My beloved world

Sonia Sotomayor, 1954-

Book - 2013

"An instant American icon--the first Hispanic on the U.S. Supreme Court--tells the story of her life before becoming a judge in an inspiring, surprisingly personal memoir. With startling candor and intimacy, Sonia Sotomayor recounts her life from a Bronx housing project to the federal bench, a progress that is testament to her extraordinary determination and the power of believing in oneself. She writes of her precarious childhood and the refuge she took with her passionately spirited paternal grandmother. She describes her resolve as a young girl to become a lawyer, and how she made this dream become reality: valedictorian of her high school class, summa cum laude at Princeton, Yale Law, prosecutor in the Manhattan D.A.'s office,... private practice, federal district judge before the age of forty. She writes about her deeply valued mentors, about her failed marriage, about her cherished family of friends. Through her still-astonished eyes, America's infinite possibilities are envisioned anew in this ... book"--

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Subjects
Published
New York : Alfred A. Knopf 2013.
Language
English
Main Author
Sonia Sotomayor, 1954- (-)
Edition
1st ed
Physical Description
ix, 315 p. : ill. ; 25 cm
ISBN
9780307594884
  • Needles
  • At home
  • Abuelita
  • Gilmar's goodbyes
  • Trips to Puerto Rico
  • Papi's death
  • El luto
  • Celina's story
  • Transformation
  • Diabetes, Nancy Drew, Perry Mason
  • Middle school
  • Transition to CSHS, first job
  • Co-op city / high school
  • Forensics club, Celina starts hostos
  • College dreams
  • Princeton
  • Abuelita's death
  • Puerto Rican identity
  • Pyne prize, graduation, wedding
  • Yale
  • Morgenthau recruiting
  • D.A.'s office : learning the ropes
  • Divorce
  • Found families
  • Child porn, Tarzan, Nelson's death
  • PRLDEF, pro bono
  • Pavia and Harcourt
  • Diabetes, personal growth
  • Judge.
Review by New York Times Review

WHEN Sonia Sotomayor was 7 years old and hospitalized with diabetes, she learned to give herself insulin shots by practicing on an orange. At home, her mother showed her how to light a burner on the stove with a match, and together they would fill a pot with water to cover the syringe and needle. Sonia was taught to wait for a boil and then to wait five minutes more. The daily shots became her way of fending off conflict between her parents: Her father's hands trembled because of his alcoholism, and her mother, a nurse who worked long hours, would get angry when she couldn't rely on him. "The last thing I wanted was for them to fight about me," Sotomayor relates in her new memoir. "It then dawned on me: If I needed to have these shots every day for the rest of my life, the only way I'd survive was to do it myself." It's a childhood memory that remains strong. It also contains the elements - resourceful intelligence, acute sensitivity to family, and self-reliance - that would one day propel the little girl at the stove to the Supreme Court. "I've spent my whole life learning how to do things that were hard for me," Sotomayor tells an acquaintance many years later, when he asks whether becoming a judge will be difficult for her. Yes, she has. And by the time you close "My Beloved World," you understand how she has mastered judging, too. This is not a confessional memoir. Sotomayor discloses little about her marriage, in her 20s, to her high school sweetheart, or about their divorce. She is coy about how her years as a student at Yale Law School, in the late 1970s, may have shaped her legal views. The book ends as Sotomayor reaches the bench as a federal district judge in New York, so she offers no juicy bits, or even bland ones, about her nomination to the Supreme Court, or its work or her colleagues. That can be the sequel. Meanwhile, this book delivers on its promise of intimacy in its depictions of Sotomayor's family, the corner of Puerto Rican immigrant New York where she was raised and the link she feels to the island where she spent childhood summers eating her fill of mangoes (always keeping an eye on her blood sugar level). This is a woman who knows where she comes from and has the force to bring you there. Sotomayor does this by being cleareyed about the flaws of the adults who raised her - she lets them be complicated. Her grandmother's South Bronx apartment was Sotomayor's safe harbor, a place of music and the "happiest smells" of garlic and onions. But her grandmother blamed Sotomayor's mother for her son's drinking, even as it turned him into a kind