2nd Floor Show me where

323.1196/Lewis
vol. 1: 2 / 2 copies available
vol. 2: 2 / 2 copies available
vol. 3: 2 / 2 copies available
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2nd Floor 323.1196/Lewis v. 1 Checked In
2nd Floor 323.1196/Lewis v. 1 Checked In
2nd Floor 323.1196/Lewis v. 2 Checked In
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Review by Booklist Reviews

*Starred Review* Congressman Lewis, with Michael D'Orso's assistance, told his story most impressively in Walking with the Wind (1998). Fortunately, it's such a good story—a sharecropper's son rises to eminence by prosecuting the cause of his people—that it bears retelling, especially in this graphic novel by Lewis, his aide Aydin, and Powell, one of the finest American comics artists going. After a kicker set on the Edmund Pettus Bridge in Selma, Alabama, on March 7, 1965 (the civil rights movement's Bloody Sunday), the story makes January 20, 2009 (President Obama's inauguration) a base of operations as it samples Lewis' past via his reminiscences for two schoolboys and their mother, who've shown up early at his office on that milestone day for African Americans. This first of three volumes of Lewis' story brings him from boyhood on the farm, where he doted over the chickens and dreamed of being a preacher, through high school to college, when he met nonviolent activists who showed him a means of undermining segregation—to begin with, at the department-store lunch counters of Nashville. Powell is at his dazzling best throughout, changing angle-of-regard from panel to panel while lighting each with appropriate drama. The kineticism of his art rivals that of the most exuberant DC and Marvel adventure comics—and in black-and-white only, yet! Books Two and Three may not surpass Book One, but what a grand work they'll complete. Copyright 2013 Booklist Reviews.

Review by Library Journal Reviews

As a child in the 1940s, Lewis rode in a hand-me-down school bus on the dirt roads that trav-ersed "colored" communities in the South. As a grown-up, he marched repeatedly against dis-crimination, eventually becoming a Representative for Georgia's 5th U.S. Congressional District in 1986. Years later he was a guest of honor at Barack Obama's presidential inauguration. Pow-ell's moody ink-wash art is perfect for this heroic three-volume story. (LJ 7/13) —MC (c) Copyright 2013. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Review by Library Journal Reviews

Comics artist Powell (The Silence of Our Friends; Swallow Me Whole) blogged that Congressman Lewis (Representative for the 5th U.S. Congressional Dist. of Georgia since 1986) "is the sole surviving member of the 'Big Six' of the Civil Rights movement, [and]…was integral in the historic marches from Selma to Montgomery, and generally helped smack institutionalized white supremacy in the nuts and changed the face of 20th century American Society." Growing up in the 1940s, Lewis rode a school bus down dirt roads because roads into "colored" communities weren't paved. Sixty years later, he was a guest of honor at Barack Obama's inauguration. Lewis's remarkable life has been skillfully translated into graphics with the assistance of writer Aydin, a staffer in Lewis's office and his capable Boswell. The art from Eisner and Ignatz Prize winner Powell is perfect for the story, ranging as it does from moody ink-wash to hand-drawn lettering. VERDICT Segregation's insult to personhood comes across here with a visual, visceral punch. Suitable for tweens through teens and adults, this version of Lewis's life story belongs in libraries to teach readers about the heroes of America. Two more volumes are forthcoming, and a teacher's guide is available.—M.C. [Page 69]. (c) Copyright 2013. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Review by Publishers Weekly Reviews

The long-overdue move to chronicle American history in graphic novel form takes another great step forward with this first volume of a projected history of the civil rights struggle. Instead of taking an all-inclusive, Eyes on the Prize–style approach (an epic undertaking that hopefully is on another artist's to-do list), March is told from the perspective of Georgia congressman John Lewis. Listed here as coauthor with Andrew Aydin, Lewis frames his story as a flashback told to a few inquisitive visitors in his Washington office as he is getting ready to attend the inauguration of President Barack Obama. It's an occasionally creaky device that slips sometimes into hagiography, but Lewis's tale is a resolutely dramatic one regardless. Highlighted by dark, neo-noirish art from Nate Powell (The Silence of Our Friends), March tracks Lewis from his hardscrabble childhood on a remote Georgia farm to his gradual awakening to the pernicious evil of segregation and his growing leadership role in Martin Luther King Jr.'s nonviolent resistance movement. If the book strays too far from Lewis himself at times, that's because the momentousness of what's happening around him cannot be ignored. Superbly told history. (Aug.) [Page ]. Copyright 2013 PWxyz LLC

