding a glass of water. "I borrowed this from your mother. Can I show you something?" "Sure." He knelt down again and poured the water all over the top of Skull Mountain. "It's a thunderstorm!" I shouted, and made thunder noises. "Uh-huh, if you like. With lightning. Now look." He poked out two of his fingers like devil horns and pushed them into the wet dirt. This time the holes stayed. "Presto," he said. "Caves." He took two of the German soldiers and put them inside. "They'll be tough to root out, General, but I'm sure the Americans will be up to the job." "Hey! Thanks!" "Add more water if it gets crumbly again." "I will." "And remember to take the glass back to the kitchen when you finish the battle. I don't want to get in trouble with your mother on my first day in Harlow." I promised, and stuck out my hand. "Put er there, Mr. Jacobs." He laughed and did so, then walked off down Methodist Road, toward the parsonage where he and his family would live for the next three years, until he got fired. I watched him go, then turned back to Skull Mountain. Before I could really get going, another shadow fell over the battlefield. This time it was my dad. He took a knee, being careful not to squash any American soldiers. "Well, Jamie, what did you think of our new minister?" "I like him." "So do I. Your mother does, too. He's very young for the job, and if he's good, we'll only be his starter congregation, but I think he'll do fine. Especially with MYF. Youth calls to youth." "Look, Daddy, he showed me how to make caves. You only have to get the dirt wet so it makes kinda almost mud." "I see." He ruffled my hair. "You want to wash up good before supper." He picked up the glass. "Want me to take this in for you?" "Yes, please and thank you." He took the glass and headed back to the house. I returned to Skull Mountain, only to see that the dirt had dried out again and the caves had collapsed. The soldiers inside had been buried alive. That was okay with me; they were the bad guys, after all.  • • • These days we've become gruesomely sensitized to sex, and no parent in his or her right mind would send a six-year-old off in the company of a new male acquaintance who was living by himself (if only for a few days), but that is exactly what my mother did the following Monday afternoon, and without a qualm. Reverend Jacobs--Mom told me I was supposed to call him that, not Mister--came walking up Methodist Hill around quarter to three and knocked on the screen door. I was in the living room, coloring on the floor, while Mom watched Dialing for Prizes. She had sent her name in to WCSH, and was hoping to win that month's grand prize, an Electrolux vacuum cleaner. She knew the chances weren't good, but, she said, hope springs infernal. That was a joke. "Can you loan me your youngest for half an hour?" Reverend Jacobs asked. "I've got something in my garage that he might like to see." "What is it?" I asked, already getting up. "A surprise. You can tell your mother all about it later." "Mom?" "Of course," she said, "but change out of your school clothes first, Jamie. While he does that, would you like a glass of iced tea, Reverend Jacobs?" "I would," he said. "And I wonder if you could manage to call me Charlie." She considered this, then said, "No, but I could probably manage Charles." I changed into jeans and a tee-shirt, and because they were talking about adult things when I came back downstairs, I went outside to wait for the schoolbus. Con, Terry, and I attended the one-room school on Route 9--an easy quarter-mile walk from our house--but Andy went to Consolidated Middle and Claire all the way across the river to Gates Falls High, where she was a freshman. ("Just don't be a fresh girl," Mom told her--that was also a joke.) The bus dropped them off at the intersection of Route 9 and Methodist Road, at the foot of Methodist Hill. I saw them get off, and as they came trudging up the hill--squabbling as always, I could hear them as I stood waiting by the mailbox--Reverend Jacobs came out. "Ready?" he asked, and took my hand. It seemed perfectly natural. "Sure," I said. We met Andy and Claire halfway down the hill. Andy asked where I was going. "To Reverend Jacobs' house," I said. "He's going to show me a surprise." "Well, don't be too long," Claire said. "It's your turn to set the table." She glanced at Jacobs, then quickly away again, as if she found him hard to look at. My big sister had a wicked crush on him before the year was out, and so did all her friends. "I'll have him back shortly," Jacobs promised. We walked down the hill hand in hand to Route 9, which led to Portland if you turned left, to Gates Falls, Castle Rock, and Lewiston if you turned right. We stopped and looked for traffic, which was ridiculous since there were hardly any cars on Route 9 except in the summer, and then walked on past hayfields and cornfields, the stalks of the latter now dry and clattering in a mild autumn breeze. Ten minutes brought us to the parsonage, a tidy white house with black shutters. Beyond it was the First