Review by Booklist Review
*Starred Review* Girls gone wild! The mother-daughter team of Yolen and Stemple have rounded up some of the meanest (or perhaps just misguided) group of gals history has known. And they have wrapped them in an attractive package that makes reading about their exploits even more enjoyable. The list begins with the biblical Delilah (sorry, Sampson), introduces Cleopatra, stops in England to say hello to Anne Boleyn and (bloody) Queen Mary, and then heads over to America to visit with Tituba, Calamity Jane, and Typhoid Mary. And that's just a few of the 26 spies, sirens, and female felons the duo takes on. Each subject gets a jauntily written page or so, prefaced by one of illustrator Guay's terrific full-page portraits and back-ended with a comic book-style page featuring the authors discussing whether the woman was exactly what she seemed. In fact, both an introduction and afterword focus on how history changes its opinion on people's actions, the way history's winners get the glory, and whether circumstances shape events more than personalities do. The thick paper, graphic novel-style typeface, and delightful artwork executed in ink and brush and dabbed with digital color will draw readers. The bibliography will lead kids to more about these gals.--Cooper, Ilene Copyright 2010 Booklist
From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review
Mother-daughter collaborators Yolen and Stemple, who previously partnered with Guay on The Barefoot Book of Ballet Stories, revisit the lives and legendary misdeeds of 26 notorious women in this often witty chronological romp. Jezebel, Salome, Calamity Jane, Mata Hari, and many more get their own brief chapters, complete with punny subtitles ("Delilah: A Mere Snip of a Girl"). The team's tight, droll storytelling maintains a light tone: "Always conscious of her image, Bonnie [Parker] asked one kidnapped police officer to tell everyone she did not smoke cigars.... She may have been an outlaw, but she was not a smoker!" Comics sections from Guay end each chapter, showing Yolen and Stemple debating, via Socratic repartee, the guiltiness of each femme fatale, an entertaining if slightly egregious bit of authorial intrusion. If the authors' banter hasn't prompted readers to question the badness of these bad girls, the conclusion directly solicits the consideration: "Would we still consider these women bad? Or would we consider them victims of bad circumstances?" An extensive bibliography and index wrap up this narrative of nefarious-or not?-women. Ages 10-13. (Feb.) (c) Copyright PWxyz, LLC. All rights reserved.
(c) Copyright PWxyz, LLC. All rights reserved
Review by School Library Journal Review
Gr 5-9-Who's bad? That's the question that Yolen and Stemple debate as they take an entertaining tour through the lives of some of history's most notorious women. Arranged chronologically from Delilah to mob courier Virginia Hill, this deck of 26 dicey dames includes royalty (Bloody Mary, Catherine of Russia), women of the Wild West (Belle Starr, Calamity Jane), and out-and-out criminals (Moll Cutpurse, Bonnie Parker). Guay gives a lush, period-appropriate poster-style portrait at the beginning of each two- to eight-page chapter, which contains a rough outline of each lady's supposed crimes along with the "aggravating or mitigating" circumstances that may influence readers' opinions of her guilt. The authors make the point that evolving attitudes and standards can make reassessment an interesting and fruitful exercise, even if, as in most of the cases here, no definitive conclusions are reached. Yolen and Stemple speak directly to readers and appear bickering delightfully as they model good discussion behavior (and shoes!) in a page of comics at the end of each chapter. Their enthusiasm for their subjects is contagious, abetted by playful language that makes Bad Girls a snap-crackling read. Alliteration, rhyme, short sentences, and a conversational tone combine with sometimes-challenging vocabulary to make this book quick but by no means dumbed-down. A hearty bibliography will give a girl a leg up on the further reading that she is sure to want to do. Feminist, intelligent, and open-ended, this book respects its readers as much as it does its subjects.-Paula Willey, Baltimore County Public Library, Towson, MD (c) Copyright 2013. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Horn Book Review
The authors introduce twenty-six women who either lived a life of criminality or were morally condemned for their actions. Each lighthearted, succinct summary is followed by a one-page graphic novelformat conversation--sardonic and mirthful--between Yolen and Stemple. Biblical figures, pirates, thieves and spies, murderesses and gangsters, rulers and queens are included as the authors consistently point out the very fine line between right and wrong. Websites. Bib., ind. (c) Copyright 2013. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
(c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review
Brief, breezy profiles of women who committed crimes, from Delilah to Catherine the Great to gangster moll Virginia Hill, with comic-strip commentary from the authors. With a conversational style, the mother-daughter team of Yolen and Stemple recap the crimes and misdeeds of 26 women and a few girls in this jaunty collective biography. After each two-to-fourpage biographical sketch and accompanying illustration of the woman, a one-page comic strip shows the authors arguing about the woman's guilt. The comic-strip Stemple typically comes down on the side of "guilty" or, in the case of Cleopatra marrying her brother, "icky." Yolen tends toward moral relativism, suggesting the women acted according to the norms of their times or that they were driven to crime by circumstances such as poverty or lack of women's rights. Thus, strip-teasing Salome, who may have been only 10, was manipulated by her mother into asking for John the Baptist's head on a platter. Outlaw Belle Starr was "a good Southern girl raised during difficult times." While the comic strips grow repetitive, the narrative portraits, arranged chronologically, offer intriguing facts--and in some cases, speculation--about an array of colorful figures, many of whom won't be known to readers. Entertaining and eye-opening. (bibliography, index) (Collective biography. 12-15)]] Copyright Kirkus Reviews, used with permission.
Copyright (c) Kirkus Reviews, used with permission.
