Tamarack County A novel

William Kent Krueger

Sound recording - 2013

Faced with a series of dark occurrences that are linked to a twenty-year-old murder, private investigator Cork O' Connor must stop a vengeful force before his family and friends pay the ultimate price.

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FICTION ON DISC/Krueger, William Kent
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Subjects
Genres
Mystery fiction
Published
Prince Frederick, Md, : Recorded Books p2013.
Language
English
Corporate Author
Recorded Books, LLC
Main Author
William Kent Krueger (-)
Corporate Author
Recorded Books, LLC (-)
Edition
Unabridged
Physical Description
9 audio discs (10 hours, 15 min.) : CD audio, digital ; 4 3/4 in
ISBN
9781470360368
Contents unavailable.
Review by Booklist Review

*Starred Review* If Krueger's publisher had released just one of the scenes in this novel set in the North Woods of Minnesota, the one in which a car spins off an icy road onto the frozen surface of Iron Lake, trapping two young people inside as the ice cracks and water rushes in, the asking price of an entire novel would have been entirely justified. But this is just one of many such scenes of hold-your-breath suspense, heightened by the isolating blizzards of a Minnesota winter and the eerie presence of a stalker. In the thirteenth in Krueger's series starring Cork O'Connor, the Tamarack County private investigator (and former sheriff) is called in to help find a misanthropic judge's wife, who has disappeared. That incident is quickly followed by the killing of a woman friend's dog, with additional evidence indicating that the woman is being stalked. O'Connor is able to trace the incidents to a cold case from more than 20 years before. Complicating matters, O'Connor's son's relationship with the embattled woman's daughter places his son in peril. Because Krueger works in the history of his characters' relationships in a clear and elegant way, this exceptionally scary suspense story will prove riveting for both newcomers to the series and readers who have followed Cork as he and his family have aged and grown.--Fletcher, Connie Copyright 2010 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

Minnesota's haunting Northwoods provide the backdrop for bestseller Krueger's 13th Cork O'Connor novel (after 2012's Trickster's Point), a winter's tale that will both break and warm the reader's heart. Marsha Dross, the Tamarack County sheriff who used to be O'Connor's deputy, calls on the former lawman, now a PI, for help in finding Evelyn Carter, the wife of a retired judge. A snowmobiler found Carter's car abandoned on a remote road in a blizzard. The case soon involves the widowed O'Connor's daughters, Jenny and Anne, and his son, Stephen. Anne is deeply troubled after coming home early from the convent she had hoped to join, and Stephen, gifted with his part-Ojibwe mysticism, envisions a malignant cannibal spirit stalking the O'Connors and their loved ones. Krueger's evident empathy for the Ojibwe and their traditions and values blends seamlessly with horrific violence played out against O'Connor's struggles to heal his family's wounds-and his own. Agent: Danielle Egan-Miller, Browne & Miller Literary Associates. (Aug.) (c) Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved
Review by Kirkus Book Review

Minnesota private eye Cork O'Connor's 13th case is a family affair in all the worst ways. Even though he's no longer sheriff of Tamarack County, Cork is still a member of the Search and Rescue Team. So it's only natural that he'd get a call when Evelyn Carter goes missing. The Buick belonging to the 70-ish wife of irascible retired judge Ralph Carter has been found abandoned with an empty gas tank miles from her home and with no clue of what happened to her--unless you've read the first chapter and already know that she was stabbed to death in the driveway of her own home. Even as Sheriff Marsha Dross and the rest of her team are digging in every snowbank in Tamarack County for Evelyn's remains, there's a second violent attack. While Cork's teenage son Stephen is keeping company with Marlee Daychild, trying to figure out whether they're "just talking" or progressing toward other intimacies, someone cuts off the head of Dexter, the dog belonging to Marlee's uncle, RayJay Wakemup, who's about to be released from prison. (The place where Dexter's head finally turns up is one of the few surprises here.) Ignoring the bloody recent history of Tamarack County (Trickster's Point, 2012, etc.), Cork and company assume that the two incidents are related. They trace them back to the conviction 20 years ago of Cecil LaPointe for the murder of party-girl coed Karyn Bowen, a resolution that depended on Judge Carter's suppression of RayJay's exculpatory evidence. But this ancient case is much less urgent than the questions of whether Cork's daughter Annie will take her vows as a Sister of Notre Dame de Namur or yield to the embraces of teacher Skye Edwards, or what will happen between Stephen and Marlee or between Cork and Marlee's mother. Lacking mystery and low on suspense, this installment reads more like a family in extremis soap opera larded with Native American lore. Wait till next year.]] Copyright Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

