The all-girl filling station's last reunion A novel

Review by New York Times Review

THERE ARE PLENTY of women among the ranks of genre authors, but not many like Sara Paretsky, whose intellectually lively mysteries featuring her gutsy Chicago private eye, V. I. Warshawski, are fired by political causes and feminist social issues. Her latest, critical mass (Putnam, $26.95), hits a nerve with its historical back story about a Viennese atomic physicist named Martina Saginor, "a great scientist who had a gender handicap" and disappeared during World War II - a character inspired by the brilliant but unsung Austrian physicist Marietta Blau. The fictional Martina was last seen as a slave laborer, sent to a concentration camp after working at a German weapons lab in the Austrian Alps. Her young daughter, Käthe, escaped the camps via the Kindertransport, along with a childhood companion, Lotty Herschel. Now an elderly doctor practicing at a Chicago clinic, Lotty has heard alarming news about Käthe's 20-year-old grandson, Martin, who seems to have inherited his great-grandmother's scientific genius and has now gone missing from the energy technology firm where he worked. As a further challenge to V. I., who has taken the case as a favor to Lotty, Martin's mother is a hopeless drug addict who hasn't been seen since she escaped from a meth house where a murder was committed. The drug subplot is an unnecessary complication in an already busy story told in two parallel narratives set in different countries, running on separate timelines and involving four generations of characters. But if the plot mechanics are unwieldy, the character of Martina is the serene center of this fractured universe. Turned out of her job at the Radiation Research Institute, betrayed by a spiteful Nazi student, abandoned by the Nobel Prize-winner scientist who fathered her child, starving and hallucinating in a prison camp, Martina has nothing but science left to console her. "Physics can be just equations and formulas and graphs," writes Paretsky (who was coached in the subject by her husband, a particle physicist who taught at the University of Chicago). "But physics is also a place where you send your mind chasing after the infinite, searching for the harmonies that lie at the heart of nature." Paretsky makes us feel both her own love for science and her fury at the way women like Martina have been denied the pursuit of their passion. FEMINIST OUTRAGE ALSO fuels the politically pointed novels of the Danish writing partners Lene Kaaberbol and Agnete Friis. DEATH OF A NIGHTINGALE (Soho Crime, $26.95) finds Nina Borg, the righteous Red Cross nurse in this series, caught up in another moral quandary. Natasha Doroshenko, a Ukrainian woman who once found refuge at the Red Cross crisis center after taking a knife to her abusive Danish fiancé, is now wanted by the Copenhagen police for his murder. Two officers with the Ukrainian secret police are also hunting Natasha, who's suspected of killing her husband back in Kiev. Standing up to these authorities, Nina is determined to find Natasha, prove her innocence and reunite her with her daughter. Sad as it is, Natasha's story is almost upstaged by a related narrative set in a famine-stricken village in Ukraine in 1934 and involving the desperate choices made by two sisters too young to understand the consequences. Nina is all heart and her efforts to bring justice to women like Natasha are heroic. But compassion isn't enough to solve the social evils that marginalize and then destroy the weak and the helpless. STEVE WEDDLE'S WRITING ÍS downright dazzling in country HARDBALL (Tyrus Books, cloth, $24.99; paper, $16.99), a first novel told in intertwined stories that present a shattering portrait of a depressed rural area on the Arkansas-Louisiana border that seems to be reverting to its wilderness state. Several of the narratives are seen through the eyes of Roy Alison, fresh out of prison and looking to start a new life. But things have changed since he's been away: There's no work, drugs are rampant, families are breaking up, people are losing their homes to the banks, children are giving themselves up to casual cruelty and the boys who went off to war are dying. In this climate of despair, it doesn't take Roy long to hook up with his scary cousin Cleovis to pull off a string of crimes that somehow make him feel alive in this land of the living dead. IT'S REALLY PUSHING it to Call Fannie Flagg's latest novel, the ALL-GIRL FILLING STATION'S LAST REUNION (Random House, $27), a "comic mystery," as her publisher does. Call it, rather, the mystery of Sookie Poole's true identity. Sookie is one of those guilelessly entertaining Southern gals who live only in the author's books. Having spent all her life in Alabama under the critical eye of her tyrannical mother (now there's a character who deserves killing), Sookie is stunned to learn that she isn't who she thinks she is. After a lifetime of looking in the mirror and seeing "a Southern Methodist English person," she discovers that she's actually "an illegitimate Catholic Polish person." Sookie's detective work, tracing her new identity, takes her all the way to Pulaski, Wis., and into the lives of four ebullient sisters who ran their father's gas station during World War II. Honestly, who wouldn't want to be part of that family? ?

