Lucky us A novel

Amy Bloom, 1953-

Book - 2014

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Subjects
Published
New York : Random House [2014]
Language
English
Main Author
Amy Bloom, 1953- (-)
Edition
First edition
Physical Description
240 pages : illustrations ; 25 cm
ISBN
9781400067244
Contents unavailable.
Review by New York Times Review

NO AMY BLOOM CHARACTER ever acted out of boredom. Once a practicing psychotherapist, Bloom knows that dire circumstances can drive people to their most compelling extremes. At her best, when she sets these driven souls on a journey across a landscape shadowed by immigration or war, the results can be stunning. "Lucky Us," Bloom's third novel and sixth book of fiction, unfolds from 1939 to 1949, with World War II as the backdrop. The force propelling 18-year-old Iris Acton down the honeysuckle trellis one night in Windsor, Ohio, trailed by her quiet younger half sister, Eva, is ambition. Iris wants to be a star. Her mother is dead and her father steals her money. What could hold her? "My job was lookout," says Eva, 14, and indeed Eva, the primary narrator, is the observant one, the girl who cleans up after her sister, the girl to whom long letters-that-explain-everything are written throughout the book. Iris, on the other hand, is the actor - in many ways. Once in Hollywood, she quickly snags speaking roles in the movies, takes part in an enthralling lesbian orgy and falls in love. But when a photographer catches her and an established actress entwined, the other woman saves herself with a fast marriage while Iris gets blacklisted even from waitressing. She is about to turn 19. Life is over; life has just begun. The plot now twists with the riveting precision of a stunt plane. Iris, Eva and their father, Edgar, all together again, travel from Hollywood to a wealthy household in Great Neck, L.I., where Edgar, once a professor, becomes a butler while Iris, having studied the era's iconic Little Blue Books on the drive east, becomes a governess. As Iris tells Eva, "It's the great thing about the war.... Anyone can be anyone." She then proceeds to dismantle several lives in her struggle to court the family cook, Reenie Heitmann. And this is where the novel fails to reach the altitudes of Bloom's finest work. Reenie never lifts off the page as an irresistible flesh-and-blood woman, though we're expected to believe she inspires a heart-stopping amount of damage. Iris's motivation feels thin when, in the process of winning Reenie, she wrecks a marriage, declares an innocent man to be a German spy, kidnaps an orphan and leaves his brother behind. Meanwhile, as the story turns another barrel roll, Eva becomes a psychic. Reading tarot cards, she is a lookout only for good news, telling women what they want to hear. (Her "gift" comes from a Little Blue Book too.) "No one who sat at my table," she says, "was encouraged to have a fling, to leave the country, to go in or go out of this world like gangbusters." READERS WHO LOVED "Away," Bloom's second, breakout, novel, were seduced by its heroine, Lillian Leyb, a Russian Jewish immigrant who lived by the hardscrabble motto Az me muz, ken men (when one must, one can). Lillian also did damage, helping, to rob a man and covering up his fatal, if accidental, stabbing - but she wasn't driven by an unconvincing romantic passion. She was seeking her daughter, lost in a pogrom. "Lucky Us" will please readers who relish novels of historical scope, international sweep and cinematic inventiveness. But readers who adored "Away" and Bloom's disturbing debut novel, "Love Invents Us," may not find the same emotional resonance here. There's a lack of depth, for instance, when the mother who abandoned 12-year-old Eva can, years later, only remark, "Call me impulsive. It worked out" - and when Eva reacts to this with a fury unmitigated by even the ghost of yearning. Ultimately, though, Eva blossoms into a woman with a drive of her own, and two short, perfect chapters near the end are deeply affecting. Bloom, who knows redemption as well as anyone, brings her far-flung characters together in a moving final tableau, reminding a loyal reader of her finest work. Amy Bloom The plot of Bloom's novel takes twists and barrel rolls with the precision of a stunt plane. DYLAN LANDIS is the author of a story collection, "Normal People Don't Live Like This." Her first novel, "Rainey Royal," will be published next month.

