Stealing sugar from the castle Selected poems, 1950 to 2013

Robert Bly

Book - 2013

Selected from throughout Bly's monumental body of work from 1950 through the present, we see how he has long been the voice of transcendentalism and meditative mysticism for his generation. In poetry spiritual yet worldly, celebrating the uncanny beauty of the everyday, Bly is a poet moved by the mysteries of the world around him, speaking the language of images in a voice brilliant and bold.

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Subjects
Published
New York : W.W. Norton & Company [2013]
©2013
Language
English
Main Author
Robert Bly (-)
Edition
First edition
Item Description
Includes index.
Physical Description
xxii, 378 pages ; 25 cm
Bibliography
Includes index.
ISBN
9780393240078
  • Early poems, 1950-1955
  • Silence in the snowy fields, 1958-1978, and related poems
  • The light around the body, 1967, and related poems
  • The teeth mother naked at last, 1970-1972
  • The Point Reyes poems, 1974, and related poems
  • Sleepers joining hands, 1973-1986
  • Loving a woman in two worlds, 1978-1985, and related poems
  • This body is made of camphor and gopherwood, 1973-1980
  • The man in the black coat turns, 1980-1984
  • Meditations on the insatiable soul, 1990-1994
  • Morning poems, 1993-1997
  • Poems from eating the honey of words, 1999
  • The night Abraham called to the stars, 2001
  • My sentence was a thousand years of joy, 2005
  • Talking to the ear of a donkey, 2011
  • New poems, 2012-2013.
Review by Booklist Review

*Starred Review* Bly's first comprehensive selection of his work since Eating the Honey of Words (1999) makes the impact of a fresh, new book, even if it repeats much of the same contents. This is not just a matter of the inclusion of more than a decade's worth of newer poetry, most of it in Bly's adaptation of the Persian-Indian ghazal, a form in which he plainly revels. Rather, it is that this selection indelibly presents Bly as the great successor to Whitman and Pound, with neither the smarmy bonhomie of the former nor the captiousness of the latter. In the ease and appropriateness of his biblical, legendary, and ancient-historical allusions, Bly contains as much as either of his predecessors, and he gives voice to it more comprehensively. He speaks as Robert, to be sure, but also in the voice of humanity. His labor and delight, early and late, is now clearly shown to be the demonstration that all human and nonhuman lives, contexts, and relations are linked by metaphor, that odd mode of understanding by psychological projection and sensory imagination. Like the deathbed edition of Leaves of Grass, this collection is a monument, not to self but to us.--Olson, Ray Copyright 2010 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.