Helga's diary A young girl's account of life in a concentration camp

Helga Weissová, 1929-

Book - 2013

Helga's Diary is a young girl's remarkable first-hand account of life in the Terezin concentration camp during World War II. The drawings and paintings that Helga made during her time in Terezin, which accompany this diary, were published in 1998 in the book Draw What You See (Zeichne, was Du siehst).

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Subjects
Published
New York : W.W. Norton 2013.
Language
English
Czech
Main Author
Helga Weissová, 1929- (-)
Edition
First American edition
Physical Description
248 pages : illustrations, maps ; 22 cm
Bibliography
Includes bibliographical references.
ISBN
9780393077971
  • Maps
  • Helga's Journey
  • Terezín
  • Introduction
  • Author's Note
  • Helga's Diary
  • 1. Prague
  • 2. Terezín
  • 3. Auschwitz, Freiberg, Mauthausen, Home
  • Interview with Helga Weiss
  • Translator's Note
  • Glossary
  • Illustration Credits
Review by Booklist Review

As the number of Holocaust survivors dwindles dramatically, the potency of ­firsthand accounts increases with each passing year. Weiss' adolescent diary begins in Prague in 1938 with the Nazi occupation and ends shortly before her deportation from the Terezin concentration camp to Auschwitz in September 1944. Preserved by her uncle, who bricked it into a barracks wall at Terezin, her diary was completed after the war by her recording of later experiences at the Auschwitz, Freiberg, and Mauthausen camps. Illustrated with family photographs and her own paintings and drawings, Helga's Diary serves as a remarkable testament to her horrific journey and the ultimate resiliency of youth. Since so few of the approximately 15,000 children interred in Terezin survived, Helga's Diary, like the collective reminiscences in Hannelore Brenner's The Girls of Room 28 (2009), must speak for all the young voices that were prematurely stifled.--Flanagan, Margaret Copyright 2010 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

Weiss begins her diary as a frightened eight-year-old in a bomb shelter, wondering what the Czechoslovakian government means by the declaration of "mobilization." The scene sets the tone of fear and confusion that will dominate her life for the next several years, the bulk of which she spends in the Jewish ghetto, Terezin. Her writings describe both the torturous physical circumstances of daily life, as well as the psychological toll wrought by ceaseless anxiety, degradation, and survivor's guilt. Although readers know Weiss will be among the approximately 1% of children who survive the camp, the section covering the eve of the war's end-when the SS race around with Weiss's group of dying Jews in cattle cars to find an open extermination camp, but are blocked at every turn by advancing Allies-is still a breathtaking account of the fate to which she had resigned herself. In a 2011 end-of-book interview, Weiss explains why it's worth reading another Holocaust account: "Because it's narrated in a half-childish way, it's accessible and expressive, and I think it will help people to understand those times." Indeed, an adolescent's take on such horrors-accompanied by the adult Weiss's paintings-is a chilling testament to the tragedy of the Holocaust. 16 color illus., photos, maps, and glossary. (Apr.) (c) Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review

Helga Weiss (b. 1929) offers readers a narrative that adds to our understanding of the Nazi occupation and of daily life for prisoners in the Third Reich's concentration camps. Her diary begins in Prague during 1939, describing the humiliating and brutal treatment of the Jews by the invading Nazis. Weiss then continued her diary while interned at Terezin-the German prison camp from which Jews were then assigned to the death camps. Weiss's uncle, also a prisoner there, hid her writings behind a brick wall after Weiss was transported to Auschwitz. He recovered it shortly after the war and returned it to her. She herself narrowly escaped death. Edited and enhanced by the author after the war, this first-person account, which Weiss much later rediscovered among her possessions, is a powerful report of the systematic brutality perpetrated by Hitler and his henchmen. Francine Prose's introduction helps put the diary in historical context, while an interview by the diary's translator, Burmel, with Weiss will further aid readers in understanding the published work's genesis. Verdict This is ultimately an inspiring account of adolescent strength and endurance in unimaginably horrific conditions. Other juvenile journals of this dark time have been published, such as in We Are Witnesses, a collection of five teenage Holocaust victim's diaries edited by Jacob Boas, not to mention, of course, Anne Frank's The Diary of a Young Girl. Especially suitable for young adults interested in the Holocaust, this compelling chronicle by a living survivor is a powerful reminder of humankind's capacity for evil.-Mary Jennings, Camano Island Lib., WA (c) Copyright 2013. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

A young Prague girl's diary, amended after the events, chronicles her yearning for a normal life before deportation to Terezin and Auschwitz. Covering the fraught period between Czechoslovakia's mobilization for war in late 1938, when the author turned 9, to May 1945, when Weiss and her mother finally returned to Prague after the capitulation of the prison camp Mauthausen, where they were last transported, this diary offers a poignant look at the tense, precarious fate of the Jews under Nazi occupation. Weiss lived with her mother and father in a middle-class flat in Prague when the Germans invaded her homeland and anti-Jewish laws were put into place, gradually restricting every aspect of their lives. The author's school was closed down, forcing her to be home-schooled at private apartments, and her unemployed father took over the cooking and cleaning. In December 1941, Weiss and her parents were deported to Terezin, confined to the bleak, disease-ridden barracks, and under constant threat of more transports east. In October 1944, Weiss' father was sent to a labor camp, never to be seen again, while the author and her mother were sent briefly to Auschwitz, then to work in an airplane factory in Freiberg. Lying about her age, she was able to stay with her mother, and they managed to survive the cold, disease and hunger. Before transport, the diary and drawings were given to her uncle at Terezin, who worked in the records department and bricked the documents in the walls of the barracks. After the war, she subsequently edited and added the sections on the concentration camps, all carefully documented here. Weiss' moving eyewitness portrait adds a deepening to the understanding of the Jews' plight during this horrific period in history.]] Copyright Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.