monster. "I saw my father receding from us, disappearing behind that twisted mask," Sotomayor writes of watching him drink at parties. "It was like being trapped in a horror film, complete with his lumbering Frankenstein walk as he made his exit and the looming certainty that there would be screaming when we got home." Sotomayor's father died when she was 9, and she thinks to herself, with the sharp pragmatism of a child that age, "Maybe it would be easier this way." But Sotomayor's mother did not rise with relief from her loss; she shut herself in her dark bedroom for a long season of grief. So Sotomayor became a library rat, though without any guidance. (She'd never heard of "Alice in Wonderland" until she got to Princeton years later.) Finally, after months of lonely reading and evenings spent silent with her younger brother in front of the television, Sotomayor literally hurled herself at her mother's door and screamed at her not to die too. It's another example of her will, and of her instinct for self-preservation. She tells us that her anger with her mother lingered - another bracing dose of honesty. But she also credits her mother with taking steps to better her children's future: speaking English with them; buying the Encyclopaedia Britannica. Sotomayor responded by figuring out how to excel in school. She asked the smartest girl in her class how to study. In high school, she joined a debating team, and learned how to struc¿¿¿¿ ¿¿¿ ¿¿¿¿¿ ¿¿ ¿¿¿ ¿¿¿¿¿¿ ¿¿¿¿¿ ¿¿¿ ¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿ ¿¿¿¿¿¿ ¿¿¿ ¿¿¿¿ ¿¿ ¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿ ¿¿ ¿¿¿ ¿¿ ¿¿¿ ¿¿¿¿¿ ¿¿¿¿¿ ¿¿¿¿¿¿¿ ¿¿¿¿ ¿¿ ¿ ¿¿¿¿¿ ¿¿¿ ¿¿¿¿¿ ¿¿¿¿¿ ¿¿¿ ¿¿¿¿¿ ¿¿¿¿ ¿¿¿ ¿¿¿ ¿¿¿ ¿¿¿¿¿ ¿¿ ¿¿¿¿¿ ¿¿¿ ¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿ ¿¿¿¿ ¿¿¿¿ ¿¿ ¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿ ¿¿¿ ¿¿¿¿¿ ¿¿ ¿¿¿ ¿¿¿¿¿¿ ¿¿¿ ¿¿¿¿¿¿ ¿¿¿ ¿ ¿¿¿ ¿¿¿¿ ¿¿¿¿ ¿¿ ¿¿¿¿¿¿¿¿¿¿¿¿ ¿¿¿ ¿¿¿¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿ ¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿ ¿¿¿ ¿¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿ ¿¿¿¿¿¿¿ ¿ ¿¿¿¿¿ ¿¿ ¿¿¿¿¿ ¿¿¿ ¿¿¿ ¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿ ¿¿ ¿¿¿¿¿¿ ¿¿¿ ¿¿¿¿¿¿¿ ¿¿¿ ¿¿¿ ¿¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿ ¿¿¿ ¿¿¿ ¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿ ¿¿¿¿ ¿¿ ¿¿ ¿¿¿¿¿¿ ¿¿¿ ¿¿¿¿ ¿ ¿¿¿¿ ¿¿¿¿¿¿¿¿ ¿¿ ¿¿¿ ¿¿ ¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿ ¿¿¿¿ ¿¿¿ ¿¿¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿ ¿¿¿¿ ¿¿¿¿¿¿¿ ¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿ ¿¿ ¿¿¿¿¿¿¿¿ ¿¿¿ ¿¿¿¿¿ ¿¿ ¿¿¿¿¿¿¿¿ ¿¿¿ ¿¿¿ ¿¿¿¿ ¿¿¿¿¿ ¿¿¿¿¿¿¿ ¿¿ ¿ ¿¿¿¿¿¿ ¿¿¿¿¿ ¿¿¿¿¿¿¿¿ ¿¿¿¿ ¿¿¿ ¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿ ¿¿ ¿¿ ¿¿¿¿ ¿¿¿ ¿¿¿¿ ¿¿¿ ¿¿¿ ¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿ ¿¿¿¿ ¿¿¿¿¿ ¿¿¿¿¿ ¿¿ ¿¿¿¿¿¿¿¿¿ ¿¿¿¿ ¿¿ ¿¿¿ ¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿ ¿¿¿¿ ¿¿¿¿ ¿¿¿ ¿¿¿ ¿¿ ¿¿¿ ¿¿¿ ¿¿¿¿¿¿ ¿¿ ¿¿¿¿¿¿¿¿ ¿¿¿¿ ¿¿¿ ¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿¿ ¿¿ ¿ ¿¿¿¿¿ ¿¿¿¿ ¿¿¿¿ ¿¿¿¿¿¿ ¿¿ ¿¿¿¿¿ ¿¿ ¿¿¿¿¿¿ ¿¿¿¿ ¿¿¿¿¿ ¿¿¿ ¿¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿ ¿¿¿ ¿¿¿ ¿¿¿¿ ¿¿¿¿ ¿¿¿¿¿¿ ¿¿¿¿ ¿¿¿ ¿¿¿¿¿ ¿¿¿ ¿¿¿¿ ¿¿¿¿¿¿¿ ¿¿ ¿¿¿ ¿¿¿¿ ¿¿¿¿¿¿¿ ¿¿¿ ¿ ¿¿¿¿ ¿¿¿¿¿¿ ¿¿ ¿¿¿¿¿¿ ¿¿ ¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿ ¿ ¿¿¿¿¿¿¿ ¿¿¿¿ ¿¿¿¿¿¿ ¿¿¿¿¿¿¿ ¿¿¿ ¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿ ¿¿¿¿¿ ¿¿¿¿¿ ¿¿ ¿¿¿¿¿¿ ¿¿ ¿¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿ ¿¿¿ ¿¿¿ ¿¿ ¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿ ¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿ ¿¿¿¿¿ ¿¿¿¿¿¿ ¿¿ ¿¿¿¿¿¿ ¿¿¿¿¿¿¿ ¿¿¿ ¿¿¿¿¿¿¿¿ ¿¿¿¿¿ ¿¿¿¿¿¿ ¿¿¿¿ ¿¿¿ ¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿ ¿¿ ¿¿¿¿¿ ¿¿ ¿¿¿ ¿¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿ ¿¿¿¿¿¿¿ ¿¿ ¿¿¿ ¿¿¿¿¿¿¿¿ ¿¿¿¿ ¿¿¿ ¿¿¿¿¿¿¿¿ ¿¿ ¿¿¿ ¿¿¿ ¿¿ ¿¿¿ ¿¿¿¿ ¿¿¿¿ ¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿ ¿¿ ¿¿¿ ¿¿¿¿¿ ¿¿¿ ¿¿ ¿¿¿ ¿¿¿¿¿¿¿¿ ¿¿¿ ¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿ ¿¿¿ ¿¿¿¿¿ ¿¿ ¿¿¿¿ ¿¿¿ ¿¿¿¿¿ ¿¿¿¿ ¿¿¿ ¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿ ¿ ¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿ ¿¿¿¿ ¿¿ ¿¿¿¿¿¿¿¿ ¿¿¿ ¿¿¿ ¿¿¿¿ ¿¿¿¿¿¿¿ ¿¿¿ ¿¿¿¿¿¿ ¿¿¿¿ ¿¿¿¿¿¿ ¿¿¿¿¿ ¿¿ ¿¿¿¿¿¿ ¿¿¿ ¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿ ¿¿¿¿ ¿¿¿¿¿ ¿¿¿¿¿¿ ¿¿¿ ¿¿¿¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿ ¿¿ ¿¿¿¿¿¿¿¿ ¿¿¿ ¿¿¿ ¿¿ ¿¿¿¿¿ ¿¿ ¿¿¿¿¿¿¿ ¿¿¿ ¿¿¿¿¿ ¿¿¿ ¿¿¿¿¿¿¿¿ ¿¿¿¿ ¿¿ ¿¿¿ ¿¿¿¿¿ ¿¿¿ ¿¿ ¿¿¿¿¿¿ ¿¿ ¿¿¿¿ ¿¿¿¿¿¿¿ ¿¿¿ ¿¿¿¿¿¿ ¿ ¿¿¿¿¿¿¿¿ ¿¿¿¿¿ ¿¿¿ ¿¿¿¿¿¿¿ ¿¿¿ ¿¿ ¿¿¿¿¿¿¿¿¿ ¿¿ ¿¿¿¿¿¿¿¿ ¿¿¿ ¿¿¿¿¿ ¿¿ ¿¿¿¿¿¿¿ ¿¿ ¿¿¿¿¿ ¿¿¿¿¿¿¿ ¿¿¿¿ ¿¿¿ ¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿ ¿¿¿¿¿ ¿¿¿¿¿ ¿¿ ¿ ¿¿¿ ¿¿¿ ¿¿¿¿¿¿ ¿ ¿¿¿ ¿¿¿ ¿¿¿¿¿¿¿¿ ¿¿¿ ¿¿ ¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿¿¿ ¿¿¿ ¿¿¿¿¿¿¿¿¿ ¿¿¿ ¿¿¿ ¿¿¿ ¿¿¿¿¿¿¿ ¿¿¿¿¿¿ ¿¿¿ ¿¿¿¿¿¿¿ ¿¿¿¿¿¿ ¿¿¿¿ ¿¿ ¿¿¿¿¿¿ ¿¿ ¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿ ¿¿¿ ¿¿¿ ¿¿¿¿¿¿¿¿¿ ¿¿ ¿¿¿¿¿¿¿¿¿¿ ¿¿¿ ¿¿¿¿¿ ¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿ ¿¿ ¿¿¿¿¿ ¿¿¿¿¿ ¿¿¿ ¿¿¿¿ ¿¿¿ ¿¿¿¿¿¿¿¿¿ ¿¿¿¿ ¿¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿ ¿¿¿¿ ¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿ ¿¿ ¿¿¿¿¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿¿ ¿¿ ¿¿ ¿¿¿ ¿¿¿¿¿¿¿ ¿¿¿¿¿¿ ¿¿¿¿ ¿¿¿¿¿ ¿¿¿¿ ¿ ¿¿¿¿ ¿¿¿¿¿¿¿ ¿¿ ¿ ¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿ ¿¿ ¿¿¿ ¿¿¿¿¿¿¿¿¿¿ ¿¿ ¿¿¿¿¿¿¿ ¿¿¿ ¿¿¿¿¿¿¿¿ ¿ ¿ ¿¿ ¿¿¿ ¿¿¿¿¿ ¿¿¿¿¿¿¿ ¿¿¿¿¿ ¿¿¿¿¿¿¿ ¿¿¿ ¿¿¿¿¿¿ ¿¿¿¿ ¿¿¿ ¿¿ ¿¿¿¿¿ ¿¿ ¿¿¿¿¿¿ ¿¿¿ ¿¿¿ ¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿ ¿¿ ¿¿¿ ¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿ ¿¿¿¿¿¿¿¿ ¿¿¿¿ ¿¿¿ ¿¿¿¿ ¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿ ¿¿¿¿ ¿¿¿ ¿¿¿¿ ¿¿ ¿¿¿¿¿¿¿ ¿ ¿¿¿¿¿¿ ¿¿¿¿¿ ¿¿¿¿¿¿¿ ¿¿¿¿¿ ¿¿¿¿ ¿¿¿¿¿¿¿¿¿¿¿¿ ¿¿ ¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿ ¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿ ¿ ¿¿¿¿¿¿¿¿ ¿¿¿ ¿¿¿ ¿¿¿¿ ¿¿¿ ¿¿¿¿ ¿¿¿¿ ¿¿¿ ¿¿¿¿¿¿ ¿¿¿ ¿ ¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿¿ ¿¿ ¿¿¿¿¿¿ ¿¿¿ ¿¿¿¿ ¿¿¿ ¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿ ¿¿¿¿¿¿¿¿¿¿ ¿¿¿ ¿¿¿ ¿¿¿ ¿¿¿¿ ¿¿¿¿¿¿ ¿¿¿ ¿¿¿¿¿¿¿ ¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿ ¿¿ ¿ ¿¿¿¿¿¿¿ ¿¿ ¿¿¿¿ ¿¿ ¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿ ¿¿¿ ¿¿¿¿¿ ¿¿¿ ¿¿¿ ¿¿¿¿ ¿¿¿¿¿¿ ¿¿¿ ¿¿¿¿¿¿¿ ¿¿ ¿¿¿¿¿ ¿¿¿¿¿ ¿¿ ¿ ¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿¿¿ ¿¿ ¿¿¿¿¿ ¿¿¿¿¿ ¿¿¿¿ ¿¿ ¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿ ¿¿¿¿ ¿¿ ¿¿¿ ¿¿¿ ¿¿¿¿ ¿¿¿ ¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿ ¿¿ ¿¿¿ ¿ ¿¿¿¿¿ ¿¿¿ ¿¿¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿ ¿¿ ¿¿¿¿ ¿¿¿¿¿¿ ¿¿¿¿ ¿ ¿¿¿¿¿¿¿ ¿ ¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿¿¿¿ ¿¿¿ ¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿ ¿¿¿¿ ¿¿ ¿¿¿¿¿ ¿¿¿¿ ¿¿¿¿ ¿¿¿ ¿¿¿¿ ¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿¿¿ ¿ ¿¿¿¿ ¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿ ¿¿¿¿ ¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿ ¿¿ ¿¿¿¿ ¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿ ¿¿ ¿¿¿ ¿¿¿¿ ¿¿¿¿ ¿¿¿¿¿ ¿¿¿¿ ¿¿ ¿¿¿¿¿ ¿¿¿ ¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿ ¿¿¿¿¿¿ ¿¿¿¿¿ ¿¿ ¿¿¿ ¿¿¿ ¿¿¿¿ ¿¿¿ ¿¿¿¿¿ ¿¿¿¿¿¿¿ ¿ ¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿ ¿¿¿ ¿¿¿¿ ¿¿¿¿¿ ¿¿¿¿¿¿¿ ¿¿¿¿¿¿ ¿¿¿ ¿¿¿ ¿¿¿¿ ¿¿¿¿ ¿¿¿¿¿ ¿¿¿¿ ¿¿ ¿¿¿¿ ¿¿ ¿¿ ¿ ¿¿¿¿¿¿¿¿¿ ¿¿¿ ¿¿¿¿¿¿ ¿ ¿¿¿¿¿¿ ¿¿ ¿¿¿¿ ¿¿¿ ¿¿¿¿¿¿¿ ¿¿ ¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿¿¿¿ ¿¿ ¿¿¿ ¿¿¿¿¿¿¿ ¿¿ ¿¿¿¿¿¿ ¿¿¿¿ ¿¿¿¿¿¿¿¿¿ ¿¿ ¿¿¿ ¿¿¿¿¿¿¿¿¿ ¿¿ ¿¿ ¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿ ¿¿¿¿ ¿¿¿¿¿¿¿ ¿¿¿¿¿¿ ¿¿¿¿¿ ¿¿¿¿¿ ¿¿¿ ¿¿¿¿¿¿¿¿¿ ¿¿¿¿ ¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿ ¿¿ ¿¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿¿¿ ure an argument and speak in public. An older student told her about something she'd never heard of - the Ivy League - and she followed him to Princeton. "Qualifying for financial aid was the easiest part," she writes. "There were no assets to report." For all her reticence in discussing her legal views, Sotomayor is frank about how much she benefited from affirmative action. (The constitutionality of race-conscious university admissions is on the court's docket this year, with a case brought by a white plaintiff denied entrance to the University of Texas.) She received a C on her first midterm paper because she didn't know how to write an essay. And she remembers regular letters to The Daily Princetonian complaining that students like her were displacing worthier applicants. Sotomayor dealt with all this by joining a Puerto Rican student group that concentrated on recruiting more Latino students. Hardly a radical, she was more the type that got tapped for a student-faculty committee. In class, she spun her self-doubt into motivation and won the Pyne Prize, the highest award Princeton gives to a senior, as well as graduating summa cum laude and Phi Beta Kappa. Her account of these years is a textbook description of grit. "That tide of insecurity would come in and out over the years, sometimes stranding me for a while but occasionally lifting me just beyond what I thought I could accomplish," she writes. "Either way, it would wash over the same bedrock certainty: ultimately, I know myself." That