Fresh off the boat A memoir

Eddie Huang, 1982-

Book - 2013

The author is the thirty-year-old proprietor of Baohaus, the hot East Village hangout where foodies, stoners, and students come to stuff their faces with delicious Taiwanese street food late into the night, and one of the food world's brightest and most controversial young stars. But before he created the perfect home for himself in a small patch of downtown New York, he wandered the American wilderness looking for a place to call his own. He grew up in theme-park America, on a could-be-anywhere cul-de-sac in suburban Orlando, Florida raised by a wild family of FOB ("fresh off the boat") hustlers and hysterics from Taiwan. While his father improbably launched a series of successful seafood and steak restaurants, the author bu...rned his way through American culture, defying every "model minority" stereotype along the way. He obsessed over football, fought the all-American boys who called him a chink, partied like a gremlin, sold drugs with his crew, and idolized Tupac. His anchor through it all was food, from making Southern ribs with the Haitian cooks in his dad's restaurant to preparing traditional meals in his mother's kitchen to haunting the midnight markets of Taipei when he was shipped off to the homeland. After misadventures as an unlikely lawyer, street fashion renegade, and stand-up comic, he finally threw everything he loved, past and present, family and food, into his own restaurant, bringing together a legacy stretching back to China and the shards of global culture he had melded into his own identity. This book is the immigrant's story for the twenty-first century; a story of food, family, and the forging of a new notion of what it means to be an American.

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Subjects
Published
New York : Spiegel & Grau c2013.
Language
English
Main Author
Eddie Huang, 1982- (-)
Edition
1st ed
Physical Description
276 p. ; 25 cm
ISBN
9780812983357
9780679644880
Contents unavailable.
Review by New York Times Review

HOLD the presses! Not all Asian-Americans are studying math and practicing the piano. Some, like the young Eddie Huang, are busy shoplifting CDs, taking Ecstasy and getting thrown in the clink. Huang's rambunctious memoir boasts many classic adolescent moments - the employment of a SPAM launcher, for example, and the inevitable arrival of a Miss Lacey on the scene. There are tussles with his parents, tussles with his peers. There are cops and drugs. And of course, channeling his inner Holden Caulfield involves, well, language: "I'm not saying hip-hop is the H.R.S. Anthem, but there's pain and for kids like us, we related to it. You don't go to school and talk about what happens at home, you just try to be normal 'cause that's all you see then one day someone passes you 'The Chronic,' you take a hit, and like Professor X with Cerebro on, you realize there are others out there like you. That's it." Reading this, some people might feel more written at than written for. I myself was far more touched and illuminated by Huang's less baroque passages, as when he writes: "I think hip-hop is real for a lot of white and Asian kids, but there's a point of diminishing returns. That's when they make an upward assimilation. I didn't listen to hip-hop for strategic reasons. I loved it, I needed it. Watching my white and Asian friends move away from hip-hop opened my eyes to this rite of passage that I was never going to join - the ascendance into whiteness. . . . I was down with the rotten bananas who want nothing to do with that." Huang recalls a moment when, in a summer school program for gifted high school kids, he began to realize how many gaps there were in his cultural understanding. He decided then that he "wouldn't try to talk about things they knew anymore. I would use the references that made sense to me and make them catch up." A gutsy decision, but why would someone who wanted "nothing to do with" the non-hip-hop world want to make it "catch up"? And if he does want to make it catch up, what if the audience is simply put off by references to Professor X and Cerebro? "Fresh Off the Boat" is a brash and funny book hobbled by its youthspeak and corresponding stance. We glean that Huang - who eventually became a bad boy cook and blogger - earned a law degree, that he briefly practiced law, and that he was taken by the writings of Jonathan Swift and Michael Ondaatje. In his drive to maintain a certain posture, though, these developments are given short shrift. Even the antimodel minority