Copyright (c) The New York Times Company [August 3, 2014]
Review by Booklist Review

*Starred Review* Eva, age 12, knows her father as a sweet man who visits on Sundays, until her mother announces that his wife has died and they'll be paying him a visit. And so Eva arrives at a home she's never seen to live with her father and older half sister, Iris, whom she didn't know existed. Talented, self-involved Iris is a doggedly hopeful performer, winning every local and regional competition in their small midwestern college town before graduating high school and escaping to Hollywood with the embarrassing but brainy and reliable Eva in tow. There is a gossip-column scandal and a cross-country road trip, an abducted orphan and an accused spy, and more than a couple of masquerades, but everything here is fresh; Bloom's cannonballs read like placid ripples. Told partially from Eva's perspective, and with epistolary interludes over the novel's 1939-49 span, Eva's world is one of endless opportunities for reinvention and redemption if one only takes them. With a spare and trusting style, Bloom invites readers to fill the spaces her pretty prose allows, with true and beautiful results. High-Demand Backstory: An extensive marketing campaign and author tour will accompany review attention, to the benefit of fans of Bloom's best-selling historical novel Away (2007).--Bostrom, Annie Copyright 2014 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

In Bloom's imaginative romp set in 1939, 11-year-old Eva meets Iris, the older half-sister she never knew she had, after being abandoned by her mother and left on her father's doorstep in Ohio. Colorful events ensue: Iris runs away to Hollywood with Eva to start a movie career, only to be blackballed over a scandalous lesbian affair; the sisters and their father become servants in the home of a Long Island family; Iris sets her romantic sights on the family's cook, Reenie, first scheming to have Reenie's husband arrested as a German spy and then kidnapping an orphan because Reenie wants a child. The book is written from Eva's point of view in a simple, matter-of-fact style, describing the events without emotion. Packard's narration is tailored to Bloom's under- stated writing style: she reads in a cool, neutral voice that perfectly matches the author's tone. But this type of performance turns out to be detrimental to story in the audio edition, creating distance rather than engagement between listeners and the vibrant plot. Instead of an intimate listening experience that draws listeners in, it holds them at arms' length, making it difficult to empathize even when tragedy hits. A Random House hardcover. (July) © Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review

Starred Review. Bloom's (Between Here and Here) latest is a beautifully written novel steeped in the language and culture of America around the time of World War II. The story begins with 12-year-old Eva being left on her father's doorstep after her father's wife has died. This begins Eva's relationship with her beautiful older half-sister, aspiring actress Iris. Bloom does a wonderful job of capturing the complicated relationship between the girls as they make their way in the world together, striking out on their own to pursue a life in Hollywood, with the hopes that Iris will become a star. The many plot twists are told in a variety of ways, through letters as well as narration both in first and third person, but in Bloom's capable hands, the listener never loses confidence in the story or the voices of the richly textured characters. Alicyn Packard is a perfect match for young Eva, and expertly makes the transition to her adult persona. VERDICT This charming audiobook very well may prove to be among the best of the year. ["Full of intriguing characters and lots of surprises, readers of literary fiction and 20th-century historicals, as well as fans of wacky humor, will find it an excellent choice," read the starred review of the Random hc, LJ 3/15/14.]-Heather Malcom, Bow, WA (c) Copyright 2014. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