self-knowledge isn't just about striving. It also enables Sotomayor to see that when she's hard at work, she sometimes misses social cues. At the law firm she later joined, a colleague called her "one tough bitch," Stung, she has made sure since then to hang on to a secretary who "holds a mirror up when she notices me getting intimidating or too abrupt, an effect only amplified by the trappings of my current office." This passage deftly turns aside the anonymous (and refuted) attacks on Sotomayor's temperament before her 2009 nomination to the Supreme Court. I'm all for kindness from on high, but I'm glad Sotomayor still fires aggressive questions from the bench. Watching her recently, I thought of the mock juror who once told her, back in her law-student days, that he had voted against her because he didn't like brassy Jewish women. Good for her for staying brassy, and for telling this story without sweating it. In this, as in her stance on affirmative action, Sotomayor's memoir contrasts with Clarence Thomas's 2007 autobiography, "My Grandfather's Son." Where she learned to see school as her giant oyster, and to shrug off the world's slights, Thomas emerged from his hardscrabble upbringing in a defensive crouch, deriding college and law school for turning him into an "educated fool." No wonder the two justices of color have such divergent voting records. Their future years on the bench will reveal which book, and which lessons learned in childhood, will have more influence. Qualifying for financial aid to Princeton was easy, Sotomayor says. 'There were no assets to report.' Emily Bazelon is a senior editor at Slate and the Truman Capote fellow at Yale Law School. Her book about bullying, "Sticks and Stones," will be published next month.

Copyright (c) The New York Times Company [January 20, 2013]
Review by Booklist Review

*Starred Review* When Sotomayor joined the U.S. Supreme Court in 2009, she made history as the first Hispanic on the high court. She'd also achieved the highest dream of a Puerto Rican girl growing up in a Bronx housing project longing to someday become a judge. In this amazingly candid memoir, Sotomayor recalls a tumultuous childhood: alcoholic father, emotionally distant mother, aggravating little brother, and a host of aunts, uncles, and cousins, all overseen by her loving, domineering paternal grandmother. When she was diagnosed with juvenile diabetes at eight years of age, she knew she had to learn to give herself the insulin shots. That determination saw her through Catholic high school, Princeton, and Yale Law School, at each step struggling to reconcile the poverty of her childhood with the privileges she was beginning to enjoy. No rabble-rouser, she nonetheless was active in student groups supporting minorities. At Yale, she learned how to think about jurisprudence, but readers looking for clues to her judicial thinking will be disappointed as she deliberately demurs. She recounts complicated feelings toward her parents and her failed marriage as she advanced to the DA's office, private practice, the district court, and, triumphantly, the Supreme Court. Sotomayor offers an intimate and honest look at her extraordinary life and the support and blessings that propelled her forward. HIGH-DEMAND BACKSTORY: A media blitz will attend the release of this already newsworthy memoir by the Supreme Court's first Hispanic justice.--Bush, Vanessa Copyright 2010 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

U.S. Supreme Court Justice Sotomayor, born poor in the South Bronx and appointed to the federal bench as its first Hispanic justice, recounts numerous obstacles and remarkable achievements in this personal and inspiring autobiography. Her path to the highest court in the land was rife with difficulties, but it wasn't circuitous-from an early age, Sotomayor was determined to become a lawyer. To reach her goal she overcame diabetes, the language barrier (her Puerto Rican family spoke Spanish at home), the early death of her beloved alcoholic father, and-in the academic and professional worlds-the disparaging of minorities. In some respects, her story-that of a second-generation immigrant rallying familial support, educational opportunities, and plenty of ambition and discipline to realize the American dream-is familiar, but her extraordinary success makes her experience noteworthy. Sotomayor is clear-eyed about the factors and people that helped her succeed, and she is open about her personal failures, foremost among them an unsuccessful marriage. Regardless of political philosophies, readers across the board will be moved by this intimate look at the life of a justice. 16 pages of photos. Announced first printing: 200,000. Agent: Peter Bernstein, Bernstein Literary Agency. (Jan. 16) (c) Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review