story of Huang flailing savagely away at a racist America - mostly represented by Orlando, Fla. - has a knee-jerk, one-note quality. The racism recounted here is always overt; it is always clear. It is never mixed up with cultural difference, and his reaction is always to punch some deserving sucker out. Far better rendered is the real-life complexity of his family, as shown in a hysterically horrifying passage that begins with his Taiwan-born father buying a three-foot-long leather whip with which to discipline his sons: "It didn't end there. He kept walking around the store with a wild grin on his face and stopped in front of this hard, heavy, three-foot rubber alligator with skin dotted by sharp points on the scales. The rubber was hard, cold and flexible. You could hold the head, whip the body back, and just come with it." Huang goes on: "To Americans, this may seem sick, but to first- or second-generation Chinese, Korean, Jamaican, Dominican, Puerto Rican immigrants, whatever, if your parents are F.O.B.'s, this is just how it is. You don't talk about it, you can't escape it, and in a way it humbles you the rest of your life. There's something about crawling on the floor with your pops tracking you down by whip that grounds you as a human being. The bruises and puncture wounds from the scales of the alligator were clearly excessive, but I didn't think anything was wrong with my dad hitting us. Emery and I were troublemakers. Just like he was." Outrageous, courageous, moving, ironic and true - this sort of writing shows the book at its best. HUANG'S blithe acceptance of domestic abuse reminded me, interestingly, of Amy Chua's "Battle Hymn of the Tiger Mother," whose pro-upward-assimilation orientation otherwise stands in sharp contrast to his. Huang's propensity to go straight over the top is also reminiscent of Chua's, as is his slippery identification with the immigrant generation. A bit the way that American-born Chua emphasized her Chineseness and characterized her parenting style as Chinese, Huang entitles his book "Fresh Off the Boat," though it is not he who was F.O.B., but his parents. Certainly the books afford a most thought-provoking compare and contrast. And for all the distancing of the language, "Fresh Off the Boat" itself will produce, for more readers than it might seem, shivers of recognition. I myself recognized with a jolt of delight the green bean casserole with cream of mushroom soup and canned fried onion topping that epitomized American cooking for the Huangs. For my family, too, that casserole was America, in all its processed glory. In other food talk as well, Huang writes obliquely and lovingly of cultural transformation and creativity - of the careful magic gamble of making something new. Behold, for example, his discovery of the dish that would set him on the path to success as a celebrity restaurateur: "As I smelted the skirt steak sautéed with the aromatics, I realized that I had to neutralize the liver-y quality with something. Digging around the pantry, I pulled out a bottle of Moutai, China's finest grain alcohol, aka bai joh." Huang goes on to suggest delicately that no one cooked with the, um, stuff because it tasted like a flaming anatomical feature of Kim Jong Il, but that he had, um, messed with it, "and knew that if you ignited it, the sorghum in it took on a sharp sweetness that would be perfect. A lot of people red cook with dates, but I wanted something different." He ignited the Moutai. "Instantly, it enveloped the skirt steak in sharp vapors that finished with a hint of pineapple. I also hit it with some fermented sweet rice sauce that had a more rounded sweetness and nose while still being alcohol based." Then all he needed to do was wait patiently for the dish to take shape. "The skirt steak needed a good 90 minutes to break down and finish so I added some soy sauce, rock candy and water, turned down the heat, and let it simmer. I turned on my TV to watch the Knicks game." He had fallen asleep when he smelled something burning. "I pulled out a big chunk of skirt steak and peeled off the charred crust. Underneath this crusty, dark, fossil-looking piece of skirt steak was ill, tender, dark pink pieces of sweet, savory, aromatic skirt steak." How I wished, reading this, that Huang had worked his book the way he did that steak! But, ah well. The man's a chef. 'I think hip-hop is real for a lot of white and Asian kids, but there's a point of diminishing returns.' Gish Jen's latest book is "Tiger Writing: Art, Culture, and the Interdependent Self."

