'Twas the night after Christmas

Sabrina Jeffries

Book - 2012

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Subjects
Genres
Romance fiction
Regency fiction
Historical fiction
Published
New York : Gallery Books 2012.
Language
English
Main Author
Sabrina Jeffries (-)
Edition
1st Gallery Books hardcover ed
Physical Description
354 p. ; 23 cm
ISBN
9781451642469
Contents unavailable.
Review by Publisher's Weekly Review

Bestseller Jeffries (To Wed a Wild Lord) delivers a moving Regency with heart, soul, and holiday spirit. Asthmatic Pierce Waverly, heir to the earl of Devonmont, is just eight years old when his parents pack him off to boarding school and refuse to see him on holidays. As an adult, Pierce determinedly ignores his widowed mother until her paid companion, Camilla Stuart, sends word to his London home that Lady Devonmont is deathly ill. Arriving at the country estate, Pierce realizes he's been tricked by the good-hearted Camilla, who is hoping to effect a reconciliation between mother and son. In retaliation, he demands a carnal price from Camilla, almost out of spite. But Pierce doesn't expect what happens next: that he will fall in love with the feisty widow and bond with her six-year-old son. While Pierce tries hard to be a cold-hearted rake, his essential goodness is evident throughout, as is Camilla's irresistible optimism. The compelling, fast-paced, and lively tale wraps up with several surprising, tear-jerking twists. Agent: Pam Ahearn, Ahearn Agency. (Nov.)? (c) Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review

Pierce Waverly, the rakehell Earl of Devonmont, is annoyed when he arrives at his country estate to learn that his estranged mother is not at death's door, as he'd been led to believe by a letter from his mother's new companion. Pierce has no intention of staying, especially not for the holidays. But vicar's widow Camilla Stuart is determined to bring Pierce and his mother together-even if it means giving in to his initially outrageous demands of nightly "entertainments." A caring heroine determined to do the right thing and an emotionally wounded hero unable to forgive struggle to learn the truth in this complex story that juxtaposes the warmth of the holiday season with a dark undercurrent of closely guarded secrets, impossible choices, and deep regret. VERDICT Sharply witty, deliciously sexy, and infinitely endearing, this holiday gem strikes an emotional chord that will resonate with fans long after the book has been closed. Jeffries's first hardcover release, it serves as a bridge between her recent "Hellions of Halstead Hall" quintet and a new series that is slated to begin next spring. Jeffries (A Lady Never Surrenders) lives in North Carolina. (c) Copyright 2012. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

When a meddling but warmhearted lady's companion tries to force a reconciliation between a dowager countess and her son, no one can guess at the resentment and betrayals that will be unearthed; but Christmas is the season for forgiveness and new beginnings--and possibly a little romance? The Earl of Devonmont is quite clear on two things in his life: He wants nothing, ever, to do with his mother, and he's determined to never marry. So, even he is surprised when, after receiving a letter from Camilla Stuart, his mother's companion, indicating the dowager is on death's door, he high-tails it to his country estate where his mother lives simply in the Dowager House. And he's even more surprised when, upon seeing evidence of the lady's good health, he allows his intended immediate departure to be delayed by the intriguing employee. One day flows into many, and while he and his mother move into a more civil relationship than they've had since she abandoned him as a child, all three of them realize they must get to the heart of the matter--the truth behind the abandonment and the secrets of the Dowager's past--before real peace and understanding can be achieved. Meanwhile, Camilla and the earl grow ever closer, and for the first time, Devonmont considers marriage, though Camilla knows a match between them is unacceptable. She's a foundling widow with a young child, and he's, well, an earl. Jeffries' latest historical romance is an enchanting holiday charmer with a complex and captivating plot; characters that interact with emotional authenticity; and a rich set of conflicted, heart-tugging obstacles--all of which combine to provide a satisfying happily-ever-after set against a fun holiday backdrop. Skillful writing and storytelling, compelling sexual and emotional tension, and a cast of realistic, vulnerable characters contribute to a lovely, spirited Christmas winner.]] Copyright Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

