New poems

Rainer Maria Rilke, 1875-1926

Book - 2014

"The definitive bilingual version of Rilke's New Poems--faithful to the original German, with insightful commentary on every poem. Rainer Maria Rilke is one of the world's best-selling poets, and New Poems contains many of his most iconic pieces. Throughout, Rilke he is obsessed with shapes and different layers of physical containment--from an image held in a panther's eye to a cathedral window. Translator Joseph Cadora has created the definitive English-language version through meticulous faithfulness to Rilke's German and insightful commentary on each of the four hundred-plus poems. As Cadora said in an interview, 'I tried to stay true to the vision of Rilke that would invite the reader into his world, not mi...ne.'" -- Publisher's description.

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Subjects
Published
Port Townsend, Washington : Copper Canyon Press [2014]
Language
English
German
Main Author
Rainer Maria Rilke, 1875-1926 (-)
Other Authors
Joseph Thomas Cadora (-), Robert Hass
Item Description
Includes index.
Physical Description
xxxix, 460 pages ; 24 cm
ISBN
9781556594243
  • Foreword
  • Introduction to Rilke's New Poems
  • Volume 1.
  • Early Apollo
  • A Girl's Lament
  • Love Song
  • Eranna co Sappho
  • Sappho to Eranna
  • Sappho to Alcaeus
  • Gravestone of a Young Girl
  • Sacrifice
  • Eastern Day Song
  • Abishag
  • David Sings before Saul
  • Joshua's Council
  • The Departure of the Prodigal Son
  • The Olive Orchard
  • Pietà
  • Song of the Women to the Poet
  • The Death of the Poet
  • Buddha
  • L'Ange du Méeridien
  • The Cathedral
  • The Portal
  • The Rose Window
  • The Capital
  • God in the Middle Ages
  • Morgue
  • The Prisoner
  • The Panther
  • The Gazelle
  • The Unicorn
  • Saint Sebastian
  • The Donor
  • The Angel
  • Roman Sarcophagi
  • The Swan
  • Childhood
  • The Poet
  • The Lace
  • A Woman's Fate
  • The Convalescent
  • The Grown-up
  • Tanagra
  • One Going Blind
  • In a Strange Park
  • Farewell
  • Death Experience
  • Blue Hydrangea
  • Before the Summer Rain
  • In the Salon
  • Last Evening
  • Portrait of My Father as a Youth
  • Self-Portrait from the Year 1906
  • The King
  • Resurrection
  • The Flag Bearer
  • The Last Count von Brederode Eludes Turkish Captivity
  • The Courtesan
  • The Stairs of the Orangery
  • The Marble Wagon
  • Buddha
  • Roman Fountain
  • The Carousel
  • Spanish Dancer
  • The Tower
  • The Plaza
  • Quai du Rosaire
  • Béguinage
  • The Procession of the Virgin Mary
  • The Island
  • Tombs of the Hetaerae
  • Orpheus, Eurydice, Hermes
  • Alcestis
  • Birth of Venus
  • The Bowl of Roses
  • Volume 2.
  • Archaic Torso of Apollo
  • Cretan Artemis
  • Leda
  • Dolphins
  • The Isle of the Sirens
  • Lament for Antinous
  • The Death of the Beloved
  • Lament for Jonathan
  • The Consolation of Elijah
  • Saul among the Prophets
  • Samuel's Visitation of Saul
  • A Prophet
  • Jeremiah
  • A Sibyl
  • Absalom's Downfall
  • Esther
  • The Leper King
  • Legend of the Three Living and the Three Dead
  • The King of Münster
  • Danse Macabre
  • The Last Judgment
  • The Temptation
  • The Alchemist
  • The Reliquary
  • Gold
  • The Stylite
  • The Egyptian Mary
  • Crucifixion
  • The Resurrected
  • Magnificat
  • Adam
  • Eve
  • The Insane in the Garden
  • The Insane
  • Prayer for the Lunatic and the Convict
  • From the Life of a Saint
  • The Beggars
  • Foreign Family
  • Washing the Corpse
  • One of the Old Ones
  • The Blind Man
  • The Wilted One
  • The Last Supper
  • The Scene of the Fire
  • The Group
  • Snake Charming
  • Black Cat
  • Easter Eve
  • The Balcony
  • Emigrant Ship
  • Landscape
  • Roman Campagna
  • Song out of the Sea
  • Night Journey
  • Parrot Park
  • The Parks
  • Portrait
  • Venetian Morning
  • Late Autumn in Venice
  • San Marco
  • A Doge
  • The Lute
  • The Adventurer
  • Falconry
  • Corrida
  • Don Juan's Childhood
  • Don Juan's Selection
  • Saint George
  • Lady on a Balcony
  • Encounter in the Avenue of Chestnuts
  • The Sisters
  • Piano Practice
  • The Woman in Love
  • Interior of a Rose
  • Portrait of a Lady from the Eighties
  • Lady before a Mirror
  • The Old Lady
  • The Bed
  • The Stranger
  • The Approach
  • The Sundial
  • Opium Poppy
  • The Flamingos
  • Persian Heliotrope
  • Lullaby
  • The Pavilion
  • The Abduction
  • Pink Hydrangea
  • The Coat of Arms
  • The Bachelor
  • The Lone One
  • The Reader
  • The Apple Orchard
  • The Galling of Muhammad
  • The Mountain
  • The Ball
  • The Child
  • The Dog
  • The Scarab
  • Buddha in Glory
  • About the Translator
  • Index of Titles in English
  • Index of Titles in German
Review by Booklist Review