Copyright (c) The New York Times Company [March 24, 2013]
Review by Booklist Review

Born in the U.S. to Taiwanese immigrant parents, Huang refuses to be a lapdog under a bamboo ceiling, and his colloquial, furious memoir is as open about his struggling, screaming, sometimes abusive parents as it is about the prejudice he encounters growing up in Orlando and then in New York, where to this day someone tells me to go back to China at least three times a year. He hates that everything he does is a statement about his people and where they are from, even as he refuses to be reformed, assimilated, apologetic. Always refusing to fit in, he wants to hurt people like they hurt him, and he succeeds. Now he runs a big New York City gourmet restaurant and a food store, and, throughout the book, food is front and center, including his mother's recipe for the best beef noodle soup. Readers will leave hungry, and many immigrants will recognize the refusal to go with the model minority myth.--Rochman, Hazel Copyright 2010 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

Huang, the founder of the popular East Village food shop Baohaus, tells his unconventional immigrant fable with his FOB ("fresh off the boat") parents and his unusual relatives living the Yankee dream. He traces his food jones to his father's restaurant in Orlando, Fla., wrestling with his Chinese identity, while embracing a love of old school hip-hop, Michael Jackson, Charles Barkley, and Jonathan Swift's satirical "A Modest Proposal." Writing with attitude, Huang details his journey from novice cook sampling Haitian ribs, Southern cooking, Japanese Izakaya wings, Bon Chon Korean fried chicken, and Taiwanese foods to opening his landmark eatery known for its fashionable, simple Asian street food. "I grew up in the excess of the Brat Pack-Madonna-Joe Montana-Michael Jackson 80s and the NWA-MJ-Nirvana-World Wide Web nineties, and we saw the residual battles from seminal cases like Roe v. Wade or Regents of the University of California v. Bakke," Huang writes. Brash, leading-edge, and unapologetically hip, Huang reconfigures the popular foodie memoir into something worthwhile and very memorable. (Jan.29) (c) Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved
Review by Kirkus Book Review

Up-and-coming celebrity chef Huang serves up a raw memoir recounting his life as an angry young man chafing under generations of stifling Chinese tradition and all-encompassing American "whiteness." Three things inform the multitalented restaurateur's identity: food, basketball and hip-hop. Although not necessarily in that order, each is infused in virtually every sentence, many of which are laugh-out-loud funny. All three provided the socially conscious author with the succor he needed to make it as an Asian "OutKast" growing up in the Deep South. The son of a former Taiwanese gangster father and a money-obsessed mother, Huang spent his formative years posting up with his style-obsessed buddies and generally bucking authority and the status quo. The author renders his portraits of his many colorful friends and family as vividly and spectacularly as his recipe for beef noodle soup. Huang may have an opinion on everything from religion to RZA, but his deeply contemplative nature deflects any accusations of self-righteousness. His history of violence is more problematic, however. Physical violence both on the streets and inside the home punctuated the author's younger years, and while the latter is thoughtfully unpacked and explored, the former is too often glorified. It could have all easily gone quite differently for Huang. At one point, he was arrested after driving a car into a crowd of threatening rivals and was packed off to Taiwan in order to escape punishment. However, he used the opportunity to reconcile his Asian heritage and focus his unrelenting energy on the things he really wanted out of life. The inspiring result became his trendsetting East Village eatery, Baohaus. A unique voice with a provocative point of view.]] Copyright Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

