Review by New York Times Review
Harvest APPLE Written and illustrated by Nikki McClure. 40 pp. Abrams Appleseed. $12.95. (Picture book; ages 3 to 6) McClure's homage to the old-fashioned apple lands like a spirited rebuke to packaged baggies of presliced fruit and G.M. apples that never rot. Her trademark block cutouts, pared down here to black, white and red delicious, travel backward from ripe fruit to planted seed, well timed for an autumn tale about seasons and renewal. The art is gorgeous, the text is one-word-per-page minimal and the "story" is sprinkled with welcome surprises. An apple swings from its tree; a girl hides an apple in her backpack on her way to school and forgets it on the ground at recess. Think a new tree will grow there? LITTLE SWEET POTATO By Amy Beth Bloom. Illustrated by Noah Z. Jones. 32 pp. Katherine Tegen Books. $16.99. (Picture book; ages 4 to 7) Poor sweet potato - all that vitamin C, and still lumped together with the stuff of French fries. Bloom, a National Book Award finalist for grown-ups, turns her pen to picture books and sweet potatoes in this heartfelt and heartwarming debut about a tuber who doesn't fit in. The carrots are disdainful. The eggplants, full of themselves. "You're a lumpy, bumpy, dumpy vegetable, and we're beautiful," the flowers sneer. Luckily, in this mean-kids parable, Little Sweet Potato finds a more accepting patch of flora to plant himself in. Probably organic, too. SEED BY SEED The Legend and Legacy of John "Appleseed" Chapman. By Esmé Raji Codell. Illustrated by Lynne Rae Perkins. 32 pp. Greenwillow Books/ HarperCollins Publishers. $16.99. (Picture book; ages 4 to 8) Codell asks readers to seat themselves at a window, looking out over a highway-covered landscape and imagine a "quiet, tree-bough-tangled world, the world before the cement was poured and the lights turned on." Codell's lilting text and Perkins's sumptuous landscapes will have urban parents ready to up-and-to-the-country. But stick around for the man's frontier life story, told here inspiration style. This is Johnny Appleseed - pioneer, reader, vegetarian, spiritualist, businessman, friend of American Indians and tamer of wolves. He planted apple seeds, too. CREEPY CARROTS By Aaron Reynolds. Illustrated by Peter Brown. 40 pp. Simon & Schuster. $16.99. (Picture book; ages 4 to 8) Zombies, bullies, root vegetables - they're all pretty scary to children. Especially when combined in an oversize carrot. Playing off a child's worst nightmare, Reynolds shows how carrots suddenly seem to lurk in every corner, tormenting a poor bunny. The stark and atmospheric illustrations by Brown ("Children Make Terrible Pets"), working exclusively in shades of gray save the garish orange of the vegetables in question, are simply splendid. But be warned: for the 5-year-old faint of heart, the story may sting too sharply. READY FOR PUMPKINS Written and illustrated by Kate Duke. 40 pp. Alfred A. Knopf. $16.99. (Picture book; ages 5 to 8) Duke ("Our Guinea Pig Is Not Enough") introduces Hercules, first-grade rodent, in a multilayered tale about time, the seasons and the long, impatient wait for a full-grown pumpkin to pick. Abandoning the formula for class-pet tales, Duke shows Hercules to have a life outside the classroom. When the teacher takes Herky to her country home for the summer, he discovers his horticultural side. Especially marvelous is what Herky's accomplishment shows children: animals and plants have lives and life cycles of their own. PAMELA PAUL Woof BAILEY AT THE MUSEUM Written and illustrated by Harry Bliss. 32 pp. Scholastic Press. $16.99. (Picture book; ages 3 to 6) First Bailey wanted to go to school ("Bailey"). Now he wants to leave the classroom for school trips. Who can blame him when the destination is the American Museum of Natural History, that staple setting for great children's literature? Bliss's student-filled scenes recall the adventures of Ms. Frizzle's crew, with Bailey asking all the good questions. Bliss, who draws cartoons for The New Yorker, throws in choice asides for grown-ups (on the lunch menu: Soy Stuff, marked "Almost Organic"). BOOT & SHOE Written and illustrated by Marla Frazee. 40 pp. Beach Lane Books. $16.99. (Picture book; ages 4 to 8) A genius at capturing human expression and antics, Frazee ("The Seven Silly Eaters," "The Boss Baby," "Clementine") seems equally unrivaled at depicting canine behavior and emotion. Boot and Shoe are brothers who live peacefully in the same home, sharing food bowl and bed, but then each retreating to his own porch for rest and contemplation. One day, a scampering squirrel mixes things up; chaos ensues. Expertly drawn, full of humor and affection and beautifully arranged, "Boot & Shoe" is a jubilant romp from beginning to end. READY OR NOT, HERE COMES SCOUT! By Jill Abramson and Jane O'Connor. Illustrated by Deborah Melmon. 