1 December 1826 Thirty-one-year-old Pierce Waverly, Earl of Devonmont, sat at the desk in the study of his London town house, going through the mail as he waited for his current mistress to arrive, when one letter came to the top, addressed in a familiar hand. An equally familiar pain squeezed his chest, reminding him of that other letter years ago. What a naive fool he'd been. Even though he had grown bigger and stronger, even though he'd become the kind of son Father had always claimed to want, he'd never been allowed home again. He'd spent every school holiday--Christmas, Easter, and summer--at Waverly Farm. And after Titus Waverly and his wife had died unexpectedly in a boating accident when Pierce was thirteen, Titus's father, General Isaac Waverly, had returned from the war to take over Waverly Farm and Titus's orphaned children. Even though Pierce hadn't received a single letter from his parents in five years, he'd still been certain that he would finally be sent home--but no. Whatever arrangement Titus had made with Pierce's parents was apparently preserved with Pierce's great-uncle, for the general had fallen right into the role of substitute parent. Despite all that, it had taken Pierce until he was eighteen, when neither of his parents had appeared at his matriculation from Harrow, to acknowledge the truth. Not only did his father hate him, but his mother had no use for him, either. Apparently she'd endured his presence until he was old enough to pack off to school and relations, and after that she'd decided she was done with him. She was too busy enjoying Father's fortune and influence to bother with her own son. Pain had exploded into rage for a time, until he'd reached his majority, at twenty-one, and had traveled home to confront them both . . . No, he couldn't bear to remember that fiasco. The humiliation of that particular rejection still sent pain screaming through him. Eventually he would silence that, too; then perhaps he'd find some peace at last. That is, if Mother would let him. He stared down at the letter, and his fingers tightened into fists. But she wouldn't. She'd poisoned his childhood, and now that Father was dead and Pierce had inherited everything, she thought to make it all go away. She'd been trying ever since the funeral, two years ago. When she'd mentioned his coming "home," he'd asked her why it had taken his father's death for her to allow it. He'd expected a litany of patently false excuses, but she'd only said that the past was the past. She wanted to start anew with him. He snorted. Of course she did. It was the only way to get her hands on more of Father's money than what had been left to her. Well, to hell with her. She may have decided she wanted to play the role of mother again, but he no longer wanted to play her son. Years of yearning for a mother who was never there, for whom he would have fought dragons as a boy, had frozen his heart. Since his father's death, it hadn't warmed one degree. Except that every time he saw one of her letters-- Choking back a bitter curse, he tossed the unopened letter to his secretary, Mr. Boyd. One thing he'd learned from the last letter she'd written him, when he was a boy, was that words meant nothing. Less than nothing. And the word love in particular was just a word. "Put that with the others," he told Boyd. "Yes, my lord." There was no hint of condemnation, no hint of reproach in the man's voice. Good man, Boyd. He knew better. Yet Pierce felt the same twinge of guilt as always. Damn it, he had done right by his mother, for all that she had never done right by him . Her inheritance from Father was entirely under his control. He could have deprived her if he'd wished--another man might have--but instead he'd set her up in the estate's dower house with plenty of servants and enough pin money to make her comfortable. Not enough to live extravagantly--he couldn't bring himself to give her that --but enough that she couldn't accuse him of neglect. He'd even hired a companion for her, who by all accounts had proved perfect for the position. Not that he would know for himself, since he'd never seen the indomitable Mrs. Camilla Stuart in action, never seen her with his mother. He never saw Mother at all. He'd laid down the law from the first. She was free to roam Montcliff, his estate in Hertfordshire, as she pleased when he wasn't in residence, but when he was there to take care of estate affairs, she was to stay at the dower house and well away from him . So far she'd held to that agreement. But the letters came anyway, one a week, as they had ever since Father's death. Two years of letters, piled in a box now overflowing. All unopened. Because why should he read hers, when she'd never answered a single one of his as a boy? Besides, they were probably filled with wheedling requests for more money now that he held the purse strings. He wouldn't give in to those, damn it. "My lord, Mrs. Swanton has arrived," his butler announced from the doorway. The words jerked him from his oppressive thoughts. "You may send her in." Boyd slid a document onto Pierce's desk, then left, passing Mrs. Swanton as he went out. The door closed behind him, leaving Pierce alone with his current mistress. Blond and blue-eyed, Eugenia Swanton had the elegant features of a fine lady and the eloquent body of a fine whore. The combination had made her one of the most sought-after mistresses in London, despite her humble beginnings as a rag-mannered chit from Spitalfields. When he'd snagged her three years ago it had been quite a coup, since she'd had dukes and princes vying for her favors. But the triumph had paled somewhat in recent months. Even she hadn't been able to calm his restlessness. And now she was scanning him with a practiced eye, clearly taking note of his elaborate evening attire as her smile showed her appreciation. Slowly, sensually, she drew off her gloves in a maneuver that signaled she was eager to do whatever he wished. Last year, that would have had him bending her over his desk and taking her in a most lascivious manner. Tonight, it merely left him cold. "You summoned me, my lord?" she said in that smooth, cultured voice that had kept him intrigued with her longer than with his other mistresses. She had several appealing qualities, including her quick wit. And yet . . . Bracing himself for the theatrics sure to come, he rose and rounded the desk to press a kiss to her lightly rouged cheek. "Do sit down, Eugenia," he murmured, gesturing to a chair. She froze, then arched one carefully manicured eyebrow. "No need. I can receive my congé just as easily standing." He muttered a curse. "How did you--" "I'm no fool, you know," she drawled. "I didn't get