Review by New York Times Review
LISTEN! Writers! Remember that New Yorker profile from about a year ago - about the two Hollywood therapists who had developed strategies, yes, tools, tools that screenwriters and television writers could use over and over for defeating writer's block? Well, now they have a book out. Only, maybe it's the wrong book. Depends. But listen! Writers! This book, "The Tools: Transform Your Problems Into Courage, Confidence, and Creativity," despite that word "creativity" looming out there like your childhood bully, has precisely four mentions of writers in it. Four. The cop who longs to write stories instead of just telling them at his bar (known as regaling, in professional bar lore). The successful screenwriter who freezes and just wants to revert to her lost, kid-writer place where she "loved to write for its own sake." And two more. The therapists, Phil Stutz and Barry Michels, have obviously had some success with these types. When that article came out writers were asking other writers, "Did you read it?" It generated what the authors call a Grateful Flow. (Yes. One of the Tools.) Because, if someone had found - well, a cure would sound too eager and sweaty, but a method for handling writer's block and writers' insecurities, which is pretty much the whole catastrophe, well, where do we all sign up? We professionals, we wannabes, fried-outs, comebackers, coo-coos, dream-jobbers. Us. Listen! There was a market for that book. The one they didn't do. It could have joined the rare essential works on the screenwriter's shelf - alongside Joseph Campbell (I said essential, not untainted), Robert McKee's "Story" and Twyla Tharp's "Creative Habit." But Stutz and Michels instead chose to use their new public pulpit to sell the book they had been developing for years - one boiling over with universal tactics to get us off the dirty dime of our stalled lives that just might, who knows, help out lots more lumbering souls than some schlub stumped on his Act II B-plot crisis procrastinating by doing fake research, reading gun magazines. Now, these Tools all come with explainy labeled diagrams like "Freedom to Go On With Life" and "Trapped in the Past" that recall editorial cartoons in which the A-bomb had a nasty puss and "U.S. Fears" written on it. But though the book is organized torpidly, the Tools themselves retain a fascination, in part because you're never sure if you'll turn the page and Stutz and Michels will go into some full-bore flip-out. Their tool "Reversal of Desire" (essentially, not fleeing fear but confronting it - even a phone call in which someone might reject you romantically in ways you will still be replaying 80, 90 years later) is presented thus: "See the pain appear in front of you as a cloud. Scream silently at the cloud, 'BRING IT ON!'" Then, "Scream silently, 'I LOVE PAIN!'" - no offense, but Edvard Munch has a lot to answer for. Then, after the cloud engulfs you, it will spit you out and, "As you leave the cloud, feel yourself propelled forward into a realm of pure light." Sadly, years of immersion in the cloud of popular culture have trained me never ever ever to head for the light, which will prematurely reunite me with Gramps, who'll tell me I still have wrists like a girl. But happily, the tool "Inner Authority" teaches me how to confront Gramps and other tormentors (like Gramps, for example; no, mentioned him) while teamed up with my Shadow. The Shadow, a concept repurposed from Jung, is a self living inside us that is "everything we don't want to be but fear we are," whom we must visualize and corporealize. Loyal failure-self, whom we remember from seventh-period gym, now bonds with us as together we address an imaginary audience "and silently command them to 'LISTEN!'" Rod Serling was a friend of Michels's parents, which may explain why the docs' more magical theorizing and their proselytizing "new spirituality" reads simultaneously like a lost episode of "The Twilight Zone" and a desire to serve mankind. That Serling factoid is found only in the New Yorker article, by the way, not in the tamer book, which forgets that books like this (already a best seller) thrive less on their ideas than on the complex personalization of the mentors. Stutz's father used to invoke bankruptcies to him - "Could you make do with only one pair of pants?" By 12 he was basically Dad's therapist. But Michels, a child of atheists who says "faith was my family's 'f-word,'" had potential to drive the narrative harder, too. They get little help from their yuppified case histories, like the woman