There have been many distinguished translators of Rilke; so many, in fact, that there is even an excellent book by novelist and critic William Gass: Reading Rilke: Reflections on the Problems of Translation (1999). Cadora guitarist, writer, and translator, whose collection The Millennial Fictions (2009) won the Eisner Prize for Prose is the latest. In his introduction, Cadora states, I am convinced that, without the rhyme schemes, Rilke would not be Rilke, and I have endeavored to keep them exact where I could. This decision shapes the book. Many of the poems are sonnets, and while Rilke's immense creativity within formal constraints is apparent, English is not as rhyme rich and some of Cadora's versions sound like tongue twisters. His renderings of the canonical poems, such as The Panther, Orpheus, Eurydice, Hermes, and Archaic Torso of Apollo (to name a few), are worthwhile additions to the enormous body of Rilke's work already translated by others. Cadora's willingness to translate more than four hundred poems is admirable, since many themes recur and develop. This is an uneven but worthwhile volume.--Autrey, Michael Copyright 2010 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Library Journal Review

Bohemian-Austrian poet Rene Karl Wilhelm Johann Josef Maria Rilke (1875-1926)-widely known as Rainer Maria Rilke (The Notebooks of Malte Laurids Brigge; Book of Hours)-is positioned next to German poets Goethe and Friedrich Holderlin and is a rarefied talent in 20th-century poetry. Offering unconventional rhyme schemes and frequent enjambments, Rilke's poems are expressions of deeply felt experience, intense and lyrical: they're more intellectual than emotional-"How I have felt what farewell expresses./ How I still know-a dark, unwounded thing,/ a cruelty where a beautiful coupling/ is once more shown, held back, torn to pieces." From the exemplary "Interior of a Rose," the poet's lines build-"They can barely even contain/ themselves; among them many/ let themselves overflow any/ interior space, and they rain/ into days, closing continually,/ fuller and fuller they gleam,/ until all of summer seems to be/ a room, a room in a dream." Originally published in 1907 and 1908 in two volumes, the 200 poems contained in this bilingual single volume represent a period of intense creativity in the poet's career. Translator Cadora (The Millennial Fictions) renders a beautiful new edition complete with commentary on each poem at the end, based on Rilke's letters, numerous biographies, and related works as well as an introduction outlining his approach to the translation. VERDICT Essential for all poetry collections.-Annalisa Pesek, Library Journal (c) Copyright 2013. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.