Review by Booklist Review
Twelve-year-old Arun Gandhi travels with his family from their home in South Africa to India to be with their grandfather, the Mahatma, in his service village of Sevagram, where they stay for two years. Arun loves his grandfather but resents all of the others who monopolize his time, and he worries about living up to his supreme example. He is a child, and like a child, he erupts in anger, seethes in frustration, and longs for connection. And his grandfather is there to tell him that anger is human and we must work to use it so it cannot use us. Collaborating with first-time picture-book author Hegedus, Arun Gandhi recalls his own childhood experiences, relating the stories in an immediate first-person voice. Working in mixed media, with pieces of fabric clothing and hand-cut, hand-painted figures, Turk mixes carefully detailed renderings with abstracted expressions of emotional struggle, achieving a powerful balance. A personal portrait of a legendary figure.--Barthelmess, Thom Copyright 2010 Booklist
From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review
More than 10 years in the writing, this true story by Gandhi's grandson and Hegedus (Truth with a Capital T) gives a personal window inside the peacemaker's teachings. As a 12-year-old, Arun and his family come to live at an ashram where Gandhi resides with followers. Vibrant, mixed-media collages from debut talent Turk depict the boy's first frustrating weeks there. A tangle of black yarn swirls around Arun, the threads creating a proverbial black cloud, as he struggles to learn a new language, share his grandfather with others, and even feel like a Gandhi: "peace and stillness did not come easily to me." When Arun's temper flares, he runs tearfully to Gandhi, who compares anger to electricity: destructive as lightning or a force channeled to power lamps. "Then anger can illuminate. It can turn the darkness into light." Turk's illustrations are stylized, strikingly patterned, and rendered in contrasting purples and golds, blues and creams, blacks and whites, highlighting the tension between anger and peace. Dynamic visuals and storytelling create a rousing family story that speaks to a broad audience. Ages 4-8. Authors' agent: Regina Brooks, Serendipity Literary Agency. (Mar.) (c) Copyright PWxyz, LLC. All rights reserved.
(c) Copyright PWxyz, LLC. All rights reserved
Review by School Library Journal Review
Gr 1-3-Mahatma Gandhi, as seen through the eyes of one his grandsons, is depicted in this picture-book biography as a loving grandfather and a revered figure. Twelve-year-old Arun and his family have come to live in his bapu's "service village," which is a great honor, but is also hard for young Arun, who must share his grandfather with so many others demanding his time and attention. The boy frets over the difficulty of living up to the expectations that carrying the name Gandhi entails, and when a disagreement during a soccer game sparks his anger, Arun seeks out his wise and loving grandfather for comfort and advice. This is less a biography of a famous leader and more of an ode to a great man by an adoring grandson. While background details are left intentionally vague, i.e., the family's reasons for moving to India, memories of Gandhi himself are sharp and specific, lending an air of intimacy. The accompanying artwork is stunning, the use of mixed media collage is effective and beautiful, with varying perspectives and intriguing materials on display on every page. With so many biographies about Gandhi published recently, this one stands out for its unique point of view and gorgeous art, and makes a fine supplement to any collection.-Jody Kopple, Shady Hill School, Cambridge, MA (c) Copyright 2014. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Horn Book Review
A visit to a grandfather's home in another country can have its ups and downs even in an ordinary family. But Arun faces some special challenges because his grandfather is Mahatma Gandhi. It's hard enough to go from his comfortable home in 1945 South Africa, where he enjoys watching John Wayne movies and playing cops and robbers with his friends, to the quiet village of Sevagram, India, where his grandfather lives simply, surrounded by 350 followers who seek to follow the Mahatma's example. Arun, who gets fidgety during prayers and who angers easily while playing soccer with village children, feels he will never live up to the Gandhi name. After he confides this to his grandfather, Gandhi tells Arun that he, too, often feels anger but that he has learned to channel it for good, just as electricity can destroy or give light. Unusual for its child-centered and intimate portrait of Gandhi (we learn, for example, that he smelled like peanut oil), the graceful narrative is nearly outdone by the vivid mixed-media illustrations, rendered in watercolor, paper collage, cotton fabric, cotton, yarn, gouache, pencil, tea, and tinfoil. The cotton yarn, handspun on an Indian book charkha, gives the pictures such a three-dimensional look that one feels as though it could be plucked right off Gandhi's spinning wheel. But it's more than just an attractive effect -- the yarn becomes a visual metaphor for anger channeled into light. kathleen t. horning (c) Copyright 2014. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
(c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review
This first-person account presents Mohandas Gandhi through the eyes of his then12-year-old grandson. Arriving at Sevagram, the ashram Gandhi lived in as an old man, young Arun and his family greet their famous relative and start participating in the simple lifestyle of morning prayers, chores and pumpkin mush. It is challenging for the boy, who misses electricity and movies and dreads language lessons. The crux of the story hinges on the moment Arun is tripped and injured during a soccer game. He picks up a rock and feels the weight of familial expectations. Running to his grandfather, he learns the surprising fact that Gandhi gets angry too. Grandfather lovingly explains that anger is like electricity: it "can strike, like lightning, and split a living tree in two. Or it can be channeled, transformed.Then anger can illuminate. It can turn the darkness into light." Turk's complex collages, rich in symbolic meaning and bold, expressive imagery, contribute greatly to the emotional worldbuilding. Watercolor, gouache and cut paper set the scenes, while fabric clothes the primary players. Gandhi's spinning wheel is a repeated motif; tangled yarn surrounding Arun signals frustration. Never burdened by its message, this exceptional title works on multiple levels; it is both a striking introduction to a singular icon and a compelling story about the universal experience of a child seeking approval from a revered adult. (authors' note) (Picture book/memoir. 4-8)]] Copyright Kirkus Reviews, used with permission.
Copyright (c) Kirkus Reviews, used with permission.
