Collateral A novel

Ellen Hopkins

Book - 2012

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Subjects
Genres
Romance fiction
Published
New York : Atria Books 2012.
Language
English
Main Author
Ellen Hopkins (-)
Edition
1st Atria Books hardcover ed
Physical Description
xii, 496 p. ; 24 cm
ISBN
9781451626377
Contents unavailable.
Review by Booklist Review

Having made the leap from YA to adult fiction with her novel in verse, Triangles (2011), Hopkins continues to tackle mature themes in the same form. A tale highlighting the stress military life places not just on soldiers but on those who love them, Collateral focuses on Ashley, a 19-year-old student, and Cole, a young marine. In a case of near opposites attracting, the two fall in love, and Hopkins uses her signature poetic style to chart the heightened emotions of their relationship during the separation and anxiety of four deployments to Iraq and Afghanistan as well as the pair's subsequent joyful reunions. As Hopkins alternates between past and present, readers witness the unraveling of a once promising romance, with Cole growing increasingly hardened and Ashley confronting doubts about a future with a man she realizes she barely knows. When a sympathetic professor befriends Ashley, she becomes even more confused. Hopkins' resolution of this triangle is a little too neat and feels rushed, but her point is well made: collateral damage in war often extends to soldiers' families.--Wetli, Patty Copyright 2010 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

Bestselling author Hopkins turns her signature free verse style to modern war and its fallout for her second adult novel (after Triangles). College student Ashley Patterson meets Cole Gleason, a Marine, in a bar; they fall in like, in lust, in love. Their relationship spans the ups and downs of five years and four deployments. Cole's experiences in the war zone, what he has to do to survive, and how it translates to the home front define the relationship, as Ashley struggles to build a life simultaneously with and without him: "Semper Gumby. Always flexible." She works with veterans at the VA hospital: "A few showed me their ramblings. I could/ fix their grammar. But not their memories." Free verse from two perspectives (using different fonts; san serif for Cole, serif for Ashley) mixes with earnest, often sorrowful poems written by Ashley and Cole: "Ask/ a soldier// what he believes in./ He'll tell you God. Country./ The patient hands of death-." The link between war and poetry is nothing new, and, over almost 500 pages, Hopkins turns the sum of her disparate parts into a clear narrative that is uplifting and heartbreaking, but also familiar and a little too easy, featuring characters grappling with the serious issues of our time. Agent: Laura Rennert, the Andrea Brown Literary Agency. (Nov.) (c) Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review

YA author Hopkins's (Triangles) second adult novel examines the effects of war on those serving in the military as well as their spouses and loved ones back home. Ashley is not yet married to her Marine, Cole, but she is still deeply affected by the changes that war has brought to their relationship and to Cole's mental health. Since meeting and falling in love with Cole, Ashley has planned her life around his military career. Over the course of the novel readers start seeing the effects Cole's frequent deployments have on his psyche. Hopkins examines the difficulties often overlooked in military marriages, such as limited communication, infidelity, worry over injury, loneliness, and the physical and mental issues of returning veterans. -VERDICT Though the story will appeal to many readers (including those interested in romance, beach reads, military life, and poetry) the fact that the book is written in verse might scare away less-than-confident readers. Recommended.-Brooke Bolton, North Manchester P.L., IN (c) Copyright 2012. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

Written in Hopkins' signature free verse (Triangles, 2011, etc.), this book examines the relationship between a young California woman and the Marine she loves in language that ranges from raw to tender. Ashley and her Marine boyfriend paint their relationship in searing physical terms in this uneven tale of two best friends and the men they love. Ashley, a college student who still relies on her parents to support her, and Darian, her roommate, meet Cole and Spencer at a club one night. The two Marines are stationed nearby, but Wyoming-born Cole seems gentle and poetic to Ashley, despite his brutal profession. Ashley's parents deplore the relationship, and her mother, who hates the military, is especially critical of the pairing. She believes Cole is a butcher, but Ashley, who knows that Cole writes poetry and has a loving, sweet side, is convinced he is a much more complex man than her parents realize. Darian and Spencer are another story, though. Their rocky relationship bounces from heaven to hell faster than a melting ice cube, and Darian's sexuality is like a sign she wears around her neck. Although eventually married to Spencer, she can't seem to stop finding other men with whom to occupy her time. Hopkins specializes in writing long-form free verse, and her fans are rabid about her work, but for those who've never before dipped a toe into this style, the book may prove tough going and, in some places, overtly sexual. Although the author assures readers she meticulously researched the book for details about the military and military life, she insists on calling Cole a "soldier," which is a term appropriate to the Army, but eschewed by members of the Marine Corps. She gets many of the other details of military life right and brings much passion to her work, but that one major stumble may turn off military readers. A melodramatic and very often overwrought volume that attempts to capture the heart and soul of what it's like to be the girl left behind.]] Copyright Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

Collateral Present POETS WRITE ELOQUENTLY About war, creating vivid images of severed limbs, crusting body fluids and restless final sleep, using nothing more than a few well-crafted words. Easy enough to jab philosophically from the comfort of a warm winter hearth or an air-conditioned summer. But what can a sequestered writer know of frontline realities--blistering marches under relentless sand-choked skies, where you'd better drink your weight in water every day or die from dehydration? Flipside--teeth- cracking nights, too frigid for action, bored out of your mind as you try to stay warm in front of a makeshift fire. How can any distant observer know of traversing rock-rutted trails, hyperaware that your camouflage comes with a built-in bull's-eye; or of sleeping with one ear listening for incoming peril; or of the way fear clogs your pores every time you climb inside a Humvee and head out for a drive? You can see these things in movies. But you can't understand the way they gnaw your heart and corrode your mind, unless you've been a soldier outside the wire in a country where no one native is really your friend, and anyone might be your enemy. You don't know till you're ducking bullets. The only person you dare rely on is the buddy who looks a lot like you--too young for this, leaking bravado, and wearing the same uniform. Even people who love soldiers-- people like me--can only know these things tangentially, and not so much because of what our beloveds tell us as what they'll never be able to. Excerpted from Collateral by Ellen Hopkins All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.