On a journey from Ohio to Hollywood to Long Island to London in the 1940s, a couple of plucky half sisters continually reinvent themselves with the help of an unconventional assortment of friends and relatives.In 1939, 12-year-old Eva is abandoned by her feckless mother on her father's Ohio doorstep after the death of his wealthy wife. After a couple of years of neglect, Eva and her glamorous older half sister, Iris, escape to Hollywood, where Iris embarks on a promising career in filmuntil she's caught on camera in a lesbian dalliance with a starlet, which gets her blacklisted. With the help of a sympathetic gay Mexican makeup artist as well as their con-artist father, Edgar, who has recently reappeared in their lives, the girls travel across the country to New York and finagle jobs at the Great Neck estate of a wealthy Italian immigrant family. Hired as a governess, Iris promptly falls in love with the family's pretty cook, Reenie, inconveniently married to Gus, a likable mechanic of German ancestry. In this partly epistolary novel interspersed with both first-person and third-person narration, Bloom (Where the God of Love Hangs Out, 2010, etc.) tells a bittersweet story from multiple viewpoints. The novel shares the perspectives of Eva, Iris, Edgar, Gus and Cora, a black nightclub singer who becomes Edgar's live-in girlfriend and companion to Eva. Though the letter-writing conceit doesn't always ring true, since it's unlikely that one sister would recount their shared experiences to the other in letters years later, the novel works in aggregate, accumulating outlooks to tell a multilayered, historical tale about different kinds of love and family.Bloom enlivens her story with understated humor as well as offbeat and unforgettable characters. Despite a couple of anachronisms, this is a hard-luck coming-of-age story with heart. Copyright Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

1 I'd Know You Anywhere My father's wife died. My mother said we should drive down to his place and see what might be in it for us. She tapped my nose with her grapefruit spoon. "It's like this," she said. "Your father loves us more, but he's got another family, a wife, and a girl a little older than you. Her family had all the money. Wipe your face." There was no one like my mother, for straight talk. She washed my neck and ears until they shone. We helped each other dress: her lilac dress, with the underarm zipper, my pink one with the tricky buttons. My mother did my braids so tight, my eyes pulled up. She took her violet cloche and her best gloves and she ran across the road to borrow Mr. Portman's car. I was glad to be going and I thought I could get to be glad about having a sister. I wasn't sorry my father's other wife was dead. *** We'd waited for him for weeks. My mother sat by the window in the morning and smoked through supper every night. When she came home from work at Hobson's, she was in a bad mood, even after I rubbed her feet. I hung around the house all July, playing with Mr. Portman's poodle, waiting for my father to drive up. When he came, he usually came by two o'clock, in case there was a Fireside Chat that day. We listened to all the Fireside Chats together. We loved President Roosevelt. On Sundays, when my father came, he brought a pack of Lucky Strikes for my mother and a Hershey bar for me. After supper, my mother sat in my father's lap and I sat right on his slippers and if there was a Fireside Chat, my father did his FDR imitation. Good evening, friends, he said, and he stuck a straw in his mouth like a cigarette holder. Good evening, ladies and gentlemen. He bowed to my mother and said, Eleanor, my dear, how 'bout a waltz? They danced to the radio for a while and then it was my bedtime. My mother put a few bobby pins in my hair for curls and my father carried me to bed, singing, "I wish I could shimmy like my sister Kate." Then he tucked me in and shimmied out the door. Monday mornings, he was gone and I waited until Thursday, and sometimes, until next Sunday. My mother parked the car and redid her lipstick. My father's house was two stories of red stone and tall windows, with fringed lace curtains behind and wide brown steps stacked like boxes in front of the shining wood door. Your father does like to have things nice, while he's away, she said. It sure is nice, I said. We ought to live here. My mother smiled at me and ran her tongue over her teeth. Could be, she said--you never know. She'd already told me she was tired of Abingdon, where we'd been since I was born. It was no kind of real town and she was fed up to here hostessing at Hobson's. We talked a lot about finding ourselves a better life in Chicago. Chicago, Chicago, that toddlin' town . . . I saw a man, he danced with his wife. I sang as we got out of the car and I did a few dance steps like in the movies. My mother said, You are the bee's knees, kiddo, and she grabbed the back of my dress. She licked her palm and pressed it to my bangs, so they wouldn't fly up. She straightened her skirt and told me to check her seams. Straight as arrows, I said, and we went up the stairs hand in hand. My mother knocked