Tamarack County CHAPTER 1 Like many men and women who've worn a badge for a good part of their lives, Corcoran Liam O'Connor was cursed. Twice cursed, in reality. Cursed with memory and cursed with imagination. In his early years, Cork had worked for the Chicago PD, the South Side. Then he'd spent a couple of decades in the khaki uniform of the Tamarack County Sheriff's Department, first as a deputy and finally as sheriff. He'd seen the aftermath of head-on collisions, of carelessness or drunkenness around farm or lumbering equipment, of bar fights with broken bottles and long-bladed knives, of suicide and murder in every manner. And so the first curse: he remembered much, and much of his memory was colored in blood. The second curse came mostly from the first. Whenever he heard about a violent incident, he inevitably imagined the details. And so, when he finally understood the truth of what happened to Evelyn Carter, he couldn't keep himself from envisioning how her final moments must have gone. This is what, in his mind's eye, he saw: It was seven o'clock in the evening, ten days before Christmas. The streets of Aurora, Minnesota, were little valleys between walls of plowed snow. It was snowing again, lightly at that moment, a soft covering that promised to give a clean face to everything. The shops were lit with holiday lights and Christmas trees and Santa figures and angels. There were people on the sidewalks, carrying bags and bundles, gifts for under the trees. They knew one another, most of them, and their greetings were sincere good wishes for the season. Evelyn Carter was among them. She was small, not quite seventy. All her life she'd been a good-looking woman and had taken good care of herself, so she was attractive still. She wore an expensive coat trimmed with fox fur, purchased when she'd visited her daughter in New York City in October. On her head was a warm gray bucket hat made of rabbit's fur. In her left hand, she gripped a shopping bag filled with little gifts, stocking stuffers. A cell phone was cradled in the gloved palm of her right hand, and she stood on the sidewalk, looking at a photo of her grandson dressed as a shepherd for the church pageant this coming Sunday. When the door of Lilah Buell's Sweet Shoppe opened at her back, the smell of cinnamon and cider ghosted around her, and she smiled in the wash of the good spirits that seemed to her a beacon of hope in an otherwise dark winter season. Her big black Buick was parked on Oak Street, and by the time she reached it and set her shopping bag in the passenger seat, she was tired. Evelyn had a good but troubled heart. She carried nitroglycerin pills in a tiny bottle in her purse. She was feeling some uncomfortable pressure in her chest, and when she'd finally seated herself behind the wheel, she sat for a moment, letting a nitro pill dissolve under her tongue. She hadn't yet started the engine, and as she sat, the windows gradually fogged from her slow, heavy breathing. She didn't see the figure approaching her door. She was thinking, maybe, about her grandson in Albuquerque, or her daughter in New York City, saddened that all her family had fled Tamarack County and moved so far away. She knew the reason. He was at home, probably staring at the clock, complaining aloud to the empty room that she'd been gone too long and had spent too much. And if it was, in fact, her husband she was thinking of, she probably wasn't smiling and perhaps her chest hurt a little more. The windows were heavy with condensation, and maybe she felt suddenly isolated and alone, parked a block from the bustle of Center Street and the welcoming lights of the shops. So she finally reached out and turned on the engine. She was undoubtedly startled when the shadow loomed against the window glass near the left side of her face. And that damaged thumper of hers probably started hammering a little harder. Then she heard the familiar voice. "Hey, Evelyn, you okay in there?" She pressed the button, and the window glided down. "Hello, Father Ted." It was the priest from St. Agnes, Father Ted Green, bending toward the window and blowing foggy puffs from where he stood on the curb. "I saw you get in and then nothing," he explained with a smile that conveyed both