In this revealing memoir, Supreme Court Justice Sotomayor candidly and gracefully recounts her formative years growing up in the South Bronx in "a tiny microcosm of Hispanic New York City," among an extended family of Puerto Rican immigrants. Her descriptions of the neighborhoods, relatives, and routines of those years are vital, loving, and incisive, as she traces her growth into adulthood, and examines both strengths and failings. She then moves on to her decision to apply to Ivy League colleges, the challenges of coping with unfamiliar environments, her education at Princeton (with the library as her refuge), and her education and career as a lawyer, assistant district attorney, and newly appointed judge in 1992, at which point she draws to a close. Throughout, Sotomayor summons forth the stories that influenced her drive and character, while also painting evocative portraits of scenes and loved ones long gone. An early example: diagnosed as diabetic at age seven, Sotomayor quickly saw that household volatility meant she must be responsible for her own insulin injections; her memoir shows both her continued self-reliance and her passion for community. -VERDICT Sure to be in demand. Recommended for all readers from advanced junior high on up.-Margaret -Heilbrun, Library Journal (c) Copyright 2012. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by School Library Journal Review

Gr 9 Up-Toughened by a childhood living in Bronx housing projects with a large Puerto Rican family troubled by alcoholism and poverty, Sotomayor resolved to make something positive of her life. After graduating from Princeton and going on to law school at Yale, Sotomayor is now the first Hispanic member of the U.S. Supreme Court-and its fourth female Justice. Rita Moreno, Puerto Rican herself, brings cultural authenticity to the narration of this captivating memoir; the preface and prologue are read by Justice Sotomayor. Learn more about the women of the Supreme Court at the PBS website (ow.ly/soLQs). (c) Copyright 2014. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

Graceful, authoritative memoir from the country's first Hispanic Supreme Court justice. As a child in South Bronx public housing, Sotomayor was diagnosed with juvenile diabetes. Her Puerto Rican parents' struggles included a father's battle with alcoholism that would claim his life when Sotomayor was 9, leaving her mother, a former Women's Army Corps soldier turned nurse, to raise her. Time spent with her cousin, Catholic school friends and her beloved grandmother helped to calm the chaos of life in the projects. As Sotomayor entered adolescence, her mother's strong belief in education spurred the author to thrive in school and develop an appreciation for justice and the law. The author vividly narrates her scholarly adventures at Princeton, where she advocated for Latino faculty, and Yale Law School, where she dealt with smaller cases in preparation for the complexities of work in the district attorney's office. In 1992, she received an appointment to the U.S. District Court for the Southern District of New York. The author's text forms a cultural patchwork of memories and reflections as she mines the nuances of her parents' tumultuous relationship, fondly recalls family visits in Puerto Rico and offers insight on a judicial career that's just beginning when the memoir ends. Sotomayor writes that her decision (a shrewd one) to close her story early is based on both a political career she feels is "still taking shape" and a dignified reluctance to expand upon any recent high court "political drama," regardless of the general public's insatiable curiosity. Mature, life-affirmative musings from a venerable life shaped by tenacity and pride.]] Copyright Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