Copyright (c) The New York Times Company [November 24, 2013]

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Review by Booklist Review

Aging daughter of the South Sookie Simmons Poole has trudged along cheerfully through life under the shadow of her overbearing mother, Lenore. Faced with empty-nest syndrome, Sookie knows she won't be too bored, since Lenore lives right next door and still has her mail delivered to Sookie's house. When a mysterious letter arrives, Sookie questions everything she ever knew about her family, and her story soon dovetails with that of a proud Polish family from Wisconsin. The Jurdabralinskis' gas station was nearly shuttered when all the area men joined up during WWII, but the family's four girls bravely stepped up. Eldest daughter Fritzi was already a great mechanic, having been a professional stunt plane pilot in the 1930s. When Fritzi joins the WASPS, an elite but downplayed female branch of the U.S. Air Force, the story really comes to life. Flagg's storytelling talent is on full display. Her trademark quirky characters are warm and realistic, and the narrative switches easily between the present and the past. HIGH DEMAND BACKSTORY: Flagg's fans won't be disappointed in this one, and there's a lot to be said for giving tribute to the real-life WASPs (the official records of the force were classified and sealed for nearly 35 years). Great possibilities for nonfiction pairings abound for book clubs.--Vnuk, Rebecca Copyright 2010 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.

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Review by Publisher's Weekly Review

Structured much like Fried Green Tomatoes at the Whistle Stop Cafe, Flagg's latest novel alternates between the pedestrian life of Sookie Poole, a timid middle-aged southern woman and that of her brash, adventurous ancestry, a quartet of polish sisters who ran a filling station and flew planes during WWII. The cataclysmic event that unites these narratives is Sookie's discovery that she was adopted. Her journey into the history of her biological family is excruciatingly slow, but the history-particularly of the WASPs, a division of all-female pilots who flew support missions for the Air Force and were written promptly out of history after the war ended proves more entertaining and helps redeem the plot. The language is accessible and much of the backstory is delivered via letters, rendering the voices of the characters authentic, even if they are a bit stock-the archetypal aging southern lady heroine, for example, has a wacky new-age best friend, an overbearing mother, and a Yankee psychiatrist. Readers looking for nuance will not find it here, but there are plot twists, adventure, heartbreak, and familial love in spades, making this the kind of story that keeps readers turning pages in a fever. (Nov.) © Copyright PWxyz, LLC. All rights reserved.

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Review by Library Journal Review

Alabama sweetheart Sookie Poole has been a loving wife, a caring mother, and, most important, a patient daughter. Her formidable yet ailing mother never seemed to approve of her as a child. Now approaching 60, Sookie receives some unexpected news about her past that has her questioning both her family history and her mother's constant cold shoulder. While searching for answers, Sookie uncovers Fritzi Jurdabralinski, the eldest of four Polish sisters who ran an all-girl gas station during the 1940s in Pulaski, WI. During World War II, Fritzi became a Fly Girl, transporting military aircraft as a member of the Women Airforce Service Pilots (WASP). After learning of Fritzi's adventures, Sookie is inspired to reexamine her own life. VERDICT Yet again, Flagg (I Still Dream About You) delivers a book full of heartwarming charm that is sure to provoke lighthearted laughter. A complex story told simply and honestly, this is an easy read and another treat for Flagg fans. [See Prepub Alert, 5/13/13.]-Shannon Marie Robinson, Denison Univ. Lib., Granville, OH (c) Copyright 2013. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

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Review by Kirkus Book Review

