Review by Publisher's Weekly Review
Campbell, the illustrator of Kate DiCamillo's Newbery Medal-winning Flora and Ulysses, crafts a mermaid story that shares a few superficial similarities with that of a certain redheaded Disney character from under the sea. Minnow doesn't quite fit in with her sisters, and she's full of questions, especially about a mysterious object (a red shoe) that drifts down from the world above. Minnow's search for answers eventually takes her to the surface, where she spies a gangly, gap-toothed human girl, and all becomes clear: "Minnow finally knew exactly what the lovely things were for. Concealed within was another set of... hands." Using watercolor and pencil crayon, Campbell paints Minnow and her 50 sisters as identical waifs, with delicate yellow-green tails, pale skin, paler hair, and a pair of tiny clamshells on their otherwise bare torsos. The result is an eerie emphasis on their inhumanity. Luckily, the artwork is also full of subtle humor-Campbell definitively answers the question of what a shrugging octopus looks like-and the story solidly delivers its message about the value of inquisitiveness, adventurousness, and storytelling. Ages 3-7. Agent: Lori Nowicki, Painted Words. (Apr.) (c) Copyright PWxyz, LLC. All rights reserved.
(c) Copyright PWxyz, LLC. All rights reserved
Review by School Library Journal Review
Gr 1-4-Created with watercolor and pencil crayon, this tale is unique in its style. One of Neptune's 50 daughters, Minnow doesn't think she is remarkable. In fact, she thinks she's truly useless, with no talent of her own. Her only companion is a little orange sea horse. Minnow is a curious mermaid, always asking questions that no one seems to understand. One day she finds a dainty little red shoe. It is only when she sets out on an adventure to learn about the purpose of shoes that she truly realizes that she is an explorer. The mermaid finds answers to her questions and rushes home to tell everyone of all that she has learned. While there is no sea witch to be found in this work that is reminiscent of Hans Christian Andersen's The Little Mermaid, Minnow's narcissistic sister Calypso is quite mean. Campbell's illustrations employ ample blues and grays to portray deep waters of the sea. The mermaids are all identical, with fair skin, white hair, and thin bodies. It is only when Minnow catches a glimpse of the human world that the pages become vibrant with hues of red, yellow, and orange. This book is suitable for independent reading as well as a read-aloud. Minnow's tale will remind readers that it is okay to ask questions and seek answers, to stand out and be unique.-H. Islam, Brooklyn Public Library (c) Copyright 2014. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Horn Book Review
Little mermaid Minnow is one of King Neptune's fifty daughters. Each princess is exceptionally talented, except for Minnow, whose only skill -- and a dubious one at that, according to her brattiest sister, Calypso -- is asking questions. When a kicky red pump drops into the sea, Minnow is naturally curious. She makes her way to the ocean's surface to investigate what the thing could be. What she discovers on land is "an odd creature...half mermaid, but with two octopus legs... a landmaid" (i.e., little girl) who takes off her shoes (aha! That's what they are) to reveal "another set of...hands. 'But so ugly,' [Minnow] gasped. 'So knobby and gnarled. And smelly!'" Minnow swims home, excited to tell her family about her discovery. Though Calypso is unimpressed, everyone else -- King Neptune included -- is riveted by what the kingdom's newfound storyteller-adventurer has to say. Campbell's tale is nicely contained; though Minnow never actually leaves the ocean, we can see that a little imagination and a lot of inquisitiveness allow her to journey beyond her natural realm (and without having to give up either her fins or her voice; take that, Ariel!). The watercolor and pencil-crayon illustrations, though very different in style from Campbell's black-and-white pictures for DiCamillo's Flora Ulysses (rev. 9/13), have a similar sense of motion and playfulness. And the visual differences between the flow-y haired, teeny-weeny-seashell-bikini-clad mermaids and the Raggedy Ann-esque landmaid point to the subjectivity of storytelling (and also of beauty). elissa gershowitz (c) Copyright 2014. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
(c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