From Chapter 11 I was working my way through the summer reading list when Lord of the Flies brought me to a halt. I wasn't ready to start another book when I finished that one. I'd never read anything so layered with meaning: it haunted me, and I needed to think about it some more. But I didn't want to spend the whole break doing nothing but reading and watching TV. Junior was happy shooting baskets all the daylight hours, but there wasn't much else going on around the projects if you were too old for the playground and not into drugs. Orchard Beach still beckoned, roasting traffic and all, but getting there was a trek you couldn't make every day. Besides, without Abuelita's laugh and the anticipation of her overgenerous picnic in the trunk, without Gallego gunning the engine of a car packed with squirming kids, somehow it just wasn't the same. So I decided to get a job. Mami and Titi Carmen were sitting in Abuelita's kitchen over coffee when I announced my plan. There were no shops or businesses in the projects, but maybe I could find someone to hire me in Abuelita's old neighborhood. Titi Carmen still lived on Southern Boulevard and worked nearby at United Bargains. The momandpop stores under the El wouldn't hire kids--leaning on family labor rather than paying a stranger--but the bigger retailers along Southern Boulevard might. I proposed to walk down the street and inquire in each one. "Don't do that," said Titi Carmen. "Let me ask Angie." Angie was Titi Carmen's boss. My mother meanwhile looked stricken and bit her lip. She didn't say anything until Titi had gone home. Then, for the first time, she told me a little bit about her own childhood: about sewing and ironing handkerchiefs for Titi Aurora since before she could remember, for hours every day. "I resented it, Sonia. I don't want you to grow up feeling like I did." She went on to apologize for being unable to buy us more things but still insisted it would be even worse if I blamed her one day for depriving me of a childhood. I didn't see that coming. Nobody was forcing me to work. Sure, a little pocket money would be nice, but that wasn't the main motivation. "Mami, I want to work," I told her. She'd worked too hard all her life to appreciate that leisure could mean boredom, but that's what I knew I'd be facing if I sat home all summer. I promised never to blame her. In that moment, I began to understand how hard my mother's life had been. Titi Carmen reported back that Angie was willing to hire me for a dollar an hour. That was less than minimum wage, but since I wasn't old enough to work legally anyway, they would just pay me off the books. I would take the bus, meet Titi Carmen at her place, and then we'd walk over to United Bargains together. That became our routine. It wasn't a neighborhood where you walked alone. United Bargains sold women's clothing. I pitched in wherever needed: restocking, tidying up, monitoring the dressing rooms. I was supposed to watch for the telltale signs of a shoplifter trying to disappear behind the racks, rolling up merchandise to stuff in a purse. Junkies were especially suspect. They were easy to spot by the shadow in their eyes, though the tracks on their arms were hidden under long sleeves even in summer. There was never an argument, never a scene. Once in a while I had to say, "Take it out." Most of the time I didn't need to utter a word. She would pull the garment out of her bag, put it back on the hanger, or maybe hand it to me, our eyes never meeting as she slinked out. We always let them go. There wasn't much choice: in a precinct that had come to be known as Fort Apache, the Wild West, the cops had their hands full dealing with the gangs. Besides, the management understood that the shame and pity were punishment enough, and I naturally agreed. I abhorred feeling pitied, that degrading secondhand sadness I would always associate with my family's reaction to the news I had diabetes. To pity someone else feels no better. When someone's dignity shatters in front of you, it leaves a hole that any feeling heart naturally wants to fill, if only with its own sadness. On Saturday nights the store was open late, and it was dark by the time we rolled down the gates. Two patrol officers would meet us at the door and escort us home. I don't know how this was arranged, whether it was true that one of the saleswomen was sleeping with one of these cops, but I was glad of it anyway. As we walked, we could see the SWAT team on the roofs all along Southern Boulevard, their silhouettes bulging with body armor, assault rifles bristling. One by one the shops would darken, and we could hear the clatter of the graffiti-covered gates being rolled down, trucks driving off, until we were the only ones walking. Even the prostitutes had vanished. You might trip on tourniquets and empty glassine packets when you got into the courtyard area at Titi Carmen's, but you wouldn't run into any neighbors. I would spend the night there, talking the night away with Miriam. I wished Nelson were there too, but he was never home anymore. I remember falling asleep thinking again about Lord of the Flies . It was as if the