The 9th girl

Tami Hoag

Book - 2013

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Subjects
Genres
Mystery fiction
Published
New York, New York : Dutton [2013], ©2013.
Language
English
Main Author
Tami Hoag (-)
Physical Description
405 pages ; 24 cm
ISBN
9780525952978
Contents unavailable.
Review by Booklist Review

Hoag's immense popularity 15 consecutive best-sellers is based not only on her well-oiled, finely calibrated plots but also on her sensitivity to the painful interface between family troubles and crime and the complex demands women detectives face, especially one of her most popular characters, small but mighty Nikki Liska of Minneapolis. Last seen in Prior Bad Acts (2006) with her partner, Sam Kovac, Liska is a single mother currently worried about her caring and artistic 15-year-old son, Kyle. Guilt and fear build as she and Kovacs work around the clock to identify a horribly mutilated young woman found dead on New Year's Eve and figure out if she is the ninth victim of the serial killer they sardonically call Doc Holiday. As the investigation veers awfully close to Liska's home, Hoag makes shrewd use of the roles cell phones and social media play in teens' lives as forums for bonding and bullying. Hoag's prose is martial-arts quick and precise, her humor is high-voltage, and her insights into the misery of high school, the toxicity of divorce, and the extreme psychosis of a serial killer are knowing and thought-provoking. HIGH-DEMAND BACK STORY: Liska and Kovac are huge draws for Hoag fans, and Hoag's latest, one of her very best, will be promoted with major radio and blog tours and abundant advertising and press coverage.--Seaman, Donna Copyright 2010 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

In bestseller Hoag's gripping fourth outing for Sam Kovac and Nikki Liska, the two Minneapolis homicide cops (last seen in 2006's Prior Bad Acts) have a difficult time identifying the horribly mutilated body of an adolescent girl that popped from the trunk of a moving car on New Year's Eve. The unidentified girl is the ninth Jane Doe of the year in the Minneapolis area, possibly the victim of a serial killer who Kovac has dubbed "Doc Holiday" because all the murders were committed on or near a holiday. The task for Liska is magnified by the troubles her 15-year-old son, Kyle, is having at school with bullies. Kovac and Liska pursue leads jointly and separately as one sees the work of a serial killer and the other a crime perhaps unrelated to Doc Holiday. By the surprising conclusion, the investigation has uncovered chilling tragedy and banal evil in almost equal proportions. Agent: Andrea Cirillo. Jane Rotrosen Agency. (June) (c) Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review

Vicious crimes, hard-nosed cops, and angst-ridden teens combine in this police procedural that follows the joint investigation of homicide detectives Sam Kovac and Nikki Liska into the murder of a teenage girl on the mean streets of Minneapolis. In this story largely told from the police perspective, readers are reacquainted with the personal lives of these series characters, who last appeared in Prior Bad Acts. The segments told from the killer's point of view are not overly chilling but get the job done. David Colacci's narration suits the gritty police inquiry (which includes just the right number of autopsies); he does particularly well with the noirish character of Sam. Verdict Recommended for libraries where thrillers are popular.-Victoria A. Caplinger, NoveList, Durham, NC (c) Copyright 2013. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

1 New Year's Eve. The worst possible night of the year to be the limo driver of a party bus. Of course, Jamar Jackson had really not found a night or an occasion when it was good to be a limo driver. In the last two years working for his cousin's company, he had come to the conclusion that the vast majority of people hired stretch limos for one reason: so they could be drunk, high, obnoxious, and out of control without fear of being arrested. Getting from one place to the next was secondary. He drove the Wild Thing--a twenty-passenger white Hummer with zebra-print upholstery. A rolling nightclub awash in purple light, it was tricked out with a state-of-the-art sound system, satellite television, and a fully stocked bar. It cost a month's rent to hire on New Year's Eve, which included a twenty percent gratuity--which was what made hauling these assholes around worth the headache. Jamar worked hard for his money. His evenings consisted of shrieking girls in various stages of undress as the night wore on, and frat boys who, regardless of age, never lost the humor of belching and farting. Without fail, driving party groups always involved at least one woman sobbing, one verbal and/or physical altercation between guests, some kind of sex, and a copious amount of vomit by journey's end. And Jamar handled it all with a smile. Twenty percent gratuity included was his mantra. On the upside: These experiences were all grist for the mill. He was a sociology grad student at the University of Minnesota with a master's thesis to write. His customers for this New Year's Eve were a group of young attorneys and their dates, drunk on champagne and a couple of days' freedom from seventy-hour workweeks. His assignment for the evening was carting them from one party to the next until they all passed out or ended up in the hospital with alcohol poisoning. Sadly, the night was young by New Year's Eve standards, the booze was flowing, and if he had to listen to Maroon 5's "Moves Like Jagger" one more time, he was going to run this fucking bus into a ditch. Twenty percent gratuity included . . . His passengers were loud. They wouldn't stay in their seats. If one of them wasn't sprawled on the floor, it was another of them. Every time Jamar checked the rearview he caught a flash of female anatomy. One girl couldn't keep her top from falling open; another's skirt was so short she was a squirming advertisement for the salon that did her bikini wax. Jamar tried to keep his eyes on the road, but he was a twenty-five-year-old guy, after all, with a free view of a naked pussy behind him. They had started the evening at a private party in the tony suburb of Edina, then moved to a party in a hip restaurant in the Uptown district. Now they would make their way to downtown Minneapolis to a hot club. The streets were busy and dangerous with drivers who were half-drunk and half-lost. Compounding the situation, the temperature was minus seventeen degrees, and the moisture from the car exhaust was condensing and instantly freezing into a thin layer of clear ice that was nearly impossible to see on the pavement. An unwelcome complication on a rotten stretch of road that was pockmarked with potholes big enough to swallow a man whole. Twenty percent gratuity included . . . Jamar's nerves were vibrating at a frequency almost as loud as the music. His head was pounding with the beat. He had one eye on the girl in the back, one eye on the road. They were coming into a spaghetti tangle of streets and highways crossing and merging into one another. Hennepin and Lyndale, 55 and 94. The girl with her top down started making out with Miss Naked Pussy. The hoots and hollers of the partygoers rose to a pitch to rival Adam Levine's voice. ". . . moves like Jagger . . . I got the moves like Jagger . . ." Jamar was only vaguely aware of the box truck passing on his left and the dark car merging onto the road in front of him. He wasn't thinking about how long it would take to stop the tank he was driving if the need arose. His attention was fractured among too many things. Then, in a split second, everything changed. Brake lights blazed red too close in front of him. Jamar shouted, "Shit!" and hit his brakes in reflex. The Wild Thing just kept rolling. The car seemed to drop then bounce, the trunk flying open. Now his attention was laser focused on what was right in front of him, a tableau from a horror movie illuminated by harsh white xenon headlights. A woman popped up in the trunk of the car like a freak-show jack-in-the-box. Jamar shrieked at the sight as the woman flipped out of the trunk, hit the pavement, and came upright. Directly in front of him. He would have nightmares for years after. She looked like a fucking zombie--one eye wide open, mouth gaping in a scream; half her face looked melted away. She was covered in blood. The screams were deafening then as the Wild Thing struck the zombie--Jamar's screams, the screams of the girls behind him, the shouts of the guys. The Hummer went into a skid, sliding sideways on the ice-slick road. Bodies were tumbling inside the vehicle. There was a bang and a crash from the back, then another. The Hummer came to a rocking halt as Jamar's bladder let go and he peed himself. Twenty percent gratuity included . . . Happy New Year's fucking Eve. Excerpted from The 9th Girl by Tami Hoag All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.