Daddy's gone a hunting

Mary Higgins Clark

Large print - 2013

When her sister is wrongly implicated in an explosion that has destroyed her family's priceless antiques business and killed an employee, Hannah struggles to find clues in the ashes and discovers a life-threatening secret from the past.

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LARGE PRINT/FICTION/Clark, Mary Higgins
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Subjects
Genres
Mystery fiction
Suspense fiction
Published
Waterville, Maine : Thorndike Press 2013.
Language
English
Main Author
Mary Higgins Clark (-)
Edition
Large print edition
Item Description
"Thorndike Press large print basic"--Title page verso.
Physical Description
503 pages (large print) ; 23 cm
ISBN
9781410455987
Contents unavailable.
Review by Publisher's Weekly Review

In this tale about three seemingly separate murders committed years apart, Jan Maxwell's skillful narration ranges from intimate (when detailing the characters' backstories) to cold and clinical (when describing the characters' bad behavior). Since the novel, set in New York, involves murder in triplicate, the cast is extraordinarily large-with some characters connected to the long-ago disappearance of a young waitress, some to the not-so-long-ago drowning of a social worker, and still others to a more recent explosion at protagonist Hannah Connelly's family-owned furniture store. That explosion took the life of former employee Gus Schmidt and left Hannah's sister Kate in a coma. Maxwell carefully provides each character with a unique voice. For example, Hannah's initially quiet speech takes on a gradually increasing edginess the closer she comes to uncovering the identities of the villains and revealing her family's secrets. Gus's aged widow has just enough of a Germanic accent to suggest her European roots. The rest of the players are given fully imagined voices, from Hannah's self-centered father, whose florid bombast is often slurred by drink, to a homeless Vietnam vet whose native New York accent is spoken with a thick tongue and inflected by mental and physical illness. A Simon & Schuster hardcover. (April) (c) Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review

In Clark's (Just Take My Heart) latest suspense novel, the Connelly family's antique furniture reproduction factory explodes in the predawn hours. The explosion kills Gus, one of its master craftsmen, and severely injures Kate, the owner's daughter. A grisly 28-year-old secret is unearthed in the rubble. Many twists and turns and seemingly unrelated incidents are masterfully brought together at the conclusion of the tale. Jan Maxwell does an excellent job reading the book. Using tone of voice and regional accents, Maxwell captures each character's personality and behavior traits. VERDICT Highly recommended for all Clark fans and patrons who want to listen to a great mystery. ["Clark still delivers a delicious mystery after a 40-year reign as the prolific queen of suspense. Her tautly interwoven story lines, colorful characters, and suspenseful twists will enthrall mystery and fiction readers," read the review of the New York Times best-selling S. & S. hc, LJ Xpress Reviews, 3/29/13.-Ed.]-Ilka Gordon, Aaron Garber Lib., Cleveland (c) Copyright 2013. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

Clark follows a complicated family mystery in this familiar story of individuals caught up in past misdeeds and present tragedies. As sisters, Kate and Hannah Connelly couldn't be more unalike: One is tall, blonde and good with numbers, the other, short with charcoal brown hair, is a budding fashion designer. But the two sisters share more than simply the bond that comes with being siblings--they have a father who is distant, self-absorbed and disinterested in their concerns. The three are tied together by virtue of the family business, which produces high-quality antique reproductions. When the quality of the products and orders fall off, the girls pressure their father, who wants to be called by his first name, Doug, to sell out. He refuses, despite their best efforts. Then, one night, the complex explodes, killing a former employee and landing Kate in the hospital, unconscious and fighting for her life. Clark then trots out the current plant manager; the widow and daughter of the dead man; two fire marshals, along with the wife of one of them; a woman whose daughter disappeared after moving to New York City in order to become an actress and her son, who is a lawyer; the family of a college student who was murdered two years earlier; a retired police detective; Hannah's best friend; and a plethora of other characters, all of whom are described down to their dental work. Also figuring heavily in the plot is a long-ago accident in which a boat driven by Doug Connelly sank and killed his wife, Susan, and his brother and the aftereffects of the Vietnam War. While the two fire marshals inexplicably continue to follow a case that spreads to include not simply arson, but other, more serious crimes that are not related to the explosion, the other characters find their lives and fates converging. Too many characters and too much extraneous information pad this lackluster tale that will resonate with Clark die-hards but won't bring new converts to the fold.]] Copyright Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

Daddy's Gone A Hunting 1 Thursday, November 14 At four o'clock in the morning, Gus Schmidt dressed silently in the bedroom of his modest home on Long Island, hoping not to disturb his wife of fifty-five years. He was not successful. Lottie Schmidt's hand shot out to fumble for the lamp on the night table. Blinking to clear eyes that were heavy with sleep, she noticed that Gus was wearing a heavy jacket, and demanded to know where he was going. "Lottie, I'm just going over to the plant. Something came up." "Is that why Kate called you yesterday?" Kate was the daughter of Douglas Connelly, the owner of Connelly Fine Antique Reproductions, the furniture complex in nearby Long Island City where Gus had worked until his retirement five years earlier. Lottie, a slight seventy-five-year-old with thinning white hair, slipped on her glasses and glanced at the clock. "Gus, are you crazy? Do you know what time it is?" "It's four o'clock and Kate asked me to meet her there at four thirty. She must have had her reasons and that's why I'm going." Lottie could see that he was clearly upset. Lottie knew better than to ask the question that was on both their minds. "Gus, I've had a bad feeling lately. I know you don't want to hear me talk like this, but I sense something dark is going to happen. I don't want you to go." In the shadowy 60-watt light of the night table lamp they glared at each other. Even as Gus spoke, he knew deep down he was frightened. Lottie's claim to be psychic both irritated and scared him. "Lottie, go back to sleep," he said angrily. "No matter what the problem is, I'll be back for breakfast." Gus was not a demonstrative man but some instinct made him walk over to the bed, lean down, kiss his wife's forehead, and run his hand over her hair. "Don't worry," he said firmly. They were the last words she would ever hear him say. Excerpted from Daddy's Gone a Hunting by Mary Higgins Clark All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.