Review by New York Times Review
Viva's debut, "Along a Long Road," was a New York Times Best Illustrated Book of 2011, and he brings that same visual audacity and forward momentum to his first early reader. Told in full spreads and comic-book-style panels, the story of a boy in a bat T-shirt and his mouse takes readers aboard a small boat headed to Antarctica. The mouse is initially reluctant, but the boy eventually wins him over with a swim in a wondrous volcanic lagoon. What child wouldn't be on board for that? MOUSETRONAUT Based on a (Partially) True Story. By Mark Kelly. Illustrated by C.F. Payne. 40 pp. A Paula Wiseman Book/Simon & Schuster. $16.99. (Picture book; ages 4 to 8) Here the mouse is headed in the opposite direction. This first children's book by Kelly, a retired astronaut and husband of former Representative Gabrielle Giffords, builds on his experience with real mice aboard the space shuttle Endeavour. Eighteen of them. In this winning story there are she, and as the smallest one, Meteor gets to perform his own special mission. After helping the astronauts out of a potential Apollo 13 calamity, Meteor is declared a hero - sure to please many fellow pipsqueaks back on Earth. THE ODYSSEY By Gillian Cross. Illustrated by Neil Packer. 170 pp. Candlewick Press. $19.99. (Middle grade; ages 8 to 18) Cross, winner of the prestigious Carnegie Medal for children's books, dives right into Odysseus' tale with a brief description of how the "cleverest of all the kings of ancient Greece" was called to war but was desperate to get home by Chapter 2. Cross makes the story lively and accessible, though children who haven't brushed up on their Rick Riordan may need guidance. Packer's drawings, looking alternately like decorated urns, Greek friezes, Byzantine icons and 19th-century caricature, hit an occasional off note. But nobody said the Cyclops was pretty. THE IMPOSSIBLE RESCUE The True Story of an Amazing Arctic Adventure. By Martin W. Sandler. Illustrated. 163 pp. Candlewick Press. $22.99. (Middle grade; ages 10 to 14) Believe it or not, the Arctic was once really, really cold. But that's far from the only hard-to-fathom aspect of this outstanding book. An excellent story to match, if not one-up, Shackleton's misadventures on the opposite pole, Sandler's latest is the gripping, true account of a mission to rescue eight whaling ships off the coast of Alaska in 1897. Containing everything from presidential hubris to treacherous storms, ice packs, herds of reindeer and miserable sled dogs worked in brutal, dead-of-winter conditions - much of it photographed by participants - "The Impossible Rescue" is top-notch history. Smart, well written, meticulously researched and a lot of fun. THE ADVENTURES OF ACHILLES Retold by Hugh Lupton and Daniel Morden. Illustrated by Carole Hénaff. 96 pp. Barefoot Books. $23.99. (Middle grade; ages 10 to 18) Another hero in another far-flung epic. This richly detailed and lavishly illustrated edition, by the accomplished British storytellers Lupton and Morden, is well suited to mythology newbies, beginning with a helpful introduction to the gods of Olympus and the origins of the Trojan War. Unlike many accounts, this telling takes its time with Achilles' childhood, including his mother's repeated kidnappings of the young boy, and his five years spent in drag. But there is also plenty of adventure and the inevitable bloodshed on hand. The book includes two CDs narrated by the authors. PAMELA PAUL ONLINE A slide show of this week's illustrated books at nytimes.com/books.