fly-crusted sow's head on a stick were planted in a crack of the sidewalk on Southern Boulevard. The junkies haunting the alley were little boys smeared with war paint, abandoned on a hostile island, and the eyes of the hunters cruising slowly down the street glowed with primitive appetites. The cops in their armor were only a fiercer tribe. Where was the conch? The next morning, in daylight, Southern Boulevard was less threatening. The street vendors were out, shop fronts were open, people were coming and going. On the way home I stopped at a makeshift fruit cart to buy a banana for a snack. I was standing there peeling my purchase when a police car rolled up to the curb. The cop got out and pointed here and there to what he wanted--there was a language barrier--and the vendor loaded two large shopping bags with fruit. The cop made as if to reach for his wallet, but it was only a gesture, and the vendor waved it off. When the cop drove away, I asked the man why he didn't take the money. " Es el precio de hacer negocios. If I don't give the fruit, I can't sell the fruit." My heart sank. I told him I was sorry it was like that. "We all have to make a living," he said with a shrug. He looked more ashamed than aggrieved. Why was I so upset? Without cops our neighborhood would be even more of a war zone than it was. They worked hard at a dangerous job with little thanks from the people they protected. We needed them. Was I angry because I held the police to a higher standard, the same way I did Father Dolan and the nuns? There was something more to it, beyond the betrayal of trust, beyond the corruption of someone whose uniform is a symbol of the civic order. How do things break down? In Lord of the Flies, the more mature of those lost boys start off with every intention of building a moral, functional society on their island, drawing on what they remember--looking after the "littluns," building the shelters, keeping the signal fire burning. Their little community gradually breaks down all the same, battered by those who are more self-indulgent, those who are driven by ego and fear. Which side was the cop on? The boys need rules, law, order, to keep their worst instincts in check. The conch they blow to call a meeting or hold for the right to speak stands for order, but it holds no power in itself. Its only power is what they agree to honor. It is a beautiful thing, but fragile. When I was much younger, on summer days I would sometimes go along with Titi Aurora to the place where she worked as a seamstress. Those must have been days when Mami was working the day shift and, for some reason, I couldn't go to Abuelita's. That room with the sewing machines whirring was a vision of hell to me: steaming hot, dark, and airless, with the windows painted black and the door shut tight. I was too young to be useful, but I tried to help anyway, to pass the time. Titi Aurora would give me a box of zippers to untangle, or I'd stack up hangers, sort scraps by color, or fetch things for the women sewing. All day long I'd keep an eye out for anyone heading toward the door. As soon as it opened, I'd race over and stick my head out for a breath of air, until Titi saw me and shooed me back in. I asked her why they didn't just keep the door open. "They just can't," she would say. Behind the closed door and the blackened windows, all those women were breaking the law. But they weren't criminals. They were just women toiling long hours under miserable conditions to support their families. They were doing what they had to do to survive. It was my first inkling of what a tough life Titi Aurora had had. Titi never got the schooling that Mami got, and she'd borne the brunt of the father Mami was spared from knowing. Her married life would have many challenges and few rewards. Work was the only way she knew to keep going, and she never missed a day. And though Titi was also the most honest person I knew--if she found a dime in a pay phone, she'd dial the operator to ask where she should mail it--she broke the law every day she went to work. One evening at United Bargains, the women were making crank calls, dialing random numbers out of the phone book. If a woman's voice answered, they acted as if they were having an affair with her husband, then howled with laughter at their poor gull's response. Titi Carmen would join in, taking her turn on the phone and laughing as long and hard as any of them. I couldn't understand how anyone could be so cruel--so arbitrarily, pointlessly cruel. What was the pleasure in it? Walking home, I asked her, "Titi, can't you imagine the pain you're