Methodist Church of Harlow, which was also ridiculous since there was no other Methodist church in Harlow. The only other house of worship in Harlow was Shiloh Church. My father considered the Shilohites moderate to serious weirdos. They didn't ride around in horse-drawn buggies, or anything, but the men and boys all wore black hats when they were outside. The women and girls wore dresses that came down to their ankles, and white caps. Dad said the Shilohites claimed to know when the world was going to end; it was written down in a special book. My mother said in America everyone was entitled to believe what they liked as long as they didn't hurt anybody . . . but she didn't say Dad was wrong, either. Our church was larger than Shiloh, but very plain. Also, it had no steeple. It did once, but a hurricane came along back in the olden days, 1920 or so, and knocked it down. Reverend Jacobs and I walked up the parsonage's dirt driveway. I was interested to see that he had a blue Plymouth Belvedere, a very cool car. "Standard shift or push-button drive?" I asked. He looked surprised, then grinned. "Push-button," he said. "It was a wedding present from my in-laws." "Are in-laws like outlaws?" "Mine are," he said, and laughed. "Do you like cars?" "We all like cars," I said, meaning everyone in my family . . . although that was less true of Mom and Claire, I guessed. Females didn't seem to totally understand the basic coolness of cars. "When the Road Rocket's fixed up, my dad's going to race it at the Castle Rock Speedway." "Really?" "Well, not him, exactly. Mom said he couldn't because it's too dangerous, but some guy. Maybe Duane Robichaud. He runs Brownie's Store along with his mom and dad. He drove the nine-car at the Speedway last year, but the engine caught on fire. Dad says he's looking for another ride." "Do the Robichauds come to church?" "Um . . ." "I'll take that as a no. Come in the garage, Jamie." It was shadowy and musty-smelling. I was a little afraid of the shadows and the smell, but Jacobs didn't seem to mind. He led me deeper into the gloom, then stopped and pointed. I gasped at what I saw. Jacobs gave a little chuckle, the way people do when they're proud of something. "Welcome to Peaceable Lake, Jamie." "Wow!" "I got it set up while I'm waiting for Patsy and Morrie to get here. I should be doing stuff in the house, and I have done a fair amount--fixed the well-pump, for one thing--but there's not a whole lot more I can do until Pats gets here with the furniture. Your mom and the rest of the Ladies Auxiliary did a terrific job of cleaning the place up, kiddo. Mr. Latoure commuted from Orr's Island, and no one's actually lived here since before World War II. I thanked her, but I wouldn't mind if you thanked her again." "Sure, you bet," I said, but I don't believe I ever passed that second thanks on, because I barely heard what he was saying. All my attention was fixed on a table that took up almost half the garage space. On it was a rolling green landscape that put Skull Mountain to shame. I have seen many such landscapes since--mostly in the windows of toyshops--but they all had complicated electric trains running through them. There was no train on the table Reverend Jacobs had set up, which wasn't a real table at all, but sheets of plywood on a rank of sawhorses. Atop the plywood was a countryside in miniature, about twelve feet long and five feet wide. Power pylons eighteen inches high marched across it on a diagonal, and it was dominated by a lake of real water that shone bright blue even in the gloom. "I'll have to take it down soon," he said, "or else I won't be able to get the car in the garage. Patsy wouldn't care for that." He bent, planted his hands above his knees, and gazed at the rolling hills, the threadlike power lines, the big lake. There were plastic sheep and cows grazing near the water (they were considerably out of scale, but I didn't notice and wouldn't have cared if I had). There were also lots of streetlamps, which was a little peculiar, since there was no town and no roads for them to shine on. "I bet you could have quite a battle with your soldiers here, couldn't you?" "Yeah," I said. I thought I could fight an entire war there. He nodded. "That can't happen, though, because in Peaceable Lake, everyone gets along and no fighting is allowed. In that way it's like heaven. Once I get MYF going, I plan to move it to the church basement. Maybe you and your brothers would help me. The kids would like it, I think." "They sure would!" I said, then added something my father said. "You betchum bobcats!" He laughed and clapped me on the shoulder. "Now do you want to see a miracle?" "I guess," I said. I wasn't actually sure I did. It sounded like it might be scary. All at once I realized the two of us were alone in an old garage with no car in it, a dusty hollow that smelled as if it had been closed up for years. The door to the outside world was still open, but it seemed a mile off. I liked Reverend Jacobs okay, but I found myself wishing I had stayed home, coloring on the floor and waiting to see if Mom could win the Electrolux and finally get the upper hand in her never-ending battle with the summer dust. Then Reverend Jacobs passed his hand slowly above Peaceable Lake, and I forgot about being nervous. There was a low humming sound from under the makeshift table, like the sound our Philco TV made when it was warming up, and all the little streetlights came on. They were bright white, almost too bright to look at, and cast a magical moony glow over the green hills and blue water. Even the plastic cows and sheep looked more realistic, possibly because they now cast shadows. "Gosh, how did you do that?" He grinned. "Pretty good trick, huh? 