who can't enjoy her spotless new kitchen because her husband keeps grubbing it up making late-night snacks. Their patients resemble under-40 climbers for whom an off-season frozen Mallomar is never enough. An exception is Vinny, a talented but grandiose stand-up comic, whose self-destructive story gives the book a structure. The Tools save him from the brink, he rises, quits therapy and falls, finally uses the "Jeopardy" tool (in which your deathbed-self screams at you "not to waste the present moment"). "My God!" Vinny visualizes on his road to redemption. "I'm living in my mother's house!" Stutz and Michels write, "Now, instead of using humor as a weapon in a war against humanity, he gave it as a gift to make others happy - which made him happy." I would submit that they have arrived at precisely the wrong conclusion because of their misguided animosity toward negativity, judgments, hopelessness, complaining. Too much humorless positivity erodes this adventurous but narrow book. The romance of hate drives comedy. It brings to mind the sulfurously brilliant Don Rickles performing. Then moments later, snuffling on Johnny Carson's couch to show what a likable soul he really was. That couch was Don's Shadow, not the other way around. Charlie Rubin writes and produces for television and movies and teaches at the Tisch School of the Arts.
Copyright (c) The New York Times Company [July 29, 2012]
Review by Publisher's Weekly Review
With deceptively potent visualization exercises, psychiatrist Stutz and psychotherapist Michels promote a rapid and streamlined method of self-improvement. Michels, known for his work with prominent entertainment industry clients, teaches readers to end procrastination and negativity by tapping into higher forces. Stutz, who originally developed the Tools, backtracks to explain how and why they originated. Though simple, the authors' techniques are designed to access intense intrapersonal areas. The "Inner Authority" tool, for example, involves imagining the Jungian Shadow to reach greater self-expression. Though many of the tools are explained by addressing a creative problem, readers in any field are likely to feel empowered because of their ease of use. Easy but not shallow, the work of Michels and Stutz also has a transcendent component. The authors foresee a time when "psychotherapy... will become a spiritual endeavor"; exercises are said to work thanks to the generosity of the universe. The clear, user-friendly approach plus a belief that "the power of higher forces is absolutely real" is a winning combination. Here is the rare self-help book that doesn't end with the self. (June) (c) Copyright PWxyz, LLC. All rights reserved.
(c) Copyright PWxyz, LLC. All rights reserved
Review by Kirkus Book Review
In their debut, Stutz and Michels provide a blueprint to actively change your life. Their tools are focused on solving problems rather than obsessing over their causes. Told mostly through Michels' voice, the book outlines a process developed by Stutz in his psychotherapy practice. He found that while therapy elicits valuable memories, emotions and insights, people needed tools powerful enough to bring immediate relief and to connect to life-changing forces. The authors offer five tools to begin change. The first, the Reversal of Desire, helps you break out of your comfort zone, embrace pain and move past it. The second, Active Love, is used when your anger traps you in a maze of negativity. It involves creating and sending out love. The third tool, Inner Authority, asks you to embrace and celebrate your inner shadow, freeing your natural self rather than cloistering it in insecurity. When filled with worry, anxiety and negativity, Grateful Flow, the fourth tool, grounds you in the present and connects you with the ultimate positive force in the universe. The final tool, Jeopardy, provides the willpower to stay on track. These prescriptive tools ultimately invoke higher forces and give rise to spiritual evolution. In the final chapter, the authors help readers integrate the five tools to bring higher forces to bear on a personal problem and, by extension, society as a whole. Illustrated with stick figures and diagrams, the tools are adapted from Jungian psychology but go a step further. Stutz and Michels see problems as opportunities to enter a world of untapped spiritual potential. A thought-provoking book with a strong prescription to turn your life around--not for armchair self-help enthusiasts.]] Copyright Kirkus Reviews, used with permission.
Copyright (c) Kirkus Reviews, used with permission.