The circle

Dave Eggers

Sound recording - 2013

"The Circle is the exhilarating new novel from Dave Eggers, best-selling author of A Hologram for the King, a finalist for the National Book Award. When Mae Holland is hired to work for the Circle, the world's most powerful internet company, she feels she's been given the opportunity of a lifetime. The Circle, run out of a sprawling California campus, links users' personal emails, social media, banking, and purchasing with their universal operating system, resulting in one online identity and a new age of civility and transparency. As Mae tours the open-plan office spaces, the towering glass dining facilities, the cozy dorms for those who spend nights at work, she is thrilled with the company's modernity and activit...y. There are parties that last through the night, there are famous musicians playing on the lawn, there are athletic activities and clubs and brunches, and even an aquarium of rare fish retrieved from the Marianas Trench by the CEO. Mae can't believe her luck, her great fortune to work for the most influential company in the world--even as life beyond the campus grows distant, even as a strange encounter with a colleague leaves her shaken, even as her role at the Circle becomes increasingly public. What begins as the captivating story of one woman's ambition and idealism soon becomes a heart-racing novel of suspense, raising questions about memory, history, privacy, democracy, and the limits of human knowledge"--

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FICTION ON DISC/Eggers, Dave
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Subjects
Genres
Suspense fiction
Published
New York, New York : Books on Tape p2013.
Language
English
Main Author
Dave Eggers (-)
Other Authors
Dion Graham (-)
Edition
Unabridged
Item Description
Title from container.
Physical Description
11 audio discs (approximately 14 hours) : digital ; 4 3/4 in
ISBN
9780804191180
Contents unavailable.
Review by New York Times Review

