Review by Booklist Review
*Starred Review* A loving homage to storytelling itself, Greenberg's first graphic novel isn't an encyclopedia at all but an intricately crafted mythology told from within a young man's grand adventure. Split into three beings as a baby, the boy(s) find his (their) way back into one, though he is missing a tiny but crucial piece of his soul. In search of that tiny piece, he journeys farther from the snowy northern lands of his home than anyone before and encounters Greenberg's powerfully realized imaginary cultures. Along the way, he shares and accumulates tales that encompass creation, cataclysm, war, jealousy, and compassion, even as the overarching story follows him and his great love to their own poignant end. Sewing in her own sly humor, Greenberg deeply immerses readers in the themes and lessons of world mythology, but she remarkably never merely apes classic myths the way each of Early Earth's cultures tweaks the same ideas and characters for their own myths is a veritable lesson in comparative theology. Just as essentially evocative is her art, which uses simple, childlike illustrations to channel the power of ancient cave paintings and archetypal images from our own imaginations. A unique, compelling stunner from one to watch.--Karp, Jesse Copyright 2010 Booklist
From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Library Journal Review
More than another fictional odyssey that takes the protagonist through new lands to the ends of the earth, this gem may not be an encyclopedia, but it accomplishes the same primary goal of describing a world, the cultures and societies therein, and its material reality. The rich storytelling of London-based writer/artist Greenberg, whose short story "Love in a Very Cold Climate" was awarded the Observer/Cape Graphic Short Story Prize and is expanded on here, transcends fact and immerses readers in a mythical, prehistoric world that taps into timeless concerns like love, family, and identity, complete with modern vernacular and a snarky sense of humor. Greenberg's striking illustrations are reminiscent of cave and folk art and children's picture books, yet remain singular. The stunning denouement will move you. Verdict What writer Alan Moore does with superheroes in Watchmen and Top 10, Greenberg accomplishes with folktales, creating an exemplary debut story and gripping commentary on the graphic form. Some profane, violent, and disturbing content; suitable for YA and up. An essential title, recommended for all fiction and graphic novels readers.-J. Osicki, Saint John Free P.L., NB (c) Copyright 2013. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review
The debut graphic novel from author/illustrator Greenberg winkingly follows a master storyteller's journey through an ancient land of men, gods, magic and love. The story opens on a kayaking meet cute between two psuedo-Inuits who are held apart by an invisible, unknowable force. Undeterred, the soul mates marry and settle in for a long South Pole winter of just talking--no problem when the husband is a master storyteller from the far-off land of Nord. He recounts his mysterious origins as a babe in a basket among the reeds of Sky Lake, discovered by three distinct sisters who each wanted the boy for her own. A medicine man obliged by splitting the boy's soul in thirds, though a teensy bit escaped into the ether. The newly formed triplets lived disturbingly unbalanced, extreme lives until a rite of passage reunited them, cramming an overabundance of personality into a single boy--but giving him plenty of yarns to spin. Still, he longed for the missing part of his soul and set off across the frozen sea to find it. He journeyed to the savage woods of Britanitarka and the sprawling metropolis of Midgal Bavel, battled Cyclopes and sea monsters, navigated palace intrigue and blood feuds, surviving by his silver tongue and divine intervention. Along the way, the book depicts the larger history and culture of these ancient lands, particularly the common worship of the god Birdman and his ravens, Kid and Kiddo. Greenberg's flat, rich illustrations are gorgeous. Her simple, detailed lines contrast with a heavy, matte black, as strategic, restrained color breathes dioramic depth into the pages. The sheer number of tales and the deft paneling (particularly expressive during spell castings) keep the pace brisk and the thrill of discovery palpable. But an irreverent, contemporary tone runs throughout, and this, combined with the early-Earth mythology's tendency to closely resemble well-known stories (particularly from the Old Testament) without developing the significance of these similarities, undermines the book's grander ambitions, leaving the work wavering between epic and precious, style and substance, the best of Wes Anderson and the worst. A beautiful, promising work that doesn't quite coalesce.]] Copyright Kirkus Reviews, used with permission.
Copyright (c) Kirkus Reviews, used with permission.
