Review by Publisher's Weekly Review
Stemming from a similarly named essay previously published in n+1, this collection of essays and interviews edited by n+1 founder Harbach (The Art of Fielding) explores the "social and literary consequences" of a "two-headed system" in American fiction, with M.F.A. programs "dispersed through our university towns" and the Manhattan-situated trade publishing industry. Compiling the advice and experiences of multitudes of industry professionals, from agents, editors, and publicists, to practicing writers, professors and students, the collection serves as an informative discourse on the phenomenon and provides insight into oft-debated questions about the M.F.A. system and survival as a writer in New York. In "A Mini-Manifesto," writer George Saunders warns that "saying Creative writing programs are bad' is like saying college football teams are bad' or book clubs are bad' or emergency rooms are bad'. All it takes is one good example to disprove the generality." In "The Disappointment Business," agent Jim Rutman describes various setbacks that a writer encounters during the publication process, and how we "live in hope of being, or representing, the celebrated exception." In "Money (2006)," Keith Gessen covers the urgent question of how much money does a writer need. Educational with a humor added to the sincere distress of writers nationwide, this collection is an invaluable read to aspiring writers or those interested in the future of American fiction. (Feb.) © Copyright PWxyz, LLC. All rights reserved.
Review by Library Journal Review
The internecine skirmish between "the two cultures of American fiction," writers who learn their craft in university settings-the MFAs-and those who daily deal with "real-world" issues in an increasingly competitive publishing industry-the NYCs-has raged for decades (and, to be fair, the two are inextricable). Drawing on his eponymous 2010 essay for the journal n+1, editor Harbach (The Art of Fielding) examines "some of the social and literary consequences of this two-headed system-albeit one in which the two heads are always chatting and bickering and buying each other drinks." An acclaimed novelist, -Harbach is no stranger to the pitfalls and rewards of both writing and publishing, and he collects some of the biggest names on both sides of the debate to weigh in: George Saunders, Diana Wagman, -David Foster Wallace, and others, as well as agents, editors, publicists, and students. The book's contributors neatly articulate the opposing viewpoints in practical and quite creative ways, with each essay separated by a brief commentary on some aspect of the profession. VERDICT Any reader who aspires to make a living as an author would do well to devour this collection. Also, general readers wanting to discover more about the ins and outs of both writing and publishing will find much here to enjoy.-Patrick A. Smith, Bainbridge Coll., GA (c) Copyright 2014. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review
A cast of literary professionals offers an entertaining bounty of experience, opinions and advice. Novelist Harbach's (The Art of Fielding, 2011) 2010 opinion piece in n+1, the magazine he founded, made a splash with its critical analysis of ever-expanding MFA programs, the enduring hub of New York City publishing and the potential each of them holds for aspiring writers. The editor's shrewd if pessimistic essay launched what he calls "a kind of jointly written novelone whose composite hero is the fiction writer circa 2014"in which perceptions from a wide spectrum of struggling authors, skilled teachers, students, agents, editors and publicists comingle with essays from best-selling literary luminaries. George Saunders offers a 15-point "mini-manifesto" on the challenge of creative writing programs, while Providence College English professor Eric Bennett discusses the nuances of his time spent at the Iowa Writers' Workshop. Alexander Chee's lively autobiographical entry on his life and experiences at the Workshop segues marvelously into a discussion of how New York City absorbs and transforms published authors like Sloane Crosley, who identifies the business of publishing as being "so blessed and so cursed at the same time." Sterling Lord Literistic agent Jim Rutman contributes tales of the slush pile, while Trident Media Group agent Melissa Flashman offers her perspective on the delicate balancing act performed by agents and publishers on behalf of productive authors. From these dispatches, the outlook for beginning writers is less than sunny, but poet Darryl Lorenzo Wellington's eye-opening confessional on judging manuscripts for Amazon's Breakthrough Novel Award does hint at a "publishing revolution." Collectively thought-provoking and provocative, this first publication in a new partnership between Faber Faber and n+1 inches readers further toward understanding the often complex, political machine that transforms an idea into a published product. Other contributors include Elif Batuman, Caleb Crain, Keith Gessen and Lorin Stein. Essential insights, masterfully assembled, on the precarious state of American publishing.]] Copyright Kirkus Reviews, used with permission.
Copyright (c) Kirkus Reviews, used with permission.