1. Meet the Parents "The soup dumplings are off today!" Grandpa said. "Should we tell the waiter? We should send these back." "No, no, no, no, no, don't lose face over soup dumplings. Just eat them." My mom always wanted to send food back. Everything on the side, some things hot, some things cold, no MSG, less oil, more chilis, oh, and some vinegar please. Black vinegar with green chilis if you have it, if not, red vinegar with ginger, and if you don't have that, then just white vinegar by itself and a can of Coke, not diet because diet causes cancer. Microwaves cause cancer, too, so she buys a Foreman grill and wears a SARS mask because "oil fumes can ruin lungs," says the woman who smokes Capri cigarettes and drives an SUV wearing a visor. That's my mom. I couldn't eat with my mom; she drove me crazy. But she never bothered my grandfather. He was always above the trees. Like 3 Stacks said, "What's cooler than cool? Ice cold." That was Grandpa: a six-foot-tall, long faced, droopy-eyed Chinaman who subsisted on a cocktail of KFC, boiled peanuts, and cigarettes. Thinking back on it, my grandfather created the ultimate recipe for pancreatic cancer. At the time we had that lunch, he'd been battling it for a while, but we tried not to talk about it. That day, we just ate soup dumplings. "It's the meat, did they not put enough ginger? Mei you xiang wei dao." "Eh, there's ginger, it's just heavy-handed. Who cares, just eat them! The rest of the food is on the way." Xiang wei is the character a good dish has when it's robust, flavorful, and balanced but still maintains a certain light quality. That flavor comes, lingers on your tongue, stays long enough to make you crave it, but just when you think you have it figured out, it's gone. Timing is everything. Soup dumplings, sitcoms, one-night stands--good ones leave you wanting more. The perfect soup dumpling has nineteen folds. Taipei's Din Tai Fung restaurant figured this out in the mid-eighties. While Americans had Pyrex visions, Taiwan was focused on soup dumplings. My grandparents on my father's side lived right on Yong Kang Jie, where Din Tai Fung was founded. To this day, it is the single most famous restaurant in Taipei, the crown jewel of the pound-for-pound greatest eating island in the world. Din Tai Fung started off as an oil retailer, but business took a dive in the early eighties and they did what any Taiwanese-Chinese person does when they need to get buckets. You break out the family recipe and go hammer. Din Tai Fung was like the Genco Olive Oil of Taipei. Undefeated. The dough is where Din Tai Fung stays the hood champ. It's just strong enough to hold the soup once the gelatin melts, but if you pick it up by the knob and look closely at the skin, it's almost translucent. They create a light, airy texture for the skin that no one else has been able to duplicate. I remember going back to Din Tai Fung when I was twenty-seven and saying to myself, They're off! It's just not as satisfying as I remember it to be! But two hours later, walking around Taipei, all I could think about was their fucking soup dumplings. Across the street from Din Tai Fung was another restaurant that served soup dumplings and made a business of catching the spillover when people didn't want to wait an hour for a table. They were really close to the real deal. Like the first year Reebok had AI and you thought that maybe, just maybe, the Questions with the honeycomb would outsell Jordans. A false alarm. Grandpa Huang put on for Yong Kang Jie and never cheated on the original. On the other hand, Grandpa Chiao, my mother's father, had money on his mind and really didn't have time for things like soup dumplings. He was the type of guy who would go across the street without thinking twice. He would be fully aware Din Tai Fung was better, but he was a businessman. He had things to do and never lost sight of them. Everything was calculated with my grandfather. On his desk, there was always this gold-plated abacus. Whenever something needed to be calculated, the other employees would use calculators, but Grandpa beat them to the punch every time. With his fingers on the abacus, he looked as slick as a three-card monte hustler. I loved hearing the sound: tat, tat, tat, rap, tat, tat, tat. After tapping the beads, he'd always reset them all with one downward stroke, whap, and out came the answer. He'd much rather save an hour, eat some perfectly fine soup dumplings, and go on his way. Mom had other plans. She was my grandpa's youngest and loudest child. Mom claims she was his favorite, and I can't say I don't believe her. Grandpa loved her because she was entertaining and full of energy. As a kid, she took the Taiwanese national