The Civil War in 50 objects

Harold Holzer

Book - 2013

Offers a visual perspective on the Civil War as reflected by artifacts ranging from a soldier's footlocker and the Emancipation Proclamation to leaves from Abraham Lincoln's bier and Grant's handwritten terms of surrender at Appomattox.

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Subjects
Published
New York : Viking c2013.
Language
English
Corporate Author
New-York Historical Society
Main Author
Harold Holzer (-)
Corporate Author
New-York Historical Society (-)
Other Authors
Eric Foner, 1943- (-)
Physical Description
xxxiii, 380 p. : col. ill. ; 24 cm
Bibliography
Includes bibliographical references (p. 347-354) and index.
ISBN
9780670014637
  • Foreword
  • Preface
  • Introduction
  • 1. Chains That Bind
  • Slave Shackles Intended for a Child, ca. 1800
  • 2. The Human Face of Slavery
  • Daguerreotype of Caesar: A Slave, ca. 1850
  • 3. Old Kentucky Home
  • Negro Life at the South, Painting by Eastman Johnson, 1859
  • 4. For Sale to the Highest Bidder
  • The Slave Auction, Sculpture by John Rogers, 1859
  • 5. Weapon of Last Resort
  • "John Brown" Pike, ca. 1857-1859
  • 6. John Brown's Body
  • John Brown's Blessing, Painting by Thomas Satterwhite Noble, 1867
  • 7. The Animal Himself
  • Right Hand of Abraham Lincoln, Cast by Augustus Saint-Gaudens, 1886, from 1860 Original by Leonard Wells Volk
  • 8. Secession, New York Style
  • To the People of Louisiana, their Executive and Representatives Greeting, Broadside, January 29, 1861
  • 9. Where the Civil War Began
  • South-Western Angle of Fort Sumter, Charleston Harbor, S.C., April 15, 1861, Photographic Print by Alma A. Pelot
  • 10. "Flagmania"
  • Flag, 1861
  • 11. The Palmetto and the Snake
  • Confederate Palmetto Flag, 1861
  • 12. To Arms!
  • A Great Rush to Join the 36th Regiment, New York Volunteers, Woodcut, ca. 1862
  • 13. Uniform Courage
  • Zouave Uniform, ca. 1861-1863
  • 14. Divided Loyalties
  • Letter from Howard Gushing Wright to His Mother, 1861
  • 15. Blarney from Bull Run?
  • Return of the 69th (Irish) Regiment, N.Y.S.M. from the Seat of War, Painting by Louis Lang, 1862-1863
  • 16. "Reuniting" a Shattered Family
  • The Lincoln Family in 1861, Painting by Francis Bicknell Carpenter, ca. 1865
  • 17. Distant Drums
  • Snare Drum, ca. 1860-1865
  • 18. Thoughts of the Future-but Where?
  • Thoughts of the Future, Painting by Edwin White, 1861
  • 19. There's Something in It
  • Half Model of the USS Monitor, 1862
  • 20. Key to Confederate Victory?
  • Cipher Key, ca. 1861
  • 21. Hidden Glory
  • An Episode of the War-the Cavalry Charge of Lt. Henry B. Hidden, Painting by Victor Nehlig, 1862
  • 22. A Diarist in Action
  • Diary of William Rothert, 1861-1862
  • 23. Tailor-Made Souvenirs of Battle
  • Military Buttons Mounted on Card, 1860-1864
  • 24. An Early Call to Recruit Black Troops
  • Petition to Abraham Lincoln for Recruitment of Black Troops, 1862
  • 25. If My Name Ever Goes into History, It Will Be for This Act
  • By the President of the United States of America. A Proclamation, Abraham Lincoln, 1863
  • 26. A Dentist Drills Lincoln
  • Writing the Emancipation Proclamation, Etching by Adalbert Johann Volck, 1863
  • 27. Frederick Douglass's Call to Arms
  • Men of Color, to Arms!
  • Broadside by Frederick Douglass, 1863
  • 28. Suffered Severely and Behaved Well
  • Emily J. Semmes to Paul Jones Semmes, Letter, June 1, 1863
  • 29. Emancipated by War
  • Arrival at Chickasaw Bayou of Jefferson Davis' Negroes from His Plantation on the Mississippi Below Vicksburg, Mississippi, Drawing by Frederick B. Schell, ca. 1863
  • 30. Wallpaper News for Cave Dwellers
  • The Daily Citizen, Newsprint on Wallpaper, 1863
  • 31. Wheel of Misfortune
  • Draft Wheel, ca. 1863
  • 32. Charred Survivor of an Urban Riot
  • Bible Used at Colored Orphan Asylum, ca. 1863
  • 33. Traveling Light
  • Footlocker with Belongings, 1860-1890
  • 34. Learning to Read, Dixie Style
  • The First Dixie Reader, 1864
  • 35. An Ovation-and a Banner-for Black Troops
  • Presentation Address of the Ladies of the City of New York to the Officers and Men of the Twentieth United States Colored Troops, 1864
  • 36. A Modern Major General
  • Ulysses Simpson Grant (1822-1885), Painting by James Reid Lambdin, 1868
  • 37. All's Fair
  • Entry Ticket for the New York Metropolitan Fair, 1864
  • 38. The Faces of War
  • Photograph Album Presented to Major M. S. Euen by Co. C, P.P., 1860-1869
  • 39. Strong Opinions
  • Entries from the Diary of George Templeton Strong, 1864
  • 40. Prison Art
  • Point Lookout Sketches, Watercolor Drawings, 1864
  • 41. Tribute from a Bad Man?
  • Colored Troops Before Richmond, Engraved Silver, 1864-1865
  • 42. Political Dirty Tricks
  • The Miscegenation Ball, Lithograph, 1864
  • 43. Lincoln's Worst Mistake?
  • Campaign Flag, 1864
  • 44. Counting Votes, Lincoln's Way
  • Projection of November 1864 Election, Abraham Lincoln, 1864
  • 45. Publish or Perish?
  • Prison Times, Newspaper, 1865
  • 46. The Draft That Really Ended the War
  • Terms of Surrender, April 9, 1865, Ulysses S. Grant
  • 47. Bloody Good Friday
  • Letter from Clara Harris to Mary, April 25, 1865
  • 48. A Sprig from Lincoln's Bier
  • Framed Leaves from Abraham Lincoln's Bier, 1865
  • 49. A Helping Hand for the Wounded Veteran
  • Autograph Letter from Joe W. Mersereau to William Oland Bourne, 1865
  • 50. It Winds the Whole Thing Up
  • The Thirteenth Amendment to the U.S. Constitution, Manuscript, 1865
  • Acknowledgments
  • Bibliography
  • List of Objects
  • Index
Review by Booklist Review