Review by School Library Journal Reviews

Gr 8 Up—Beginning with a dream sequence that depicts the police crackdown on the 1965 Selma-Montgomery March, this memoir then cuts to Congressman John Lewis's preparations on the day of President Obama's inauguration. Lewis provides perspective on the occasion, explaining and describing his own religious and desegregationalist origins in Alabama, his early meeting with Dr. King, and his training as a nonviolent protester. The bulk of the narrative centers around the lunch counter sit-ins in 1959 and 1960 and ends on the hopeful note of a public statement by Nashville Mayor West. The narration feels very much like a fascinating firsthand anecdote and, despite a plethora of personal details and unfamiliar names, it never drags. Even with the contemporary perspective, the events never feel like a foregone conclusion, making the stakes significant and the work important. The narration particularly emphasizes the nonviolent aspect of the movement and the labor involved in maintaining that ideal. The artwork is full of lush blacks and liquid brushstrokes and features both small period details and vast, sweeping vistas that evoke both the reality of the setting and the importance of the events. This is superb visual storytelling that establishes a convincing, definitive record of a key eyewitness to significant social change, and that leaves readers demanding the second volume.—Benjamin Russell, Belmont High School, NH [Page 171]. (c) Copyright 2013. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Review by Publisher Summary 1

A first-hand account of the author's lifelong struggle for civil and human rights spans his youth in rural Alabama, his life-changing meeting with Martin Luther King, Jr., and the birth of the Nashville Student Movement.

Review by Publisher Summary 2

#1 New York Times BestsellerCongressman John Lewis (GA-5) is an American icon and key figure of the civil rights movement. His commitment to justice and nonviolence has taken him from an Alabama sharecropper's farm to the halls of Congress, from a segregated schoolroom to the 1963 March on Washington, and from receiving beatings from state troopers to receiving the Medal of Freedom from the first African-American president.Now, to share his remarkable story with new generations, Lewis presents March, a graphic novel trilogy, in collaboration with co-writer Andrew Aydin and New York Times best-selling artist Nate Powell (winner of the Eisner Award and LA Times Book Prize finalist for Swallow Me Whole).March is a vivid first-hand account of John Lewis' lifelong struggle for civil and human rights, meditating in the modern age on the distance traveled since the days of Jim Crow and segregation. Rooted in Lewis' personal story, it also reflects on the highs and lows of the broader civil rights movement.Book One spans John Lewis' youth in rural Alabama, his life-changing meeting with Martin Luther King, Jr., the birth of the Nashville Student Movement, and their battle to tear down segregation through nonviolent lunch counter sit-ins, building to a stunning climax on the steps of City Hall.Many years ago, John Lewis and other student activists drew inspiration from the 1958 comic book "Martin Luther King and the Montgomery Story." Now, his own comics bring those days to life for a new audience, testifying to a movement whose echoes will be heard for generations.Winner of the Robert F. Kennedy Book Award — Special Recognition#1 Washington Post BestsellerA Coretta Scott King Honor BookAn ALA Notable BookOne of YALSA's Top 10 Great Graphic Novels for TeensOne of YALSA's Top 10 Popular Paperbacks for Young AdultsOne of YALSA's Outstanding Books for the College BoundOne of Reader's Digest's Graphic Novels Every Grown-Up Should ReadEndorsed by NYC Public Schools' "NYC Reads 365" programSelected for first-year reading programs by Michigan State University, Marquette University, and Georgia State UniversityNominated for three Will Eisner AwardsNominated for the Glyph AwardNamed one of the best books of 2013 by USA Today, The Washington Post, Publishers Weekly, Library Journal, School Library Journal, Booklist, Kirkus Reviews, The Horn Book, Paste, Slate, ComicsAlliance, Amazon, and Apple iBooks.