Review by Booklist Review
*Starred Review* In this second book in the Sixties Trilogy, the action shifts to Greenwood, Mississippi, and focuses on Freedom Summer and its effect on the town. Twelve-year-old Sunny has family problems that, at first, suppress anything going on in the wider world. Her mother has deserted her, her father has remarried, and his new wife, Annabelle, comes with a son, Gillette, who is a little older than Sunny; a young daughter; Annabelle's mother; and a dog. But events begin to shake the citizenry, including Sunny and Gillette, who spot an African American boy leaving the segregated pool at night. The boy, Ray, is a harbinger of what's to come as invaders from the North (including Jo Ellen, the older sister in Countdown, 2010) open a Freedom School, register blacks to vote, and try to integrate public venues. This push begets pull, and soon Greenwood is awash in protests, arrests, and bloody violence. Several voices narrate, but the story belongs to Ray and, mostly, Sunny, whose confusion, dismay, fear, and bravery will resonate strongly with readers. Occasionally the family issues threaten to overwhelm the engrossing scenes of a society-altering summer. For the most part, though, Wiles does an excellent job of entwining the two plot strands and seamlessly integrating her exhaustive research, which is detailed at the book's conclusion. She also grew up in the South and brings an insider's authenticity. As in Countdown, the outstanding period artwork, photographs, snippets of sayings, and songs interspersed throughout bring a troubled time close.--Cooper, Ilene Copyright 2014 Booklist
From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review
This second installment of Wiles's Sixties Trilogy begins during the Freedom Summer of 1964, when hundreds of college students and community organizers arrived to help Mississippi's disenfranchised black citizens overcome voting hurdles erected by local officials. Sunny Fairchild, 12, has seen newspaper stories about these "invaders" and feels an affinity: her household has been taken over by her father's new wife, her children, and her elderly mother. Still, Sunny plans a summer floating in the (whites only) municipal pool, listening to the Beatles, and finding adventures. A chance encounter with Raymond, a talented young black athlete, sets Sunny on a dangerous course, one that exposes the poisonous racism that has her small town on the verge of exploding. As in Countdown (2010), Wiles intersperses Sunny and Raymond's story with historic photos, excerpts from speeches and news stories, and song lyrics that add power and heft to the story. Though the novel is long, it's also accessible and moving, and it will open many eyes to the brutal, not-so-distant past out of which a new standard of fairness and equality arose. Ages 8-12. Agent: Steven Malk, Writers House. (May) © Copyright PWxyz, LLC. All rights reserved.
Review by School Library Journal Review
Gr 5-8-In Wiles's second installment of the trilogy, readers are offered two alternate viewpoints from very different worlds within the same Greenwood, Mississippi town during the tumultuous Freedom Summer of 1964. Sunny, a 12-year-old white girl, is worried about reports of "invaders" descending upon the sleepy Southern enclave and causing trouble. Meanwhile, Raymond, a black boy from Baptist Town (known among the white citizens as "Colored Town"), is becoming increasingly aware of all the places (especially the public pool and Leflore's theater) he is barred from attending due to Jim Crow laws. As Sunny's worldview is suddenly expanded as she begins to learn more about the sinister underbelly of her seemingly perfect town, her story intersects with Raymond's. Among the cadre of brave young volunteers working to register black Mississippians to vote-a mix of white and black members of various civil rights associations-is Jo Ellen, the older sister from Countdown (Scholastic, 2010). As in the first book, song lyrics, biblical verses, photographs, speeches, essays, and other ephemera immerse readers in one of the most important-and dangerous-moments during the Civil Rights Movement. While Sunny's experiences receive a slightly deeper focus than Raymond's, readers are offered a window into each community and will see both characters change and grow over the course of the summer. Inclusion of primary source materials, including the text of a real and vile pamphlet created by KKK members, does not shy away from the reality and hurtful language used by bigots during this time period. For those looking to extend the story with a full-sensory experience, the author has compiled YouTube clips of each song referenced in the book on a Pinterest board (http://ow.ly/vBGTc). With elements of family drama and coming-of-age themes that mirror the larger sociopolitical backdrop, Revolution is a book that lingers long after the last page.-Kiera Parrott, School Library Journal (c) Copyright 2014. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Horn Book Review
Invaders arrive by the hundreds, making all in their path uneasy. Life as everyone knows it is about to change. Some join their ranks; others fight back. H. G. Wells's War of the Worlds? No, it is 1964, Freedom Summer, in Greenwood, Mississippi, and civil rights volunteers who come South to help black residents register to vote are, indeed, seen as invaders. In this sequel to Countdown (rev. 5/10), twelve-year-old Sunny Fairchild (who is white) tells of a town turned upside-down, in need of change but resistant to it. Sunny finds a mother figure in Jo Ellen Chapman, a character introduced in Countdown, now a member of the Student Nonviolent Coordinating Committee (SNCC). This second volume continues the documentary novel format, with all manner of documents -- photographs, essays, presidential race slogans, song lyrics, and quotations -- interspersed with Sunny's first-person narrative and occasional chapters narrated by Raymond Bullis, a black teen who may just be the next Willie Mays. It's an ambitious, heady endeavor that succeeds wonderfully in capturing the atmosphere of that pivotal and eventful summer, with the documents offering a broader context. SNCC, the Klan, the Citizens' Council, the FBI, and everyday people play their parts, and no one is left unchanged. An author's note and a solid bibliography round out this innovative work commemorating the fiftieth anniversary of Freedom Summer. dean schneider(c) Copyright 2014. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
(c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review
Freedom Summer in 1964 Mississippi brings both peaceful protest and violence into the lives of two young people.Twelve-year-old Sunny, who's white, cannot accept her new stepmother and stepsiblings. Raymond, "a colored boy," is impatient for integration to open the town's pool, movie theater and baseball field. When trained volunteers for the Council of Federated Organizationsan amalgam of civil rights groupsflood the town to register black voters and establish schools, their work is met with suspicion and bigotry by whites and fear and welcome by blacks. In this companion to Countdown (2010) (with returning character Jo Ellen as one of the volunteers), Wiles once again blends a coming-of-age story with pulsating documentary history. Excerpts from contemporary newspapers, leaflets and brochures brutally expose Ku Klux Klan hatred and detail Student Nonviolent Coordinating Committee instructions on how to react to arrest while on a picket line. Song lyrics from the Beatles, Motown and spirituals provide a cultural context. Copious photographs and subnarratives encapsulate a very wide range of contemporary people and events. But it is Sunny and, more briefly, Raymond who anchor the story as their separate and unequal lives cross paths again and again and culminate in a horrific drive-by shooting. A stepmother to embrace and equal rights are the prizeseven as the conflict in Vietnam escalates.Fifty years later, 1960s words and images still sound and resound in this triumphant middle volume of the author's Sixties Trilogy. (author's note, bibliography) (Historical fiction. 11-15) Copyright Kirkus Reviews, used with permission.
Copyright (c) Kirkus Reviews, used with permission.