and my father answered the door in the blue vest he wore at our house during the president's speeches. My father hugged me and my parents whispered to each other while I stood there, trying to see more of the parlor, which was as big as our whole apartment and filled with flowers. (Maybe my father said, What the hell are you doing here? Maybe my mother cursed him for staying away, but I doubt it. My father had played the gentleman his whole life and my mother must have said to me a hundred times that men needed to be handled right and a woman who couldn't handle her man had only herself to blame. "When I say men are dogs," she'd say, "I'm not being insulting. I like dogs.") Behind my father, I saw a tall girl. "My daughter Iris," my father said. I could hear my mother breathe in. "Iris," he said, "this is my friend Mrs. Logan and her daughter, her lovely daughter, Eva." I knew, standing in their foyer, that this girl had a ton of things I didn't have. Flowers in crystal vases the size of buckets. Pretty, light-brown curls. My father's hand on her shoulder. She wore a baby-blue sweater and a white blouse with a bluebird pin on the collar. I think she wore stockings. Iris was sixteen and she looked like a grown woman to me. She looked like a movie star. My father pushed us to the stairs and told Iris to entertain me in her room while he and my mother had a chat. "Picture this," Iris said. She lay on her bed and I sat on the braided rug next to it. She gave me a couple of gumdrops and I was happy to sit there. She was a great talker and a perfect mimic. "The whole college came to my mother's funeral. My grandfather used to be president of the college, but he had a stroke last year, so he's different now. There was this one girl, red hair, really awful. Redheads. Like they didn't cook long enough or something." "I think Paulette Goddard's a redhead," I said. I'd read this in Photoplay last week. "How old are you, ten? Who the hell wants to be Paulette Goddard? Anyway, this redheaded girl comes back to our house. She's just bawling to beat the band. So this lady, our neighbor, Mrs. Drys­dale, says to her, 'Were you very close to dear Mrs. Acton?' " The way Iris said this, I could just see Mrs. Drysdale, sticking her nose in, keeping her spotted veil out of her mouth while she ate, her wet hankie stuffed into her big bosom, which my mother told me was a disgusting thing to do. "I'm twelve," I said. Iris said, "My mother was like a saint--everybody says so. She was nice to everyone, but I don't want people thinking my mother wasted her time on this stupid girl, so I turn around and say that none of us even know who she is and she runs into the powder room downstairs--this is the funny part--the door gets stuck, and she can't get out. She's banging on the door and two professors have to jimmy it open. It was funny." Iris told me that the whole college (I didn't know my father taught at a college; if you had asked me, I would have said that he read books for a living) came to the chapel to grieve for her mother, to offer sympathy to her and her father. She said that all of their family friends were there, which was her way of telling me that my mother could not really be a friend of her father's. We heard the voices downstairs and then a door shutting and then the piano, playing "My Angel Put the Devil in Me." I didn't know my father played the piano. Iris and I stood at her bedroom door, leaning into the hall. We heard the toilet flush, which was embarrassing but reassuring and then my father started playing the "Moonlight Sonata" and then we heard a car's engine. Iris and I ran downstairs. My mother'd left the front door open and just slipped into Mr. Portman's car. She'd set a brown tweed suitcase on the front porch. I stood on the porch holding the suitcase, looking at the road. My father sat down in the rocker and pulled me onto his lap, which he'd stopped doing last year. He asked me if I thought my mother was coming back and I asked him, Do you think my mother is coming back? My father asked me if I had any other family on my mother's side, and I lay my head on his shoulder. I'd seen my father most Sundays and some Thursdays since I was a baby, and the whole rest of my family was my mother. I was friendly with Mr. Portman and his poodle and all of my teachers had taken an interest in me, and that was the sum of what you could call my family. Iris opened the screen door and looked at me the way a cat looks at a dog. We sat down to meat loaf and mashed potatoes and the third time Iris told me to get my elbows off the table, this isn't a boardinghouse, my father