Flagg highlights a little-known group in U.S. history and generations of families in an appealing story about two women who gather their courage, spread their wings and learn, each in her own way, to fly (I Still Dream About You, 2010, etc.). After marrying off all three of her daughters (one of them twice to the same man), Sookie Poole is looking forward to kicking back and spending time with her husband and her beloved birds. She's worked hard throughout life to be a good mother to her four children and a perfect daughter to her octogenarian mother. Lenore Simmons Krackenberry's a legend in Point Clear, Ala., and has always been narcissistic, active in all the "right" organizations, and extremely demanding. She's also become increasingly bonkers, a disorder that seems to run in the Simmons family. Throughout much of her life, Sookie's never felt as if she's measured up to Lenore's exacting standards, and she's terrified she, too, might lose her marbles. Then, Sookie receives an envelope filled with old documents that turn her world and her beliefs about herself and her family topsy-turvy. Her emotional quest for answers leads Sookie down a winding yet humorous path, as she meets with a young psychiatrist at the local Waffle House and tracks down descendants of a Polish immigrant who opened a Phillips 66 filling station in Pulaski, Wis., in 1928. What she discovers about the remarkable Jurdabralinski siblings inspires her: Fritzi, the eldest daughter, developed a unique idea to keep her father's business operating during difficult times, but her true passion involved loftier goals. During World War II, she used her exceptional skills to serve her country in an elite program, and two of her sisters followed suit. Finding inspiration in their professional and personal sacrifices, Sookie discovers her own courage to make certain decisions about her life and to accept and take pride in the person she is. This is a charming story written with wit and empathy. The author forms a comfortable bond with readers and offers just the right blend of history and fiction. Flagg flies high, and her fans will enjoy the ride.]] Copyright Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