academic exam and got into all the best schools in Taipei. After she came to America as a seventeen-year-old, she managed to graduate as the salutatorian of her high school, even though she barely spoke English. On top of that, she's still the best cook in the family. My cousins love talking about things they don't know about and everyone claims their parents are the best, but even the aunts admit my mom goes hard in the paint. That day, my uncle Joe from my dad's side was with us at Yi Ping Xiao Guan. I think he actually discovered the spot, because it was in Maryland, where he lived. Earlier that day, Grandpa had asked me where I wanted to go for my sixth birthday. He figured I'd say Chuck E. Cheese or McDonald's, but Momma didn't raise no fool. Chuck E. Cheese was for mouth breathers and kids with Velcro shoes. "I want to go where they have the best soup dumplings!" "Where's that?" "Even Uncle Joe knows! Yi Ping Xiao Guan." I really liked Uncle Joe. He built three of the major bridges in D.C. and wore these big, thick black-rimmed glasses. I was into glasses, especially goggles, because Kareem wore them and he had the ill sky hook. After we ate, I was kinda pissed with the shitty soup dumplings. It was my birthday! Yi Ping Xiao Guan, you can't come harder than this for the kid? Chuck E. Cheese can serve shitty food 'cause you get to smash moles and play Skee-Ball after lunch. But all you have are soup dumplings! How could you fuck this up? Yi Ping Xiao Guan was like Adam Morrison: your job is to slap Kobe's ass when the Lakers call time out. If you can't do that, shoot yourself. As I sat there, pissed off, I saw a waiter pouring off-brand soy sauce into the Wanjashan Soy Sauce bottles. Corner cutting, bootleg, off-brand-soy-pouring Chinamen! "Mom! Mom!" "Eddie, stop it, I'm talking to Grandpa. Talk to Uncle Joe!" If someone was talking to Grandpa, you couldn't interrupt, but apples don't fall far from the tree. My mom was the youngest and never followed rules in the family. She enforced them on everyone else, but she never followed them herself. "MOOOMMM! Listen!" "Huang Xiao Wen!" That was the signal. Black people use the government name when shit hits the fan, and my family would bust out the Chinese. It hurt my ears to hear the Chinese name. Not only did it seem louder and extra crunchy, but it usually meant you were about to get smacked the fuck up. Luckily, Uncle Joe was a nice guy who actually thought it was possible that a child might have something important to say. "Uncle Joe, I know why the soup dumplings are bad." "Really? Tell me!" "Look over there: the waiter is putting the cheap soy sauce in the bottles. They must be using it in the dumplings, too." "Genius! Genius! Aya, Rei Hua, Rei Hua, zhu ge Xiao Wen tai cong ming le!" Rei Hua was my mother's Chinese name, so Uncle Joe got her attention when he used it. "Eddie figured it out. They're using that cheap heavy soy sauce now. Look over there, he's putting it in all the bottles!" "Oh my God! Too smart, too smart, I told you, this one is so smart!" "Whatever, Mom, you never listen!" "Shhh, shhh, shhh, don't ruin it for yourself. You did a good thing, just eat your food now." I think my mom is manic, but Chinese people don't believe in psychologists. We just drink more tea when things go bad. Sometimes I agree; I think we're all overdiagnosed. Maybe that's just how we are, and people should leave us alone. My mom was entertaining! If you met my family, you'd prescribe Xanax for all of them, but then what? We'd be boring. At any moment, I was around my younger brother, Emery, my aunts, my uncles, my cousins, or my parents. We ate together, went shopping together, and worked together. Sometimes five of them, sometimes twelve of them; on weekends, it was anyone's guess. We'd pick an aunt's house and you'd see a line of Cadillacs, Lincolns, and Toyotas form down the street. Our family counted all the aunts and uncles from both sides as one team, so even if you were the oldest in your family, you might be second or third in the larger bracket. Got it? Good. So, #1 Aunt lived in Pittsburgh, where that side of the family had a furniture store. She would come down every once in a while with her kids and they were always friendly. We loved that side of the family because we saw them only three or four times a year. #2 Aunt was my mother's oldest sister and she made the best ti-pang: red cooked