Copyright (c) The New York Times Company [October 14, 2012]
Review by Booklist Review
While several graphic novels based on Homer's Odyssey have appeared in recent years, this substantial volume retells the tale in a more traditional narrative, illustrated with idiosyncratic artwork. The book's handsome design features broad pages, heavy paper, and generous use of space to set off the type and illustrations. While Cross' text is more plainspoken than earlier versions for young people, such as Geraldine McCaughrean's The Odyssey (1995) or Rosemary Sutcliff's The Wanderings of Odysseus (1996), the power of the story lives on in her retelling. An appended note offers the writer's perspective on what Homer accomplished and why the tale still moves readers today. Created using gouache, pen, and wash, Packer's highly individual illustrations range from richly colored, intricately detailed paintings to silhouettes and monochromatic drawings. With elements that are often stylized, sometimes ornate, and occasionally grotesque, the artwork may not have broad appeal, but many will be drawn to its intensity and originality. A welcome new retelling of the epic poem.--Phelan, Carolyn Copyright 2010 Booklist
From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review
In this stunning, heavily illustrated retelling, Cross (Where I Belong) gives shivery life to Homer's saga, keeping the suspense taut and recounting the story's most disturbing events without flinching. When giant, loutish Laestrygonians slaughter boatloads of Odysseus's men, the survivors are horrorstruck ("Sobbing with grief and shock, the sailors pulled away from that hateful shore").When Odysseus travels to the Land of the Dead, ghosts crowd around the visitors: "Old men with gray hair brushed against newly married brides." Not until the final pages do the gods allow Odysseus a measure of triumph. While Cross's prose makes Odysseus's journey not just accessible but thrilling, the book really belongs to Packer. Some of his images look like the friezes on the sides of Greek kraters; others are full-color portraits of gaunt warriors with haunted gazes or caricatures of their Bosch-like adversaries. Humor and horror coexist; sirens like patrician socialites lounge disdainfully above the buried skeletons of those they've lured to their deaths. Every image seems to have been created with unhurried care; it's a quiet but monumental piece of work. Ages 8-up. (Sept.) (c) Copyright PWxyz, LLC. All rights reserved.
(c) Copyright PWxyz, LLC. All rights reserved
Review by School Library Journal Review
Gr 8 Up-This handsome book blends a well-paced rendition of Homer's ancient tale with fine-art-style illustrations. The narrative is divided into chapters ("The Giant in the Cave" or "Stranded on Calypso's Island"), clearly conveying the sequence of Odysseus's twist-turning journey. Succinct sentences, vivid descriptions, and dynamic language keep the action unfolding rapidly while also emphasizing fateful moments of hubris (for example, the hero's getaway from the Cyclops's cave and subsequent taunting of the creature is summed up: "It would have been the perfect escape-if only Odysseus had kept his mouth shut"). Ranging from small insets to double-page renderings, Packer's gouache, pen, and wash illustrations appear on almost every spread. While many details hark back to this epic work's origins (costumes, textiles, outlines reminiscent of classical urns, etc.), the art has a contemporary aura, showcasing unusual perspectives and distorted size relationships, exaggerated physical characteristics, and modern references (Hermes wears a track suit). Flowing cutaways reveal faces of the souls nestled in the underworld, or gracefully posed Sirens surrounded by the skeletons of those who were attracted to their songs. The men transformed into animals by Circe are shown as pigs with the shapes of profiled faces incorporated into the mottled colors of their coats. Though interesting and imaginative, the visual interpretations are sophisticated and stylized, perhaps making the book best suited to readers with a more mature taste in artwork or an adult audience.-Joy Fleishhacker, School Library Journal (c) Copyright 2013. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Horn Book Review
Homer's epic adventure tale gets another retelling. The language lacks some of the verbiage of the original but is clear and easy to read. The mostly attractive illustrations trade-off between rich colors and stark black and white; some are reminiscent of the black figure illustrations on ancient Attic pottery, while others are comprised of odd-looking figures with strange proportions. (c) Copyright 2013. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
(c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review
An anemic retelling of the epic is paired to crabbed, ugly illustrations. Breaking for occasional glimpses back to Penelope's plight in Ithaca, Cross relates Odysseus' travels in a linear narrative that begins with his departure for Troy but skips quickly over the war's events to get to the sack of the city of the Cicones and events following. Along with being careless about continuity (Odysseus' men are "mad with thirst" on one page and a few pages later swilling wine that they had all the time, for instance), the reteller's language is inconsistent in tone. It is sprinkled with the requisite Homeric references to the "wine-dark sea" and Dawn's rosy fingers but also breaks occasionally into a modern-sounding idiom: " What's going on?' Athene said, looking around at the rowdy suitors." Packer decorates nearly every spread with either lacy figures silhouetted in black or gold or coarsely brushed paintings depicting crouching, contorted humans, gods and monsters with, generally, chalky skin, snaggled teeth, beer bellies or other disfigurements. The overall effect is grim, mannered and remote. Next to the exhilarating renditions of Rosemary Sutcliff (The Wanderings of Odysseus, 1996) and Geraldine McCaughrean (Odysseus, 2004), this version makes bland reading, and the contorted art is, at best a poor match. (afterword, maps) (Illustrated classic. 11-13)]] Copyright Kirkus Reviews, used with permission.
Copyright (c) Kirkus Reviews, used with permission.