mae Holland, a woman in her 20s, arrives for her first day of work at a company called the Circle. She marvels at the beautiful campus, the fountain, the tennis and volleyball courts, the squeals of children from the day care center "weaving like water." The first line in the book is: "?My God,' Mae thought. ?It's heaven.'" And so we know that the Circle in Dave Eggers's new novel, "The Circle," will be a hell. The time is somewhere in the not-too-distant future - the Three Wise Men who own and rule the Circle are recognizable as individuals living today. The company demands transparency in all things; two of its many slogans are secrets are lies and PRIVACY IS THEFT. Anonymity is banished; everyone's past is revealed; everyone's present may be broadcast live in video and sound. Nothing recorded will ever be erased. The Circle's goal is to have all aspects of human existence - from voting to love affairs - flow through its portal, the sole such portal in the world. This potential dystopia should sound familiar. Books and tweets and blogs are already debating the issues Eggers raises: the tyranny of transparency, personhood defined as perpetual presence in social networks, our strange drive to display ourselves, the voracious information appetites of Google and Facebook, our lives under the constant surveillance of our own government. "The Circle" adds little of substance to the debate. Eggers reframes the discussion as a fable, a tale meant to be instructive. His instructors include a Gang of 40, a Transparent Man, a shadowy figure who may be a hero or a villain, a Wise Man with a secret chamber and a smiling legion of true-believing company employees. The novel has the flavor of a comic book: light, entertaining, undemanding. Readers who enter the Circle's potential Inferno do not have the benefit of Virgil, Dante's guide through hell and purgatory, but they do have Mae, a naïve girl with the sensibility of a compulsive iPhone Face-Time chatterer. (Oddly, Mae does not lead us through the ranks of programmers - let alone offer a glimpse of a woman programmer - a strange omission in a book purporting to be about technology.) Mae has been introduced to the Circle by her friend and former roommate Annie, who is close to the Three Wise Men. She begins work in lowly Customer Experience, providing boilerplate answers to client questions and complaints. Her performance is tabulated after every interaction, her ratings displayed for all to see. Mae is an eager competitor, earning a record score on her first day. Soon she is a champion Circler, moving ever closer to the company's inner rings. Eventually she becomes as transparent as a person can be within the realm of the Circle: wired for the broadcasting of her every waking move. In the bathroom, for instance, she can turn off the audio, but the camera stays on, focused on the back of the stall door. (If she is silent for too long, her followers send urgent messages asking if she is O.K.) At each advance into "participation" (or descent into hell, as the case may be), Mae is a tail-wagging puppy waiting for the next reward: a better rating, millions of viewers. Far from resisting, she finds each new electronic demand "delicious" and "exhilarating." Now and then, she briefly feels a black "tear" opening inside her, but the feeling comes at improbable moments and in such overheated prose as to parody emotion: "a scream muffled by fathomless waters, that high-pitched scream of a million drowned voices." Can anything prevent Mae's fall into the depths of the Circle? Enter the mysterious Kalden. While everyone else lives in the clear light of transparency, Kalden emerges from the shadows. Everyone working at the Circle can be located, but Kalden's name appears nowhere; Mae experiences his invisibility as "aggressive." Everyone inside the Circle is young and healthy; the outside is for the old and ill. And here is Kalden, who has gray hair yet looks young. The symbolism - is he a vibrant Circler or an old man from the dark outside? - is all too obvious. At their second meeting, Mae follows Kalden down long corridors, through underground tunnels, down and down and down. What she sees in this netherworld is a metallic red box the size of a bus, wrapped in tentacles of "gleaming silver pipes." Kalden tells her it stores the experiences of the Transparent Man, who for five years has recorded everything he has seen and heard. Kalden makes some excuse for the box's huge size, but his technical explanation is ridiculous. There just happens to be a mattress in an alcove, where Mae and Kalden have sex - she thrills as he breathes "fire into her ear." Later Kalden will say the Circle is in fact a "totalitarian nightmare," as if a reader did not know this from the start. Like Kalden, alas, Eggers tends to overexplain. An example of what might have been a fine scene: Mae is with her ex-boyfriend, Mercer, who makes chandeliers out of deer antlers. (Eggers has not been kind to Mercer in giving him this occupation.) Mae takes out her digital device and, without Mercer's asking, starts reciting negative online reviews of his work. He begs her to stop. But Mae reads another: "All those poor deer antlers died for this?" The scene, having established Mae's casual cruelty, should have ended there. Instead it continues for five more pages, during which Mae and Mercer debate the effects of social media. The words "author's message" flash above the scene, as they do above too many others. Do we even care about Mae? What remains of her life outside the Circle - Mercer, her family, her father's multiple sclerosis - she relentlessly (and blithely) draws inside the power ring of the company, to disastrous and tragic effect. And finally Annie, the onetime friend who drew her into the Circle: Mae wants to triumph over her and push her out, again to disastrous effect. A sense of horror finally arrives near the end of the book, coming not through Mae's eyes but through the power of Eggers's writing, which we have been waiting for all along. The final scene is chilling. Mae, then, is not a victim but a dull villain. Her motivations are teenage-internet petty: getting the highest ratings, moving into the center of the Circle, being popular. She presents a plan that will enclose the world within the Circle's reach, but she exhibits no complex desire for power, only a longing for the approval of the Wise Men. She is more a high school mean girl than an evil opponent. Perhaps this is what Eggers wants to say: that evil in the future will look more like the trivial Mae than it will the hovering dark eye of Big Brother. If so, he should have worked much harder to express this profound thought. The characters need substance; Mae must be more than a cartoon. There is an early scene in which Mae could have become a rounded character, one we might worry about. It is her first day on the job. All information on her digital devices has been transferred to the Circle's system. During the introductory formalities, she is asked if she would like to hand over her old laptop for responsible recycling. But Mae hesitates. "Maybe tomorrow," she says. "I want to say goodbye." If there was ever a need for a pause in the narrative, it is after that "goodbye." In the opening of a white space, we might imagine Mae's feelings as she holds the device containing her private experiences. We might linger over what it means to surrender - voluntarily, even eagerly - the last shreds of one's personal life. ELLEN ULLMAN'S most recent book is the novel "By Blood."

Copyright (c) The New York Times Company [November 3, 2013]
Review by Booklist Review