reassurance and concern. "I was afraid maybe you were having some difficulty." He was young and wore a black leather jacket, which looked good on him. To Evelyn Carter, there'd always been something a little James Dean about him (she was fond of saying so over coffee with her friends), and although that unsettled her a bit during Mass, she didn't find it at all unpleasant. "Just tired, Father," she replied. His gaze slid to the shopping bag in the passenger seat. "Busy afternoon, looks like. I hope you're planning on going straight home and getting a little rest." "A little rest would be good," she agreed. "All right, then. See you Sunday. And please give my best to the Judge." He straightened and stood erect, smiling a kind of benediction, and he watched as she pulled carefully into the street and drove slowly away. Later, when he reported this conversation, he would say how wan she looked, and that he continued to worry. She headed past the high school and the gravel pit and took County 6 into the low, wooded hills west of town. The snow was coming down more heavily then, and maybe she was concerned that if it began to fall in earnest, the way it had so often that December, she'd be trapped, alone with her husband until the plows cleared the rural roads. If this was what she was thinking, there was a good chance she was frowning. Two miles out of Aurora, she approached what everyone in Tamarack County called the Orly cutoff. It was washboard dirt and gravel, but it was the quickest way to get to the tiny crossroads known as Orly, if you were in a hurry. Evelyn Carter and her husband, Ralph, whom everyone except Evelyn called the Judge, lived on the cutoff, whose official name was 127th Street. Through a thick stand of birch and aspen long ago blown bare of leaves, Evelyn could see the lights of her home, which had been built a good hundred yards back from the road at the end of a narrow tongue of asphalt. Their nearest neighbor was a full quarter of a mile farther north, and to Evelyn, the lights of her home looked cold and isolated and uninviting. When the Judge finally passed away, she was planning to sell the house and move to New York City, to live where she had family and where there were people all around her instead of trees and emptiness. As she approached her driveway, she slowed. It was a difficult angle, and the Buick was enormous and felt awkward in its maneuvering. She always took the turn with great care. When the Judge was with her, he usually complained that she drove like an old woman. Once she'd negotiated the turn, she stopped abruptly. Someone was kneeling in the middle of the drive. In the headlights, the snow was like a gauzy curtain, and what lay behind it was vague and uncertain. She couldn't quite make out who it was on his knees on the snow-packed asphalt, head bowed as if in prayer. But then she recognized the red wool cap she'd knitted for her husband the Christmas before, and although she couldn't make sense of the whole scene, she relaxed and rolled down her window and called out, "What are you doing there, Ralph?" The figure didn't move or speak. "For heaven's sake, are you all right?" Evelyn was suddenly afraid. Not for her own safety, but for the well-being of her husband. The truth was that, as his faculties had declined and his reliance on her had increased, she'd often imagined his passing, imagined it as if it were the pardon of a long prison sentence. But faced with the actuality of some crisis, her natural response was concern. She unsnapped her seat belt, opened the door, and slid from the car, leaving the engine running as she hurried toward the kneeling figure. Too late, she saw, in the glare of the headlights, the flash of the knife arcing upward to meet her. The blade, large and sharp and made for gutting deer, sliced easily through her fox-fur-trimmed coat and lodged deep in her belly, where the ice-cold steel quickly warmed. And although she was probably too stunned to speak, maybe with a final bewilderment in a life that she'd never really understood anyway, she looked into the face she knew well and asked herself the unanswerable question: Why? Excerpted from Tamarack County by William Kent Krueger All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.