pork shoulder. Her husband, Gong Gong, was a really funny guy. He didn't speak English, so he'd always test my Chinese, check my biceps, shoulders, triceps, and then ask to arm wrestle. Gong Gong was a funny dude, bent over all his nephews, examining them like they were entries in a dog show. #3 Uncle was my cousin Shupei's dad. I never spoke to him 'cause there were always fifty or sixty people in the house when he came, since it was a big event. He lived in Pittsburgh, had four kids, and they all traveled together in packs. It was awesome when they visited. Shupei and his cousin Schubert, cool dudes who played ice hockey and poker. They were also huge, the first six-foot-three Chinamen I'd ever seen. As a nine-year-old, I'd tell myself I had a chance at going NBA if I grew as tall as they did. Also, Shupei's wife was white, which gave me hope that I didn't have to date someone from Chinese school. #4 Aunt was my mom's sister. She was crazy and, without any notice, she would say things like "Look how fat you are!" or "You are really stupid, do you know that?" As a kid, I stayed as far away as possible from her and her brother, Uncle Tai, because they were like Boogie Man and Bride of Boogie Man. As I got older though, #4 Aunt became a lot nicer and my brothers and I finally understood: it wasn't her. My mom was the one telling #4 Aunt about how me and my brothers were acting up. As a favor to my mom, she took on the role of enforcer. She was the first person in our family to figure out how to make cheesecake. For some reason, she had more interest in American food than the rest of us did. Ironically, she also made the best American Chinese food: fried rice. Then came #5 Aunt, also called Aunt Beth; she was my cousin Allen's mom. Then came my cousin Phil's mom, who never took an American name. Next was my Uncle Tai and lastly was my mom, who everyone called "Xiao A-Yi"--Little Aunt. Phil, Allen, and their moms were my closest family. Aunt Beth put out a good dinner when the family got together at her house on the weekends. It was balanced. Always two vegetables depending on what was in season--it could be Xiao You Cai or sautéed kong-xin cai (Chinese watercress, literally "hollow heart vegetable"), which is my favorite vegetable. She liked making tomato and eggs, plus some sort of shredded pork stir-fry with either cured tofu or beans, and chicken soup. Aunt Beth was a great host--she served a balanced meal, and let me watch sports before the older people took over the TV to sing karaoke. I thought my cousin Allen was the coolest dude. He was three years older than me so he knew about everything just before I did. When we went to the mall, he showed me purple Girbaud jeans. He was the first to get a CD player and we always listened to Onyx's Bacdafucup together. If his mom had to pick him up from detention at school, I went to go get him, too. Sometimes he'd treat me like a burden, but I looked up to him. I was learning. My other cousin Phillip was my best friend. He was only a year older than me, but he really took on the role of older cousin. He was the kindest person in the family and smart, too. He knew something about everything, but wasn't afraid of doing dumb shit, either. Our favorite thing to do was to watch WWF together on Saturday mornings at Aunt Beth's house, get hyped, and try out moves in the pool, where they'd body-slam me, causing me to immediately puke the tomato and eggs I'd just eaten into the water. We fought a lot, made fun of each other constantly, but it was a good time. It was always chaos in the living room when our whole family came over, so Allen, Phillip, and I would retreat downstairs after dinner and play Tecmo Super Bowl or Mike Tyson's Punchout. We'd stay in the basement for hours and every once in a while, they'd send me up to get drinks and snacks. I'd go into the dining room, which was only separated from the living room by one step. A false divider. Although everyone else had gone to the living room for karaoke, one person always remained on the dining room level: Grandma. She'd sit there in her wheelchair and make birds out of Play-Doh. I'd come up to get drinks and see her alone, so I'd hang out with her for a minute. All of us would keep her company at one point or another in the night. Excerpted from Fresh off the Boat: A Memoir by Eddie Huang All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.