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A MOST UNUSUAL WEEK   POINT CLEAR, ALABAMA MONDAY, JUNE 6, 2005 76° AND SUNNY   MRS. EARLE POOLE, JR., BETTER KNOWN TO FRIENDS AND FAMILY AS Sookie, was driving home from the Birds-R-Us store out on Highway 98 with one ten-pound bag of sunflower seeds and one ten-pound bag of wild bird seed and not her usual weekly purchase for the past fifteen years of one twenty-pound bag of the Pretty Boy Wild Bird Seed and Sunflower Mix. As she had explained to Mr. Nadleshaft, she was worried that the smaller birds were still not getting enough to eat. Every morning lately, the minute she filled her feeders, the larger, more aggressive blue jays would swoop in and scare the little birds all away.   She noticed that the blue jays always ate the sunflower seeds first, and so tomorrow, she was going to try putting just plain sunflower seeds in her backyard feeders, and while the blue jays were busy eating them, she would run around the house as fast as she could and put the wild bird seed in the feeders in the front yard. That way, her poor finches and titmice might be able to get a little something, at least.   AS SHE DROVE OVER the Mobile Bay Bridge, she looked out at the big white puffy clouds and saw a long row of pelicans flying low over the water. The bay was sparkling in the bright sun and already dotted with red, white, and blue sailboats headed out for the day. A few people fishing alongside the bridge waved as she passed by, and she smiled and waved back. She was almost to the other side when she suddenly began to experience some sort of a vague and unusual sense of well-being. And with good reason.   Against all odds, she had just survived the last wedding of their three daughters, Dee Dee, Ce Ce, and Le Le. Their only unmarried child now was their twenty-five-year-old son, Carter, who lived in Atlanta. And some other poor (God help her), beleaguered mother of the bride would be in charge of planning that happy occasion. All she and Earle would have to do for Carter's wedding was show up and smile. And today, other than one short stop at the bank and picking up a couple of pork chops for dinner, she didn't have another single thing she had to do. She was almost giddy with relief.   Of course, Sookie absolutely worshipped and adored her girls, but having to plan three large weddings in fewer than two years had been a grueling, never-ending, twenty-four-hours-a-day job, with all the bridal showers, picking out patterns, shopping, fittings, writing invitations, meeting with caterers, figuring out seating arrangements, ordering flowers, etc. And between dealing with out-of-town guests and new in-laws, figuring out where to put everyone, plus last-minute bridal hysteria, at this point, she was simply weddinged out.   And no wonder. If you counted Dee Dee's last one, technically there had really been four large weddings, which meant shopping and being fitted for four different mother-of-the-bride dresses (you can't wear the same one twice) in less than two years.   Dee Dee had married, then promptly divorced. And after they had spent weeks returning all the wedding gifts, she had turned around and remarried the exact same husband. Her second wedding hadn't been quite as expensive as the first, but every bit as stressful.   When she and Earle had married in 1968, it had been just a typical church affair: white wedding gown, bridesmaids in matching pastel dresses and shoes, ring bearer, best man, reception, over and out. But now everybody had to have some kind of a theme.   Dee Dee had insisted on having an authentic Old South Gone with the Wind wedding, complete with a Scarlett O'Hara dress, large hoop skirt and all, and at the last minute, she had to be driven to the church standing up in the back of a small moving van.   Le Le and her groom wanted an entirely red and white wedding, including the invitations, food, drinks, and all the decorations, in honor of the University of Alabama football team.   And Ce Ce, Le Le's twin sister, the last girl to marry, had carried her ten-pound Persian cat, Peek-a-Boo, down the aisle instead of a wedding bouquet, and the groom's German shepherd, dressed in a tux, had served as best man. And if that wasn't bad enough, someone's turtle was the ring bearer. The entire thing had just been excruciating. You can't hurry a turtle.     LOOKING BACK ON IT now, Sookie realized she really should have put her foot down when Ce Ce and James invited all their friends to bring their pets to the reception, but she had made a sacred vow to never bully her children. Nevertheless, having to replace an entire banquet room's wall-to-wall carpeting at the Grand Hotel was going to cost them a fortune. Oh, well. Too late now. Hopefully, all that was behind her, and evidently not a minute too soon.   Two days ago, when Ce Ce left for her honeymoon, Sookie had broken down and sobbed uncontrollably. She didn't know if she was experiencing empty-nest syndrome or just plain exhaustion. She knew she must be tired. At the reception, she had introduced a man to his own wife. Twice.   The truth was, as sad as she was to see Ce Ce and James drive off, she had been secretly looking forward to going home, taking off all her clothes, and crawling into bed for about five years, but even that had been put on hold. At the last minute, James's parents, his sister, and her husband had decided to stay over an extra night, so she had to quickly try and whip up a little "going away" brunch for them.   Granted, it wasn't much: Earle's coconut margaritas, an assortment of crackers, cream cheese and pepper jelly, shrimp and grits, crab cakes with coleslaw, and tomato aspic on the side. But still, it had taken some effort.       WHEN SOOKIE DROVE INTO the little town of Point Clear and passed the Page and Palette bookstore, it occurred to her that maybe tomorrow, she would stop in and pick up a good book. She hadn't had time to read anything other than her daily horoscope, the Kappa newsletter, and an occasional Birds and Blooms magazine. We could be at war for all she knew. But now, she was actually going to be able to read an entire book again. She suddenly felt like doing the twist right there in the front seat, which only reminded her how long it had been since she and Earle had learned a new dance step. She had probably even forgotten how to do the hokey pokey.   All she really had left to deal with was her eighty-eight-year-old mother, the formidable Mrs. Lenore Simmons Krackenberry, who absolutely refused to move to the perfectly lovely assisted-living facility right across town. And it would be so much easier on everybody if she would. The maintenance on her mother's yard alone was extremely expensive, not to mention the yearly insurance. Since the hurricane, the insurance on everybody's house on the Mobile Bay had gone sky-high. But Lenore was adamant about never leaving her home and had announced with a dramatic gesture, "Until they carry me out feetfirst."   Sookie couldn't imagine her mother leaving anywhere feetfirst. As long as she and her brother, Buck, could remember, Lenore, a large imposing woman who wore lots of scatter pins and long, flowing scarves, and had her silver hair teased and sprayed into a perfect winged-back flip, had always rushed into a room headfirst. Buck said she looked like something that should be on the hood of a car, and they had secretly referred to her as "Winged Victory" ever since. And Winged Victory never just left a room; she whisked out with a flourish, leaving a cloud of expensive perfume in her wake. Never a quiet woman in any sense of the word, much like a show horse in the Rose Parade, she could be heard coming a mile away, due to the loud jingling of the numerous bracelets, bangles, and beads she always wore. And she was usually speaking long before she came in sight. Lenore had a loud booming voice and had studied "Expression" while attending Judson College for women, and to the family's everlasting regret, the teacher had encouraged her.   Now, due to certain recent events, including her setting her own kitchen on fire, they had been forced to hire a twenty-four-hour live-in nurse for Lenore. Earle was a successful dentist with a nice practice, but they were by no means rich, and certainly not now, with all the money they had spent sending the children to college, the weddings, Lenore's mortgage, and now the nurse. Poor Earle might not be able to retire until he was ninety, but the nurse was a definite necessity.   "Lenore, who was not only loud but also extremely opinionated and voiced her opinion to everyone within earshot, had suddenly started calling total strangers long-distance. Last year, she had called the pope in Rome, and that call alone had cost them more than three hundred dollars. When confronted with the bill, Lenore had been incensed and said that she shouldn't have to pay a dime because she had been on hold the entire time. Try telling that to the phone company. And there was no reasoning with her. When Sookie asked why she had called the pope, considering that she was a sixth-generation dyed-in-the-wool Methodist, Lenore had thought for a moment and said, "Oh ... just to chat." Excerpted from The All-Girl Filling Station's Last Reunion: A Novel by Fannie Flagg All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.

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