*Starred Review* Most of us imagine totalitarianism as something imposed upon us but what if we're complicit in our own oppression? That's the scenario in Eggers' ambitious, terrifying, and eerily plausible new novel. When Mae gets a job at the Circle, a Bay Area tech company that's cornered the world market on social media and e-commerce, she's elated, and not just because of the platinum health-care package. The gleaming campus is a wonder, and it seems as though there isn't anything the company can't do (and won't try). But she soon learns that participation in social media is mandatory, not voluntary, and that could soon apply to the general population as well. For a monopoly, it's a short step from sharing to surveillance, to a world without privacy. This isn't a perfect book the good guys lecture true-believer Mae, and a key metaphor is laboriously explained but it's brave and important and will draw comparisons to Brave New World and 1984. Eggers brilliantly depicts the Internet binges, torrents of information, and endless loops of feedback that increasingly characterize modern life. But perhaps most chilling of all is his notion that our ultimate undoing could be something so petty as our desperate desire for affirmation. HIGH-DEMAND BACKSTORY: Eggers' reputation as a novelist continues to grow. Expect this title to be talked about, as it has an announced first printing of 200,000 and the New York Times Magazine has first serial rights.--Graff, Keir Copyright 2010 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

When 20-something Mae Holland is recruited to work at the Circle, a sort of social network on steroids that consolidates its users' various online identities (personal e-mail, social media, financial services), she's thrilled at the company's grand modernity and cutting-edge aesthetic. She delights in the Circle's exuberance and the grand fetes it throws. But as her role in the company becomes increasingly public, she becomes increasingly wary of the Circle's role in the lives of Americans. An encounter with Kalden, a shadowy figure who issues ominous pronouncements about the Circle's contribution to a dystopia, further dampens Mae's enthusiasm. Dion Graham provides inventive narration in this audio edition-capturing Mae's breathless enthusiasm at landing the job. Graham also cleanly differentiates between characters, and provides them with simple but unique voices. Despite the longtime audio partnership between Graham and Eggers-the former read A Hologram for the King and A Heartbreaking Work of Staggering Genius-the narrator seems an odd choice for this title given its female protagonist. Graham has a deep, masculine voice-and at times it can be incongruous to hear him approximate the gasps and anxieties of a young woman. A Knopf hardcover. (Oct.) (c) Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review

Here Eggers (A Hologram for the King) pre-sents a dystopian near future where an all-encompassing Facebook/Google/Twitter hybrid offers its TruYou members total connectivity in an increasingly digital world. This satire follows its young protagonist, Mae Holland, as she is drawn ever deeper into the cultlike Circle, even going so far as to agree to "go transparent" by wearing a camera at all times so every moment of her life will be recorded. Despite lapsing occasionally into pedantry, the novel is entertaining and prescient. VERDICT Well read by Dion Graham, this is recommended for the general listener and especially for fans of dystopian literature. ["Eggers's seamless prose will suck readers into his satirical polemic against giving up privacy and should provide plenty of discussion around the water cooler-both literal and digital," read the review of the Knopf hc, LJ Xpress Reviews, 10/18/13.-Ed.]-Wendy -Galgan, St. Francis Coll., Brooklyn (c) Copyright 2014. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

A massive feel-good technology firm takes an increasingly totalitarian shape in this cautionary tale from Eggers (A Hologram for the King, 2012, etc.). Twenty-four-year-old Mae feels like the luckiest person alive when she arrives to work at the Circle, a California company that's effectively a merger of Google, Facebook, Twitter and every other major social media tool. Though her job is customer-service drudgework, she's seduced by the massive campus and the new technologies that the "Circlers" are working on. Those typically involve increased opportunities for surveillance, like the minicameras the company wants to plant everywhere, or sophisticated data-mining tools that measure every aspect of human experience. (The number of screens at Mae's workstation comically proliferate as new monitoring methods emerge.) But who is Mae to complain when the tools reduce crime, politicians allow their every move to be recorded, and the campus cares for her every need, even providing health care for her ailing father? The novel reads breezily, but it's a polemic that's thick with flaws. Eggers has to intentionally make Mae a dim bulb in order for readers to suspend disbelief about the Circle's rapid expansion--the concept of privacy rights are hardly invoked until more than halfway through. And once they are invoked, the novel's tone is punishingly heavy-handed, particularly in the case of an ex of Mae's who wants to live off the grid and warns her of the dehumanizing consequences of the Circle's demand for transparency in all things. (Lest that point not be clear, a subplot involves a translucent shark that's terrifyingly omnivorous.) Eggers thoughtfully captured the alienation new technologies create in his previous novel, A Hologram for the King, but this lecture in novel form is flat-footed and simplistic. Though Eggers strives for a portentous, Orwellian tone, this book mostly feels scolding, a Kurt Vonnegut novel rewritten by the Electronic Frontier Foundation.]] Copyright Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