said, Behave yourself, Iris. She's your sister. Iris left the room and my father told me to improve my manners. You're not living in that dreadful town anymore and you're not Eva Logan anymore, he said. You're Eva Acton. We'll say you're my niece. I was thirteen before I understood that my mother wasn't coming back to get me. Iris didn't ignore me for very long. She bossed me. She talked to me like Claudette Colbert talked to Louise Beavers in Imitation of Life, when she said, "We're in the same boat, Delilah," which showed that the white lady had no idea what the hell she was talking about, and of course Louise Beavers just sighed and made more pancakes. Iris helped me navigate junior high. (A big, red-faced girl cornered me after two weeks and said, Who are you, anyway? Iris dropped a manicured hand on the girl's shoulder and said, Gussie, this is my cousin Eva Acton. Her mother has also passed away. And the girl said--and who can blame her--Jeez, what are you two, vampires? Don't walk past my house, is all I'm saying.) I helped Iris prepare for her contests: elocution, rhetoric, dramatic readings, poetry readings, patriotic essays, and dance. Iris was a star. She had a lot of admirers at school, and some girls who didn't like her, and she didn't care. I pretended I didn't care either. I hung around the library and got A's and my real job, as I saw it, was to help Iris with her contests. Things were not as nice at the house as they were the day my mother dropped me off. We didn't have fresh flowers anymore and everything was a little dusty. Iris and I cleaned our rooms and we were supposed to clean the parlor and the kitchen too, but we didn't. No one did. My father opened cans of salmon or tuna fish and dumped them on our plates, on top of a lettuce leaf. Sometimes he boiled six hot dogs with a can of beans and put a jar of mustard on the table. I found Charlotte Acton's very clean copy of Joy of Cooking and I asked my father if I could use it. My father said that he wanted me to know that he and Iris would eat anything I deigned to make. Irma Rombauer said on the first page to begin by facing the stove. I put a bunch of parsley and a lemon in a chicken and put it in the oven for a couple of hours. We finished the chicken and my father thanked me. On my thirteenth birthday, I made crepes, my father read "The Highwayman" aloud, and we had pineapple upside-down cake for dessert. Iris put the candles in and they both sang. On New Year's Eve, our father went out and Iris and I drank gin and orange juice out of her mother's best cherry-blossom teacups. "May the hinges of our friendship never grow rusty," Iris said. "I got that from Brigid, the maid. Before your time." "Hear, hear," I said, and we hooked elbows and choked down the gin. One night in February, I woke up to Iris slapping me. It's true that Iris was not the sister I might have dreamed of. (Not that I'd ever dreamed of a sister at all. I dreamed of having a poodle, like Mr. Portman's, and for years I dreamed that my mother hired a private eye to find me and came crying to the doorstep of wherever I was living. I never let her in.) But Iris had never hit me before. I'd been in her house for more than a year and she'd never even set foot in my room. When Iris wanted to talk to me, she'd stand in the hallway and point and I'd go sit on her braided rug, next to her bed. "You sneaky, thieving, filthy bitch." Her opal ring, the one from her mother, snagged in my hair, and we were stuck together, both of us crying. She yanked me out of bed and across the floor, until she got her hand loose. She threw everything I had, which wasn't much and most of it clothes she didn't want anymore, onto the floor. Oh, Christ, she said. I know it wasn't you. She lay down on the floor next to me, panting. Iris said my father had stolen a hundred dollars she'd hidden under her mattress. He'd taken it all. It had happened one time before I'd come and then she moved her hiding place, but now he'd found it again. She had five bucks in her hand from tonight at the Pulaski Club, for one of her best speeches, "What Makes America Great?" and she was damned if Edgar was going to get it. She banged around my room, pulling all the books off my little bookshelf. She went into her room and came back with the big scissors we used to make some of her mother's clothes into things she could wear for her recitations. She cut the middle out of my copy of Little Women, page by page, from "Genius burns!" until almost the end, when Amy marries Laurie, which I hated anyway. This is my Hollywood and Vine money, she said. That's my next stop. She put all of my