Review by Booklist Review
Josephine is a free-verse biographical poem that pulls its inspiration from the life of a fascinating performer and civil rights pioneer. Josephine Baker grew up in the shantytowns of St. Louis, often considered the home of ragtime music. At only 13, she left home to travel with a dance troupe, honing her silly on-stage persona and earning pennies. Through a series of unlikely but fortunate events, her talent was discovered and soon she was dancing the Charleston on a stage in Paris. While most of the milestones of her notorious career and turbulent life are included, Powell focuses on events that carried the most personal weight for Baker, such as almost losing her leg in a childhood accident, her refusal to dance in segregated American dance halls, and her first time on a transatlantic boat trip. Quotes from Baker punctuate the engaging narrative poem and Robinson's gorgeous, colorful acrylics (with cute Lego-faced characters) honor the colorful exuberance of both the Jazz era and Baker's life. Well researched and spirited, this features innumerable points of discussion for young readers.--Anderson, Erin Copyright 2014 Booklist
From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review
Segregated American clubs were willing to let African-American dancer Josephine Baker (1906-1975) perform, but they wouldn't let her use the front door. Powell (Frog Brings Rain) chooses a potent metaphor for Baker's hidden anger: "hot magma, molten lava, trapped within." When Baker arrived in France, the country embraced both her artistry and her blackness, and "Her deep volcanic core-filled with emotion, filled with music-erupted." Robinson (Rain!) draws round faces gazing with amazement at the woman onstage whose pearl necklace flies one way and whose hips swing the other. Baker's entire life spreads out in this tapestry of words, from a St. Louis childhood surrounded by music to her triumphs all over Europe-followed, sadly, by debt and illness. Robinson's naif, folk-style figures look like puppets, and make some grim moments easier to endure ("Those ugly rumors incited some white folks/ to beat, murder, and burn black East St. Louis"). Although Powell's focus is on Baker, the contrast between segregated America and welcoming France will not be lost on readers. Ages 7-10. Author's agent: Anna Olswanger, Liza Dawson Associates. Illustrator's agent: Steven Malk, Writers House. (Jan.) (c) Copyright PWxyz, LLC. All rights reserved.
(c) Copyright PWxyz, LLC. All rights reserved
Review by School Library Journal Review
Gr 2-5-Born into the slums of St. Louis in 1906, Josephine Baker had dance in her soul. From an early age, she was happiest when performing in front of an appreciative audience. Because of her race, she was often relegated to dressing the dancers, but Josephine worked hard and learned all the dance moves, just in case. When she got the chance to perform on stage, she took it, eventually catching the eye of a benefactor who invited her to perform in Paris, where she stepped into the spotlight and became a star across Europe. Through her bold performances and natural fearlessness, she ultimately pushed through the boundaries of segregation in America to become an international performing star. The unadorned narration of the blank verse text is lovely and vibrant as performed by veteran actress Lizan Mitchell. Her voice is full of the same energy and verve Josephine embodied. The text is mostly narrative and no dialogue, sprinkled with occasional quotes from Josephine herself. Mitchell fluidly reads the lovely verse, "knees squeeze, now fly/arms scissor and splay," that captures Josephine's uninhibited nature so well.-Jennifer Verbrugge, State Library Services, Roseville, MN (c) Copyright 2014. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Horn Book Review
To describe Josephine Baker's life as "dazzling" is not an exaggeration. In this incomparable biography both Powell and Robinson convey the passion, exuberance, dignity, and eccentricity of their subject through words and pictures that nearly jump off the page. There is a surprise at every turn as we learn how Baker, at fifteen, hid inside a costume trunk to stow away with a dance troupe. We see how she managed to stand out in a chorus line by crossing her eyes and acting goofy to win over audiences. We find her walking down the Champs-Elysees with her pet leopard, Chiquita, who wore a diamond choker. You think her life couldn't get any more interesting? Wait until you hear about her years as a spy for the French Resistance. Or about the twelve children she adopted from all over the world (her "rainbow tribe"), to prove that people of different races could live together. Matter-of-factly introducing the racism her subject encountered throughout her life, Powell doesn't shy away from the challenges Baker faced, but she makes clear that Baker never let them overwhelm the joy she got from performing and living life to its fullest. Robinson's highly stylized illustrations, using bold colors and a flat perspective, are at once sophisticated and inviting to young readers. Even the few pages without pictures are made visually interesting by the broad strokes of acrylic paint in the background and by the clean typeface that judiciously uses uppercase to accentuate important words or lines in the text. Direct quotes from Baker -- translated from the French, of course -- are interspersed throughout. C'est magnifique! kathleen t. horning (c) Copyright 2014. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
(c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review
A life devoted to self-expression through dance and racial harmony is celebrated in this lavish, lengthy picture book. Writing in free verse, former dancer Powell pays homage to the fabulous Josephine Baker. Baker rose from a childhood of poverty and race riots in St. Louis, Mo., to dance in New York and Paris, the city where she finally achieved fame and escaped American segregation and racism. Grateful to the French, she worked as a spy during World War II and later adopted 12 children from around the world: She called them her Rainbow Tribe. The author excels at describing Baker's innovative and memorable dance routines and her fantastical life in Paris, where she walked her pet leopard, each adorned with a diamond choker. The book is arranged as stage acts, each covering a segment of her story. With this device, Powell and Robinson create an air of expectancy before the curtain rises and a time to reflect and admire as it falls in front of a stage strewn with flowers. Robinson's stunning acrylic paintings depict elongated figures and recreate Baker's movements and costumes with verve and dynamism. The page design features well-placed text, occasional quotes and vibrant hues, further complementing its striking subject. An extraordinary dancer and woman is here celebrated with style and empathy. (author's note, artist's note, further reading, quotation sources) (Poetry/biography. 6-12)]] Copyright Kirkus Reviews, used with permission.
Copyright (c) Kirkus Reviews, used with permission.