causing in that house?" "It was just a joke, Sonia. Nobody meant any harm." How could she not imagine? How could the cop not imagine what two large shopping bags full of fruit might measure in a poor vendor's life, maybe a whole day's earnings? Was it so hard to see himself in the other man's shoes? I was fifteen years old when I understood how it is that things break down: people can't imagine someone else's point of view. Chapter Twelve Three days before Christmas and midway through my freshman year at Cardinal Spellman High School, we moved to a new apartment in Coop City. Once again, my mother had led us to what seemed like the edge of nowhere. Coop City was swampland, home to nothing but a desolate amusement park called Freedomland, until the cement mixers and dump trucks arrived barely a year before we did. We moved into one of the first of thirty buildings planned for a development designed to house fifty-five thousand. To get home from school, I had to hike a mile--down Baychester Avenue, across the freeway overpass, and through the vast construction site of half-built towers and bare, bulldozed mud--before reaching human habitation. An icy wind that could lift you off your feet blew from the Hutchinson River. Flurries of snow blurred the construction cranes against an opaque sky of what seemed like Siberia in the Bronx. At least now we lived close enough for me to walk to school, and I was glad of that. The hour-long trek by bus and train from Watson Avenue had been tedious. Poor Junior, who was only in sixth grade when we moved, would make the commute in reverse from Coop City to Blessed Sacrament for another two and a half years. No one we knew had ever heard of Coop City. My mother learned about it from some newspaper article on the city's plans for building affordable housing. The cost of living there was pegged to income, and at the same time you were buying inexpensive shares in a cooperative, so in theory there was a tax break. My mother was eager to get us into a safer place because the Bronxdale projects were headed downhill fast. Gangs were carving up the territory and each other, adding the threat of gratuitous violence to the scourges of drugs and poverty. A plague of arson was spreading through the surrounding neighborhoods as landlords of crumbling buildings chased insurance. Home was starting to look like a war zone. It was Dr. Fisher who made the move possible. When he died, he left my mother five thousand dollars in his will, the final and least expected of the countless kindnesses that we could never repay, although we tried. When Dr. Fisher was hospitalized after his wife died, Abuelita made Gallego stop on the way to work every morning to pick up Dr. Fisher's laundry and deliver clean pajamas to him. Yes, Coop City was the end of the earth, but once I saw the apartment, it made sense. It had parquet floors and a big window in the living room with a long view. All the rooms were twice the size of those cubbyholes in the projects, and the kitchen was big enough to sit and eat in. Best of all, my mother's friend Willy, a musician who did handiwork too, was able to partition the master bedroom into two little chambers, each big enough for a twin bed and a tiny bureau, so Junior and I could finally have separate rooms. Each had its own door, and Willy even let us each choose our own wallpaper. Junior chose something neutral, in a restrained shade of beige. Mine had constellations, planets, and signs of the zodiac in an antique style, as if a Renaissance cartographer had drawn a map for space travel. I was reading a lot of science fiction and fantasizing about travel to other worlds or slipping through a time warp. It had been only the summer before, in July 1969, that two astronauts had walked on the moon, and I was awestruck that it had happened in my own lifetime, especially when I remembered how Papi had predicted this. From the earth's leaders, Neil Armstrong and Buzz Aldrin carried messages etched in microscopically tiny print on a silicon disk, messages that could fit on the head of a pin, to be deposited on the surface of the moon. Pope Paul's was from Psalm 8: "I look up at your heavens, made by your fingers, at the moon and stars you set in place. Ah, what is man that you should spare a thought for him? Or the son of man that you should care for him? You have made him a little less than an angel, you have crowned him with glory and splendor, and you have made him lord over the work of your hand." Excerpted from My Beloved World by Sonia Sotomayor All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.