*Starred Review* This excellent collection of 50 Civil War artifacts is accompanied by beautifully written and incisive essays by acclaimed historian Holzer. Timed for publication to coincide with the 150th anniversary of the Battle of Gettysburg, the book's 50 artifacts have been well selected in an effort to emphasize the personal, human aspects of the conflict. The contents of a footlocker belonging to a Union officer are both informative and eerily intimate. A faded daguerreotype of an elderly slave seems to imbue him with both dignity and courage. A lithograph printed by the virulently anti-Lincoln New York World attempts to stoke fears of miscegenation during the 1864 political campaign. A letter written by a New Yorker who chose to fight for the Confederacy is both passionate and poignant, considering that he later gave his life for the cause. For both Civil War buffs and general readers, this collection should be a treasure.--Freeman, Jay Copyright 2010 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

Lincoln scholar Holzer and the New-York Historical Society scour the museum's archives to fashion an object-oriented Civil War history. Presented in chronological order, the objects serve as a means for Holzer to discuss the history of the war: he begins with "bilboes", shackles for child slaves, and moves to paintings, newspapers, buttons, and flag fragments. The most interesting moments arise when Holzer opens up little-known parts of history. The draft riots of 1863 are represented by the tumbler used to draw names for military service and a burnt Bible recovered from the ashes of an orphanage. There is a ticket to one of many fund-raisers for those injured in battle. On the whole, the objects are somewhat obvious: a drum, leaves from Lincoln's funeral, diary entries and letters. As a focal point, the book uses New York's fickle role in the war-the city tried to secede alongside the South before reluctantly siding with the Union-and offers a fresh take on a well-trod topic. However, most of these objects relate stories we already know and Holzer's short accompanying bios provide little new insight; it will be welcomed in classrooms and by those who know only the basics of the war. (May) © Copyright PWxyz, LLC. All rights reserved.


Review by Library Journal Review

Through narratives on pieces from the collections of the New-York Historical Society (N-YHS), of which he is a fellow, Holzer (Lincoln at Cooper Union) suggests that history is the sum of evidence-based stories. Out of an enormous number of Civil War-related pieces at the N-YHS, Holzer's selections include a slave's shackles; a Union soldier's diary; a model of the ironclad USS Monitor; Lincoln's scribbled musings on his reelection chances; a carbon copy of General Grant's handwritten terms of surrender presented to General Lee; and a Confederate POW newspaper. As a whole, the book demonstrates the educational role of museums and the invaluable contributions made by their seasoned interpreters. Meredith Brown's Touching America's History is a similar treatment, but focuses on family heirlooms, while Neil MacGregor's A History of the World in 100 Objects used the British Museum's holdings as its basis. VERDICT This illustrated presentation can be used by both onsite and would-be visitors and may inspire others to conduct similar research. It will be a popular choice for museum curators and docents as well as history enthusiasts, especially during the Civil War's sesquicentennial. [Smithsonian Civil War: Inside the National Collection (Oct. 2013) will show Civil War history through 150 objects in its collections.-Ed.]-Frederick J. Augustyn Jr., Lib. of Congress, Washington, DC (c) Copyright 2013. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

A modern dean of Civil War studies offers an illuminating account of the conflict as reflected in material culture. Holzer (Lincoln on War, 2011, etc.), working through the archives of the New-York (always with the hyphen) Historical Society, unearths treasures, if sometimes grim ones. The first, for instance, is a set of manacles made for a child slave, which serves to establish the incontestable fact that, at least for the North, the war was "somehow about slavery," as Lincoln said; it also affords Holzer the opportunity to relate that, well after the war ended, some former slaveholders still treated their former property as bonded to them. He closes the book with a copy of the Thirteenth Amendment, outlawing slavery in the United States--which, Holzer pointedly notes, was not ratified in Mississippi until 1995. Elsewhere, the author writes of Northern vexillomania--i.e., the passionate embrace of the Union flag in public demonstrations in New York and other cities following the fall of Fort Sumter. He also notes that "not every New Yorker volunteered to fight for the Union, or even support the Union cause," and he follows with the tale of one who died in combat on April 14, 1865--which is to say, after the surrender at Appomattox. Holzer's choice of objects is spot-on, and the anecdotes they occasion are even more so, particularly when he turns to little-commemorated episodes such as the valiant charge of 14 New York dragoons against a much larger Confederate force (it did not end well for the dragoons) and the effect of the Union blockade on school primers in the South. A valuable addition to the popular literature of the Civil War, well-conceived and packaged.]] Copyright Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.