My god, Mae thought. It's heaven. The campus was vast and rambling, wild with Pacific color, and yet the smallest detail had been carefully considered, shaped by the most eloquent hands. On land that had once been a shipyard, then a ­drive-­in movie theater, then a flea market, then blight, there were now soft green hills and a Calatrava fountain. And a picnic area, with tables arranged in concentric circles. And tennis courts, clay and grass. And a volleyball court, where tiny children from the company's daycare center were running, squealing, weaving like water. Amid all this was a workplace, too, four hundred acres of brushed steel and glass on the headquarters of the most influential company in the world. The sky above was spotless and blue. Mae was making her way through all of this, walking from the parking lot to the main hall, trying to look as if she belonged. The walkway wound around lemon and orange trees and its quiet red cobblestones were replaced, occasionally, by tiles with imploring messages of inspiration. "Dream," one said, the word ­laser-­cut into the red stone. "Participate," said another. There were dozens: "Find Community." "Innovate." "Imagine." She just missed stepping on the hand of a young man in a grey jumpsuit; he was installing a new stone that said "Breathe." On a sunny Monday in June, Mae stopped in front of the main door, standing below the logo etched into the glass above. Though the company was less than six years old, its name and ­logo--­a circle surrounding a knitted grid, with a small 'c' in the ­center--­were already among the ­best-­known in the world. There were more than ten thousand employees on this, the main campus, but the Circle had offices all over the globe, and was hiring hundreds of gifted young minds every week. It had been voted the world's most admired company four years running. Mae ­wouldn't have thought she had a chance to work at such a place, but for Annie. Annie was two years older and they'd roomed together for three semesters in college, in an ugly building made habitable through their extraordinary bond, something like friends, something like sisters or cousins who wished they were siblings and would have reason never to be apart. Their first month living together, Mae had broken her jaw one twilight, after fainting, ­flu-­ridden and underfed, during finals. Annie had told her to stay in bed, but Mae had gone to the ­7-­Eleven for caffeine and woke up on the sidewalk, under a tree. Annie took her to the hospital, and waited as they wired her jaw, and then stayed with Mae, sleeping next to her, in a wooden chair, all night, and then at home, for days, had fed Mae through a straw. It was a fierce level of commitment and competence that Mae had never seen from someone her age or near her age, and Mae was thereafter loyal in a way she'd never known she could be. While Mae was still at Carleton, meandering between majors, from art history to marketing to ­psychology--­getting her degree in psych with no plans to go further in the ­field--­Annie had graduated, gotten her MBA from Stanford and was recruited everywhere, but particularly at the Circle, and had landed here days after graduation. Now she had some lofty ­title--­Director of Ensuring the Future, Annie ­joked--­and had urged Mae to apply for a job. Mae did so, and though Annie insisted she pulled no strings, Mae was sure that Annie had, and she felt indebted beyond all measure. A million people, a billion, wanted to be where Mae was at this moment, entering this atrium, thirty feet high and shot through with California light, on her first day working for the only company that ­really mattered at all. She pushed open the heavy door. The front hall was as long as a parade, as tall as a cathedral. There were offices everywhere above, four floors high on either side, every wall made of glass. Briefly dizzy, she looked downward, and in the immaculate glossy floor, she saw her own face reflected, looking worried. She shaped her mouth into a smile, feeling a presence behind her. "You must be Mae." Mae turned to find a beautiful young head floating atop a scarlet scarf and white silk blouse. "I'm Renata," she said. "Hi Renata. I'm looking ­for--­" "Annie. I know. She's on her way." A sound, a digital droplet, came from Renata's ear. "She's actually..." Renata was looking at Mae but was seeing something else. Retinal interface, Mae assumed. Another innovation born here. "She's in the Old West," Renata said, focusing on Mae again, "but she'll be here soon." Mae smiled. "I hope she's got some hardtack and a sturdy horse." Renata smiled politely but did not laugh. Mae knew the company's practice of naming each portion of the campus after a historical era; it was a way to make an enormous place less impersonal, less corporate. It beat Building ­3B-­East, where Mae had last worked. Her final day at the public utility in her hometown had been only three weeks ­ago--­they'd been stupefied when she gave ­notice--­but already it seemed impossible she'd