I'm in that lovely space between consciousness and sleep. I feel no pain thanks to the morphine pump and I can almost believe that the muscles, tendons and skin of my left arm have knitted themselves back together, leaving my skin smooth and pale. My curly brown hair once again falls softly down my back, my favorite earrings dangle from my ears and I can lift both sides of my mouth in a wide smile without much pain at the thought of my children. Yes, drugs are a wonderful thing. But the problem is that while the carefully prescribed and doled-out narcotics by the nurses wonderfully dull the edges of this nightmare, I know that soon enough this woozy, pleasant feeling will fall away and all that I will be left with is pain and the knowledge that Augie and P.J. are thousands of miles away from me. Sent away to the place where I grew up, the town I swore I would never return to, the house I swore I would never again step into, to the man I never wanted them to meet. The tinny melody of the ringtone that Augie, my thirteen-year-old daughter, programmed into my cell phone is pulling me from my sleep. I open one eye, the one that isn't covered with a thick ointment and crusted shut, and call out for my mother, who must have stepped out of the room. I reach for the phone that is sitting on the tray table at the side of my bed and the nerve endings in my bandaged left arm scream in protest at the movement. I carefully shift my body to pick up the phone with my good hand and press the phone to my remaining ear. "Hello." The word comes out half-formed, breathless and scratchy, as if my lungs were still filled with smoke. "Mom?" Augie's voice is quavery, unsure. Not sounding like my daughter at all. Augie is confident, smart, a take-charge, no one is ever going to walk all over me kind of girl. "Augie? What's the matter?" I try to blink the fuzziness of the morphine away; my tongue is dry and sticks to the roof of my mouth. I want to take a sip of water from the glass sitting on my tray, but my one working hand holds the phone. The other lies useless at my side. "Are you okay? Where are you?" There are a few seconds of quiet and then Augie continues. "I love you, Mom," she says in a whisper that ends in quiet sobs. I sit up straight in my bed, wide awake now. Pain shoots through my bandaged arm and up the side of my neck and face. "Augie, what's the matter?" "I'm at school." She is crying in that way she has when she is doing her damnedest not to. I can picture her, head down, her long brown hair falling around her face, her eyes squeezed shut in determination to keep the tears from falling, her breath filling my ear with short, shallow puffs. "He has a gun. He has P.J. and he has a gun." "Who has P.J.?" Terror clutches at my chest. "Tell me, Augie, where are you? Who has a gun?" "I'm in a closet. He put me in a closet." My mind is spinning. Who could be doing this? Who would do this to my children? "Hang up," I tell her. "Hang up and call 9-1-1 right now, Augie. Then call me back. Can you do that?" I hear her sniffles. "Augie," I say again, more sharply. "Can you do that?" "Yeah," she finally says. "I love you, Mom," she says softly. "I love you, too." My eyes fill with tears and I can feel the moisture pool beneath the bandages that cover my injured eye. I wait for Augie to disconnect when I hear three quick shots, followed by two more and Augie's piercing screams. I feel the bandages that cover the left side of my face peel away, my own screams loosening the adhesive holding them in place; I feel the fragile, newly grafted skin begin to unravel. I am scarcely aware of the nurses and my mother rushing to my side, tearing the phone from my grasp. Excerpted from One Breath Away by Heather Gudenkauf All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.