'God said, Let there be light, and there was light, and the light was good.' Only I'm not God, so I have to depend on electricity. Which is wonderful stuff, Jamie. Such a gift from God that it makes us feel godlike every time we flip a switch, wouldn't you say?" "I guess so," I said. "My grandpa Amos remembers before there were electric lights." "Lots of people do," he said, "but it won't be long before all those people are gone . . . and when that happens, nobody will think much about what a miracle electricity is. And what a mystery. We have an idea about how it works, but knowing how something works and knowing what it is are two very different things." "How did you turn on the lights?" I asked. He pointed to a shelf beyond the table. "See that little red bulb?" "Uh-huh." "It's a photoelectric cell. You can buy them, but I built that one myself. It projects an invisible beam. When I break it, the streetlights around Peaceable Lake go on. If I do it again . . . like so . . ." He passed his hand above the landscape and the streetlights dimmed, faded to faint cores of light, then went out. "You see?" "Cool," I breathed. "You try it." I reached my hand up. At first nothing happened, but when I stood on tiptoe my fingers broke the beam. The humming from beneath the table started up again and the lights came back on. "I did it!" "Betchum bobcats," he said, and ruffled my hair. "What's that humming? It sounds like our TV." "Look under the table. Here, I'll turn on the overhead lights so you can see better." He flipped a switch on the wall and a couple of dusty hanging lightbulbs came on. They did nothing about the musty odor (and I could smell something else as well, now--­something hot and oily), but they banished some of the gloom. I bent--at my age I didn't have to bend far--and looked beneath the table. I saw two or three boxy things strapped to the underside. They were the source of the humming sound, and the oily smell, too. "Batteries," he said. "Which I also made myself. Electricity is my hobby. And gadgets." He grinned like a kid. "I love gadgets. Drives my wife crazy." "My hobby's fighting the Krauts," I said. Then, remembering what he said about that being kind of mean: "Germans, I mean." "Everyone needs a hobby," he said. "And everyone needs a miracle or two, just to prove life is more than just one long trudge from the cradle to the grave. Would you like to see another one, Jamie?" "Sure!" There was a second table in the corner, covered with tools, snips of wire, three or four dismembered transistor radios like the ones Claire and Andy had, and regular store-bought C and D batteries. There was also a small wooden box. Jacobs took the box, dropped to one knee so we'd be on the same level, opened it, and took out a white-robed figure. "Do you know who this is?" I did, because the guy looked almost the same as my fluorescent nightlight. "Jesus. Jesus with a pack on his back." "Not just any pack; a battery pack. Look." He flipped up the top of the pack on a hinge not bigger than a sewing needle. Inside I saw what looked like a couple of shiny dimes with tiny dots of solder on them. "I made these, too, because you can't buy anything this small or powerful in the stores. I believe I could patent them, and maybe someday I will, but . . ." He shook his head. "Never mind." He closed the top of the pack again, and carried Jesus to the Peaceable Lake landscape. "I hope you noticed how blue the water is," he said. "Yeah! Bluest lake I ever saw!" He nodded. "Kind of a miracle in itself, you might say . . . until you take a close look." "Huh?" "It's really just paint. I muse on that, sometimes, Jamie. When I can't sleep. How a little paint can make shallow water seem deep." That seemed like a silly thing to think about, but I didn't say anything. Then he kind of snapped to, and put Jesus down beside the lake. "I plan to use this in MYF--it's what we call a teaching tool--but I'll give you a little preview, okay?" "Okay." "Here's what it says in the fourteenth chapter of Matthew's Gospel. Will you take instruction from God's Holy Word, Jamie?" "Sure, I guess so," I said, starting to feel uneasy again. "I know you will," he said, "because what we learn as children is what sticks the longest. Okay, here we go, so listen up. 