Comics A global history, 1968 to the present

Dan Mazur, 1959-

Book - 2014

The first global history of comics around the world from the late 1960s to the present day. Comics, manga, bandes dessinées, fumetti, tebeo, historietas, no matter the name, they have been a powerful medium across four continents for decades. This is the history of comics around the world from the late 1960s to the dawn of the 21st century. This is a richly illustrated narrative of extraordinary scope. Examples from all over the world include everything from Crumb and Kirby to RAW; from Metal Hurlant to Marjane Satrapi to nouvelle manga; from both the American mainstream and underground to the evolving and influential British scene. The images here are bright and colorful, dark and brooding, arresting and pleasant, all at the same time. Th...e authors are the first to write a broadly comprehensive history of this most accessible, democratic, and occasionally subversive modern popular art form, displaying an intimate familiarity with schools and styles, writers, artists, and companies across countries and generations. In showing us both post-apocalyptic dreamscapes and portraits of the everyday, this book looks at this thirty-plus year period through a very unique lens.

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Subjects
Published
London : Thames & Hudson 2014.
©2014
Language
English
Main Author
Dan Mazur, 1959- (author)
Other Authors
Alexander Danner (author)
Item Description
"With 289 illustrations in colour and black and white".
Physical Description
319 pages : illustrations (some colour) ; 26 cm
Bibliography
Includes bibliographical references and indexes.
ISBN
9780500290965
Contents unavailable.
Review by Choice Review

Mazur and Danner follow a long tradition of comics practitioners and aficionados who double as historians of the medium; unlike many, they offer a volume that resonates with scholarly authority. What they do best here is contextualize the art, creators, and cultural reception of key and representative works. Their international scope distinguishes this book from most in the field. Furthermore, they focus on literary and artistic high spots rather than popular characters or genres; even their chapter "American Mainstream Comics" substantially addresses only critically acclaimed works on the fringes of the mainstream. The topical approach of individual chapters sometimes confuses the overall chronology, but this richly dense treatise will be best read cover-to-cover anyway, as the authors' contextualizing of works and trends builds firmly throughout the text. Unable to dip in and out of the book profitably, novice students will be frustrated by the very aspects that will make this work so valuable to advanced readers. Perhaps the book's best quality is its provision of hundreds of smartly selected color and black-and-white illustrations, which function as integral aspects of its narrative. --Darby Orcutt, North Carolina State University

Copyright American Library Association, used with permission.