32 pp. Viking. $15.99. (Picture book; ages 4 to 8) Small, cute, overeager and indiscriminately affectionate is an apt way to describe a certain alpha-strain of preschooler. Or a puppy. And really, what's the difference? Especially when the puppy, Scout, has her very own lovey too, and just wants to play and make friends. Abramson, the executive editor of The New York Times, and O'Connor, author of the phenomenally popular "Fancy Nancy" books, are sisters and co-authors of this picture book inspired by Abramson's Puppy Diaries blog and subsequent grown-up book. Billed as "A Puppy Diaries Book," Scout's friendly tale is clearly the first in a series. Note the cliffhanger: Will Taco ever warm to Scout's overtures? We need not ask the same of readers. LENORE FINDS A FRIEND A True Story From Bedlam Farm. By Jon Katz. 32 pp. Henry Holt & Company. $15.99. (Picture book; ages 4 to 8) A follow-up to "Meet the Dogs of Bedlam Farm," Lenore's genial true tale, told through lively animal photography and sweet, descriptive text, works as a stand-alone. Lenore is the last of five working dogs on Katz's upstate New York farm, and none of the other dogs want to be friends with her. (A puppy portrait reveals the obvious: jealousy.) One day, Lenore approaches Brutus, "a grumpy ram," and gives him a big kiss on the nose. "Brutus had never been kissed before. He turned away." But not for long. This is a story about friendship, and eventually, Brutus cottons to Lenore's affections. Others soon do the same. LULU WALKS THE DOGS By Judith Viorst. Illustrated by Lane Smith. 145 pp. Atheneum. $15.99. (Middle grade; ages 6 to 10) Viorst's narrator-heroine, enjoying a fresh turn after "Lulu and the Brontosaurus," is full of 'tude and doesn't care if you don't like it. A child of entitlement, Lulu is nonetheless told she needs to earn money for her latest heart's desire. Dog walking teaches her a lesson. Lulu feels like a cousin of, and a step up the chapter book ladder in difficulty from, Junie B. Jones. Smith's sharp-eyed charcoals add kick. PAMELA PAUL ONLINE A slide show of this week's illustrated books at nytimes.com/books.
Copyright (c) The New York Times Company [September 30, 2012]
Review by Publisher's Weekly Review
Like the bird in P.D. Eastman's classic Are You My Mother?, the vegetable hero of adult author Bloom's first children's book is also trying to get home-and the world at large is even more hostile in this outing. When Little Sweet Potato is accidentally tossed out of his garden patch and into the road, he rolls along trying to find where he belongs. As he is rebuffed by eggplants, flowers, and squash that keep to their own kind (the carrots tell him he's "lumpy, dumpy, and-we have to say it-you're bumpy"), he realizes that he "didn't know the world had such mean vegetation in it." Eventually, Little Sweet Potato finds a place where he fits in-because everyone does; Jones's bold cartoons portray the vegetables, fruits, flowers, and fungi in Hodge-Podge Patch with wide eyes and manic grins. The ending has just enough drollery ("It's not all mulch and sunshine out there," says an eggplant) to leaven the story's didactic message about diversity. Ages 4-7. Agent: Jennifer Walsh, William Morris Endeavor. Illustrator's agent: Edward Necarsulmer IV, McIntosh & Otis. (Sept.) (c) Copyright PWxyz, LLC. All rights reserved.
(c) Copyright PWxyz, LLC. All rights reserved
Review by School Library Journal Review
PreS-Gr 1-Little Sweet Potato's search for a place to belong begins when he is accidentally ejected onto the road from his garden patch. Rolling from field to field, he is repeatedly rejected for his lumpy, bumpy, dumpy exterior by the carrots, eggplants, flowers, and so on, who are all thoroughly unpleasant. "He didn't know the world had such mean vegetation in it." He is completely dispirited when he hears a voice calling to him and saying very nice things. Soon the happy Little Sweet Potato finds himself in the Hodge-Podge Patch, which is filled with friendly and welcoming vegetables and flowers. As one of the pansies tells him, "Some just like their own kind...but we're the kind that likes all kinds." Bloom's text is clever and fun to read while getting her point across, and the dialogue is especially spot-on. Jones's amusing illustrations are filled with great expressions and cartoony goodness. The text is well integrated with the pictures in a layout that works well for one-on-one or group sharing. This simple story of rejection and acceptance will resonate with kids.-Catherine Callegari, Gay-Kimball Library, Troy, NH (c) Copyright 2012. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review
Accidently uprooted from his garden patch, a sweet potato is repeatedly excluded from other gardens before landing in just the right place. Little Sweet Potato has lived peacefully in his garden patch until vibrations from a tractor shake him loose from his vine and toss him onto a road. Wondering how to get back home, he bravely rolls to another garden, occupied by resident carrots who wiggle "their long orange bodies," call him "lumpy, dumpy, andbumpy" and reject him. Little Sweet Potato resolutely continues to another patch, where handsome eggplants with satiny skin refuse him because of his "dumpy, bumpy, and kinda lumpy" appearance. At the next garden, flowers with "velvety blue and yellow faces" shun Little Sweet Potato because he's a "lumpy, bumpy, dumpy vegetable." Following similar receptions from the grapes and squash, Little Sweet Potato is about to give up when he's welcomed into a garden teeming with all kinds of plants who praise his lumpy, dumpy, bumpy figure. Rendered in strong black outlines and bright colors, the comical illustrations track Little Sweet Potato's solitary roll across sequential double-page spreads. Cartoonlike, anthropomorphic veggies, fruits and flowers add humor with their hilarious expressions, ranging from haughty and scornful to enthusiastic and approving. A tale of rejection and acceptance with echoes of "The Ugly Duckling." (Picture book. 4-7)]] Copyright Kirkus Reviews, used with permission.
Copyright (c) Kirkus Reviews, used with permission.