wasted so much of her life there. Good riddance, Mae thought, to that gulag and all it represented. Renata was still getting signals from her earpiece. "Oh wait," she said, "now she's saying she's still tied up over there." Renata looked at Mae with a radiant smile. "Why don't I take you to your desk? She says she'll meet you there in an hour or so." Mae thrilled a bit at those words, your desk, and immediately she thought of her dad. He was proud. So proud, he'd said on her voicemail; he must have left the message at four a.m. She'd gotten it when she'd woken up. So very proud, he'd said, choking up. Mae was two years out of college and here she was, gainfully employed by the Circle, with her own health insurance, her own apartment in the city, being no burden to her parents, who had plenty else to worry about. Mae followed Renata out of the atrium. On the lawn, under dappled light, a pair of young people were sitting on a manmade hill, holding some kind of clear tablet, talking with great intensity. "You'll be in the Renaissance, over here," Renata said, pointing across the lawn, to a building of glass and oxidized copper. "This is where all the Customer Experience people are. You've visited before?" Mae nodded. "I have. A few times, but not this building." "So you've seen the pool, the sports area." Renata waved her hand off ­toward a blue parallelogram and an angular building, the gym, rising behind it. "Over there there's the yoga studio, crossfit, Pilates, massages, spinning. I heard you spin? Behind that there's the bocce courts, and the new tetherball setup. The cafeteria's just across the grass..." Renata pointed to the lush rolling green, with a handful of young people, dressed professionally and splayed about like sunbathers. "And here we are." They stood before the Renaissance, another building with a ­forty-­foot atrium, a Calder mobile turning slowly above. "Oh, I love Calder," Mae said. Renata smiled. "I know you do." They looked up at it together. "This one used to hang in the French parliament. Something like that." The wind that had followed them in now turned the mobile such that an arm pointed to Mae, as if welcoming her personally. Renata took her elbow. "Ready? Up this way." They entered an elevator of glass, tinted faintly orange. Lights flickered on and Mae saw her name appear on the walls, along with her high school yearbook photo. Welcome Mae Holland. A sound, something like a gasp, left Mae's throat. She ­hadn't seen that photo in years, and had been happy for its absence. This must have been Annie's doing, assaulting her with it again. The picture was indeed ­Mae--­her wide mouth, her thin lips, her olive skin, her black hair, but in this photo, more so than in life, her high cheekbones gave her a look of severity, her brown eyes not smiling, only small and cold, ready for war. Since the ­photo--­she was eighteen then, angry and ­unsure--­Mae had gained ­much-­needed weight, her face had softened and curves appeared, curves that brought the attention of men of myriad ages and motives. She'd tried, since high school, to be more open, more accepting, and seeing it here, this document of a ­long-­ago era when she assumed the worst of the world, rattled her. Just when she ­couldn't stand it anymore, the photo disappeared. "Yeah, everything's on sensors," Renata said. "The elevator reads your ID, and then says hello. Annie gave us that photo. You guys must be tight if she's got high school pictures of you. Anyway, hope you don't mind. We do that for visitors, mostly. They're usually impressed." As the elevator rose, the day's featured activities appeared on every elevator wall, the images and text traveling from one panel to the next. With each announcement, there was video, photos, animation, music. There was a screening of ­Koyaanisqatsi at noon, a ­self-­massage demonstration at one, core strengthening at three. A congressman Mae ­hadn't heard of, ­grey-­haired but young, was holding a town hall at six thirty. On the elevator door, he was talking at a podium, somewhere else, flags rippling behind him, his shirtsleeves rolled up and his hands shaped into earnest fists. The doors opened, splitting the congressman in two. "Here we are," Renata said, stepping out to a narrow catwalk of steel grating. Mae looked down and felt her stomach cinch. She could see all the way to the ground floor, four stories below. Mae attempted levity: "I guess you don't put anyone with vertigo up here." Renata stopped and turned to Mae, looking gravely concerned. "Of course not. But your profile ­said--­" "No, no," Mae said. "I'm fine." "Seriously. We can put you lower ­if--­" "No, no. ­Really. It's perfect. Sorry. I was making a joke." Renata was visibly shaken. "Okay. Just let me know if anything's not right." "I will." "You will? Because Annie would want me to make sure." "I will. I promise," Mae said, and smiled at Renata, who recovered and moved on. Excerpted from The Circle by Dave Eggers All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.