where I am by not noticing when a man has begun to lose interest." Her expression held a hint of disappointment, but no sign of trouble brewing, which surprised him. He was used to temper tantrums from departing mistresses. His respect for Eugenia rose a notch. "Very well." Picking up the document on the desk, he handed it to her. She scanned it with a businesswoman's keen eye, her gaze widening at the last page. "You're very generous, my lord." "You've served me well," he said with a shrug, now impatient to be done. "Why shouldn't I be generous?" "Indeed." She slid the document into her reticule. "Thank you, then." Pleased that she was taking her dismissal so well, he went to open the door for her. "It's been a pleasure doing business with you, Eugenia." The words halted her. She stared at him with an intent gaze that made him uncomfortable. "That's the trouble with you, my lord. Our association has always been one of business. Intimate business, I'll grant you, but business all the same. And business doesn't keep a body warm on a cold winter's night." "On the contrary," he said with a thin smile. "I believe I succeeded very well at keeping you warm." "I speak of you, not myself." She glided up to him with a courtesan's practiced walk. "I like you, my lord, so let me give you some advice. You believe that our attraction has cooled because you're tired of me. But I suspect that the next occupant of your bed will be equally unable to warm you . . . unless she provides you with something more than a business arrangement." He bristled. "Are you suggesting that I marry?" Eugenia pulled on her gloves. "I'm suggesting that you let someone inside that empty room you call a heart. Whether you make her your wife or your mistress, a man's bed is decidedly warmer if there's a fire burning in something other than his cock." He repressed an oath. So much for this being easy. "I never guessed you were such a romantic." "Me? Never." She patted her reticule. "This is as romantic as I get. Which is precisely why I can offer such advice. When we met, I thought we were both the sort who live only for pleasure, with no need for emotional connections." Her voice softened. "But I was wrong about you. You're not that sort at all. You just haven't realized it yet." Then with a smile and a swish of her skirts, she swept out the door. He stared bitterly after her. Sadly, he did realize it. Leave it to a woman of the world to recognize a fraud. Matrons might panic when he spoke to their innocent daughters, and his exploits might appear so regularly in the press that his Waverly cousins kept clippings for their own amusement, but his seemingly aimless pursuit of pleasure had never been about pleasure. It had been about using the only weapon he had--the family reputation--to embarrass the family who'd abandoned him. Leaving his study, he strode to the drawing room, where sat his pianoforte, his private defiance of his father. He sat down and began to play a somber Bach piece, one that often allowed him to vent the darker emotions that never saw the light of day in public, where he was a gadabout and a rebel. Or he had been until Father's death. Since then his petty rebellions had begun to seem more and more pointless. There'd been no deathbed reconciliation, but also no attempt to keep him from his rightful inheritance. And no explanation of why he'd been abandoned. None of it made sense. The fact that he wanted it to make sense annoyed him. He was done with trying to understand it. The only thing that mattered was that he'd triumphed in the end. He'd gained the estate while he was still young enough to make something of it, and clearly that was the most he could hope for. Of course, now that he was the earl, people expected him to change his life. To marry. But how could he? Once married, a man had to endure the whims of his wife and children. He'd grown up suffering beneath the whims of his parents; he wasn't about to exchange one prison for another. He pounded the keys. So for now, everything would stay the same. He would go to the opera this evening to seek out a new mistress, and life would go on much as before. Surely his restlessness would end in time. Leaving the pianoforte, he was walking out of the drawing room when the sight of Boyd heading toward him with a look of grim purpose arrested him. "An express has come for you, my lord, from Montcliff." He tensed. His estate manager, Miles Fowler, never sent expresses, so it must be something urgent. To his surprise, the letter Boyd handed him hadn't come from Fowler but from Mother's companion. Since Mrs. Stuart hadn't written him in the entire six months she'd been working for him, the fact that she'd sent an express brought alarm crashing through him. His heart pounded as he tore open the letter to read: Dear Sir, Forgive me for my impertinence, but I feel I should inform you that your mother is very ill. If you wish to see her before it is too late, you should come at once. Sincerely, Mrs. Camilla Stuart The terse message chilled him. Based on Mrs. Stuart's recommendation letters and references, not to mention the glowing accolades heaped on her by Fowler, Pierce had formed a certain impression of the widow. She was practical and forthright, the sort of independent female who would rather eat glass than admit she couldn't handle any domestic situation. She was decidedly not a woman given to dramatic pronouncements. So if she said his mother was very ill, then Mother was at death's door. And no matter what had passed between them, he couldn't ignore such a dire summons. "Boyd, have my bags packed and sent on to the estate. I'm leaving for Montcliff at once." "Is everything all right, my lord?" Boyd asked. "I don't believe it is. Apparently my mother has fallen ill. I'll let you know more as soon as I assess the situation." "What should I tell your uncle?" Damn. The Waverlys were expecting him in a few days; he still spent most holidays with them. "Tell Uncle Isaac I'll do my best to be there for Christmas, but I can't promise anything right now." "Very good, my lord." As far as Pierce was concerned, the Waverlys--his great-uncle Isaac and his second cousin Virginia--were his true family. Mother was merely the woman who'd brought him into the world. He ought to abandon her in death, the way she'd abandoned him in life. But he still owed her for nurturing him in those early years, before he was old enough to be fobbed off on relatives. He still owed her for giving birth to him. So he would do his duty by her. But no more. She'd relinquished the right to his love long ago. Excerpted from 'Twas the Night after Christmas by Sabrina Jeffries All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.