books back nicely and she put my shoes and my clothes back in my closet. She brushed my hair. She folded up the cardigans that used to be hers, and my room and I looked better than usual. It was amazing to me that Iris had made so much money from her contests. It was amazing to me that she thought it'd be smarter to keep her money in my room. I thought she was mistaken about my father stealing her money in the first place, but she wasn't. Iris was just being Iris. I don't think she was more observant or more intuitive than I was. I saw plenty, but I never knew what to make of it. Iris saw only what mattered to Iris, but she really paid attention, like a pilot watching for the flashing lights of the landing strip below. Her attention was the only thing that stood between her and a terrible crash. Iris said I was more like someone with a crazy radio inside of me, and half the time the radio said things worth knowing and half the time it said things like, "Crops fail in Mississippi." Every time Iris won, from Valentine's Day to Memorial Day, she folded the money into her bra. My father waited up for her and every time, he'd ask her if she'd like him to hold on to her winnings. She always said, No, thanks, and went straight to her room, to throw him off. She was very polite about it. The day after graduation (me from eleventh grade, with the prize in English literature and social studies, Iris from high school with a standing ovation and our father reciting "Gunga Din" at both places) Iris gave her speech about "The Fallen" for the Veterans of Foreign Wars. It brought down the house. Really, Iris said, I was great. And I was improvising. I said that she was better than great, that she was as good as Judy Garland, but prettier. Iris said that Judy Garland could cry at the drop of a hot dog and that she knew she had to work on that herself. Iris did the Rotary and the Exchange Clubs and the American Association of University Women get-togethers from Windsor to Cincinnati, all summer long. She entered every contest within fifty miles, even if she had to hitch a ride and carry her dress clothes and shoes in a sack. She won them all. Sometimes, when Iris walked into the auditorium, you could hear the other girls sigh. She won a fifty-dollar bond from the Midwestern Carpenters Union for best speech by a boy or girl and she trounced the Italian girls with "Musetta's Waltz" at Casa Italia in Galesburg, where she also won in a walk for "Why I Am Proud to Be an American" at Temple Beth Israel, reciting as Iris Katz. The two of us did pretty well in the corn-shucking contests at the fairground. The corn wagons each held about twenty-five bushels and Iris and I did about sixty pounds together. We came in first in the Youth Group, Girls and we came in second for Youth Group, Seniors, right behind two boys who looked like they'd done nothing but shuck corn their whole lives. We pulled the silk off each other and had root-beer floats. The ten dollars went right into Little Women. Sometimes I opened the book just to look at Iris's money. At night, I sewed the sequins back on the outfit that was resting, or I basted the pleats on the sailor skirt or I put ribbon on her worn-out cuffs and waited for her to come home. The sequins came loose after every performance and my bed was always covered in them. It was the day before Labor Day and hot and there were no contests anywhere and no party to get ready for. Iris and I walked down to Paradise Lake, the big pond at the edge of Windsor College. I dragged my feet to make dust devils. Iris took off her shoes and socks and put her feet in the water. She lit a cigarette and I lay down next to her. Iris took two beers out of her bag and I took out last week's Screen magazine. "There's your heartthrob, Paulette Goddard," she said. "I can do what she does." I thought Iris probably could. I kept watch for my father while Iris smoked, her eyes closed. "Let's get wet," Iris said, and I ran back to my room to look for my bathing suit. My father was on his knees in my closet, one hand on my black party shoe. "I thought you girls were down at the pond." "I have to change," I said. "Iris's already down there. She brought her suit with her." "Your sister plans ahead," he said. "You are more hey-nonny-nonny." He tucked my shoe back into the closet and stood up, smiling a little absently, the way he did at breakfast, when I was talking while he was reading. When I told Iris she said, "That sonofabitch. You have to do what I tell you." I said I would, whatever it was. Excerpted from Lucky Us by Amy Bloom All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.