'And straightaway Jesus constrained his disciples'--that means he commanded them--'to get into a ship, and to go before him to the other side of the water, while he sent the multitudes away. And when he had sent the multitudes away, he went up into a mountain to pray--' Do you pray, Jamie?" "Yeah, every night." "Good boy. Okay, back to the story. 'When evening was come, he was there alone. But the ship was now in the midst of the sea, tossed with waves, for the wind was contrary. And in the fourth watch Jesus went unto them, walking on the sea. And when the disciples saw him walking on the sea, they were troubled, saying, It is a spirit; and they cried out for fear. But straightaway Jesus spake unto them, saying, Be of good cheer; it is I; be not afraid.' That's the story, and may God bless his Holy Word. Good one, huh?" "I guess. Does spake mean he talked to them? It does, right?" "Right. Would you like to see Jesus walk on Peaceable Lake?" "Yeah! Sure!" He reached under Jesus's white robe, and the little figure began to move. When it reached Peaceable Lake it didn't sink but continued serenely on, gliding along the top of the water. It reached the other side in twenty seconds or so. There was a hill there, and it tried to go up, but I could see it was going to topple over. Reverend Jacobs grabbed it before it could. He reached under Jesus's robe again and turned him off. "He did it!" I said. "He walked on the water!" "Well . . ." He was smiling, but it wasn't a funny smile, somehow. It turned down at one corner. "Yes and no." "What do you mean?" "See where he went into the water?" "Yeah . . ." "Reach in there. See what you find. Be careful not to touch the power lines, because there's real electricity running through them. Not much, but if you brushed them, you'd get a jolt. Especially if your hand was wet." I reached in, but cautiously. I didn't think he'd play a practical joke on me--as Terry and Con sometimes did--but I was in a strange place with a strange man and I wasn't completely sure. The water looked deep, but that was an illusion created by the blue paint of the reservoir and the lights reflecting on the surface. My finger only went in up to the first knuckle. "You're not quite in the right place," Reverend Jacobs said. "Go a little bit to your right. Do you know your right from your left?" I did. Mom had taught me: Right is the hand you write with. Of course that wouldn't have worked with Claire and Con, who were what my dad called southpaws. I moved my hand and felt something in the water. It was metal, with a groove in it. "I think I found it," I told Reverend Jacobs. "I think so, too. You're touching the track Jesus walks on." "It's a magic trick!" I said. I had seen magicians on The Ed Sullivan Show, and Con had a box of magic tricks he got for his birthday, although everything but the Floating Balls and the Disappearing Egg had been lost. "That's right." "Like Jesus walking on the water to that ship!" "Sometimes," he said, "that's what I'm afraid of." He looked so sad and distant that I felt a little scared again, but I also felt sorry for him. Not that I had any idea what he had to feel sad about when he had such a neat pretend world as Peaceable Lake in his garage. "It's a really good trick," I said, and patted his hand. He came back from wherever he'd gone and grinned at me. "You're right," he said. "I'm just missing my wife and little boy, I guess. I think that's why I borrowed you, Jamie. But I ought to return you to your mom now." When we got to Route 9, he took my hand again even though there were no cars coming either way, and we walked like that all the way up Methodist Road. I didn't mind. I liked holding his hand. I knew he was looking out for me.  • • • Mrs. Jacobs and Morris arrived a few days later. He was just a little squirt in didies, but she was pretty. On Saturday, the day before Reverend Jacobs first stood in the pulpit of our church, Terry, Con, and I helped him move Peaceable Lake to the church basement, where Methodist Youth Fellowship would meet every Thursday night. With the water drained, the shallowness of the lake and the grooved track running across it were very clear. Reverend Jacobs swore Terry and Con to secrecy--because, he said, he didn't want the illusion spoiled for the little ones (which made me feel like a big one, a sensation I enjoyed). They agreed, and I don't think either of them peached, but the lights in the church basement were much brighter than those in the parsonage garage, and if you stood close to the landscape and peered at it, you could see that Peaceable Lake was really just a wide puddle. You could see the grooved track, too. By Christmas, everyone knew. "It's a big old fakearoonie," Billy Paquette said to me one Thursday afternoon. He and his brother Ronnie hated Thursday Night School, but their mother made them go. "If he shows it off one more time and tells that walking-on-water story, I'm gonna puke." I thought of fighting him over that, but he was bigger. Also my friend. Besides, he was right. Excerpted from Revival: A Novel by Stephen King All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.